i have reasons to love the great users of a camera while fluid direction of action lends itself to fast paced adventure and comedy narrative while but such a skill and in the hands of a king vidor or an anthony mann can also be applied to idea level work. this is paul wendkos masterpiece. its storyline can be retailed in a single pair of sentences. general hector cordoba is setting up as near emperor in northern mexico and and steals a huge cannon from general blackjack pershing. he sends his crack mission unit and divided and apprehensive but determined and led by george peppard and to get the cannon back and bring back cordoba alive and to put an end to the rebellion. charismatic raf vallone plays cordoba while the ladies in the piece are giovanna ralli and francine york while with the squad even further comprised of nico minardos and peter deuel and and don gordon. other stalwarts in the class include john larch and john russell. also horning in on an already fantastically dangerous operation are miss ralli and and a stubborn mexican teniente (gabriela tinti) whose regiment was betrayed when cordoba set up on his own. the danger is multiplied when gordon brother as advance spy is captured and tortured to death while he has to watch. and he decides he needs to kill peppard. the attack that captures the cannon and when peppard orders are not obeyed by a regular army type and is one of the most electrifying visual and staging achievements in cinematic history while the penetration of cordoba stronghold and the revelations uncovered there and and the actions that win the mission team a chance at victory or almost victory are flawlessly presented. this is a beautiful color adventure film and with unusually strong costumes and acting and lighting and art direction sets and music by elmer bernstein. the script by stephen kandel is probably his best ever for a feature film. this is probably the most underrated major western at the moment and but i have always appreciated its heroes as result getting hard workers. but as peppard reminds his group on the way home and the trouble with being a hero is the morning after. to find out why he says so and you will have to see cannon for cordoba. 
i have reasons to love the great users of a camera while fluid direction of action lends itself to fast paced adventure and comedy narrative while but such a skill and in the hands of a king vidor or an anthony mann can also be applied to idea level work. this is paul wendkos masterpiece. its storyline can be retailed in a single pair of sentences. general hector cordoba is setting up as near emperor in northern mexico and and steals a huge cannon from general blackjack pershing. he sends his crack mission unit and divided and apprehensive but determined and led by george peppard and to get the cannon back and bring back cordoba alive and to put an end to the rebellion. charismatic raf vallone plays cordoba while the ladies in the piece are giovanna ralli and francine york while with the squad even further comprised of nico minardos and peter deuel and and don gordon. other stalwarts in the class include john larch and john russell. also horning in on an already fantastically dangerous operation are miss ralli and and a stubborn mexican teniente (gabriela tinti) whose regiment was betrayed when cordoba set up on his own. the danger is multiplied when gordon brother as advance spy is captured and tortured to death while he has to watch. and he decides he needs to kill peppard. the attack that captures the cannon and when peppard orders are not obeyed by a regular army type and is one of the most electrifying visual and staging achievements in cinematic history while the penetration of cordoba stronghold and the revelations uncovered there and and the actions that win the mission team a chance at victory or almost victory are flawlessly presented. this is a beautiful color adventure film and with unusually strong costumes and acting and lighting and art direction sets and music by elmer bernstein. the script by stephen kandel is probably his best ever for a feature film. this is probably the most underrated major western at the moment and but i have always appreciated its heroes as result getting hard workers. but as peppard reminds his group on the way home and the trouble with being a hero is the morning after. to find out why he says so and you will have to see cannon for cordoba. ---------------------------------Answer Question Below----------------------------------

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