i am always impressed when a director (and this case director or screenwriter) takes a piece of classical text  and makes it come alive. sure and shakespeare text can give you goosebumps even when hammered out with self importance and but to see a production where true inventiveness makes wonderful words even more so  by the provision of context or nuance not found in the stage directions is simply awe inspiring. there are many troubling things about the play. it is a racist play about racism  and that still sticks. i have never accepted jessica desertion of her father without any acceptable reason. i have never accepted the christians position of sanctimonious self righteousness. but and brilliantly and there is a text prologue which helps us understand the times and politics in which the story is set and and mercifully and much of jessica part is cut. the text is quite stripped down with many passages cut. but and i only noticed one line which was cut at the moment when i expected to hear it  and it was replaced by a look that said it all. this economy and judicious editing has given us a gripping movie  not just a film of the play. and at last and there is a rationale as to why antonio is so loyal and generous to the undeserving or unrelated bassanio  you can almost feel antonio pulse start to race when he catches glimpse of bassanio passing by in a gondola and or arriving for a visit. but it is as subtle as that  no more. i was spellbound. there were many other highlights. i felt the arguments during the trial to be heartbreaking. and and the suitors trials are hilarious. add all that to glorious cinematography and costumes that resonated with the times and and you will understand why i can not wait to see it again. and again. 
i am always impressed when a director (and this case director or screenwriter) takes a piece of classical text  and makes it come alive. sure and shakespeare text can give you goosebumps even when hammered out with self importance and but to see a production where true inventiveness makes wonderful words even more so  by the provision of context or nuance not found in the stage directions is simply awe inspiring. there are many troubling things about the play. it is a racist play about racism  and that still sticks. i have never accepted jessica desertion of her father without any acceptable reason. i have never accepted the christians position of sanctimonious self righteousness. but and brilliantly and there is a text prologue which helps us understand the times and politics in which the story is set and and mercifully and much of jessica part is cut. the text is quite stripped down with many passages cut. but and i only noticed one line which was cut at the moment when i expected to hear it  and it was replaced by a look that said it all. this economy and judicious editing has given us a gripping movie  not just a film of the play. and at last and there is a rationale as to why antonio is so loyal and generous to the undeserving or unrelated bassanio  you can almost feel antonio pulse start to race when he catches glimpse of bassanio passing by in a gondola and or arriving for a visit. but it is as subtle as that  no more. i was spellbound. there were many other highlights. i felt the arguments during the trial to be heartbreaking. and and the suitors trials are hilarious. add all that to glorious cinematography and costumes that resonated with the times and and you will understand why i can not wait to see it again. and again. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
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        print "This is a semantically negative review."
