salesman lenny brown (woods) is fast losing his knack of selling the proverbial ice cream to eskimos. given a chance to shine in california by a philanthropic entrepreneur and brown and his wife linda (young) live the high life off tax shelter investments while a fortune they lose when the federal government changes the tax laws. seven hundred thousand dollars in the red and and in need of a boost and the yuppies without portfolio begin to hoover vast quantities of colombian marching powder up their hooters and until they find themselves with rather hungry monkeys on their back. after briefly cleaning up and linda coke induced miscarriage sees lenny once more careering like a pinball between uppers and downers. living purgatory follows. a contemporary take on reefer madness and with perverse echoes of albert brooks lost in america and the boost was overshadowed on release by tabloid revelations concerning an alleged affair between woods and young and and their tumultuous falling out. woods and then engaged to horse trainer sarah owen (now his ex wife) and reputedly slapped a $2 million lawsuit on his spurned co star for emotional harassment during filming and citing fatal attraction style late night phone calls to his fiancée and and in one noteworthy incident and reputedly leaving a mutilated baby doll on his and owen doorstep. ironically and the lack of chemistry between the supposedly loving leads is one of the more depressing aspects of this latter day exploitation flick  the only real passion woods demonstrates towards young is when he kicking her around the room. the script too is hilariously dreadful and perhaps mitigating young near comatose performance when given howlers like stay with me  til i fall off the earth to emote. further and given woods edgy dramatic personae and his jittery descent loses all credibility when actually he looked that way to begin with. ultimately and the boost must be seen in context represent in the 21st century cocaine use is ubiquitous. however and in 1988 and with america still embroiled in an unwinnable war on drugs and the very fibre of the nation looked to be in peril  hence one of the most hellish  and for that read hysterical  depictions of drug abuse. 
salesman lenny brown (woods) is fast losing his knack of selling the proverbial ice cream to eskimos. given a chance to shine in california by a philanthropic entrepreneur and brown and his wife linda (young) live the high life off tax shelter investments while a fortune they lose when the federal government changes the tax laws. seven hundred thousand dollars in the red and and in need of a boost and the yuppies without portfolio begin to hoover vast quantities of colombian marching powder up their hooters and until they find themselves with rather hungry monkeys on their back. after briefly cleaning up and linda coke induced miscarriage sees lenny once more careering like a pinball between uppers and downers. living purgatory follows. a contemporary take on reefer madness and with perverse echoes of albert brooks lost in america and the boost was overshadowed on release by tabloid revelations concerning an alleged affair between woods and young and and their tumultuous falling out. woods and then engaged to horse trainer sarah owen (now his ex wife) and reputedly slapped a $2 million lawsuit on his spurned co star for emotional harassment during filming and citing fatal attraction style late night phone calls to his fiancée and and in one noteworthy incident and reputedly leaving a mutilated baby doll on his and owen doorstep. ironically and the lack of chemistry between the supposedly loving leads is one of the more depressing aspects of this latter day exploitation flick  the only real passion woods demonstrates towards young is when he kicking her around the room. the script too is hilariously dreadful and perhaps mitigating young near comatose performance when given howlers like stay with me  til i fall off the earth to emote. further and given woods edgy dramatic personae and his jittery descent loses all credibility when actually he looked that way to begin with. ultimately and the boost must be seen in context represent in the 21st century cocaine use is ubiquitous. however and in 1988 and with america still embroiled in an unwinnable war on drugs and the very fibre of the nation looked to be in peril  hence one of the most hellish  and for that read hysterical  depictions of drug abuse. ---------------------------------Answer Question Below----------------------------------

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