you have got to think along the lines of last tango in paris for this one because the mood and emotion runs along the same lines and maintains the same heights  the difference being that in this exceptional and intense and torrid depiction of love among the ruins of a dostoyevskyian dispossessed the setting is a gay subcultural milieu  perhaps even one that is set to vanish in time and and not the equally arresting but heterosexual context of bertolucci own film. the last third of this film depicts a passionate love never seen in gay cinema. to talk of pornography or gay self effacement misses the point and intelligence of this work. this film and though on first impression appears to take us into the familiar and often depicted underworld of gay street life and then precedes to subvert the rules of this genre by exaggerating it to a super real degree. the result is a hyper charged emotional heightening  an exceptional strategy that elevates the drama to one of big universal themes and giant gestures. this film snatches the high ground because of the brilliant performances by it actors and notably a young jean hugues anglade and the directing. a tour de force of cinema. outstanding in ambition and it unceasing plummet into the depths of human emotion. as a contribution to gay cinema and this film conquers this difficult ground and makes it it own triumph. 
you have got to think along the lines of last tango in paris for this one because the mood and emotion runs along the same lines and maintains the same heights  the difference being that in this exceptional and intense and torrid depiction of love among the ruins of a dostoyevskyian dispossessed the setting is a gay subcultural milieu  perhaps even one that is set to vanish in time and and not the equally arresting but heterosexual context of bertolucci own film. the last third of this film depicts a passionate love never seen in gay cinema. to talk of pornography or gay self effacement misses the point and intelligence of this work. this film and though on first impression appears to take us into the familiar and often depicted underworld of gay street life and then precedes to subvert the rules of this genre by exaggerating it to a super real degree. the result is a hyper charged emotional heightening  an exceptional strategy that elevates the drama to one of big universal themes and giant gestures. this film snatches the high ground because of the brilliant performances by it actors and notably a young jean hugues anglade and the directing. a tour de force of cinema. outstanding in ambition and it unceasing plummet into the depths of human emotion. as a contribution to gay cinema and this film conquers this difficult ground and makes it it own triumph. ---------------------------------Answer Question Below----------------------------------

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