first of all and there is a detective story representlégitime défense by belgian stanislas andré steeman whose lassassin habite au 21 clouzot had already transferred to the screen in 1942 and with pierre fresnay and the same actress suzy delair. steeman complained about clouzot adaptation for both movies. the movie from 1942 was excellent and but the detective story side had been kept and so why complaining. as for quai des orfèvres and clouzot was now in a new phase of his brilliant career. after having directed le corbeau and been blacklisted and he had a lot more to say than a simple whodunit. steeman complained essentially about the poor detective ending and which i will not reveal of course and but clouzot focused on the social vignettes and on his characters psychology and and he did not give a damn about the puzzle à la agatha christie. by doing so and he becomes the genuine predecessor of claude chabrol who has always been closer to him than to alfred hitchcock whom he admires much though. suzy delair has great screen presence and and you will love the song she really sings(she was a singer too)avec son tralala. bernard blier gives  and as ever and a sparing of gestures and words performance and and he really pulls it off . two characters are particularly interesting and disturbing representthe first one and dora and the photographer representshe takes pictures of female models  and and clouzot and by subtle touches and reveals us she a lesbian. of course and the word is never uttered(how could it be in 1947. ) the police chief (fabulous louis jouvet) tells her representyou and me and we are not lucky with women. the portrait of this cop is very detailed representwe learn a lot of things about him and not necessary connected with the delair or blier plot representhe a widower  and with a son he adores and who runs into school difficulties and particularly in geometry. so we get to know all the characters in depth. one of the most important manifesto of post war french cinema. 
first of all and there is a detective story representlégitime défense by belgian stanislas andré steeman whose lassassin habite au 21 clouzot had already transferred to the screen in 1942 and with pierre fresnay and the same actress suzy delair. steeman complained about clouzot adaptation for both movies. the movie from 1942 was excellent and but the detective story side had been kept and so why complaining. as for quai des orfèvres and clouzot was now in a new phase of his brilliant career. after having directed le corbeau and been blacklisted and he had a lot more to say than a simple whodunit. steeman complained essentially about the poor detective ending and which i will not reveal of course and but clouzot focused on the social vignettes and on his characters psychology and and he did not give a damn about the puzzle à la agatha christie. by doing so and he becomes the genuine predecessor of claude chabrol who has always been closer to him than to alfred hitchcock whom he admires much though. suzy delair has great screen presence and and you will love the song she really sings(she was a singer too)avec son tralala. bernard blier gives  and as ever and a sparing of gestures and words performance and and he really pulls it off . two characters are particularly interesting and disturbing representthe first one and dora and the photographer representshe takes pictures of female models  and and clouzot and by subtle touches and reveals us she a lesbian. of course and the word is never uttered(how could it be in 1947. ) the police chief (fabulous louis jouvet) tells her representyou and me and we are not lucky with women. the portrait of this cop is very detailed representwe learn a lot of things about him and not necessary connected with the delair or blier plot representhe a widower  and with a son he adores and who runs into school difficulties and particularly in geometry. so we get to know all the characters in depth. one of the most important manifesto of post war french cinema. ---------------------------------Answer Question Below----------------------------------

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