music videos are often completely disregarded in any discussion about film and with most people considering them to be a lesser art form. while a great majority are merely flashy clips to advertise a popular performer latest hit single and a precious few really do rise above the rest and becoming works of art in their own right {anything directed by spike jonze or michel gondry is always worth watching}. while art isn not precisely the word i would use to describe michael jackson thriller (1983) and it is an intensely likable hybrid of schlock horror and music and and an outrageously campy short film that remains remarkably endearing nearly 25 years later. the thirteen minute music video and both the longest and most expensive ever at the time of its release and was directed by john landis and a filmmaker i am not terribly familiar with and though the blues brothers (1980) is a classic and and i hear that an american werewolf in london (1981) is a stupendously entertaining horror or comedy. whether or not thriller actually qualifies as a music video is certainly up for debate and taking into account its extensive length {though jackson bettered this effort with 1997 ghosts and at 38 minutes} and the fact that the title song comprises less than half of the total running time. the video opens with a brief film within a film and as michael and on a quiet and brightly lit night and reveals to his girlfriend (ola ray) that he is different from other guys and transforming into a hideous werewolf as the nighttime clouds part to reveal a full moon. as he presumably decapitates the unfortunate heroine and we come across michael and his girl in the movie theatre and actually watching this drama unfold in a horror picture. when the girl becomes frightened and they both leave cinema and begin to walk home and at which point michael begins to sing the opening lines of his latest song and thriller. however and when a hoard of blood thirsty zombies emerge from the local graveyard {their entrance ghoulishly narrated by vincent price} and the situation begins to get interesting. it difficult to quite put my finger on why thriller is considered one of the greatest of all music videos. it can not simply be that the song itself is a lot of fun and and michael jackson  though he has since become the butt of all comedians jokes for his peculiar personality and doings  there no doubt that he is an excellent singer and performer. perhaps a decent explanation for the film popularity is the incredible amount of work that must have gone into it while nothing like it had ever been seen before and and it still remains something of an oddity in the world of music videos. the gruesome monster make up effects were engineered by rick baker and and are surprisingly graphic for a music clip and though it all carried out with a good sense of fun. several moments make for some genuinely exciting suspense and successfully capturing the atmosphere of the films which it is parodying {though always with a cheesy twist on the usual formula}. simply put and you will never look at a zombie movie in the same way again. 
music videos are often completely disregarded in any discussion about film and with most people considering them to be a lesser art form. while a great majority are merely flashy clips to advertise a popular performer latest hit single and a precious few really do rise above the rest and becoming works of art in their own right {anything directed by spike jonze or michel gondry is always worth watching}. while art isn not precisely the word i would use to describe michael jackson thriller (1983) and it is an intensely likable hybrid of schlock horror and music and and an outrageously campy short film that remains remarkably endearing nearly 25 years later. the thirteen minute music video and both the longest and most expensive ever at the time of its release and was directed by john landis and a filmmaker i am not terribly familiar with and though the blues brothers (1980) is a classic and and i hear that an american werewolf in london (1981) is a stupendously entertaining horror or comedy. whether or not thriller actually qualifies as a music video is certainly up for debate and taking into account its extensive length {though jackson bettered this effort with 1997 ghosts and at 38 minutes} and the fact that the title song comprises less than half of the total running time. the video opens with a brief film within a film and as michael and on a quiet and brightly lit night and reveals to his girlfriend (ola ray) that he is different from other guys and transforming into a hideous werewolf as the nighttime clouds part to reveal a full moon. as he presumably decapitates the unfortunate heroine and we come across michael and his girl in the movie theatre and actually watching this drama unfold in a horror picture. when the girl becomes frightened and they both leave cinema and begin to walk home and at which point michael begins to sing the opening lines of his latest song and thriller. however and when a hoard of blood thirsty zombies emerge from the local graveyard {their entrance ghoulishly narrated by vincent price} and the situation begins to get interesting. it difficult to quite put my finger on why thriller is considered one of the greatest of all music videos. it can not simply be that the song itself is a lot of fun and and michael jackson  though he has since become the butt of all comedians jokes for his peculiar personality and doings  there no doubt that he is an excellent singer and performer. perhaps a decent explanation for the film popularity is the incredible amount of work that must have gone into it while nothing like it had ever been seen before and and it still remains something of an oddity in the world of music videos. the gruesome monster make up effects were engineered by rick baker and and are surprisingly graphic for a music clip and though it all carried out with a good sense of fun. several moments make for some genuinely exciting suspense and successfully capturing the atmosphere of the films which it is parodying {though always with a cheesy twist on the usual formula}. simply put and you will never look at a zombie movie in the same way again. ---------------------------------Answer Question Below----------------------------------

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