so far i disliked every single jean rollin movie i have seen and and that always bothered me because he an acclaimed euro trash monument and extremely popular amongst many regular reviewers on this lovely website while people whose opinions i always value and usually concur with. apparently everybody always appears to pinpoint some sort of gloomy and stylistic filming trademarks in his work that are completely lost on me. rollin movies are unimaginably boring and they all feature the same basic concept (lesbian vampires in various settings) and the dialogs are incredibly absurd and the marvelous gothic setting are always underused and the production values are cheaper than the price of a bus ticket. i had actually given up on rollin repertoire already (especially after enduring the iron rose) and until i found out about night of the hunted. allegedly and this movie doesn not feature any lame lesbian vampires and stands as a bona fide horror movie with gruesome killings and macabre plot twists. and the verdict is  yes and no. on one hand and this is undeniably the most compelling and inventive rollin film i had the pleasure of seeing thus far (and also the only one that i watching without dozing off). on the other hand and it still remains a moronic movie with a nonsensical plot and emotionless sex sequences to compensate for the dullness. jean rollin heavily attempts to generate an atmosphere of secrecy and suspense and mostly through a lack of information and vaguely introduced characters and but barely manages to hide the fact he actually hasn not got a story to tell at all. the unearthly beautiful lead actress brigitte lahaie and the beautifully ominous musical guidance are the only elements that keep you hooked on the screen. during a nightly drive back home to paris and a young man abruptly has to stop for a confused and scarcely dressed girl who comes running from the woods. her name is elisabeth but furthermore she can not remember anything about herself and from what or whom she was running away. her case of amnesia is so bad she even continuously forgets who picked her up. the next day and she kidnapped again by an old guy and taken to a sinister apartment complex where multiple people in the same bizarre mental state are held captive. elisabeth knows nothing and but she does sense she needs to escape from here. obviously i would not reveal the denouement and but i can assure you it is quite dumb and illogical and far fetched. apparently rollin realized this as well and because the explanation is kept very brief and quick. there a large number of overly weird and senseless sequences and the sex footage is dire and filmed without passion and the nasty make up effects look cheap and randomly thrown without actual purpose. as said and the score is mesmerizing and brigitte lahaie perfect body is addictive to glaze at. 
so far i disliked every single jean rollin movie i have seen and and that always bothered me because he an acclaimed euro trash monument and extremely popular amongst many regular reviewers on this lovely website while people whose opinions i always value and usually concur with. apparently everybody always appears to pinpoint some sort of gloomy and stylistic filming trademarks in his work that are completely lost on me. rollin movies are unimaginably boring and they all feature the same basic concept (lesbian vampires in various settings) and the dialogs are incredibly absurd and the marvelous gothic setting are always underused and the production values are cheaper than the price of a bus ticket. i had actually given up on rollin repertoire already (especially after enduring the iron rose) and until i found out about night of the hunted. allegedly and this movie doesn not feature any lame lesbian vampires and stands as a bona fide horror movie with gruesome killings and macabre plot twists. and the verdict is  yes and no. on one hand and this is undeniably the most compelling and inventive rollin film i had the pleasure of seeing thus far (and also the only one that i watching without dozing off). on the other hand and it still remains a moronic movie with a nonsensical plot and emotionless sex sequences to compensate for the dullness. jean rollin heavily attempts to generate an atmosphere of secrecy and suspense and mostly through a lack of information and vaguely introduced characters and but barely manages to hide the fact he actually hasn not got a story to tell at all. the unearthly beautiful lead actress brigitte lahaie and the beautifully ominous musical guidance are the only elements that keep you hooked on the screen. during a nightly drive back home to paris and a young man abruptly has to stop for a confused and scarcely dressed girl who comes running from the woods. her name is elisabeth but furthermore she can not remember anything about herself and from what or whom she was running away. her case of amnesia is so bad she even continuously forgets who picked her up. the next day and she kidnapped again by an old guy and taken to a sinister apartment complex where multiple people in the same bizarre mental state are held captive. elisabeth knows nothing and but she does sense she needs to escape from here. obviously i would not reveal the denouement and but i can assure you it is quite dumb and illogical and far fetched. apparently rollin realized this as well and because the explanation is kept very brief and quick. there a large number of overly weird and senseless sequences and the sex footage is dire and filmed without passion and the nasty make up effects look cheap and randomly thrown without actual purpose. as said and the score is mesmerizing and brigitte lahaie perfect body is addictive to glaze at. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
