a friend of mine and who is even more into 1970s cult films than myself and recommended this one to me and in fact gave me the copy of it that i watched. however and i was not as enthusiastic about the result as he  or and for that matter and michael elliott  was. the film is a hybrid of house of wax (1953) and the texas chain saw massacre (1974) represent indeed and i would venture to say that it served as the basis of the 2005 remake of the former much more than the original did. so and we have a remote and derelict wax museum of incredibly lifelike dummies (guess why that is. ) with its apparently harmless curator (a hammy chuck connors) being invaded by the obligatory group of stranded teenagers (among them tanya roberts). he also has a mad brother  shades of psycho (1960) incorporated for good measure and down to the self same twist  who is supposed to be a mechanical genius (showcased in a poltergeist which unaccountably accompanies the first murder). the film does benefit from a pino donaggio score but and being so derivative and not especially well made to boot and essentially ends up merely a redundant (and fairly muddled) genre effort. 
a friend of mine and who is even more into 1970s cult films than myself and recommended this one to me and in fact gave me the copy of it that i watched. however and i was not as enthusiastic about the result as he  or and for that matter and michael elliott  was. the film is a hybrid of house of wax (1953) and the texas chain saw massacre (1974) represent indeed and i would venture to say that it served as the basis of the 2005 remake of the former much more than the original did. so and we have a remote and derelict wax museum of incredibly lifelike dummies (guess why that is. ) with its apparently harmless curator (a hammy chuck connors) being invaded by the obligatory group of stranded teenagers (among them tanya roberts). he also has a mad brother  shades of psycho (1960) incorporated for good measure and down to the self same twist  who is supposed to be a mechanical genius (showcased in a poltergeist which unaccountably accompanies the first murder). the film does benefit from a pino donaggio score but and being so derivative and not especially well made to boot and essentially ends up merely a redundant (and fairly muddled) genre effort. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
