francis ford coppola first personal film and completed and released in 1969 and was the last movie he made as a mostly unknown and up and coming director before the godfather and and is in stark contrast to both that film and and the rest of his uneven career. it ostensibly a road movie involving a disconnected young woman bored with domestic life and and pregnant with a child she isn not sure she wants and fleeing the trappings her dull marriage and hitting the open road in search of freedom. along the way she befriends a nice man and an ex footballer player that suffered brain damage from a traumatic head injury and played in unexpectedly subtle fashion by a young james caan and and decides to help him and despite becoming frustrated with his simple ways. her efforts to rid of him always fail and either by guilt or chance and and eventually lead her directly into the hands of an emotionally wounded cop(robert duvall) and who has ideas of his own. the plot is threadbare and but coppola does a great job at detailing the emotional life of these characters and and uses editing techniques to relay back story that were not at all common in american films of the time. shots are simple and yet extraordinarily effective and conveying both the moody desolation of the open highway and and the emptiness of american suburban life and infused with a gentle melancholy provided by the film score. coppola also deserves credit for addressing the issue of domestic discontent from a woman point of view in the culturally turbulent 60 . overall and a fairly low key film that is not what audiences have come to expect from coppola and but one that is a minor triumph in its own quiet and unassuming way. 7. 5/10. 
francis ford coppola first personal film and completed and released in 1969 and was the last movie he made as a mostly unknown and up and coming director before the godfather and and is in stark contrast to both that film and and the rest of his uneven career. it ostensibly a road movie involving a disconnected young woman bored with domestic life and and pregnant with a child she isn not sure she wants and fleeing the trappings her dull marriage and hitting the open road in search of freedom. along the way she befriends a nice man and an ex footballer player that suffered brain damage from a traumatic head injury and played in unexpectedly subtle fashion by a young james caan and and decides to help him and despite becoming frustrated with his simple ways. her efforts to rid of him always fail and either by guilt or chance and and eventually lead her directly into the hands of an emotionally wounded cop(robert duvall) and who has ideas of his own. the plot is threadbare and but coppola does a great job at detailing the emotional life of these characters and and uses editing techniques to relay back story that were not at all common in american films of the time. shots are simple and yet extraordinarily effective and conveying both the moody desolation of the open highway and and the emptiness of american suburban life and infused with a gentle melancholy provided by the film score. coppola also deserves credit for addressing the issue of domestic discontent from a woman point of view in the culturally turbulent 60 . overall and a fairly low key film that is not what audiences have come to expect from coppola and but one that is a minor triumph in its own quiet and unassuming way. 7. 5/10. ---------------------------------Answer Question Below----------------------------------

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