this film wasn not good at all. i was able to catch it at a film festival and do not appreciate the content i was forced to watch. it a well shot film about family looking to reconnect after the death of the family cornerstone (gabrielle union) dies. the film stars billy dee williams as gabrielle union brother. well and actually and gabrielle union portrayed the woman in her early years and which should help explain why the woman was billy dee williams older sister. this had to be billy dee william worst performance in his career and ever. he looked as if he do not remember his lines in a few scenes. he was an unlikable and hardly ever empathetic character and who fathered a daughter while married to a white woman whom he already had a daughter with as well. the two daughters are older now and while the daughter he had with the white woman (lucy) was trying to connect with him and his other daughter do not want anything to do with him. billy dee character was so pathetic that the only way they can get him to fly in from paris for his sister funeral was by telling him that the funeral had already passed and his late sister left him with the responsibility of handling her paperwork. why they had to fool him. because he do not like attending funerals. i know. youre asking and but he do not want to attend his own sister funeral too. yes. he claims he do not like being around the forced feelings of emotions that is shared amongst the people paying their respects. he do not want anything to do with that. now were suppose to empathize with that ahole. the rest of the performances in the film were flat with equally flat characters. the director and editor do not care to consider the pacing of the film. the flashbacks were painful to watch. it was a bad film. however and it seems to be the favorite at black film festivals while a film that glorifies african americans dependence on caucasians to find a love that they can settle down with and even if it is a healthy relationship. when lame love stories like this win best of festivals at the black film festivals and it makes me question the judgment of black people on film. in these same festivals and the only films that win awards are educational films about african american culture and black films directed by caucasian directors. i am not saying that anything is wrong with a white person directing stories written for people of color. the problems with these films is that they never argue from both point of views and which are usually the films that actually speaks to the masses. these films are often one sided forms of didacticism. these films fail at executing the powers of both sides of the argument that the film is revolved around. the writers and directors never compose the scenes and sequences that contradict your final statement with as much truth and energy as those that reinforce it. these films always slant the argument. what i am saying is and are the people running these black film festivals judging a film off of pure content and which to me means directing and acting and writing cinematography and editing and etc. and or are they judging films off of strictly the message being delivered about african american culture. are we suppose to expect a film like constellation to have a shot in the world against films like million dollar baby and sideways. what happened to film being entertaining. when i mean entertainment and i mean the ritual of sitting in the dark and staring at the screen and investing tremendous concentration and energy into what one hopes will be satisfying and meaningful emotional experience. why can not these festivals appreciate films that get their messages across without preaching. why can not these black film festivals acknowledge films that are well told pieces of work that are brutally honest and telling the truth. i believe we have no responsibility to cure social ills or renew faith in humanity and to uplift the spirits of society or even express our inner being. we have only one responsibility represent to tell the truth. robert mckee. now that something i totally agree with. these same black film festivals put down hustle and flo as if it is that awful film stereotyping blacks. however and it an honest film about a pimp with a dream. a pimp can not dream. i recall the last time i saw a real pimp he was a human being. and aren not they and pimps and prostitution a harsh reality in our society at large and not just in the black community but all over. the powers that be in black hollywood believe that films like this are making afro americans look bad in the eyes of others and as if others do not know that there are pimps in the hood. the truth is and until african american people in film can accept the truth about themselves and dare to share it with the world and then our films will never have a chance in the world. this film was awful. the best thing was the cinematography and zoe. 
this film wasn not good at all. i was able to catch it at a film festival and do not appreciate the content i was forced to watch. it a well shot film about family looking to reconnect after the death of the family cornerstone (gabrielle union) dies. the film stars billy dee williams as gabrielle union brother. well and actually and gabrielle union portrayed the woman in her early years and which should help explain why the woman was billy dee williams older sister. this had to be billy dee william worst performance in his career and ever. he looked as if he do not remember his lines in a few scenes. he was an unlikable and hardly ever empathetic character and who fathered a daughter while married to a white woman whom he already had a daughter with as well. the two daughters are older now and while the daughter he had with the white woman (lucy) was trying to connect with him and his other daughter do not want anything to do with him. billy dee character was so pathetic that the only way they can get him to fly in from paris for his sister funeral was by telling him that the funeral had already passed and his late sister left him with the responsibility of handling her paperwork. why they had to fool him. because he do not like attending funerals. i know. youre asking and but he do not want to attend his own sister funeral too. yes. he claims he do not like being around the forced feelings of emotions that is shared amongst the people paying their respects. he do not want anything to do with that. now were suppose to empathize with that ahole. the rest of the performances in the film were flat with equally flat characters. the director and editor do not care to consider the pacing of the film. the flashbacks were painful to watch. it was a bad film. however and it seems to be the favorite at black film festivals while a film that glorifies african americans dependence on caucasians to find a love that they can settle down with and even if it is a healthy relationship. when lame love stories like this win best of festivals at the black film festivals and it makes me question the judgment of black people on film. in these same festivals and the only films that win awards are educational films about african american culture and black films directed by caucasian directors. i am not saying that anything is wrong with a white person directing stories written for people of color. the problems with these films is that they never argue from both point of views and which are usually the films that actually speaks to the masses. these films are often one sided forms of didacticism. these films fail at executing the powers of both sides of the argument that the film is revolved around. the writers and directors never compose the scenes and sequences that contradict your final statement with as much truth and energy as those that reinforce it. these films always slant the argument. what i am saying is and are the people running these black film festivals judging a film off of pure content and which to me means directing and acting and writing cinematography and editing and etc. and or are they judging films off of strictly the message being delivered about african american culture. are we suppose to expect a film like constellation to have a shot in the world against films like million dollar baby and sideways. what happened to film being entertaining. when i mean entertainment and i mean the ritual of sitting in the dark and staring at the screen and investing tremendous concentration and energy into what one hopes will be satisfying and meaningful emotional experience. why can not these festivals appreciate films that get their messages across without preaching. why can not these black film festivals acknowledge films that are well told pieces of work that are brutally honest and telling the truth. i believe we have no responsibility to cure social ills or renew faith in humanity and to uplift the spirits of society or even express our inner being. we have only one responsibility represent to tell the truth. robert mckee. now that something i totally agree with. these same black film festivals put down hustle and flo as if it is that awful film stereotyping blacks. however and it an honest film about a pimp with a dream. a pimp can not dream. i recall the last time i saw a real pimp he was a human being. and aren not they and pimps and prostitution a harsh reality in our society at large and not just in the black community but all over. the powers that be in black hollywood believe that films like this are making afro americans look bad in the eyes of others and as if others do not know that there are pimps in the hood. the truth is and until african american people in film can accept the truth about themselves and dare to share it with the world and then our films will never have a chance in the world. this film was awful. the best thing was the cinematography and zoe. 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