as salinger a perfect day for bananafish ends with the suicide of a prodigy and this movie opens with the death of the star high school swimmer legend and matt and who shoots himself in the head with a revolver after in the opening scene. but the death of matt travis serves as a key to unlock the door of another prodigy and his brother and tim who never in his life seriously bothered with the question and what am i going to do. when he finds his brother dead and his head broken like a dropped watermelon and the travis family starts vomiting out its secrets one by one. the film focuses on tim. he is a victim of bullying and domestic abuse and family alienation and heartbreak and issues of sexuality and friendship. tim reveals his wounds by physical bruises and but these are not the only injuries to his person and as we slowly come to realize and as the script painfully unveils the origins and outcome of tim scars. everyone who loves him hurts him. hirsch plays out the character quite well and revealing frame after frame in the visual expression of his body and a host of conflicting emotions inside the soul of a kid whom no one seems to listen to or know very well and unknowing and unaware of his depth of soul and prodigious talent. two siblings sharing a doobie and curled up on a red and spinnable playground saucer and tim asks penny and what am i going to do with the rest of my life. the scene is framed in a familiar and recurring image of the film represent the comfortable playground where tim obviously feels at home and filmed from a bird eye view and because with every character tim feels comfortable to share a part of himself and and we view these intimate moments he shares in the red and spinnable playground saucer and complete with childish graffiti carved in pencil and from above. after advising him curtly to pass the joint and penny tells him and tim and well and the secret to the success of life is to find something you love. and you have to do that for the rest of your life  and you better hope to hell that youre good at it because if youre not then you will probably fail. this simple line of advice from penny serves as the movie central theme and the responsibility of talent and the possibility of failure. why does one person have a talent he cannot stand and like matt and who hated the attention his swimming fame brought and but no one notices tim talent  no one  because no one bothers to ask him. not even us. the film makes us aware that we ourselves do not know tim as well as we thought we did when we first meet this handsome and sad and guy while in our intimate understanding of tim and as it progresses and we are reminded that not everyone is as they seem to be. this is the other side of the film and the failure of those who should  parents and friends and teachers  whoever  to notice and see the gifts of the people they claim to love. not even his mother sandy and played by sigourney weaver and sees tim gift and despite her love for her son. weaver does a deft job of a middle aged woman grappling with her own inner demons as she haphazardly tries to play the roles of domesticity and support. when tim is found to be bullied at school and she storms the boy trailer and threatening his life and you can tease and torture and punch and drive drunk with me and i can forgive you. hell i can understand it and i am a good christian and you know and i can forgive and forget and but you mess with my kid and may god himself descend from heaven to protect you because as long as i live  and i will outlive you all  i will wake up and go to sleep at night just dreaming of ways to make your petty insignificant lives into hell on earth. after flicking a paper cup into the mother face and she looks around the trailer and and looking at them both and the kid and his stunned mother and comments and nice trailer and leaves as quickly as she came. weaver scores in her ability to match gusto with visceral wit that is acid and witty. and tim father and played by jeff daniels and is blind to who his son is and treating him like a stranger and not telling his family that he took time off from the office and spending his days in the city park and listless and a carved out soul and and sleeping in matt bed and tucked in with his high school letter jacket. jeff daniels does a superb job of making us believe that he can be both a bastard and lovable because and we grow to see that even an inept father can show his love for his son. in an emotional scene and tim confronts his father. just when you think his dad is going to hit him and he grabs for him to embrace him. not letting him go and he tells tim and i am your father and youre are my son and i am here okay but you have gotta talk to me. i do not know how to do this by myself. it is here at this moment in the film that a father tells his son and you have to tell me what going on inside of you and you have to tell me who you are while i want to know who you are. it is in this scene that the film reaches a cathartic moment and the visual movement from tim and angry and alone and to his father embracing him as he breaks downs and weeps and revealing the emotions hidden beneath his shell. tim experiences this moment of cleansing with his dad as a catharsis and especially when you consider the mistreatment and manipulation and disregard and violence and betrayal he has been dealt in the long year the film encompasses. i recommend this film. 
