natalie wood portrays courtney patterson and a polio disabled songwriter who attempts to avoid being victimized as a result of involvement in her first love affair and with her partner being attorney marcus simon and played tepidly by wood real life husband and robert wagner. the film is cut heavily and but the majority of the remaining scenes shows a very weak hand from the director who permits wagner to consistently somnambulate and laying waste to a solid and nuanced performance from wood and who also proffers a fine soprano. the script is somewhat trite but the persistent nature of wagner dramatic shortcoming is unfortunately in place throughout and as he is given a free hand to impose his desultory stare at wood and which must be discouraging to an actress. the progression of their relationship is erratically presented and this and coupled with choppy editing and leads the viewer to be less than assured as to what is transpiring and motivation being almost completely ignored in the writing. although largely undistinguished and the cinematography shines during one brief scene when wood is placed in a patio and and following the sound of a closing door and remains at the center while the camera eye steadily pulls away demonstrating her helplessness and frailty. more controlled direction would have allowed the performers and even the limp wagner and to scale their acting along the lines of an engaging relationship while as it was released and there is and for the most part and an immense lack of commitment. 
natalie wood portrays courtney patterson and a polio disabled songwriter who attempts to avoid being victimized as a result of involvement in her first love affair and with her partner being attorney marcus simon and played tepidly by wood real life husband and robert wagner. the film is cut heavily and but the majority of the remaining scenes shows a very weak hand from the director who permits wagner to consistently somnambulate and laying waste to a solid and nuanced performance from wood and who also proffers a fine soprano. the script is somewhat trite but the persistent nature of wagner dramatic shortcoming is unfortunately in place throughout and as he is given a free hand to impose his desultory stare at wood and which must be discouraging to an actress. the progression of their relationship is erratically presented and this and coupled with choppy editing and leads the viewer to be less than assured as to what is transpiring and motivation being almost completely ignored in the writing. although largely undistinguished and the cinematography shines during one brief scene when wood is placed in a patio and and following the sound of a closing door and remains at the center while the camera eye steadily pulls away demonstrating her helplessness and frailty. more controlled direction would have allowed the performers and even the limp wagner and to scale their acting along the lines of an engaging relationship while as it was released and there is and for the most part and an immense lack of commitment. ---------------------------------Answer Question Below----------------------------------

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