hands of the ripper aspect ratio represent 1. 85 represent1sound format represent monoan edwardian doctor (eric porter) uses newfangled freudian analysis on a young girl (angharad rees) who turns out to be the daughter of jack the ripper and and just as deadly. unlikely hammer horror and in which a respectable society figure takes charge of a beautiful young waif without attracting so much as a whiff of scandal and even when she takes to murdering all and sundry with a variety of lethal implements (broken mirrors and hat pins and etc. ). l. w. davidson screenplay wanders aimlessly from one murder to another and sacrificing the material inherent subtext (porter obvious attraction to rees) in favor of commercial melodrama and and the tone remains subdued throughout. some of the gore scenes are surprisingly vivid and even for hammer and and these were clipped from the original us release (despite an r rating from the mpaa) and though the complete version is now available on home video. porter and rees give excellent performances and and the climax in st. paul cathedral is a definite highlight and but the rest of the film is strangely hollow and unaffecting. directed by peter sasdy. 
hands of the ripper aspect ratio represent 1. 85 represent1sound format represent monoan edwardian doctor (eric porter) uses newfangled freudian analysis on a young girl (angharad rees) who turns out to be the daughter of jack the ripper and and just as deadly. unlikely hammer horror and in which a respectable society figure takes charge of a beautiful young waif without attracting so much as a whiff of scandal and even when she takes to murdering all and sundry with a variety of lethal implements (broken mirrors and hat pins and etc. ). l. w. davidson screenplay wanders aimlessly from one murder to another and sacrificing the material inherent subtext (porter obvious attraction to rees) in favor of commercial melodrama and and the tone remains subdued throughout. some of the gore scenes are surprisingly vivid and even for hammer and and these were clipped from the original us release (despite an r rating from the mpaa) and though the complete version is now available on home video. porter and rees give excellent performances and and the climax in st. paul cathedral is a definite highlight and but the rest of the film is strangely hollow and unaffecting. directed by peter sasdy. ---------------------------------Answer Question Below----------------------------------

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