some might remember if having seen the film juno a scene where ellen page has a moment of praise for dario argento suspiria and her favorite horror film. jason bateman character then asks if she ever seen a herschel gordon lewis film and and to wit he has a copy of a movie (i forget which at the moment) and shows it to her. at the time i saw juno i had seen suspiria and a few argento films but not lewis. now i can see that it not just another one of diablo cody pop culture in references and but something that actually is an indicator on the tastes of the characters and and maybe more subjectively and how to judge them based on their tastes. in other words and herschel gordon lewis reputation is maintained some many years after he ended making his gore films  and it that of a schlock meister and no more no less. actually and less. it interesting then to take argento as a basis of comparison and because both filmmakers approach and at least in the case of the gore gore girls and and well and any given argento picture and similar material. where argento is extraordinarily conscious about his craft and getting an audience wrapped up in whatever little story there is by the power of the movement of camera and music and style and lewis takes the easy route to get at an audience and which is with an immature script and (putting it lightly) lackluster direction. the gore gore girls reveals a filmmaker who isn not interested in entertaining his audience in an actual compelling way as a horror film and but as a side show or a brothel. he can not direct actors worth a damn and he lights like it a porno movie and and for every one possibly clever or funny one liner there ten that either totally stink or are too clever by half or not clever nearly enough. that being said and perhaps as the best substantive thing to say about the gore gore girls and a mystery movie about a detective (2nd rate sherlock holmes guy played by somewhat amusing frank kress) and a newspaper reporter (dummie amy farrell) investigating a series of murders of go go dancers and is that it serves as the template for countless more troma style pictures. perhaps this is faint praise and however and and really the best thing that can truly be said is that henny youngman take my wife and please. has a few scenes and steals every one of them without having to try much. it sad and since it could be the kind of picture that could entertain on an awesomely bad level. but even on that score one may laugh more out of embarrassment for the production and some of the actors (i. e. that guy who plays the cop and my god) than out of some guilty pleasure enjoyment. even the gore itself is somewhat of a letdown. at first one thinks that lewis is at least delivering on this end and showing these women being murdered in crazy and vicious and exaggerated ways. but with the killings it all goes on longer than necessary while i do not mean this in terms of shock value and for that it fine. but there needs to be something else to really make it stick and that showing women faces dissected and eyes gouged is fine if youre 12 and seeing this as one of youre first horror films. it becomes and dare i say it and dull. dangerously dull for such a daring so called movie. this was lewis last film until 30 years later an apparently worthy swan song came with a sequel to a film he made earlier brought him out of his retirement from movies and job in writing books on how to make it in business. however and whatever experience he had coming up to this one doesn not show. it not a failure and but it could have been and and it just simply. schlock. take it or leave it. 
some might remember if having seen the film juno a scene where ellen page has a moment of praise for dario argento suspiria and her favorite horror film. jason bateman character then asks if she ever seen a herschel gordon lewis film and and to wit he has a copy of a movie (i forget which at the moment) and shows it to her. at the time i saw juno i had seen suspiria and a few argento films but not lewis. now i can see that it not just another one of diablo cody pop culture in references and but something that actually is an indicator on the tastes of the characters and and maybe more subjectively and how to judge them based on their tastes. in other words and herschel gordon lewis reputation is maintained some many years after he ended making his gore films  and it that of a schlock meister and no more no less. actually and less. it interesting then to take argento as a basis of comparison and because both filmmakers approach and at least in the case of the gore gore girls and and well and any given argento picture and similar material. where argento is extraordinarily conscious about his craft and getting an audience wrapped up in whatever little story there is by the power of the movement of camera and music and style and lewis takes the easy route to get at an audience and which is with an immature script and (putting it lightly) lackluster direction. the gore gore girls reveals a filmmaker who isn not interested in entertaining his audience in an actual compelling way as a horror film and but as a side show or a brothel. he can not direct actors worth a damn and he lights like it a porno movie and and for every one possibly clever or funny one liner there ten that either totally stink or are too clever by half or not clever nearly enough. that being said and perhaps as the best substantive thing to say about the gore gore girls and a mystery movie about a detective (2nd rate sherlock holmes guy played by somewhat amusing frank kress) and a newspaper reporter (dummie amy farrell) investigating a series of murders of go go dancers and is that it serves as the template for countless more troma style pictures. perhaps this is faint praise and however and and really the best thing that can truly be said is that henny youngman take my wife and please. has a few scenes and steals every one of them without having to try much. it sad and since it could be the kind of picture that could entertain on an awesomely bad level. but even on that score one may laugh more out of embarrassment for the production and some of the actors (i. e. that guy who plays the cop and my god) than out of some guilty pleasure enjoyment. even the gore itself is somewhat of a letdown. at first one thinks that lewis is at least delivering on this end and showing these women being murdered in crazy and vicious and exaggerated ways. but with the killings it all goes on longer than necessary while i do not mean this in terms of shock value and for that it fine. but there needs to be something else to really make it stick and that showing women faces dissected and eyes gouged is fine if youre 12 and seeing this as one of youre first horror films. it becomes and dare i say it and dull. dangerously dull for such a daring so called movie. this was lewis last film until 30 years later an apparently worthy swan song came with a sequel to a film he made earlier brought him out of his retirement from movies and job in writing books on how to make it in business. however and whatever experience he had coming up to this one doesn not show. it not a failure and but it could have been and and it just simply. schlock. take it or leave it. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
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        print "This is a semantically negative review."
