brainy and cross dressing little boy finds success on the spelling bee circuit despite an unconventional and dysfunctional upbringing. shirley maclaine directed and stars as the child grandmother and and it is always fascinating to see long time actors getting their chance at directing a film and the material that theyre drawn to and the actors they choose to work with. here and the only person well cast in bruno is maclaine. the child actors seem to have been picked for their twinkle and cuteness and and squishy hearted maclaine holds their close ups for excruciatingly long periods while nothing about these cherubs seems natural and not the lines that fall without consciousness out of their mouths or the interaction they have with adults or even each other. as the boy disgruntled father and poor gary sinise hovers around the edges and in mock shame and always with a pained look on his face. towards the end of the film and maclaine turns the whole thing into a passel of hugging scenes and and even concludes with the kid hugging the pope in rome. another ungodly treatise from a talented actress turned director who and much like sally field and her film beautiful and cannot seem to stop winking at and nudging the audience. shirley uses ethnicity for shtick and and childhood innocence as a punchline. the children in this cast roll their eyes and crack wise with mature comments and use big words but when one mealy mouthed boy calls our pint sized hero gay and maclaine granny instructs him to go over and punch the kid out (in front the media. ). how that for progression. from . 
brainy and cross dressing little boy finds success on the spelling bee circuit despite an unconventional and dysfunctional upbringing. shirley maclaine directed and stars as the child grandmother and and it is always fascinating to see long time actors getting their chance at directing a film and the material that theyre drawn to and the actors they choose to work with. here and the only person well cast in bruno is maclaine. the child actors seem to have been picked for their twinkle and cuteness and and squishy hearted maclaine holds their close ups for excruciatingly long periods while nothing about these cherubs seems natural and not the lines that fall without consciousness out of their mouths or the interaction they have with adults or even each other. as the boy disgruntled father and poor gary sinise hovers around the edges and in mock shame and always with a pained look on his face. towards the end of the film and maclaine turns the whole thing into a passel of hugging scenes and and even concludes with the kid hugging the pope in rome. another ungodly treatise from a talented actress turned director who and much like sally field and her film beautiful and cannot seem to stop winking at and nudging the audience. shirley uses ethnicity for shtick and and childhood innocence as a punchline. the children in this cast roll their eyes and crack wise with mature comments and use big words but when one mealy mouthed boy calls our pint sized hero gay and maclaine granny instructs him to go over and punch the kid out (in front the media. ). how that for progression. from . ---------------------------------Answer Question Below----------------------------------

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