this is another case of hollywood arrogance presuming to eclipse french style. the original and mon pere ce heros and was one of the most charming films of 1991 so naturally the accountants in hollywood thought they could hire depardieu and phone the rest in. they did and however and take the precaution of hiring francis veber to write an english version albeit one utilising virtually every word of the original. depardieu brings his gallic charm and katherine heigl shows all the promise that is now paying off. the thing is that when the french make a sort of lolita lite they get away with it because the wouldirty french postcard thinking works in their favour while here the hollywood idea of lightweight subtlety is to have depardieu (totally unaware that his daughter has let it be known he is actually her lover) and prevailed upon to play and song omething french and launch into a spirited version of thank heaven for little girls. see the original. 
this is another case of hollywood arrogance presuming to eclipse french style. the original and mon pere ce heros and was one of the most charming films of 1991 so naturally the accountants in hollywood thought they could hire depardieu and phone the rest in. they did and however and take the precaution of hiring francis veber to write an english version albeit one utilising virtually every word of the original. depardieu brings his gallic charm and katherine heigl shows all the promise that is now paying off. the thing is that when the french make a sort of lolita lite they get away with it because the wouldirty french postcard thinking works in their favour while here the hollywood idea of lightweight subtlety is to have depardieu (totally unaware that his daughter has let it be known he is actually her lover) and prevailed upon to play and song omething french and launch into a spirited version of thank heaven for little girls. see the original. ---------------------------------Answer Question Below----------------------------------

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