this flick was the introduction for a lot of us to the works of k gordon murray. that because it was easy to find. it was on every public domain label in the vhs era and and before that and a late night t. v. cult classic and double knee thigh slapper. besides and how do you resist the title. for late comers and a brief explanation of it merit represent florida wheeler dealer k. gordon murray imported mexican horror films and dubbed them into english and then made a mint with them at the drive in. the mexican originals were weird enough to begin with while american boundaries and accepted horror film conventions were cheerfully disregarded. great and great set design and lighting were placed beside weird or laughable special effects. nothing in hollywood was as close as these were to out and out strange. now and mix in catholic influenced social conventions and mexican folk lore and and we are not in kansas anymore. add to that the english scripts they were dubbed into. most were written by reuban guberman and who wanted words to match movements of the actors lips on screen and not the literal translation. as a result the american soundtracks tended to run from overwrought to down right loopy. there even a fan web site for murray that prints the best and most over the top lines for each movie. first time viewers to the films complain about the pacing and the purple prose and the production values and are told it supposed to be that way. while the people laugh with enjoyment over things normally considered fatal film flaws. it all must be very confusing if you do not have a taste for it. this one was made back to back in 1957 with the two previous films in the series while the aztec mummy and curse of the aztec mummy. all three are now available on the 3 disc aztec mummy collection (bci) and it about time. it has the k gordon murray version on one side and the original mexican production on the other side. the contrast between the two is fascinating. a lot of the times the original spanish is not much saner. robot or mummy starts off with a nice long flashback bringing you up to speed on the previous episodes and sort of. continuity was tossed out the window in number two and and it downhill from there and logic wise. you do not even get the angel back and or any mention of him in this final episode. names and places and even family trees switch between films. after a while and you start looking for the continuity changes. by now and the series villain doc krupp is totally pig biting mad and nearly drooling with dementia and still wants to steal the aztec breastplate. rosita arenas is sent back to the past with another nice edit of the aztec mummy floor show and and wanders out into the dark in her nightie to help find that doggone breastplate again. the mummy isn not any happier with this then he was last time. the robot actually has a production credit. it was made by viana and co s. a. i mention this and because it looks like the grips came up with it between takes on a slow afternoon when the real costume went walkabout. nope. this was planned. wait until you see the controller it runs from. x box and where were you when krupp needed you. the robot looks crushed to death at the end and but actually came back in two more mexican made movies. it had a fan base. all in all and a funny quirky finish to a three movie series. sit back and enjoy. 
this flick was the introduction for a lot of us to the works of k gordon murray. that because it was easy to find. it was on every public domain label in the vhs era and and before that and a late night t. v. cult classic and double knee thigh slapper. besides and how do you resist the title. for late comers and a brief explanation of it merit represent florida wheeler dealer k. gordon murray imported mexican horror films and dubbed them into english and then made a mint with them at the drive in. the mexican originals were weird enough to begin with while american boundaries and accepted horror film conventions were cheerfully disregarded. great and great set design and lighting were placed beside weird or laughable special effects. nothing in hollywood was as close as these were to out and out strange. now and mix in catholic influenced social conventions and mexican folk lore and and we are not in kansas anymore. add to that the english scripts they were dubbed into. most were written by reuban guberman and who wanted words to match movements of the actors lips on screen and not the literal translation. as a result the american soundtracks tended to run from overwrought to down right loopy. there even a fan web site for murray that prints the best and most over the top lines for each movie. first time viewers to the films complain about the pacing and the purple prose and the production values and are told it supposed to be that way. while the people laugh with enjoyment over things normally considered fatal film flaws. it all must be very confusing if you do not have a taste for it. this one was made back to back in 1957 with the two previous films in the series while the aztec mummy and curse of the aztec mummy. all three are now available on the 3 disc aztec mummy collection (bci) and it about time. it has the k gordon murray version on one side and the original mexican production on the other side. the contrast between the two is fascinating. a lot of the times the original spanish is not much saner. robot or mummy starts off with a nice long flashback bringing you up to speed on the previous episodes and sort of. continuity was tossed out the window in number two and and it downhill from there and logic wise. you do not even get the angel back and or any mention of him in this final episode. names and places and even family trees switch between films. after a while and you start looking for the continuity changes. by now and the series villain doc krupp is totally pig biting mad and nearly drooling with dementia and still wants to steal the aztec breastplate. rosita arenas is sent back to the past with another nice edit of the aztec mummy floor show and and wanders out into the dark in her nightie to help find that doggone breastplate again. the mummy isn not any happier with this then he was last time. the robot actually has a production credit. it was made by viana and co s. a. i mention this and because it looks like the grips came up with it between takes on a slow afternoon when the real costume went walkabout. nope. this was planned. wait until you see the controller it runs from. x box and where were you when krupp needed you. the robot looks crushed to death at the end and but actually came back in two more mexican made movies. it had a fan base. all in all and a funny quirky finish to a three movie series. sit back and enjoy. ---------------------------------Answer Question Below----------------------------------

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