no spoilers. after hitchcock successful first american film and rebecca based upon daphne dumarier lush novel of gothic romance and intrigue and he returned to some of the more familiar themes of his early british period  mistaken identity and espionage. as the u. s. settled into world war ii and the large scale war effort of civilians building planes and weaponry and other necessary militia and the booming film entertainment business began turning out paranoid and often jingoistic thrillers with war time themes. these thrillers often involved networks of deceptive and skilled operators at work in the shadows among the good and law abiding citizens. knowing the director was at home in this espionage genre and producer jack skirball approached hitchcock about directing a property he owned that dealt with corruption and war time sabotage and a helpless hero thrust into a vortex of coincidence and mistaken identity. the darker elements of the narrative and the sharp wit of literary maven dorothy parker (during her brief stint in hollywood before returning to her bohemian roots in nyc) who co authored the script were a perfect match for hitchcock sensibilities. this often neglected film tells the story of the unfortunate 25 year old barry kane (robert cummings) who and while at work at a los angeles airplane factory and meets new employee frank frye (norman lloydd) and moments later is framed for committing sabotage. fleeing the authorities who do not believe his far fetched story he meets several characters on his way to soda city utah and finally new york city. these memorable characters include a circus caravan with a car full of helpful freaks and a popular billboard model patricia martin (priscilla lane) who and during the worst crisis of his life as well as national security and he falls madly in love with. of course in the land of hitchcock and patricia and kidnapped by the supposed saboteur barry and falls for her captor thus adding romantic tension to the mix. in good form for this outing and hitchcock brews a national network of demure old ladies and average joes and and respectable businessmen who double as secret agent terrorists that harbor criminals and pull guns and detonate bombs to keep things moving. it a terrific plot that takes its time moving forward and once ignited and culminates in one of hitchcock more memorable finales. look for incredibly life like nyc tourist attractions (all of which were recreated by art directors in hollywood due to the war time hooting ban on public attractions). while saboteur may not be one of hitchcock most well known films and it a popular b movie that is certainly solid and engaging with plenty of clever plot twists and as usual  terrific hitchcock villains. remember to look for hitchcock cameo appearance outside a drug store in the second half of the film. hitchcock original cameo idea that was shot (him fighting in sign language with his wouldeaf wife) was axed by the bureau of standards and practices who were afraid of offending the deaf. 
no spoilers. after hitchcock successful first american film and rebecca based upon daphne dumarier lush novel of gothic romance and intrigue and he returned to some of the more familiar themes of his early british period  mistaken identity and espionage. as the u. s. settled into world war ii and the large scale war effort of civilians building planes and weaponry and other necessary militia and the booming film entertainment business began turning out paranoid and often jingoistic thrillers with war time themes. these thrillers often involved networks of deceptive and skilled operators at work in the shadows among the good and law abiding citizens. knowing the director was at home in this espionage genre and producer jack skirball approached hitchcock about directing a property he owned that dealt with corruption and war time sabotage and a helpless hero thrust into a vortex of coincidence and mistaken identity. the darker elements of the narrative and the sharp wit of literary maven dorothy parker (during her brief stint in hollywood before returning to her bohemian roots in nyc) who co authored the script were a perfect match for hitchcock sensibilities. this often neglected film tells the story of the unfortunate 25 year old barry kane (robert cummings) who and while at work at a los angeles airplane factory and meets new employee frank frye (norman lloydd) and moments later is framed for committing sabotage. fleeing the authorities who do not believe his far fetched story he meets several characters on his way to soda city utah and finally new york city. these memorable characters include a circus caravan with a car full of helpful freaks and a popular billboard model patricia martin (priscilla lane) who and during the worst crisis of his life as well as national security and he falls madly in love with. of course in the land of hitchcock and patricia and kidnapped by the supposed saboteur barry and falls for her captor thus adding romantic tension to the mix. in good form for this outing and hitchcock brews a national network of demure old ladies and average joes and and respectable businessmen who double as secret agent terrorists that harbor criminals and pull guns and detonate bombs to keep things moving. it a terrific plot that takes its time moving forward and once ignited and culminates in one of hitchcock more memorable finales. look for incredibly life like nyc tourist attractions (all of which were recreated by art directors in hollywood due to the war time hooting ban on public attractions). while saboteur may not be one of hitchcock most well known films and it a popular b movie that is certainly solid and engaging with plenty of clever plot twists and as usual  terrific hitchcock villains. remember to look for hitchcock cameo appearance outside a drug store in the second half of the film. hitchcock original cameo idea that was shot (him fighting in sign language with his wouldeaf wife) was axed by the bureau of standards and practices who were afraid of offending the deaf. ---------------------------------Answer Question Below----------------------------------

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