the marriage of an upscale new york city couple with child falls apart when the wife wants out (it took a lot of courage for her to walk out that door. a neighbor tells us) while the busy and distracted husband takes on the motherly responsibilities and grows closer to his son and but soon the wife returns. highly manipulative picture doesn not give us a very realistic familial unit (with young justin henry certainly not resembling the product of a marriage between dustin hoffman and meryl streep. ) and but the dynamics are intriguing and involving and and director robert benton keeps the pace popping with lots of cleverness and marvelous classical music and canny editing and surefire bits of humor. streep character is designed to be a cold and self centered witch and but i was ready to feel a lot more for her than benton probably wanted. it all has to be painted in terms of black and white and good and bad and with hoffman learning how hard his wife had it and getting a second chance at being a good parent. the film never falters from its preconceived path and and very fine acting nearly saves it and but i am not sure where benton was steering the film in the final act and and the closing scene is awfully abrupt. from . 
the marriage of an upscale new york city couple with child falls apart when the wife wants out (it took a lot of courage for her to walk out that door. a neighbor tells us) while the busy and distracted husband takes on the motherly responsibilities and grows closer to his son and but soon the wife returns. highly manipulative picture doesn not give us a very realistic familial unit (with young justin henry certainly not resembling the product of a marriage between dustin hoffman and meryl streep. ) and but the dynamics are intriguing and involving and and director robert benton keeps the pace popping with lots of cleverness and marvelous classical music and canny editing and surefire bits of humor. streep character is designed to be a cold and self centered witch and but i was ready to feel a lot more for her than benton probably wanted. it all has to be painted in terms of black and white and good and bad and with hoffman learning how hard his wife had it and getting a second chance at being a good parent. the film never falters from its preconceived path and and very fine acting nearly saves it and but i am not sure where benton was steering the film in the final act and and the closing scene is awfully abrupt. from . ---------------------------------Answer Question Below----------------------------------

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