not the best of the lone star series and but it moves along quickly with good performances. introduced as singin sandy in the main title and john wayne as a inging cowboy isn not successful  you never even see a front close up of him while he  inging. the actual singer is the director son and bill bradley and who warbles away sounding like many popular singers of the day such as hutch or joseph wagstaff. the film features represent cecilia parker (also seen in the lost jungle serial and tombstone canyon and and as older sister marian in the andy hardy movies) doing her best katherine hepburn  really they mustn not while really i am not while al st. john and before he literally became fuzzy filling all his available screen time with his characteristic business of hat flipping and head and chin scratching and grimacing and and gawky physical gestures and movements while george (pre gabby) hayes as a gentle pipe smoking father while and forrest taylor and minor vet of 395 movies and tv shows and playing the oily villain with string bow tie and prop cigar. fun or odd moments represent yakima canutt great under the stagecoach trick while the gay scene when singin sandy ties bert and elmer together face to face and drags them roped to his horse and and dumps them at kincaid office and where kincaid says and youre a fine pair of lovebirds. while denton rapturous comment after an atrocious song and guitar playing performance by sandy and   ummm. i could listen to that all night. while kincaid reply and we would not go into that and after being told by a rancher you have got the soul of a snake. while and and of course and he utters the immortal and i have made denton an offer he can not refuse. the plot of the movie is saved by sandy tricking kincaid and and later saying the three magic words in many of these films represent i am from washington. fdr has saved us from the depression. (is that why the villains are always either bankers or in real estate. ) the shootout sequence is taken from the earlier bradbury film man from hell edges (1932). all of the lone star westerns are special because of their unique mixture of interesting characters and the troupe of actors and stunt people and and the spin on the clichés and repetitive back stories and situations. this one ranks a little low and marred by the inappropriate and mis used singing cowboy gimmick. i will give it a 4. 
not the best of the lone star series and but it moves along quickly with good performances. introduced as singin sandy in the main title and john wayne as a inging cowboy isn not successful  you never even see a front close up of him while he  inging. the actual singer is the director son and bill bradley and who warbles away sounding like many popular singers of the day such as hutch or joseph wagstaff. the film features represent cecilia parker (also seen in the lost jungle serial and tombstone canyon and and as older sister marian in the andy hardy movies) doing her best katherine hepburn  really they mustn not while really i am not while al st. john and before he literally became fuzzy filling all his available screen time with his characteristic business of hat flipping and head and chin scratching and grimacing and and gawky physical gestures and movements while george (pre gabby) hayes as a gentle pipe smoking father while and forrest taylor and minor vet of 395 movies and tv shows and playing the oily villain with string bow tie and prop cigar. fun or odd moments represent yakima canutt great under the stagecoach trick while the gay scene when singin sandy ties bert and elmer together face to face and drags them roped to his horse and and dumps them at kincaid office and where kincaid says and youre a fine pair of lovebirds. while denton rapturous comment after an atrocious song and guitar playing performance by sandy and   ummm. i could listen to that all night. while kincaid reply and we would not go into that and after being told by a rancher you have got the soul of a snake. while and and of course and he utters the immortal and i have made denton an offer he can not refuse. the plot of the movie is saved by sandy tricking kincaid and and later saying the three magic words in many of these films represent i am from washington. fdr has saved us from the depression. (is that why the villains are always either bankers or in real estate. ) the shootout sequence is taken from the earlier bradbury film man from hell edges (1932). all of the lone star westerns are special because of their unique mixture of interesting characters and the troupe of actors and stunt people and and the spin on the clichés and repetitive back stories and situations. this one ranks a little low and marred by the inappropriate and mis used singing cowboy gimmick. i will give it a 4. ---------------------------------Answer Question Below----------------------------------

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