i first saw heimat 2 on bbc2 in the 90 when i was at art college living and moving among artists and musicians and hoping for future success. so the second home  of friendships made after leaving the familial home and of striving for a professional excellence  strongly resonated with my living reality. i was captivated by the characters and the storytelling and the lyrical camera work and above all by the music. in it i could divine the beginnings of german electronic music and of 50 stockhausen and kraftwerk and can and neue and faust of the 70  and the sound experiments of john cage and walter carlos and the british electronic psychedelia of the white noise. the soundtrack composer nikos mamangakis studied with carl orff of carmina burana fame so i found its tastes contemporary to the electronic pop or sound effects world. i hadnt seen heimat or heimat 3 so i watched it as a whole in itself without a before or after. as someone else has commented and it is both epic and lyrical  historical and artistic. many favourite moments including the wonderful voice of gisela muller (evelyn) and the bach marimba of daniel smith (juan) and the piano playing of henry arnold (hermann) and the cello playing of salome kammer (clarissa). i could write more but it already been said here. why can not british or us tv produce such masterpieces . the wire had the realism and politics and epic sweep of a city and david lynch and dennis potter had imaginative tropes to their serialised tv work too but this is art house and soap at its most cinematic and narrative sublime. it never included in critics choices of best films but it should be. still as poetic and powerful as when i first saw it over 17 years ago. i watch the 3 boxed sets every autumn for their amellow fruitfulness. inspired and inspiring. 
i first saw heimat 2 on bbc2 in the 90 when i was at art college living and moving among artists and musicians and hoping for future success. so the second home  of friendships made after leaving the familial home and of striving for a professional excellence  strongly resonated with my living reality. i was captivated by the characters and the storytelling and the lyrical camera work and above all by the music. in it i could divine the beginnings of german electronic music and of 50 stockhausen and kraftwerk and can and neue and faust of the 70  and the sound experiments of john cage and walter carlos and the british electronic psychedelia of the white noise. the soundtrack composer nikos mamangakis studied with carl orff of carmina burana fame so i found its tastes contemporary to the electronic pop or sound effects world. i hadnt seen heimat or heimat 3 so i watched it as a whole in itself without a before or after. as someone else has commented and it is both epic and lyrical  historical and artistic. many favourite moments including the wonderful voice of gisela muller (evelyn) and the bach marimba of daniel smith (juan) and the piano playing of henry arnold (hermann) and the cello playing of salome kammer (clarissa). i could write more but it already been said here. why can not british or us tv produce such masterpieces . the wire had the realism and politics and epic sweep of a city and david lynch and dennis potter had imaginative tropes to their serialised tv work too but this is art house and soap at its most cinematic and narrative sublime. it never included in critics choices of best films but it should be. still as poetic and powerful as when i first saw it over 17 years ago. i watch the 3 boxed sets every autumn for their amellow fruitfulness. inspired and inspiring. ---------------------------------Answer Question Below----------------------------------

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