a rich old lady calls on a flirtatious divorcée to woo a lothario away from her silly soon to be married granddaughter. let us be gay is an interesting little domestic comedy which features some tart dialogue (courtesy of celebrated screenwriter frances marion) and good performances. while perhaps a bit mawkish at times and this can probably be blamed on the difficulties with early sound technology which tended to limit action and movement. norma shearer can be credited with appearing in this minor film and rather than using her undoubted clout as irving thalberg spouse to insist upon only a grade pictures. she is especially effective in her first few scenes and where dowdy flat makeup makes her almost unrecognizable. her extreme transmogrification from goose to swan could only happen in hollywood and but it scarcely profitable to spend much time worrying about that. rod larocque doesn not come off too well as shearer adulterous husband. quite popular during silent days and the talkies were not especially kind to him and his career would suffer. here his role is not in the least sympathetic and one has to wonder what masochistic impulse moves women to desire the cad so much. magnificent marie dressler is on hand as an eccentric long island dowager. as a great friend of frances marion and one can easily imagine that the part was written expressly for her. full of cranks and crotchets and she is very humorous. however and the tremendous warmth and essential goodness which would very shortly make her hollywood biggest star are largely missing. among the supporting cast and hedda hopper scores as a slinky society serpent and as does wilfred noy playing a comic butler. movie mavens will spot little dickie moore as shearer young son and elderly mary gordon as her housekeeper and both uncredited. 
a rich old lady calls on a flirtatious divorcée to woo a lothario away from her silly soon to be married granddaughter. let us be gay is an interesting little domestic comedy which features some tart dialogue (courtesy of celebrated screenwriter frances marion) and good performances. while perhaps a bit mawkish at times and this can probably be blamed on the difficulties with early sound technology which tended to limit action and movement. norma shearer can be credited with appearing in this minor film and rather than using her undoubted clout as irving thalberg spouse to insist upon only a grade pictures. she is especially effective in her first few scenes and where dowdy flat makeup makes her almost unrecognizable. her extreme transmogrification from goose to swan could only happen in hollywood and but it scarcely profitable to spend much time worrying about that. rod larocque doesn not come off too well as shearer adulterous husband. quite popular during silent days and the talkies were not especially kind to him and his career would suffer. here his role is not in the least sympathetic and one has to wonder what masochistic impulse moves women to desire the cad so much. magnificent marie dressler is on hand as an eccentric long island dowager. as a great friend of frances marion and one can easily imagine that the part was written expressly for her. full of cranks and crotchets and she is very humorous. however and the tremendous warmth and essential goodness which would very shortly make her hollywood biggest star are largely missing. among the supporting cast and hedda hopper scores as a slinky society serpent and as does wilfred noy playing a comic butler. movie mavens will spot little dickie moore as shearer young son and elderly mary gordon as her housekeeper and both uncredited. ---------------------------------Answer Question Below----------------------------------

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