there a spartan and unsentimental edge to this film that allows plenty of room for us to participate in the action without any stylistic encumbrance telling us how were meant to be feeling while in blue and everything was overtly sad (sure and powerful as hell and but still) while in white and it was delightful whimsy. but there are no such emotional clues and or cues for that matter and in this one. it as if he finally let the force of the tale work its own magic without razzle dazzle embelishment. i think that what makes it the most initially enigmatic of the three and but finally and the most transcendent and redemptive. never has remorseless and unsparing honesty been quite so beautiful. 
there a spartan and unsentimental edge to this film that allows plenty of room for us to participate in the action without any stylistic encumbrance telling us how were meant to be feeling while in blue and everything was overtly sad (sure and powerful as hell and but still) while in white and it was delightful whimsy. but there are no such emotional clues and or cues for that matter and in this one. it as if he finally let the force of the tale work its own magic without razzle dazzle embelishment. i think that what makes it the most initially enigmatic of the three and but finally and the most transcendent and redemptive. never has remorseless and unsparing honesty been quite so beautiful. ---------------------------------Answer Question Below----------------------------------

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