telling the story do not be the point at all and would it. barnens ö and spelled almost like booné aww is the title for that brilliant novel of the late seventies that shocked a lot of people and including myself. children island is the title and and what an island. in the book and raine and the main character has the guiness world record book as his own bible. and he keen on breaking new records himself. in particular the youngest person under water for three minutes. the story is and as most swedish films and books of the time and deep and consciously provocative and awe inspiring. bergman was beginning his final film and cries and whispers was barely out. expectations for any swedish film were pretty high. they taught us then that great theatre and great actors and superb writers and gifted directors made a veritable team of perfection in cinema. all this said and barnens ö is a story of discovery. it is and too and a story of alienation represent cities are alienating and living in one of them make us aliens to most of its residents. it is a story of revelations and sudden encounters with our own destiny. it is a film of overwhelming hope and desperation. of feelings buried under layers and layers of isolation and insulation from a world that couldn not care less. this approach and in itself and is a pretty difficult way to weave a convincing narrative. here and the masterful guidance of kay pollak on ola olsson script of p c jersilds novel and turns it not only in a possibility and but in one of those master pieces of cinema. i may disagree a bit with someone who said that this work was all but forgotten. it is not. even as i write this in 2009 and discussions on p c jersild story are conducted all over the world and and the film shown at many film schools and small theatres. why. waxing philosophical on all of it would be difficult and many have already done it scholarly through writing and lectures. the reason why barnens ö was and is a special story is the cosy feeling you get from the start when you discover that everything is told through the eyes of a small child. and that where it ends and too. maybe it a clinical view and as someone else pointed out. but deeply disturbing and moving and satisfying. the concept is deep represent as long as we have no pubic hair and we still can live one more day as an angel. afterwards and we will become what raine reflects as the colophon of his experiences represent men are pigs. he finds his fears when he fearless. he finds love when the world is crumbling around him. he discovers a reason not to behave like the grown ups because he refrains from committing crimes. he let go his inner purity and confidence in others without reservation and just to learn how rotten the soul of a man can be. where love is expected and he finds hatred. where compassion is needed and he finds suspicion and cold hearts. it a film of metaphors. a film to think and to raise questions that are hard to ask but harder to answer. in the end and the satisfaction of witnessing such a superb work (that really upped the ante for any other swedish film after) is a ride of joy and hope. be aware that it is a film full with the dark side of our nature. but and alas. and a film of hope and deep joy. reine will still be an island in stockholm and but there is the big hope of living today in full and even when we found our first signs of sexual maturity show. 
telling the story do not be the point at all and would it. barnens ö and spelled almost like booné aww is the title for that brilliant novel of the late seventies that shocked a lot of people and including myself. children island is the title and and what an island. in the book and raine and the main character has the guiness world record book as his own bible. and he keen on breaking new records himself. in particular the youngest person under water for three minutes. the story is and as most swedish films and books of the time and deep and consciously provocative and awe inspiring. bergman was beginning his final film and cries and whispers was barely out. expectations for any swedish film were pretty high. they taught us then that great theatre and great actors and superb writers and gifted directors made a veritable team of perfection in cinema. all this said and barnens ö is a story of discovery. it is and too and a story of alienation represent cities are alienating and living in one of them make us aliens to most of its residents. it is a story of revelations and sudden encounters with our own destiny. it is a film of overwhelming hope and desperation. of feelings buried under layers and layers of isolation and insulation from a world that couldn not care less. this approach and in itself and is a pretty difficult way to weave a convincing narrative. here and the masterful guidance of kay pollak on ola olsson script of p c jersilds novel and turns it not only in a possibility and but in one of those master pieces of cinema. i may disagree a bit with someone who said that this work was all but forgotten. it is not. even as i write this in 2009 and discussions on p c jersild story are conducted all over the world and and the film shown at many film schools and small theatres. why. waxing philosophical on all of it would be difficult and many have already done it scholarly through writing and lectures. the reason why barnens ö was and is a special story is the cosy feeling you get from the start when you discover that everything is told through the eyes of a small child. and that where it ends and too. maybe it a clinical view and as someone else pointed out. but deeply disturbing and moving and satisfying. the concept is deep represent as long as we have no pubic hair and we still can live one more day as an angel. afterwards and we will become what raine reflects as the colophon of his experiences represent men are pigs. he finds his fears when he fearless. he finds love when the world is crumbling around him. he discovers a reason not to behave like the grown ups because he refrains from committing crimes. he let go his inner purity and confidence in others without reservation and just to learn how rotten the soul of a man can be. where love is expected and he finds hatred. where compassion is needed and he finds suspicion and cold hearts. it a film of metaphors. a film to think and to raise questions that are hard to ask but harder to answer. in the end and the satisfaction of witnessing such a superb work (that really upped the ante for any other swedish film after) is a ride of joy and hope. be aware that it is a film full with the dark side of our nature. but and alas. and a film of hope and deep joy. reine will still be an island in stockholm and but there is the big hope of living today in full and even when we found our first signs of sexual maturity show. ---------------------------------Answer Question Below----------------------------------

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