maybe i am reading into this too much and but i wonder how much of a hand hongsheng had in developing the film. i mean and when a story is told casting the main character as himself and i would think he would be a heavy hand in writing and documenting and etc. and that would make it a little biased. but. his family and friends also may have had a hand in getting the actual details about hongsheng life. i think the best view would have been told from hongsheng family and friends perspectives. they saw his transformation and weren not so messed up on drugs that they remember everything. as for hongsheng being full of himself and the consistencies of the jesus christ pose make him appear as a martyr who sacrificed his life (metaphorically and of course and he obviously still alive as he was cast as himself) for his family happiness. huh. the viewer sees him at his lowest points while still maintaining a superiority complex. he lies on the grass coming down from (during. ) a high by himself and with his father and he contemplates life and has visions of dragons at his window and he celebrates his freedom on a bicycle all while outstretching his arms and his head cocked to the side. it fabulous that he off of drugs now and but he no hero. he went from a high point in his career in acting to his most vulnerable point while on drugs to come back somewhere in the middle. this same device is used in ted demme blow where the audience empathizes with the main character who is shown as a flawed hero. however and quitting (zuotian) is a film that is recommended and mostly for its haunting soundtrack and superb acting and and landscapes. but and the best part is the feeling that one gets when what we presume to be the house of jia hongsheng is actually a stage setting for a play. it makes the viewer feel as if hongsheng life was merely a play told in many difficult parts. 
maybe i am reading into this too much and but i wonder how much of a hand hongsheng had in developing the film. i mean and when a story is told casting the main character as himself and i would think he would be a heavy hand in writing and documenting and etc. and that would make it a little biased. but. his family and friends also may have had a hand in getting the actual details about hongsheng life. i think the best view would have been told from hongsheng family and friends perspectives. they saw his transformation and weren not so messed up on drugs that they remember everything. as for hongsheng being full of himself and the consistencies of the jesus christ pose make him appear as a martyr who sacrificed his life (metaphorically and of course and he obviously still alive as he was cast as himself) for his family happiness. huh. the viewer sees him at his lowest points while still maintaining a superiority complex. he lies on the grass coming down from (during. ) a high by himself and with his father and he contemplates life and has visions of dragons at his window and he celebrates his freedom on a bicycle all while outstretching his arms and his head cocked to the side. it fabulous that he off of drugs now and but he no hero. he went from a high point in his career in acting to his most vulnerable point while on drugs to come back somewhere in the middle. this same device is used in ted demme blow where the audience empathizes with the main character who is shown as a flawed hero. however and quitting (zuotian) is a film that is recommended and mostly for its haunting soundtrack and superb acting and and landscapes. but and the best part is the feeling that one gets when what we presume to be the house of jia hongsheng is actually a stage setting for a play. it makes the viewer feel as if hongsheng life was merely a play told in many difficult parts. ---------------------------------Answer Question Below----------------------------------

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