what distinguishes some of the lone star films (and many others in western and adventure films of the early thirties) was their lack of what we recognize as formulaic story telling. to be sure they had good vs. evil (the basic element of any western) and boy meets girl and some stock characters and such as the old rancher and his beautiful daughter or grand daughter and and sometimes the evil banker or other businessman and but the way the action played out was often different from film to film. the lawless frontier features earl dwire in his big star turn (not) as (for some inexplicable reason) pandro zanti and a half apache and half american posing as a mexican who speaks the language fluently. his biggest posing as a mexican seemed to be his outrageous mariachi clothes. the only plot seems to be that he wants to steal ruby and the granddaughter of old dusty (gabby hayes). when meeting her for the first time and dwire gives her a long once over look that puts him in the big leagues with sexual predators. you would think that because the opening scene shows zanti killing john (wayne) tobin father off camera and it would play a bigger part in the film. it doesn not. too much chasing back and forth between heroes and villains. we get many good stunts and though and from yakima canutt and including pulling ruby up on his horse when he rides by and jumping on renegades and knocking them off their horses and a horse leap off a cliff into a lake and and even the same slide down the sluice sequence that was in the lucky texan (1934) and although this time the mighty yak uses a body surfing log instead of straddling a tree bough and and its inclusion is just as illogical this time too and since they are in a desert. the high point is clearly john wayne measured and methodical well photographed walk across the desert after the fleeing and stumbling zanti with those fantastic basalt cliffs of red rock canyon (seen in countless serials and westerns and science fiction amoon movies) framed behind him. no final gun duel at fifty paces with the heroine running from the wooden steps of the bar to embrace and kiss the conquering hero in this movie. when john wayne finally catches up with him and zanti drinks poisoned water from a waterhole and dies. after a couple too many chase sequences and zantai gang is finally captured in dusty cabin and emerging one by one from behind a swivel cabinet that apparently leads to a canyon and now blocked off by having been dynamited. no riding off into the sunset or obligatorily kissing the girl represent the final shot is ruby and now mrs. john tobin and on the telephone to the now sheriff john tobin and what would sheriff tobin like for dinner. the film also has poor lighting and editing at the beginning and the pacing is slow and some parts with the sheriff cause it to drag and and the horse chases fill up the film. so despite the different and unusual elements and it comes off as one of the weaker lone stars. 
what distinguishes some of the lone star films (and many others in western and adventure films of the early thirties) was their lack of what we recognize as formulaic story telling. to be sure they had good vs. evil (the basic element of any western) and boy meets girl and some stock characters and such as the old rancher and his beautiful daughter or grand daughter and and sometimes the evil banker or other businessman and but the way the action played out was often different from film to film. the lawless frontier features earl dwire in his big star turn (not) as (for some inexplicable reason) pandro zanti and a half apache and half american posing as a mexican who speaks the language fluently. his biggest posing as a mexican seemed to be his outrageous mariachi clothes. the only plot seems to be that he wants to steal ruby and the granddaughter of old dusty (gabby hayes). when meeting her for the first time and dwire gives her a long once over look that puts him in the big leagues with sexual predators. you would think that because the opening scene shows zanti killing john (wayne) tobin father off camera and it would play a bigger part in the film. it doesn not. too much chasing back and forth between heroes and villains. we get many good stunts and though and from yakima canutt and including pulling ruby up on his horse when he rides by and jumping on renegades and knocking them off their horses and a horse leap off a cliff into a lake and and even the same slide down the sluice sequence that was in the lucky texan (1934) and although this time the mighty yak uses a body surfing log instead of straddling a tree bough and and its inclusion is just as illogical this time too and since they are in a desert. the high point is clearly john wayne measured and methodical well photographed walk across the desert after the fleeing and stumbling zanti with those fantastic basalt cliffs of red rock canyon (seen in countless serials and westerns and science fiction amoon movies) framed behind him. no final gun duel at fifty paces with the heroine running from the wooden steps of the bar to embrace and kiss the conquering hero in this movie. when john wayne finally catches up with him and zanti drinks poisoned water from a waterhole and dies. after a couple too many chase sequences and zantai gang is finally captured in dusty cabin and emerging one by one from behind a swivel cabinet that apparently leads to a canyon and now blocked off by having been dynamited. no riding off into the sunset or obligatorily kissing the girl represent the final shot is ruby and now mrs. john tobin and on the telephone to the now sheriff john tobin and what would sheriff tobin like for dinner. the film also has poor lighting and editing at the beginning and the pacing is slow and some parts with the sheriff cause it to drag and and the horse chases fill up the film. so despite the different and unusual elements and it comes off as one of the weaker lone stars. ---------------------------------Answer Question Below----------------------------------

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