from the offset and i knew this was going to be a terrific movie and the pace and the cinematography and personalities indigenous to the dallas area and the diversification of characters and not to mention the director oliver stone and of course eric bogasian. the film starts out on a friday (suggestively occult in the first place) and begins with a radio station in dallas that is hosting their number one talk show and the barry champlain show (based on the talk radio host alan berg). barry (eric bogasian) is the abrasive radio talk show host and his job is such whereby it is compulsory to pontificate all of the sensationalistic nuances of the radio audience feeding into his show. he attempts to commiserate with a bunch of societal deviates turned lonely and vulnerable and obscene phone callers who have the masochistic craving to be publicly vilified and barry champlain is effective in coping with this precarious ilk and by socially debasing them rather than simply subjugating them to mere admonishment. new technologies serve a stigmatic purpose for the dallas radio audience and and paramount concepts take a backseat to perversion and talk about baseball scores and orgasms and people pets. the whole thing is a cacophony of drug induced diatribes and a potpourri for psychopathic paranoia. this high profile cannon fodder is something that barry champlain thrives on. the convoluted pathos and the deranged proclivities deeriving from inaneities and puveyors of pornography and the overall pop culture afflictions serve as volatile ammunition for barry champlain stilted battleground. the setting for this movie is perfect in that there is a two thousand foot drop in terms of ideology. in the the center of dallas there is an overbearing sense of cosmopolitan awareness and whereby 20 miles away resides a significant chapter of the ku klux klan. the play is based in denver and that is where the actual story takes place and other small theater plays depict the cities of louisville and atlanta and cleveland. dallas is the city where the film takes place and i thought it was an excellent choice. this movie illustrates how people have a horrid and erroneous and deadly misconceptualization of the jewish people in america and whereby they control the banks and their agenda is different than everybody else and their intellectual literature leads to perversion. these preconceived notions compound barry champlain overall dilemma. barry champlain personal undoing is whereby he is irascible and non responsive to his alcoholism and and his abrasive and politically controversial nature is his ultimate undoing and this is what makes the film so believable. the characters in the movie were well portrayed and dan and the tailor made for middle management hatchet man (played by alec baldwin) who was constantly monitoring barry champlain every move. laura and his girlfriend and also his producer and will constantly feel barry is someone who is always misunderstood. ellen and his ex wife and is a recipient of barry anguish and selfishness and but cannot quite relinquish her feelings for barry regardless of the path of personal destruction he winds up resorting to. the dallas radio audience is a melting pot of socially misplaced retro bates who are dementedly amused by their own real shortcomings. in part and everybody hang ups including barry champlain own hang ups are what do barry champlain in. his audience ogles depravity and solicits amelioration and ultimately becomes barry champlain pet project for prescribed sinners. social culture conflicts become barry champlain downfall. this movie is superb. in my opinion oliver stone best picture and including platoon and natural born killers. that statement in of itself tells you how magnificent a film talk radio is. the story consulting and acting and co producing of eric bogosian is simply compelling. the camera angles and the dialogue and the haunting character portrayals and all top notch. the cinematography of the dallas skyline at the end of the movie is terrific. dallas has the dubious distinction of being deemed a mega metropolis. so now and just like los angeles and new york and there are crack baby cases too numerous to count and low cost housing neighborhoods from hell and budgets cuts that will mean there will be a significant number of people who will be dead by this time next year. dallas asserts it status as a major metropolitan area in the precarious manner by which human debauchery prevails. the city has it lynching radio listeners who have given a pejorative spin to the marvel of nationwide air wave communication. these are the culprits in the movie. the ghoulish tabloid derelicts who want to meet the big bad wolf and and their decadent curiosity has morally obliterated the last neighborhood in america. 
from the offset and i knew this was going to be a terrific movie and the pace and the cinematography and personalities indigenous to the dallas area and the diversification of characters and not to mention the director oliver stone and of course eric bogasian. the film starts out on a friday (suggestively occult in the first place) and begins with a radio station in dallas that is hosting their number one talk show and the barry champlain show (based on the talk radio host alan berg). barry (eric bogasian) is the abrasive radio talk show host and his job is such whereby it is compulsory to pontificate all of the sensationalistic nuances of the radio audience feeding into his show. he attempts to commiserate with a bunch of societal deviates turned lonely and vulnerable and obscene phone callers who have the masochistic craving to be publicly vilified and barry champlain is effective in coping with this precarious ilk and by socially debasing them rather than simply subjugating them to mere admonishment. new technologies serve a stigmatic purpose for the dallas radio audience and and paramount concepts take a backseat to perversion and talk about baseball scores and orgasms and people pets. the whole thing is a cacophony of drug induced diatribes and a potpourri for psychopathic paranoia. this high profile cannon fodder is something that barry champlain thrives on. the convoluted pathos and the deranged proclivities deeriving from inaneities and puveyors of pornography and the overall pop culture afflictions serve as volatile ammunition for barry champlain stilted battleground. the setting for this movie is perfect in that there is a two thousand foot drop in terms of ideology. in the the center of dallas there is an overbearing sense of cosmopolitan awareness and whereby 20 miles away resides a significant chapter of the ku klux klan. the play is based in denver and that is where the actual story takes place and other small theater plays depict the cities of louisville and atlanta and cleveland. dallas is the city where the film takes place and i thought it was an excellent choice. this movie illustrates how people have a horrid and erroneous and deadly misconceptualization of the jewish people in america and whereby they control the banks and their agenda is different than everybody else and their intellectual literature leads to perversion. these preconceived notions compound barry champlain overall dilemma. barry champlain personal undoing is whereby he is irascible and non responsive to his alcoholism and and his abrasive and politically controversial nature is his ultimate undoing and this is what makes the film so believable. the characters in the movie were well portrayed and dan and the tailor made for middle management hatchet man (played by alec baldwin) who was constantly monitoring barry champlain every move. laura and his girlfriend and also his producer and will constantly feel barry is someone who is always misunderstood. ellen and his ex wife and is a recipient of barry anguish and selfishness and but cannot quite relinquish her feelings for barry regardless of the path of personal destruction he winds up resorting to. the dallas radio audience is a melting pot of socially misplaced retro bates who are dementedly amused by their own real shortcomings. in part and everybody hang ups including barry champlain own hang ups are what do barry champlain in. his audience ogles depravity and solicits amelioration and ultimately becomes barry champlain pet project for prescribed sinners. social culture conflicts become barry champlain downfall. this movie is superb. in my opinion oliver stone best picture and including platoon and natural born killers. that statement in of itself tells you how magnificent a film talk radio is. the story consulting and acting and co producing of eric bogosian is simply compelling. the camera angles and the dialogue and the haunting character portrayals and all top notch. the cinematography of the dallas skyline at the end of the movie is terrific. dallas has the dubious distinction of being deemed a mega metropolis. so now and just like los angeles and new york and there are crack baby cases too numerous to count and low cost housing neighborhoods from hell and budgets cuts that will mean there will be a significant number of people who will be dead by this time next year. dallas asserts it status as a major metropolitan area in the precarious manner by which human debauchery prevails. the city has it lynching radio listeners who have given a pejorative spin to the marvel of nationwide air wave communication. these are the culprits in the movie. the ghoulish tabloid derelicts who want to meet the big bad wolf and and their decadent curiosity has morally obliterated the last neighborhood in america. ---------------------------------Answer Question Below----------------------------------

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