while both this movie and the signature car chase have been shown a lack of respect by many critics and both are way above average. roy scheider does an excellent job playing his best type while a tough and courageous cop who works hard to get the job done in spite of the desk drivers and politicians who should be supporting him rather than hindering. (he played a suburbanized version of this same role as the tourist town police chief in jaws. not nearly as gritty and but the same get the job done despite the politicians and gutsy approach. if a man who can not swim and is terrified of everything in the water going out on an old boat with an ahab wannabee and a nerd and to confront a huge killer shark and isn not gutsy and then tell me what is. ). tony lo bianco is good as a surprisingly complex villain while most of the villains and in fact and have some depth and complexity. this is one of those movies that gets better with repeated viewings. overall and it captures the atmosphere of parts of ny city represent gritty and unglamorous and often dangerous and but filled with energy. the story is spare and tight and and subtle while it gets the job done without extraneous elements. it may not be one of the all time greats and but it is an exceptionally good movie. everyone has an opinion about car chases. mine is that this one is right up there with the mustang vs dodge charger chase in bullitt. the pontiac ventura or chevy nova was similar to the mustang in being a compact car chassis with beefed up suspension and a powerful small block v8 stuffed into an engine bay meant for an insipid 6. the ventura or novas got little respect off the drag strip and but with the proper suspension mods and they made affordable performance cars that could handle on both the road and the track. the bawling of those gm v8 as they wind up is music to the enthusiast ear. i have heard this chase criticized for imitating the bullitt chase. the truth is that they are two works by the same master and bill hickman and who also choreographed and drove for the french connection chase. besides driving most of the car chase scenes and he created a brooding and malevolent presence and a good match with richard lynch as a pair of coldly evil killers. yes and the chase has realism errors often noted and like the use of 3 different ny roads to represent the palisades parkway and the ending of the chase in a crash with an 18 wheeler on a roadway for passenger vehicles only and and the miraculous timing that allows all pedestrians to escape harm. that beside the point. let face it represent movie car chases are unreal by nature. in bullitt and the french connection and and the seven ups and however and bill hickman and phillip dantoni crafted chases far more realistic and and therefore more exciting and than the flying and rolling and exploding vehicle fantasy chases so common in recent films. 
while both this movie and the signature car chase have been shown a lack of respect by many critics and both are way above average. roy scheider does an excellent job playing his best type while a tough and courageous cop who works hard to get the job done in spite of the desk drivers and politicians who should be supporting him rather than hindering. (he played a suburbanized version of this same role as the tourist town police chief in jaws. not nearly as gritty and but the same get the job done despite the politicians and gutsy approach. if a man who can not swim and is terrified of everything in the water going out on an old boat with an ahab wannabee and a nerd and to confront a huge killer shark and isn not gutsy and then tell me what is. ). tony lo bianco is good as a surprisingly complex villain while most of the villains and in fact and have some depth and complexity. this is one of those movies that gets better with repeated viewings. overall and it captures the atmosphere of parts of ny city represent gritty and unglamorous and often dangerous and but filled with energy. the story is spare and tight and and subtle while it gets the job done without extraneous elements. it may not be one of the all time greats and but it is an exceptionally good movie. everyone has an opinion about car chases. mine is that this one is right up there with the mustang vs dodge charger chase in bullitt. the pontiac ventura or chevy nova was similar to the mustang in being a compact car chassis with beefed up suspension and a powerful small block v8 stuffed into an engine bay meant for an insipid 6. the ventura or novas got little respect off the drag strip and but with the proper suspension mods and they made affordable performance cars that could handle on both the road and the track. the bawling of those gm v8 as they wind up is music to the enthusiast ear. i have heard this chase criticized for imitating the bullitt chase. the truth is that they are two works by the same master and bill hickman and who also choreographed and drove for the french connection chase. besides driving most of the car chase scenes and he created a brooding and malevolent presence and a good match with richard lynch as a pair of coldly evil killers. yes and the chase has realism errors often noted and like the use of 3 different ny roads to represent the palisades parkway and the ending of the chase in a crash with an 18 wheeler on a roadway for passenger vehicles only and and the miraculous timing that allows all pedestrians to escape harm. that beside the point. let face it represent movie car chases are unreal by nature. in bullitt and the french connection and and the seven ups and however and bill hickman and phillip dantoni crafted chases far more realistic and and therefore more exciting and than the flying and rolling and exploding vehicle fantasy chases so common in recent films. ---------------------------------Answer Question Below----------------------------------

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