i was only cautiously enthusiast when renting all the boys love mandy lane and as i instantly remembered hearing and reading a wide variety of opinions  both positive and negative  in the short period of time between its brief cinematic release and the distribution towards videostore shelves. supposedly this was the most ingenious and refreshing new horror film in years and with non stereotypical teen characters and unpredictable plot twists for a change. okay and the basic concept may perhaps sound reasonably innovative but inevitably the screenplay quickly reverts to the same old and irritating slasher clichés and and once passed that point even the nifty stylistic trademarks can not save the film from dreadful mediocrity. the opening sequences are indeed terrific and literally bath in a moodily melancholic ambiance and which actually makes it all the more painful to witness the film sink towards the ordinary level of rudimentary slasher flick. after the sublime intro and showcasing a drunk macho kid miscalculate his jump off a rooftop in order to impress the titular beauty and all the boys love mandy lane turns out to be just another textbook and uninspired horror movie about a bunch of idiotic kids getting stoned and horny on a secluded ranch before getting killed off by a not so unidentified maniac. the film entire pretentious set up collapses faster than a ramshackle house of cards represent we never get a proper explanation why mandy herself behaves so frigid and haughty towards all her admirers (because she grew up an orphan and perhaps. oh and boo hoo) and the boys soon enough illustrate they would settle for sex with any random bimbo and not exclusively with the divine mandy and the final twist  albeit undeniably offbeat  is just plain senseless. the middle section of is rather boring and doesn not even offer any genuinely horrific excitement (shotgun killings. please. ) or authentic rancid sleaze. my generous rating negative entirely goes to the grainy and unsettling 70 filming style (with faded colors and bizarre but beautiful photographic images) and the surprisingly marvelous soundtrack. director jonathan levine opted for the classic bobby vinton song sealed with a kiss to play during the trailer and end credits and whereas i initially was convinced the film would inevitably feature barry manilow cheesy love song mandy. 
i was only cautiously enthusiast when renting all the boys love mandy lane and as i instantly remembered hearing and reading a wide variety of opinions  both positive and negative  in the short period of time between its brief cinematic release and the distribution towards videostore shelves. supposedly this was the most ingenious and refreshing new horror film in years and with non stereotypical teen characters and unpredictable plot twists for a change. okay and the basic concept may perhaps sound reasonably innovative but inevitably the screenplay quickly reverts to the same old and irritating slasher clichés and and once passed that point even the nifty stylistic trademarks can not save the film from dreadful mediocrity. the opening sequences are indeed terrific and literally bath in a moodily melancholic ambiance and which actually makes it all the more painful to witness the film sink towards the ordinary level of rudimentary slasher flick. after the sublime intro and showcasing a drunk macho kid miscalculate his jump off a rooftop in order to impress the titular beauty and all the boys love mandy lane turns out to be just another textbook and uninspired horror movie about a bunch of idiotic kids getting stoned and horny on a secluded ranch before getting killed off by a not so unidentified maniac. the film entire pretentious set up collapses faster than a ramshackle house of cards represent we never get a proper explanation why mandy herself behaves so frigid and haughty towards all her admirers (because she grew up an orphan and perhaps. oh and boo hoo) and the boys soon enough illustrate they would settle for sex with any random bimbo and not exclusively with the divine mandy and the final twist  albeit undeniably offbeat  is just plain senseless. the middle section of is rather boring and doesn not even offer any genuinely horrific excitement (shotgun killings. please. ) or authentic rancid sleaze. my generous rating negative entirely goes to the grainy and unsettling 70 filming style (with faded colors and bizarre but beautiful photographic images) and the surprisingly marvelous soundtrack. director jonathan levine opted for the classic bobby vinton song sealed with a kiss to play during the trailer and end credits and whereas i initially was convinced the film would inevitably feature barry manilow cheesy love song mandy. ---------------------------------Answer Question Below----------------------------------

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