when youre watching distant you know youre not watching a french movie and there little sex and it mostly elliptical and people do not talk that much here and there are a few lines scattered here and there and a couple of important conversations and just to let you make sense of what going on. it doesn not look american either and there aren not any car chases or shoot outs or violence and unless you consider the killing of a mouse an act of blood or the daily tension of getting by a subdued catastrophe. at times and the relatively long held medium distance shots may remind you of contemplative asian cinema and but just reminds you and the director doesn not push things to the radical minimalism of some taiwanese filmmakers but then again and this is not a taiwanese movie and it a turkish movie. i do not know what that means and i do not even know if that supposed to mean something. the movie doesn not have a plot proper and yet and those few lines and those somewhat long held shots and that often mitigated tension gradually build a sense of something happening and a sense of plot and for lack of a better word and that grows on you. by the end of the movie you may get the feeling youre going to miss those two cousins who have many things in common but are worlds apart. 
when youre watching distant you know youre not watching a french movie and there little sex and it mostly elliptical and people do not talk that much here and there are a few lines scattered here and there and a couple of important conversations and just to let you make sense of what going on. it doesn not look american either and there aren not any car chases or shoot outs or violence and unless you consider the killing of a mouse an act of blood or the daily tension of getting by a subdued catastrophe. at times and the relatively long held medium distance shots may remind you of contemplative asian cinema and but just reminds you and the director doesn not push things to the radical minimalism of some taiwanese filmmakers but then again and this is not a taiwanese movie and it a turkish movie. i do not know what that means and i do not even know if that supposed to mean something. the movie doesn not have a plot proper and yet and those few lines and those somewhat long held shots and that often mitigated tension gradually build a sense of something happening and a sense of plot and for lack of a better word and that grows on you. by the end of the movie you may get the feeling youre going to miss those two cousins who have many things in common but are worlds apart. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
