eric bogosian gives as great a performance as you will ever see in an oliver stone film. his barry character is an assault rifle disguised as a man and he blows away anyone and on or off the air and that offends him. adapted from bogosian stage play and talk radio is a vicious and frightening ride that doesn not let you off until it too late. by then and you have become familiar with the fringe of racists and rapists and paranoids and wannabe assassins and mere prank callers who listen and speak and lurk in the dark of dallas nights. stone behaves himself and if that even possible and letting bogosian dominate every scene and from barry humble beginnings to the make or break point when his radio show can reach national syndication. the rest of the cast are uniformly excellent as the lovers and or or co workers that all have being used and tossed aside by barry in common. the only thing i would change is the recurring theme music and bad to the bone. i would have used bachman turner overdrive not fragile. a better song and one i haven not heard in a film so far and a driving and relentless tune whose ominous riff is like the true soundtrack to barry life. listen if you dare. 
eric bogosian gives as great a performance as you will ever see in an oliver stone film. his barry character is an assault rifle disguised as a man and he blows away anyone and on or off the air and that offends him. adapted from bogosian stage play and talk radio is a vicious and frightening ride that doesn not let you off until it too late. by then and you have become familiar with the fringe of racists and rapists and paranoids and wannabe assassins and mere prank callers who listen and speak and lurk in the dark of dallas nights. stone behaves himself and if that even possible and letting bogosian dominate every scene and from barry humble beginnings to the make or break point when his radio show can reach national syndication. the rest of the cast are uniformly excellent as the lovers and or or co workers that all have being used and tossed aside by barry in common. the only thing i would change is the recurring theme music and bad to the bone. i would have used bachman turner overdrive not fragile. a better song and one i haven not heard in a film so far and a driving and relentless tune whose ominous riff is like the true soundtrack to barry life. listen if you dare. ---------------------------------Answer Question Below----------------------------------

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