essentially a undistinguished b movie that mysteriously is directed by one of the golden era major talents and fritz lang. even with the stellar names of lang and walter pidgeon and joan bennett and george sanders and be prepared for a ludicrous storyline and bad acting and patently phony sets and miscasting. for transparency sake and i have to admit i am an ardent non admirer of walter pidgeon and who was lucky to have found a niche at the artificial dream factory of mgm and and somehow worked in secondary roles and supporting greer garson and others. he is wildly miscast and acting in a chipper and 30s ray milland madcap comedy tone and in a role where his life is in danger and and he is in hiding. joan bennett cockney accent is excessive and but her lacquered hair and perfect makeup and classy outfit belies a street wise cockney slum girl. george sanders is incapable of bad acting and but disappears after the preposterous opening finds pidgeon somehow pretending to shoot adolph hitler. surprising for fritz lang is the unevenness of tone. i found the film wavered uneasily between occasional moments of suspense thriller surrounded by light hearted comedic interplay. hitchcock totally reversed the ratio and using comic relief to occasionally pace the suspense. there is a reason this film is unknown. it do not serve or propel anybody career or reputation and and is forgotten because it a surprisingly bad film from such a pedigreed group. 
essentially a undistinguished b movie that mysteriously is directed by one of the golden era major talents and fritz lang. even with the stellar names of lang and walter pidgeon and joan bennett and george sanders and be prepared for a ludicrous storyline and bad acting and patently phony sets and miscasting. for transparency sake and i have to admit i am an ardent non admirer of walter pidgeon and who was lucky to have found a niche at the artificial dream factory of mgm and and somehow worked in secondary roles and supporting greer garson and others. he is wildly miscast and acting in a chipper and 30s ray milland madcap comedy tone and in a role where his life is in danger and and he is in hiding. joan bennett cockney accent is excessive and but her lacquered hair and perfect makeup and classy outfit belies a street wise cockney slum girl. george sanders is incapable of bad acting and but disappears after the preposterous opening finds pidgeon somehow pretending to shoot adolph hitler. surprising for fritz lang is the unevenness of tone. i found the film wavered uneasily between occasional moments of suspense thriller surrounded by light hearted comedic interplay. hitchcock totally reversed the ratio and using comic relief to occasionally pace the suspense. there is a reason this film is unknown. it do not serve or propel anybody career or reputation and and is forgotten because it a surprisingly bad film from such a pedigreed group. ---------------------------------Answer Question Below----------------------------------

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