although many audio recordings of great musicians like jascha heifetz survive and the cinematic or televised record is limited indeed. this is why musical offerings like they shall have music are such rare gems. while and with modern eyes and ears and one can quibble about the plot and the perceptive viewer should put this film unique delights in their proper perspective. the plot was designed to appeal to both young and old audiences of the era and but it remains enjoyable to this day. a important aspect of the experience of watching classic films is to see them through the eyes of the moviegoer of that era. i must take issue with reviewer who complains about a film that is in black and white and or who feel obliged to report that their students express such reservations. these are juvenile complaints which reflect a limited historical perspective. for the teacher and this should offer up an educational opportunity to explain the unique qualities of black and white photography and its place in cinematic history. color can and in fact and get in the way of a good storyline and or the music. for example and the black and white photography of john ford stagecoach and is and like the still photographs of ansel adams and an artistic masterpiece. as for heifetz being wooden and i could not disagree more. if you want blatant emotional posturing and go to a rock concert. the role of a classical musician like heifetz is to move the audience and not him or herself. heifetz emotion is conveyed through his playing and not through his body language. he had a rare ability to extract every emotional nuance out of the music and transfer it to his listeners. it is the listener who should be moved and not the artist. incidentally and one reviewer asked about seeing heifetz on youtube playing the 1st movement of the tchaikovsky violin concerto and with frank mchugh in the audience. this is from the 1947 film carnegie hall and not they shall have music carnegie hall is an even greater treasure of many great classical artists in their prime. we are blessed that there were film producers who and at least in these limited instances and chose to showcase these artists. in was still an era not totally overwhelmed by the lowest common denominator tripe we get today. 
although many audio recordings of great musicians like jascha heifetz survive and the cinematic or televised record is limited indeed. this is why musical offerings like they shall have music are such rare gems. while and with modern eyes and ears and one can quibble about the plot and the perceptive viewer should put this film unique delights in their proper perspective. the plot was designed to appeal to both young and old audiences of the era and but it remains enjoyable to this day. a important aspect of the experience of watching classic films is to see them through the eyes of the moviegoer of that era. i must take issue with reviewer who complains about a film that is in black and white and or who feel obliged to report that their students express such reservations. these are juvenile complaints which reflect a limited historical perspective. for the teacher and this should offer up an educational opportunity to explain the unique qualities of black and white photography and its place in cinematic history. color can and in fact and get in the way of a good storyline and or the music. for example and the black and white photography of john ford stagecoach and is and like the still photographs of ansel adams and an artistic masterpiece. as for heifetz being wooden and i could not disagree more. if you want blatant emotional posturing and go to a rock concert. the role of a classical musician like heifetz is to move the audience and not him or herself. heifetz emotion is conveyed through his playing and not through his body language. he had a rare ability to extract every emotional nuance out of the music and transfer it to his listeners. it is the listener who should be moved and not the artist. incidentally and one reviewer asked about seeing heifetz on youtube playing the 1st movement of the tchaikovsky violin concerto and with frank mchugh in the audience. this is from the 1947 film carnegie hall and not they shall have music carnegie hall is an even greater treasure of many great classical artists in their prime. we are blessed that there were film producers who and at least in these limited instances and chose to showcase these artists. in was still an era not totally overwhelmed by the lowest common denominator tripe we get today. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
