it is a rare and fine spectacle and an allegory of death and transfiguration that is neither preachy nor mawkish. a work of mature and courageous insight and northfork avoids arthouse distinction by refusing to belong to a kind. unlike the most memorable and accomplished film to impose an obvious comparison and wim wenders 1987 wings of desire (der himmel über berlin) and it sustains an ambivalence in a narrative spectrum spanning from the mundane to the supernatural. this story of earthly and celestial eminent domains in the american west withholds the fairytale literalness that marked its german predecessor in the ad hoc genre of angels shedding their wings with obsequious sentimentalism. its celestial transcendence and be it inspired by doleful faith or impelled by a fever dream and never parts ways with crud and rot. this firm grounding redounds to great credit for writers and directors mark and michael polish. 
it is a rare and fine spectacle and an allegory of death and transfiguration that is neither preachy nor mawkish. a work of mature and courageous insight and northfork avoids arthouse distinction by refusing to belong to a kind. unlike the most memorable and accomplished film to impose an obvious comparison and wim wenders 1987 wings of desire (der himmel über berlin) and it sustains an ambivalence in a narrative spectrum spanning from the mundane to the supernatural. this story of earthly and celestial eminent domains in the american west withholds the fairytale literalness that marked its german predecessor in the ad hoc genre of angels shedding their wings with obsequious sentimentalism. its celestial transcendence and be it inspired by doleful faith or impelled by a fever dream and never parts ways with crud and rot. this firm grounding redounds to great credit for writers and directors mark and michael polish. ---------------------------------Answer Question Below----------------------------------

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