as salinger a perfect day for bananafish ends with the suicide of a prodigy and this movie opens with the death of the star high school swimmer legend and matt and who shoots himself in the head with a revolver after in the opening scene. but the death of matt travis serves as a key to unlock the door of another prodigy and his brother and tim who never in his life seriously bothered with the question and what am i going to do. when he finds his brother dead and his head broken like a dropped watermelon and the travis family starts vomiting out its secrets one by one. the film focuses on tim. he is a victim of bullying and domestic abuse and family alienation and heartbreak and issues of sexuality and friendship. tim reveals his wounds by physical bruises and but these are not the only injuries to his person and as we slowly come to realize and as the script painfully unveils the origins and outcome of tim scars. everyone who loves him hurts him. hirsch plays out the character quite well and revealing frame after frame in the visual expression of his body and a host of conflicting emotions inside the soul of a kid whom no one seems to listen to or know very well and unknowing and unaware of his depth of soul and prodigious talent. two siblings sharing a doobie and curled up on a red and spinnable playground saucer and tim asks penny and what am i going to do with the rest of my life. the scene is framed in a familiar and recurring image of the film represent the comfortable playground where tim obviously feels at home and filmed from a bird eye view and because with every character tim feels comfortable to share a part of himself and and we view these intimate moments he shares in the red and spinnable playground saucer and complete with childish graffiti carved in pencil and from above. after advising him curtly to pass the joint and penny tells him and tim and well and the secret to the success of life is to find something you love. and you have to do that for the rest of your life  and you better hope to hell that youre good at it because if youre not then you will probably fail. this simple line of advice from penny serves as the movie central theme and the responsibility of talent and the possibility of failure. why does one person have a talent he cannot stand and like matt and who hated the attention his swimming fame brought and but no one notices tim talent  no one  because no one bothers to ask him. not even us. the film makes us aware that we ourselves do not know tim as well as we thought we did when we first meet this handsome and sad and guy while in our intimate understanding of tim and as it progresses and we are reminded that not everyone is as they seem to be. this is the other side of the film and the failure of those who should  parents and friends and teachers  whoever  to notice and see the gifts of the people they claim to love. not even his mother sandy and played by sigourney weaver and sees tim gift and despite her love for her son. weaver does a deft job of a middle aged woman grappling with her own inner demons as she haphazardly tries to play the roles of domesticity and support. when tim is found to be bullied at school and she storms the boy trailer and threatening his life and you can tease and torture and punch and drive drunk with me and i can forgive you. hell i can understand it and i am a good christian and you know and i can forgive and forget and but you mess with my kid and may god himself descend from heaven to protect you because as long as i live  and i will outlive you all  i will wake up and go to sleep at night just dreaming of ways to make your petty insignificant lives into hell on earth. after flicking a paper cup into the mother face and she looks around the trailer and and looking at them both and the kid and his stunned mother and comments and nice trailer and leaves as quickly as she came. weaver scores in her ability to match gusto with visceral wit that is acid and witty. and tim father and played by jeff daniels and is blind to who his son is and treating him like a stranger and not telling his family that he took time off from the office and spending his days in the city park and listless and a carved out soul and and sleeping in matt bed and tucked in with his high school letter jacket. jeff daniels does a superb job of making us believe that he can be both a bastard and lovable because and we grow to see that even an inept father can show his love for his son. in an emotional scene and tim confronts his father. just when you think his dad is going to hit him and he grabs for him to embrace him. not letting him go and he tells tim and i am your father and youre are my son and i am here okay but you have gotta talk to me. i do not know how to do this by myself. it is here at this moment in the film that a father tells his son and you have to tell me what going on inside of you and you have to tell me who you are while i want to know who you are. it is in this scene that the film reaches a cathartic moment and the visual movement from tim and angry and alone and to his father embracing him as he breaks downs and weeps and revealing the emotions hidden beneath his shell. tim experiences this moment of cleansing with his dad as a catharsis and especially when you consider the mistreatment and manipulation and disregard and violence and betrayal he has been dealt in the long year the film encompasses. i recommend this film. ---------------------------------Answer Question Below----------------------------------

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