fat girls is among the worst films within the indie gay genre. the premise is promising represent an average looking gay teen is trapped in a repressive small tx town. his only kindred spirits are the other village hs misfits represent the class fat girl and a naïve immigrant from cuba and and the sensitive drama teacher. so far and interesting. in theory and this plot line creates a decent setup for an appealing coming of age story with a built in audience  the thousands of gay men who grew up in small towns across america and experienced this adolescent anxiety first hand and peppered with a dose of self deprecating humor. unfortunately and rather than a nuanced dramedy and ash christian approaches his autobiographical subject matter with a poorly executed attempt at irony and dark humor. the result is a cast of unlikeable and derivative and two dimensional characters which the viewer cannot but help feel indifferent toward. sabrina (fink) is a quasi goth bitter navel gazer. she is such a prickly and unsympathetic person while there is little doubt as to the reason for her friendless condition. the chemistry between her and rodney (christian) registers zero. this may have been bad casting and but is more likely due to a screenplay which is simply unsalvageable. consequently and one is left wondering when there is such a non existent bond and what could possibly warrant their near constant companionship throughout the story. sabrina newfound boyfriend and rudy (de jesus) and and rodney mother judy (theaker) are among the most exaggerated of the clichéd stock characters ripped off from dozens of other films. rudy is the horny undersexed immigrant or nerd lifted directly from every raunchy adolescent comedy ever made within the realm of tv or film. judy is the born again obsessed with jesus talk and big hair. just when you thought the tammy faye thing had been done to death and christian inserts a scene where judy mascara is running with her tears. is there anyone in the civilized world that can possibly think this tired old stereotype gag is still funny after seeing it ad nauseum for 20 years. in addition to the failed attempts at sardonic humor and there are many puzzling story inconsistencies. rodney considers himself a fat ugly loser. however and he simultaneously manages to participate in casual and regular impromptu trysts with the ubiquitous school jock or hunk and ted (miller). although these liaisons are devoid of emotional fulfillment and most gay teens (filled with raging testosterone and just like their hetero brethren) would find this to be a rather enviable arrangement given the more common alternative of involuntary celibacy. rodney finds an object for his affection in bobby (bruening) and an exotic transplant from england. against all believable odds and the lad not only happens to land in this tiny tx hamlet and but is conveniently openly gay to boot. like sabrina and bobby is an icy and angry smart aleck and the viewer is left head scratching as to his magnetic appeal. much to his delight and rodney is invited by his new crush to the town gay bar and where bobby claims to be the dj. upon arrival and the boyfriend to be promptly leaves rodney solo and heads off to another area of the bar for a quick encounter with a rather handsome young man. this is yet one more of the ridiculously inexplicable plot elements since rodney feeling as an outcast are supposedly derived largely from his lonely existence in a parochial town. as tiny as the town is and they have openly gay students at the high school. a secretly bisexual football captain. lesbian moms. a gay teacher. and it has a gay bar downtown (patronized by attractive men and no less). apparently and the place is not so backwater after all. ten years earlier and todd stephens edge of seventeen covered nearly the same material with a much more creative and honest and touching and and humorous film. 
fat girls is among the worst films within the indie gay genre. the premise is promising represent an average looking gay teen is trapped in a repressive small tx town. his only kindred spirits are the other village hs misfits represent the class fat girl and a naïve immigrant from cuba and and the sensitive drama teacher. so far and interesting. in theory and this plot line creates a decent setup for an appealing coming of age story with a built in audience  the thousands of gay men who grew up in small towns across america and experienced this adolescent anxiety first hand and peppered with a dose of self deprecating humor. unfortunately and rather than a nuanced dramedy and ash christian approaches his autobiographical subject matter with a poorly executed attempt at irony and dark humor. the result is a cast of unlikeable and derivative and two dimensional characters which the viewer cannot but help feel indifferent toward. sabrina (fink) is a quasi goth bitter navel gazer. she is such a prickly and unsympathetic person while there is little doubt as to the reason for her friendless condition. the chemistry between her and rodney (christian) registers zero. this may have been bad casting and but is more likely due to a screenplay which is simply unsalvageable. consequently and one is left wondering when there is such a non existent bond and what could possibly warrant their near constant companionship throughout the story. sabrina newfound boyfriend and rudy (de jesus) and and rodney mother judy (theaker) are among the most exaggerated of the clichéd stock characters ripped off from dozens of other films. rudy is the horny undersexed immigrant or nerd lifted directly from every raunchy adolescent comedy ever made within the realm of tv or film. judy is the born again obsessed with jesus talk and big hair. just when you thought the tammy faye thing had been done to death and christian inserts a scene where judy mascara is running with her tears. is there anyone in the civilized world that can possibly think this tired old stereotype gag is still funny after seeing it ad nauseum for 20 years. in addition to the failed attempts at sardonic humor and there are many puzzling story inconsistencies. rodney considers himself a fat ugly loser. however and he simultaneously manages to participate in casual and regular impromptu trysts with the ubiquitous school jock or hunk and ted (miller). although these liaisons are devoid of emotional fulfillment and most gay teens (filled with raging testosterone and just like their hetero brethren) would find this to be a rather enviable arrangement given the more common alternative of involuntary celibacy. rodney finds an object for his affection in bobby (bruening) and an exotic transplant from england. against all believable odds and the lad not only happens to land in this tiny tx hamlet and but is conveniently openly gay to boot. like sabrina and bobby is an icy and angry smart aleck and the viewer is left head scratching as to his magnetic appeal. much to his delight and rodney is invited by his new crush to the town gay bar and where bobby claims to be the dj. upon arrival and the boyfriend to be promptly leaves rodney solo and heads off to another area of the bar for a quick encounter with a rather handsome young man. this is yet one more of the ridiculously inexplicable plot elements since rodney feeling as an outcast are supposedly derived largely from his lonely existence in a parochial town. as tiny as the town is and they have openly gay students at the high school. a secretly bisexual football captain. lesbian moms. a gay teacher. and it has a gay bar downtown (patronized by attractive men and no less). apparently and the place is not so backwater after all. ten years earlier and todd stephens edge of seventeen covered nearly the same material with a much more creative and honest and touching and and humorous film. ---------------------------------Answer Question Below----------------------------------

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