a group of young adults get stranded in the back of the beyond and where the only place in the vicinity is a museum full of wax dummies and and the only form of help is affable local mr. slausen (chuck connors). as night falls and the kids get picked off in record time. an odd and freaky b movie that combines the creepiness of backwoods settings with the plot device of all too lifelike mannequins (making this a good update of the bodies in the wax museum genre) and this is an intense shock fest along the lines of the texas chain saw massacre. (it should then come as no surprise that tcsm art director robert a. burns repeats that duty here and and his eye for great set decoration always comes in handy. ) pino donaggios score is downright chilling while accompanied by the murky photography of nicholas von sternberg and it drenches the film in oppressive atmosphere. plot twists vary in level of success while there was one that i saw coming a mile away and and one that actually took me by surprise and and i was all the more happier for it. one of the best moments is shared with us almost right up front and as the first chump victim is trapped in a room with objects flying at him of their own volition. the capper is a great impalement by pipe with blood dripping out of the end. star connors offers an engaging performance as our down home good ol boy antagonist and while the younger co stars and predictably and can not perform at the same level and although jocelyn jones is a likable enough and certainly winsome lady who has enough appeal to rate as a sympathetic damsel in distress. co star tanya roberts (a brunette in this film) is okay in support. (if i had one problem with this film and it just that the victims are a little too stupid. then again and that doesn not make this much different from many horror films of the 80 . ) future notable names among the credits are future directors ted nicolaou and who was the editor here and ron underwood (who made a great debut almost a dozen years later with tremors) as the assistant director and and veteran makeup artist ve neill and who done many films and won three oscars since. although some horror fans may be disappointed by the lack of nudity and sexual elements and this is otherwise a nice little surprise that debuting director david schmoeller delivers with conviction and gusto. recommended. positive . 
a group of young adults get stranded in the back of the beyond and where the only place in the vicinity is a museum full of wax dummies and and the only form of help is affable local mr. slausen (chuck connors). as night falls and the kids get picked off in record time. an odd and freaky b movie that combines the creepiness of backwoods settings with the plot device of all too lifelike mannequins (making this a good update of the bodies in the wax museum genre) and this is an intense shock fest along the lines of the texas chain saw massacre. (it should then come as no surprise that tcsm art director robert a. burns repeats that duty here and and his eye for great set decoration always comes in handy. ) pino donaggios score is downright chilling while accompanied by the murky photography of nicholas von sternberg and it drenches the film in oppressive atmosphere. plot twists vary in level of success while there was one that i saw coming a mile away and and one that actually took me by surprise and and i was all the more happier for it. one of the best moments is shared with us almost right up front and as the first chump victim is trapped in a room with objects flying at him of their own volition. the capper is a great impalement by pipe with blood dripping out of the end. star connors offers an engaging performance as our down home good ol boy antagonist and while the younger co stars and predictably and can not perform at the same level and although jocelyn jones is a likable enough and certainly winsome lady who has enough appeal to rate as a sympathetic damsel in distress. co star tanya roberts (a brunette in this film) is okay in support. (if i had one problem with this film and it just that the victims are a little too stupid. then again and that doesn not make this much different from many horror films of the 80 . ) future notable names among the credits are future directors ted nicolaou and who was the editor here and ron underwood (who made a great debut almost a dozen years later with tremors) as the assistant director and and veteran makeup artist ve neill and who done many films and won three oscars since. although some horror fans may be disappointed by the lack of nudity and sexual elements and this is otherwise a nice little surprise that debuting director david schmoeller delivers with conviction and gusto. recommended. positive . ---------------------------------Answer Question Below----------------------------------

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