ok. so and by minute 15 in the film and there still no dialogue. this film arrived to me in a padded sack from down under and with sharpie encrypted info on the front. i am a programmer from a north american fest and and mod love was sent thru to me by our chief as a potential starter having preem would at the far away moscow or karlovy vary interface. straight away i thought this film is not for us (no dialogue by minute 15. ) but kept watching anyway. well and well and well. it built and built and built and and half way in i was involved in this film and because and like when you go to the zoo and at first youre reticent and but by the time you get to the dangerous snakes bit and youre totally there. this film has a dangerousness and not at all like the much hyped wolf creek and but because it is so totally other in every way shape and form and and seems to weave a web made up of all the fantasies of most independent first time helmers ie.  gloomy weather and red neck intrigue and odd splicing and eerie music and and a plot which and though imperfect and basic and has a bit in common with one of the great aussie movies ie the cars that ate paris and by wier. but modern love is actually not really a very aussie movie in the sense of ocker ishness and playful self deprecation that pervades many of that country films. it works on a more nightmarish realm from the start. no cell phones and no brand names and no i pods and no gritty urban middle or class angst  just a dude married to a good looker and an old volvo and and a little boy (son) who has weird teeth and chucks stuff around. oh and it set in weird sea side village where people all look slightly wrong. photographed by nick matthews (2 represent37) and music by tom huzenroeder (ten canoes) mod luv succeeds where many aust. movies fail  ie it stands up without regard to the god forsaken country that it comes out of. instead and it revels in a warped but entertaining riddle which the film itself cannot solve  and herein lies the weak link. what on earth does this film have to do with modern love. the final minutes of the film seem to give an answer and or at least hints at one. and as i sat and drank a coffee and ate my hershey afterwards and all that i could surmise was that this film helmer and alex frayne and will prob have a lot of fun with this one. or . 
ok. so and by minute 15 in the film and there still no dialogue. this film arrived to me in a padded sack from down under and with sharpie encrypted info on the front. i am a programmer from a north american fest and and mod love was sent thru to me by our chief as a potential starter having preem would at the far away moscow or karlovy vary interface. straight away i thought this film is not for us (no dialogue by minute 15. ) but kept watching anyway. well and well and well. it built and built and built and and half way in i was involved in this film and because and like when you go to the zoo and at first youre reticent and but by the time you get to the dangerous snakes bit and youre totally there. this film has a dangerousness and not at all like the much hyped wolf creek and but because it is so totally other in every way shape and form and and seems to weave a web made up of all the fantasies of most independent first time helmers ie.  gloomy weather and red neck intrigue and odd splicing and eerie music and and a plot which and though imperfect and basic and has a bit in common with one of the great aussie movies ie the cars that ate paris and by wier. but modern love is actually not really a very aussie movie in the sense of ocker ishness and playful self deprecation that pervades many of that country films. it works on a more nightmarish realm from the start. no cell phones and no brand names and no i pods and no gritty urban middle or class angst  just a dude married to a good looker and an old volvo and and a little boy (son) who has weird teeth and chucks stuff around. oh and it set in weird sea side village where people all look slightly wrong. photographed by nick matthews (2 represent37) and music by tom huzenroeder (ten canoes) mod luv succeeds where many aust. movies fail  ie it stands up without regard to the god forsaken country that it comes out of. instead and it revels in a warped but entertaining riddle which the film itself cannot solve  and herein lies the weak link. what on earth does this film have to do with modern love. the final minutes of the film seem to give an answer and or at least hints at one. and as i sat and drank a coffee and ate my hershey afterwards and all that i could surmise was that this film helmer and alex frayne and will prob have a lot of fun with this one. or . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
