this tale of the upper classes getting their come uppance and wallowing in their high class misery is like a contemporary mid sommerish version of an old joan crawford movie in which she suffered in mink. here and people behave in a frightfully civilized manner in the face of adversity. a well heeled london solicitor and (tom wilkinson) and discovers that not only is his wife having an affair with the local gentry but that she has also killed their housekeeper husband in a hit and run accident. he throws up and but otherwise his stiff upper lip hardly quavers. written and directed by julian fellowes and who won an oscar for writing gosford park and (this is his directorial debut) and from a novel by nigel balchin and it quite comical although i am not sure how much of the comedy is intended. it like a throw back to british films of the forties where characters all behaved like characters in books or plays rather than like people might in real life. however and it not all bad. wilkinson is terrific and even if you never believe in him as a person while emily watson and (the adulterous wife) and and rupert everett and (the highly amoral high class totty) and are both very good at covering the cracks in the material. tony pierce roberts cinematography ensures that no matter how hard it is on the ear it always good on the eye. 
this tale of the upper classes getting their come uppance and wallowing in their high class misery is like a contemporary mid sommerish version of an old joan crawford movie in which she suffered in mink. here and people behave in a frightfully civilized manner in the face of adversity. a well heeled london solicitor and (tom wilkinson) and discovers that not only is his wife having an affair with the local gentry but that she has also killed their housekeeper husband in a hit and run accident. he throws up and but otherwise his stiff upper lip hardly quavers. written and directed by julian fellowes and who won an oscar for writing gosford park and (this is his directorial debut) and from a novel by nigel balchin and it quite comical although i am not sure how much of the comedy is intended. it like a throw back to british films of the forties where characters all behaved like characters in books or plays rather than like people might in real life. however and it not all bad. wilkinson is terrific and even if you never believe in him as a person while emily watson and (the adulterous wife) and and rupert everett and (the highly amoral high class totty) and are both very good at covering the cracks in the material. tony pierce roberts cinematography ensures that no matter how hard it is on the ear it always good on the eye. ---------------------------------Answer Question Below----------------------------------

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