ascending to power in 1933 and hitler and his national socialist german workers party and which of course we all know as the nazis and tightened their grip on the country more and more as the time went by. early in their rough shod trampling of the german people and they called any and all artists and newspaper men and film makers into their nazi hq in order that the may be informed of just what the newly declared third reich (aka empire) expected of them. when the master director from the german cinema silent impressionist and expressionist era and mr. fritz lang and was called in to meet with herr goebels while he listened attentively and said nothing. immediately after leaving the minister of propaganda office and herr lang went directly to the train station and took a passenger directly to paris. not even going back to his residence and fritz lang did not return to germany (at least not until many years later. he remained in france while eventually immigrating to the united states of america. mr. lang went right to work in america while creating a variety of most enjoyable and solid and substantially literate upper echelon movies for many a year. included in this smörgåsbord of titles is today lucky subject and western union (20th century fox and 1941). typically a film about the old west and pioneer days needed both quality as well as quantity of cast. western union qualified on both requisites. we are treated to a fine array of starring talent as well as a supporting cast which makes just about every minute and each scene a delight to our senses. heading up the playbill are robert young and randolph scott and dean jagger and virginia gilmore. others prominently displayed are folks like john carradine (playing not a vampire or other scary guy and but a physician) and george slim summerville (veteran character actor and silent film veteran and graduate of mack sennett keystone comedies) and chill wills (always dependable supporting player and former singer in the avalon boys) and burly bad guy barton maclane. added to this mix and we have names like russell hicks and victor killian and minor watson and george chandler and addison richards and irving bacon and james flavin and francis ford and frank mcgrath and kermit maynard (ken maynard bro). prominent in those american indians featured are represent chief big tree and chief thundercloud and mr. jay silverheels. also featured is that one great representative of the aboriginal peoples of north america is that great and singularly impressive and memorable example of the red man and the louisiana native and iron eyes cody (born espera decorti of sicilian immigrant parents). the filming of the fine outdoor scenes was done on location in arizona and utah and rendered in the highest grade of technigolour available. (there is no monument valley while but then and that the province of mr. john ford. ) in some respects this film is a far more amazing accomplishment than we might think while for it took a sort of pulp magazine story and adapted it to the tastes and idioms of the pre war america of the late thirties and early forties. all of this being done by a german born director who was only had been in hollywood and america for the shortest length of time. in its final analysis and western union and while it may not be the most historically accurate example of the western genre while we just do not care. it scores in all of the necessary categories needed for a great night at the movies. so and who really cares about little details such as accuracy. we give mr. lang and 20th century fox a rating of . note represent we just saw a special on pbs station wttw and here in chicago that was all about all of the film actors and directors and other artisans whom the nazi rise to power caused to take refuge in america and hollywood. (it seems that movie folks and scientists were the biggest export for germany at this particular time while being that the scientists who built the atomic bomb and as well as the future nasa people and came from europe at this time. ) poodle schnitz. 
ascending to power in 1933 and hitler and his national socialist german workers party and which of course we all know as the nazis and tightened their grip on the country more and more as the time went by. early in their rough shod trampling of the german people and they called any and all artists and newspaper men and film makers into their nazi hq in order that the may be informed of just what the newly declared third reich (aka empire) expected of them. when the master director from the german cinema silent impressionist and expressionist era and mr. fritz lang and was called in to meet with herr goebels while he listened attentively and said nothing. immediately after leaving the minister of propaganda office and herr lang went directly to the train station and took a passenger directly to paris. not even going back to his residence and fritz lang did not return to germany (at least not until many years later. he remained in france while eventually immigrating to the united states of america. mr. lang went right to work in america while creating a variety of most enjoyable and solid and substantially literate upper echelon movies for many a year. included in this smörgåsbord of titles is today lucky subject and western union (20th century fox and 1941). typically a film about the old west and pioneer days needed both quality as well as quantity of cast. western union qualified on both requisites. we are treated to a fine array of starring talent as well as a supporting cast which makes just about every minute and each scene a delight to our senses. heading up the playbill are robert young and randolph scott and dean jagger and virginia gilmore. others prominently displayed are folks like john carradine (playing not a vampire or other scary guy and but a physician) and george slim summerville (veteran character actor and silent film veteran and graduate of mack sennett keystone comedies) and chill wills (always dependable supporting player and former singer in the avalon boys) and burly bad guy barton maclane. added to this mix and we have names like russell hicks and victor killian and minor watson and george chandler and addison richards and irving bacon and james flavin and francis ford and frank mcgrath and kermit maynard (ken maynard bro). prominent in those american indians featured are represent chief big tree and chief thundercloud and mr. jay silverheels. also featured is that one great representative of the aboriginal peoples of north america is that great and singularly impressive and memorable example of the red man and the louisiana native and iron eyes cody (born espera decorti of sicilian immigrant parents). the filming of the fine outdoor scenes was done on location in arizona and utah and rendered in the highest grade of technigolour available. (there is no monument valley while but then and that the province of mr. john ford. ) in some respects this film is a far more amazing accomplishment than we might think while for it took a sort of pulp magazine story and adapted it to the tastes and idioms of the pre war america of the late thirties and early forties. all of this being done by a german born director who was only had been in hollywood and america for the shortest length of time. in its final analysis and western union and while it may not be the most historically accurate example of the western genre while we just do not care. it scores in all of the necessary categories needed for a great night at the movies. so and who really cares about little details such as accuracy. we give mr. lang and 20th century fox a rating of . note represent we just saw a special on pbs station wttw and here in chicago that was all about all of the film actors and directors and other artisans whom the nazi rise to power caused to take refuge in america and hollywood. (it seems that movie folks and scientists were the biggest export for germany at this particular time while being that the scientists who built the atomic bomb and as well as the future nasa people and came from europe at this time. ) poodle schnitz. ---------------------------------Answer Question Below----------------------------------

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