when naïve young eddie hatch and a window dresser at savory department store and falls for a statue of venus and gives her a chaste kiss and venus steps off her pedestal and gives eddie more than he bargained for. this creaking example of what hollywood can do to a broadway musical manages to emphasize the inane story and eliminate most of the first rate songs. the purpose was to make a safe and popular movie without too much investment while capitalizing on ava gardner upward mobility to super stardom. robert walker as eddie gets lost in a thankless role. eddie not just naive and but dithering and hapless. gardner is gorgeous and but the only things that give the movie any life are olga san juan as eddie loving but jealous girl friend and tom conway as the suave owner of savory and eve arden as savory long time and wise cracking secretary. it a role arden could play in her sleep and and she good at it. the musical opened on broadway in 1943 and made mary martin a big time star. the only point of a musical and however and is to have music. since one touch of venus was intended to be a social satire of sorts and kurt weill and composing and and ogden nash writing the lyrics and came up with a series of stylish and witty songs and one masterpiece. without the satire and or the clever songs or martin (or an equivalent showstopper) and the movie becomes just a weak comedy fantasy where much of the comedy is predictable and the fantasy is worked to death. not only did the producers of the movie toss out almost all the weill or nash songs and they brought in the movie music director and ann ronell and to write new lyrics for one of the songs that survived and turning sharp observation into lovey dovey romance. ronell was no hack while she wrote willow weep for me. wonder what she thought about while she replaced or tweaked ogden nash clever work. the one bright spot in the movie is that weill or nash masterpiece. speak low is as great a love song as anyone ever wrote. it given one of those ultra professional and lifeless treatments by eileen wilson dubbing gardner. dick haymes contributes a chorus. as for ann ronell and she was one of the few women in hollywood to become a major music director and as well as composer and lyric writer. yours for a song represent the women of tin pan alley is a fascinating documentary of some of the women who made it in the business and including ronell and kay swift and dorothy fields and dana suess. and for those who would like to hear what little of the weill or nash score was recorded by the original broadway cast and you might be able to track down the cd and one touch of venus (1943 original cast) or lute song (1946 original cast). the music is paired with lute song and another broadway show that starred martin. 
when naïve young eddie hatch and a window dresser at savory department store and falls for a statue of venus and gives her a chaste kiss and venus steps off her pedestal and gives eddie more than he bargained for. this creaking example of what hollywood can do to a broadway musical manages to emphasize the inane story and eliminate most of the first rate songs. the purpose was to make a safe and popular movie without too much investment while capitalizing on ava gardner upward mobility to super stardom. robert walker as eddie gets lost in a thankless role. eddie not just naive and but dithering and hapless. gardner is gorgeous and but the only things that give the movie any life are olga san juan as eddie loving but jealous girl friend and tom conway as the suave owner of savory and eve arden as savory long time and wise cracking secretary. it a role arden could play in her sleep and and she good at it. the musical opened on broadway in 1943 and made mary martin a big time star. the only point of a musical and however and is to have music. since one touch of venus was intended to be a social satire of sorts and kurt weill and composing and and ogden nash writing the lyrics and came up with a series of stylish and witty songs and one masterpiece. without the satire and or the clever songs or martin (or an equivalent showstopper) and the movie becomes just a weak comedy fantasy where much of the comedy is predictable and the fantasy is worked to death. not only did the producers of the movie toss out almost all the weill or nash songs and they brought in the movie music director and ann ronell and to write new lyrics for one of the songs that survived and turning sharp observation into lovey dovey romance. ronell was no hack while she wrote willow weep for me. wonder what she thought about while she replaced or tweaked ogden nash clever work. the one bright spot in the movie is that weill or nash masterpiece. speak low is as great a love song as anyone ever wrote. it given one of those ultra professional and lifeless treatments by eileen wilson dubbing gardner. dick haymes contributes a chorus. as for ann ronell and she was one of the few women in hollywood to become a major music director and as well as composer and lyric writer. yours for a song represent the women of tin pan alley is a fascinating documentary of some of the women who made it in the business and including ronell and kay swift and dorothy fields and dana suess. and for those who would like to hear what little of the weill or nash score was recorded by the original broadway cast and you might be able to track down the cd and one touch of venus (1943 original cast) or lute song (1946 original cast). the music is paired with lute song and another broadway show that starred martin. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
