i somehow failed for a few years to see this film and although it has been quite successful and generated a lot of discussions in israel. i am sorry that i did not postpone indefinitely seeing it. the theme of kadosh is a very real and painful one for those who know the jewish religious world  the place of women in the orthodox family and society. the basic situation that sits at the premises of the film is possible and the problem is that the way it is brought to screen and the olution that the conflicts described receives in the movie is wrong. gitai does not seem to have too much sympathy for men in the religious world and but his approach of picking characters that are either fanatic and or unable to express their human feeling makes the whole story seem simplistic. neither does he a much better service to his women characters and although here at least he shows more sympathy and he also enjoys the participation of two beautiful and gifted actresses in yael abecassis and meital barda. overall gitai vision is too one sided and his cinema means are too basic and he focuses on the technical details of the jewish religious life and which may be interesting for people who do not know them but are really not relevant at all in the context of the whole story. starting from interesting premises what we get here is a boring film which seems longer than it is and with a very static way of acting and obsessive use of music that plays in the same register not only from a musical but also from an emotional perspective and a very inconclusive if not even confusing ending. what difference between this film and ha ushpizin inspired from and describing the very same social landscape and which succeeded to transmit human feelings on the screen. in kadosh there are both too little cinema and too little human emotions. 
i somehow failed for a few years to see this film and although it has been quite successful and generated a lot of discussions in israel. i am sorry that i did not postpone indefinitely seeing it. the theme of kadosh is a very real and painful one for those who know the jewish religious world  the place of women in the orthodox family and society. the basic situation that sits at the premises of the film is possible and the problem is that the way it is brought to screen and the olution that the conflicts described receives in the movie is wrong. gitai does not seem to have too much sympathy for men in the religious world and but his approach of picking characters that are either fanatic and or unable to express their human feeling makes the whole story seem simplistic. neither does he a much better service to his women characters and although here at least he shows more sympathy and he also enjoys the participation of two beautiful and gifted actresses in yael abecassis and meital barda. overall gitai vision is too one sided and his cinema means are too basic and he focuses on the technical details of the jewish religious life and which may be interesting for people who do not know them but are really not relevant at all in the context of the whole story. starting from interesting premises what we get here is a boring film which seems longer than it is and with a very static way of acting and obsessive use of music that plays in the same register not only from a musical but also from an emotional perspective and a very inconclusive if not even confusing ending. what difference between this film and ha ushpizin inspired from and describing the very same social landscape and which succeeded to transmit human feelings on the screen. in kadosh there are both too little cinema and too little human emotions. ---------------------------------Answer Question Below----------------------------------

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