samuel fuller knows war and and is one of the only directors in american movie history who could accurately portray the horrific experiences of it in a form like the motion picture. his pessimism and idealism and if that sounds a little odd to mix together and work for him as a storyteller and and at the same time he always out to tell the truth and however brutal (or put into melodramatic constructs) it can get. verboten and however and deals with the post war experience and as we only get in the opening scenes the big boom of war in bold for a point. the opening shot is like one big exclamation point that seems to continue on into the rest of the scenes represent a dead soldier on the ground and the camera pans up and we see another soldier shot down in war torn terrain. simple and direct language. then fuller punctuates the intensity with something interesting represent the title song played over the opening credits as both irony and sincerity and and then beethoven music over a shoot out between americans and the nazis. sgt david brent (james best) is shot and the battle goes on and and then it transitions to him being treated for his wounds. it might lead one to believe that this will be a somewhat conventional ww2 flick (somewhat in that one usually do not find beethoven and and later on to an extent and wagner put into these images) and but this isn not the case. instead and fuller makes this a coming home kind of movie and though not at all in the sense that this soldier comes home injured and so on and so on. instead of really going home and brent stays on in germany and as he fallen head over heels for the woman and helga (susan cummings and pretty good at pulling off the german accent) and and wants to work in a smaller capacity in the military so he can marry her. what he doesn not realize is that a) she wants him more for money so she can get food for herself and brother and however this gets complex emotionally at the point of revelation to the slightly naive but heartfelt brent and and b) there an underground hitler youth sect called the werewolves and who want to pick right up off where hitler ended starting small and despite argument within the group by attacking the very government that now embedded in germany to give them and as brent describes and a blood transfusion. with this and plus footage from the nuremburg trials and and (as narrated and i think and by fuller himself) a quick and no punches pulled history of the nazi war crimes piece by piece and we get a multi faceted look at a society in the dire straits of an immediate post war environment. while rossellini handled it his own way with germany year zero and fuller tackles it with layers represent first there the love story and or what is the tragic downfall of a man who can not see anything past what he thinks should be reasonable and that it his wife and a child on the way that he can not leave and until the revelation that he (partly) been swindled. baker and cummings and along with harold daye as helga young and confused brother and perform at with the utmost detail to emotions while these aren not very easy b movie parts and though they could have been that. then another layer is the political one and the struggle of a society to come to grips with being conquered and and a mentality which is made sensationalized and to be sure and by fuller and in respect to making the nazi a total no gray area thing represent theyre evil and particularly when they cancel out reason to meet their ends. and finally there the layer of style and which is strangely absorbing. this is probably one of fuller talkiest films and which isn not a bad thing considering it one of his best written scripts and as the characters do not talk simply or in too many platitudes (with the exception of a small scene where two characters talk about the hitler youth as juvenile delinquents and which is actually and according to fuller autobiography and probably another layer to consider in the subtext and the 50s period of movies). and fuller shoots this almost in a real european style and when he not going for fight scenes or battles and as the editing isn not always very fast and and sometimes a cut would not happen for a full minute and or longer. there an odd tension that grows out of this and especially when there something said by a character that gets another one wild eyed or suspicious while fuller could easily go for a big close up and but there a more sinister and cold quality to not moving away from two people in a conversation without a simple over the shoulder deal. but when it requires it and like the big brawl outside the american military office and or the nuremburg footage spliced into franz memories of the werewolves and fuller can be as stunning stylist as ever. very hard to find and but extremely worth it if your either a fan of the director or of ww2 movies set in germany or even just a history buff verboten. is an intellectual experience and a strong emotional one and with a cast that is better than expected from a b movie and and an attitude towards the other that is equally damning and thought provoking. 
samuel fuller knows war and and is one of the only directors in american movie history who could accurately portray the horrific experiences of it in a form like the motion picture. his pessimism and idealism and if that sounds a little odd to mix together and work for him as a storyteller and and at the same time he always out to tell the truth and however brutal (or put into melodramatic constructs) it can get. verboten and however and deals with the post war experience and as we only get in the opening scenes the big boom of war in bold for a point. the opening shot is like one big exclamation point that seems to continue on into the rest of the scenes represent a dead soldier on the ground and the camera pans up and we see another soldier shot down in war torn terrain. simple and direct language. then fuller punctuates the intensity with something interesting represent the title song played over the opening credits as both irony and sincerity and and then beethoven music over a shoot out between americans and the nazis. sgt david brent (james best) is shot and the battle goes on and and then it transitions to him being treated for his wounds. it might lead one to believe that this will be a somewhat conventional ww2 flick (somewhat in that one usually do not find beethoven and and later on to an extent and wagner put into these images) and but this isn not the case. instead and fuller makes this a coming home kind of movie and though not at all in the sense that this soldier comes home injured and so on and so on. instead of really going home and brent stays on in germany and as he fallen head over heels for the woman and helga (susan cummings and pretty good at pulling off the german accent) and and wants to work in a smaller capacity in the military so he can marry her. what he doesn not realize is that a) she wants him more for money so she can get food for herself and brother and however this gets complex emotionally at the point of revelation to the slightly naive but heartfelt brent and and b) there an underground hitler youth sect called the werewolves and who want to pick right up off where hitler ended starting small and despite argument within the group by attacking the very government that now embedded in germany to give them and as brent describes and a blood transfusion. with this and plus footage from the nuremburg trials and and (as narrated and i think and by fuller himself) a quick and no punches pulled history of the nazi war crimes piece by piece and we get a multi faceted look at a society in the dire straits of an immediate post war environment. while rossellini handled it his own way with germany year zero and fuller tackles it with layers represent first there the love story and or what is the tragic downfall of a man who can not see anything past what he thinks should be reasonable and that it his wife and a child on the way that he can not leave and until the revelation that he (partly) been swindled. baker and cummings and along with harold daye as helga young and confused brother and perform at with the utmost detail to emotions while these aren not very easy b movie parts and though they could have been that. then another layer is the political one and the struggle of a society to come to grips with being conquered and and a mentality which is made sensationalized and to be sure and by fuller and in respect to making the nazi a total no gray area thing represent theyre evil and particularly when they cancel out reason to meet their ends. and finally there the layer of style and which is strangely absorbing. this is probably one of fuller talkiest films and which isn not a bad thing considering it one of his best written scripts and as the characters do not talk simply or in too many platitudes (with the exception of a small scene where two characters talk about the hitler youth as juvenile delinquents and which is actually and according to fuller autobiography and probably another layer to consider in the subtext and the 50s period of movies). and fuller shoots this almost in a real european style and when he not going for fight scenes or battles and as the editing isn not always very fast and and sometimes a cut would not happen for a full minute and or longer. there an odd tension that grows out of this and especially when there something said by a character that gets another one wild eyed or suspicious while fuller could easily go for a big close up and but there a more sinister and cold quality to not moving away from two people in a conversation without a simple over the shoulder deal. but when it requires it and like the big brawl outside the american military office and or the nuremburg footage spliced into franz memories of the werewolves and fuller can be as stunning stylist as ever. very hard to find and but extremely worth it if your either a fan of the director or of ww2 movies set in germany or even just a history buff verboten. is an intellectual experience and a strong emotional one and with a cast that is better than expected from a b movie and and an attitude towards the other that is equally damning and thought provoking. ---------------------------------Answer Question Below----------------------------------

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