this review contains a partial spoiler. shallow from the outset and d. o. a. at least starts as if it might be a slick and entertaining piece of nonsense like fincher the game. it central character(dennis quaid) suffers from a nightmarish sequence of events that appear to be setting up a twisted and cunning thriller. but the plot rattles along at too great a pace and leading to a dramatic twist not half way through and when the character learns that he has been poisoned and has only 1 2 days to live. and this and simply and is too big a twist to add casually to a story. once this has happened and the film only chance of success is if it treats the psychology of someone in this situation as its principal and indeed and its only subject matter represent but d. o. a. continues as if this was just a normal revelation like any other you might usually encounter in a thriller. the problem is two fold represent firstly and quaid actions do not convince as what someone is his situation would be likely to do while and secondly and even if they did convince and it hard to care about what happens next when the most significant point of plot has already been prematurely resolved. the rest of the film is pretty standard fare for a film of this sort and but made more tedious than usual by the character slightly treated predicament and which logically dwarfs the events the film is interested in. dennis quaid and in the lead role and doesn not convince either as a burnt out professor or as a man who is destined to die represent meg ryan is and as often and ditzy and annoying. another negative feature is the ugly 80s soundtrack. watch the game instead and which from similar roots remains tight and character driven and whereas d. o. a. drifts into developments that only undermine its own premise. as the premise is itself quite intriguing and it a shame to see it drowned in a surplus of over cooked plot. 
this review contains a partial spoiler. shallow from the outset and d. o. a. at least starts as if it might be a slick and entertaining piece of nonsense like fincher the game. it central character(dennis quaid) suffers from a nightmarish sequence of events that appear to be setting up a twisted and cunning thriller. but the plot rattles along at too great a pace and leading to a dramatic twist not half way through and when the character learns that he has been poisoned and has only 1 2 days to live. and this and simply and is too big a twist to add casually to a story. once this has happened and the film only chance of success is if it treats the psychology of someone in this situation as its principal and indeed and its only subject matter represent but d. o. a. continues as if this was just a normal revelation like any other you might usually encounter in a thriller. the problem is two fold represent firstly and quaid actions do not convince as what someone is his situation would be likely to do while and secondly and even if they did convince and it hard to care about what happens next when the most significant point of plot has already been prematurely resolved. the rest of the film is pretty standard fare for a film of this sort and but made more tedious than usual by the character slightly treated predicament and which logically dwarfs the events the film is interested in. dennis quaid and in the lead role and doesn not convince either as a burnt out professor or as a man who is destined to die represent meg ryan is and as often and ditzy and annoying. another negative feature is the ugly 80s soundtrack. watch the game instead and which from similar roots remains tight and character driven and whereas d. o. a. drifts into developments that only undermine its own premise. as the premise is itself quite intriguing and it a shame to see it drowned in a surplus of over cooked plot. ---------------------------------Answer Question Below----------------------------------

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