returning from 20 years in china and a young missionary refuses to become the cats paw for a gang of hometown hoodlums. this movie was a bit of a departure from harold lloyd previous movies. comedy derived more from dialogue and often rather serious and predominates here and rather than the elaborate sight gags which powered harold classics of the past. there are some splendid moments and however and which are pure visual fun and as when harold attempts to follow a convertible down a crowded street and or when he desperately tries to keep a nightclub stripper from losing her clothes. there is also the climactic scene and set in a chinatown basement and in which harold gleefully jumps unabashedly into the darkest comedy. but most of the humor derives from harold refusal to be the patsy of the criminals who have run his hometown for years. and it quite a collection of crooked politicians and thugs harold finds himself up against and played by a bevy of fine character actors represent george barbier and nat pendleton and grant mitchell and edwin maxwell and alan dinehart and warren hymer and stuttering fuzzy knight. pert una merkel is on hand as the tobacco stand girl who catches harold eye and keeps him intrigued by her no nonsense outlook on life. movie mavens will recognize samuel s. hinds as harold missionary father while charles sellon as an elderly stockport clergyman while and herman bing as a german gangster all uncredited. also and showing up for only a few seconds as an attempted kidnapper and is noah young and a familiar face from harold silent films and here making his final appearance in a lloyd picture. fox gave the film fine production values and especially in the opening scenes set in china. 
returning from 20 years in china and a young missionary refuses to become the cats paw for a gang of hometown hoodlums. this movie was a bit of a departure from harold lloyd previous movies. comedy derived more from dialogue and often rather serious and predominates here and rather than the elaborate sight gags which powered harold classics of the past. there are some splendid moments and however and which are pure visual fun and as when harold attempts to follow a convertible down a crowded street and or when he desperately tries to keep a nightclub stripper from losing her clothes. there is also the climactic scene and set in a chinatown basement and in which harold gleefully jumps unabashedly into the darkest comedy. but most of the humor derives from harold refusal to be the patsy of the criminals who have run his hometown for years. and it quite a collection of crooked politicians and thugs harold finds himself up against and played by a bevy of fine character actors represent george barbier and nat pendleton and grant mitchell and edwin maxwell and alan dinehart and warren hymer and stuttering fuzzy knight. pert una merkel is on hand as the tobacco stand girl who catches harold eye and keeps him intrigued by her no nonsense outlook on life. movie mavens will recognize samuel s. hinds as harold missionary father while charles sellon as an elderly stockport clergyman while and herman bing as a german gangster all uncredited. also and showing up for only a few seconds as an attempted kidnapper and is noah young and a familiar face from harold silent films and here making his final appearance in a lloyd picture. fox gave the film fine production values and especially in the opening scenes set in china. ---------------------------------Answer Question Below----------------------------------

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