often considered argento last great film and this entry into the giallo canon is unquestionably better than any argento film that has followed it (though i have yet to see mother of tears) and but to call it his last great film might be stretching it a bit. the directorial and stylistic flourishes  the hallmark of all argento films  is indeed present and with some of his sequences of suspense ranking up with his best (the peephole sequence is especially memorable) and and the cinematography by ronnie taylor is outstanding (the fluorescent lighting is beautiful). however and the narrative  which is hit and miss in all of argento films  is missing here. there is indeed a potent sense of mystery and intrigue and but the plot resorts to what is essentially a string of murder sequences and with one following the another and leaving no real time to fully construct a right and focused mystery to be solved. all of this results in a climax that is. well. anti climatic and as the film did not invest enough interest to make us truly care. regardless and this is recommended simply due to the masterful direction and beautiful imagery that argento evokes. i do not recommend this as a starting point for argento films and however (for that and i would recommend either deep red or suspiria) and but if you enjoyed those and or even any giallo and then this is a very good addition to your viewing repertoire. 
often considered argento last great film and this entry into the giallo canon is unquestionably better than any argento film that has followed it (though i have yet to see mother of tears) and but to call it his last great film might be stretching it a bit. the directorial and stylistic flourishes  the hallmark of all argento films  is indeed present and with some of his sequences of suspense ranking up with his best (the peephole sequence is especially memorable) and and the cinematography by ronnie taylor is outstanding (the fluorescent lighting is beautiful). however and the narrative  which is hit and miss in all of argento films  is missing here. there is indeed a potent sense of mystery and intrigue and but the plot resorts to what is essentially a string of murder sequences and with one following the another and leaving no real time to fully construct a right and focused mystery to be solved. all of this results in a climax that is. well. anti climatic and as the film did not invest enough interest to make us truly care. regardless and this is recommended simply due to the masterful direction and beautiful imagery that argento evokes. i do not recommend this as a starting point for argento films and however (for that and i would recommend either deep red or suspiria) and but if you enjoyed those and or even any giallo and then this is a very good addition to your viewing repertoire. ---------------------------------Answer Question Below----------------------------------

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