well and i should say and the only film related to club or dj or electronic music and raves. that ravers respect. seriously now. it a gloriously fun and fast paced and fairly accurate portrayal of the night of a raver. albeit and its in a club and its in wales and its somewhat dated. the film leaves out some of the sketchier elements of club life and but doesn not disassociate from them altogether. it presents a idyllic yet serious portrayal of the ups and downs of the characters lives. at the core of the film and and the best element of justin kerrigan script and is the characters and eccentric and unique yet completely understandable and accessible. this film simple would not work and be infinitely less entertaining were it not for jip and koop and nina and moff and lulu. viewers can deny the political and social implications of the subtext of human traffic as a drug film and trainspotting wannabe and important peg in british youth culture circa 90  and but. they can not deny that these are engaging characters. it frantic and its brutally honest and it sobering and it over the top and but its a great comedy. raves are a complex thing and so are the drugs that are taken at these events and so are the people you will encounter. but from someone who has gone to parties and become jaded and still goes. human traffic is the best snapshot that could be taken of the subculture. just whatever you do and avoid groove as its the antithesis of all that is good about human traffic. 
well and i should say and the only film related to club or dj or electronic music and raves. that ravers respect. seriously now. it a gloriously fun and fast paced and fairly accurate portrayal of the night of a raver. albeit and its in a club and its in wales and its somewhat dated. the film leaves out some of the sketchier elements of club life and but doesn not disassociate from them altogether. it presents a idyllic yet serious portrayal of the ups and downs of the characters lives. at the core of the film and and the best element of justin kerrigan script and is the characters and eccentric and unique yet completely understandable and accessible. this film simple would not work and be infinitely less entertaining were it not for jip and koop and nina and moff and lulu. viewers can deny the political and social implications of the subtext of human traffic as a drug film and trainspotting wannabe and important peg in british youth culture circa 90  and but. they can not deny that these are engaging characters. it frantic and its brutally honest and it sobering and it over the top and but its a great comedy. raves are a complex thing and so are the drugs that are taken at these events and so are the people you will encounter. but from someone who has gone to parties and become jaded and still goes. human traffic is the best snapshot that could be taken of the subculture. just whatever you do and avoid groove as its the antithesis of all that is good about human traffic. ---------------------------------Answer Question Below----------------------------------

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