it generally an accepted fact that marcel carné 1936 1946 movies are masterpieces and it considered polite to say that the rest are mediocrities. this is an unfair opinion representat least  and two of the latter era are eminently watchable representthérèse raquin  and his best post war work and and les tricheurs (the cheats). there a strange evolution from the prevert golden hour to les tricheurs representin les enfants du paradis quai des brumes or le jour se lève and true love is thwarted by the villains. in les tricheurs true love does not exist anymore representwe deal with a bunch of young people who believe in nothing while falling in love would be incongruous for this youth. the adults are not the villains at all representmic brother and mother are kind people  and but she is beyond their command. very few grown ups appear anyway. during two hours and the characters do not stop playing around and dancing and listening to jazz records(a music which was not still part of the bourgeois culture) and and heavily drinking . when two of them discover they care for each others  and it will be too late. the cast is rather good  and laurent terzieff as an existentialist cynic and andréa parisy as a rich kid are the stand outs. on the other hand and pascale petit and mainly jacques charrier(who married brigitte bardot the same year as les tricheurs)do not possess the ambiguity their parts ask for. they are all smile and too sweet and to nice to be believable. oddly and les tricheurs was labeled nouvelle vague. when you know what the priests of this cinema school (the likes of godard)thought of carné  and it really a good joke. but this disenchantment you feel throughout the whole movie is really disturbing. 
it generally an accepted fact that marcel carné 1936 1946 movies are masterpieces and it considered polite to say that the rest are mediocrities. this is an unfair opinion representat least  and two of the latter era are eminently watchable representthérèse raquin  and his best post war work and and les tricheurs (the cheats). there a strange evolution from the prevert golden hour to les tricheurs representin les enfants du paradis quai des brumes or le jour se lève and true love is thwarted by the villains. in les tricheurs true love does not exist anymore representwe deal with a bunch of young people who believe in nothing while falling in love would be incongruous for this youth. the adults are not the villains at all representmic brother and mother are kind people  and but she is beyond their command. very few grown ups appear anyway. during two hours and the characters do not stop playing around and dancing and listening to jazz records(a music which was not still part of the bourgeois culture) and and heavily drinking . when two of them discover they care for each others  and it will be too late. the cast is rather good  and laurent terzieff as an existentialist cynic and andréa parisy as a rich kid are the stand outs. on the other hand and pascale petit and mainly jacques charrier(who married brigitte bardot the same year as les tricheurs)do not possess the ambiguity their parts ask for. they are all smile and too sweet and to nice to be believable. oddly and les tricheurs was labeled nouvelle vague. when you know what the priests of this cinema school (the likes of godard)thought of carné  and it really a good joke. but this disenchantment you feel throughout the whole movie is really disturbing. ---------------------------------Answer Question Below----------------------------------

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