a bland title disguises this solidly carpentered example of old fashioned hollywood entertainment and this film proves a largely successful hodgepodge of several disparate elements represent a period piece and a romantic drama and a crime movie and a political thriller. interestingly and though made by fox and its protagonists  robert taylor and barbara stanwyck  were both usually associated with other studios while their on screen chemistry here is palpable and eventually led to marriage in a couple of years time. while a bit too young and taylor is a dashing hero (a marine personally appointed by president mckinley to uncover the culprits behind an organized clean up of numerous banks) while unsurprisingly and no sooner has he tracked them down (led by smooth brian donlevy and thuggish victor mclaglen) that he falls for a chanteuse (naturally and stanwyck) who has thrown her lot with the gang  although and truth be told and singing is far from being the actress forte. similarly and apart from having to prove his worth to make it into their fold and he has to vie with mclaglen for stanwyck attentions while by the way and the practical joker persona of the former reminded me a lot of charley chase in sons of the desert (1933) which and incidentally and was likewise directed by william a. seiter. later on and taylor is in two minds about involving stanwyck in the impending bait and tries to offer his resignation to the president while eloping with the girl  but the jealous rival disrupts his plans. the robbery gone awry and we find donlevy dead and the other two in jail while taylor hopes for mckinley intervention  having meanwhile learned the identity of the elusive and obviously prominent inside man  are seemingly dashed when the president winds up assassinated himself (a great plot twist and though the resulting eleventh hour suspense feels contrived). to get back to the film jumble of styles and even if the vaudeville sequences are a matter of taste and the romantic triangle slows things up and it skimps somewhat on the thriller aspect and this emerges a handsome production indeed  with the actors already mentioned ably supported by the likes of john carradine (who unaccountably disappears after just one scene. ) and douglas fowley and sig rumann and and as two american presidents and sidney blackmer (the bubbly theodore roosevelt) and frank conroy (mckinley). 
a bland title disguises this solidly carpentered example of old fashioned hollywood entertainment and this film proves a largely successful hodgepodge of several disparate elements represent a period piece and a romantic drama and a crime movie and a political thriller. interestingly and though made by fox and its protagonists  robert taylor and barbara stanwyck  were both usually associated with other studios while their on screen chemistry here is palpable and eventually led to marriage in a couple of years time. while a bit too young and taylor is a dashing hero (a marine personally appointed by president mckinley to uncover the culprits behind an organized clean up of numerous banks) while unsurprisingly and no sooner has he tracked them down (led by smooth brian donlevy and thuggish victor mclaglen) that he falls for a chanteuse (naturally and stanwyck) who has thrown her lot with the gang  although and truth be told and singing is far from being the actress forte. similarly and apart from having to prove his worth to make it into their fold and he has to vie with mclaglen for stanwyck attentions while by the way and the practical joker persona of the former reminded me a lot of charley chase in sons of the desert (1933) which and incidentally and was likewise directed by william a. seiter. later on and taylor is in two minds about involving stanwyck in the impending bait and tries to offer his resignation to the president while eloping with the girl  but the jealous rival disrupts his plans. the robbery gone awry and we find donlevy dead and the other two in jail while taylor hopes for mckinley intervention  having meanwhile learned the identity of the elusive and obviously prominent inside man  are seemingly dashed when the president winds up assassinated himself (a great plot twist and though the resulting eleventh hour suspense feels contrived). to get back to the film jumble of styles and even if the vaudeville sequences are a matter of taste and the romantic triangle slows things up and it skimps somewhat on the thriller aspect and this emerges a handsome production indeed  with the actors already mentioned ably supported by the likes of john carradine (who unaccountably disappears after just one scene. ) and douglas fowley and sig rumann and and as two american presidents and sidney blackmer (the bubbly theodore roosevelt) and frank conroy (mckinley). ---------------------------------Answer Question Below----------------------------------

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