this is one of alfred hitchcock best films and and one of his most underrated. i believe it certainly exceeds a psycho or the birds for technical artistry and brilliance. it is a macabre and tense and darkly humorous product that will leave you in awe for quite some time. robert walker creates one of hitchcock most memorable villains as the father hating and mother fixated (but aren not most of hitchcock villains mummy boys. ) bruno. it is a disturbing and stunning performance that illuminates the whole film. his character is obsessive and apparently homosexual (look at those deliberately effeminate ties and hear how he is described as european) and strangely charming and dangerous to cross. farley granger certainly knows this as he becomes entangled in bruno sordid web after the pair meet on a train. bruno and knowing some inside information on guy affairs and proposes the two wap murders for each other benefit. walker will kill granger slutty and conniving wife who is inhibiting his marriage to beautiful anne and whilst granger will murder bruno father and who he so intensely hates. everyone happy and right. a win win and as bruno asserts. wrong. granger forgets about the indecent proposal and but an obsessed walker doesn not. he commits his murder and is determined to hound granger until he completes his side of the bargain too. strangers becomes a riveting and suspenseful game of cat and mouse in hitch capable hands. hitchcock was absolutely amazing at creating intriguing minor characters and building scenes. we have the whore miriam and granger estranged wife pregnant to another man. she lasciviously slurps a phallic ice cream cone whilst openly eating up bruno with her eyes. barbara morton and anne sister and is a deceptively sweet yet smart and cunning young girl who comes out with the most crude remarks you will hear from a bespectacled girl in the pictures in the 50 . senator morton is authoritative and self absorbed. this is one of the most daring films hitchcock ever made and and it is and typical to a hitch film and subtly sexual in detail. this fits into the film noir category with it focus on murder and lies and deceit and shadowy cinematography. walker nut is one for the ages and and granger makes a convincing troubled protagonist. roman is perhaps weaker than the other two and and i never believed her relationship with granger. still and the overwhelming positives cancel out the slight negatives and it can be safely said that this is one of the best american films ever made. just look at what hitch does here the originality and the technical skill. we see the murder of miriam reflected in her shattered glasses. a game of tennis turns into one of the most thrilling and intense scenes you will ever see. a innocent fairground turns into a place of murder and foul occurrences. a young boy balloon is popped callously by walker (hitch obviously liked what he saw in the third man. ). children delight at riding the carousel turns into screaming and fast paced terror. hitch subverts normal and everyday events like no other. the camera work here is among the best ever seen in a hitchcock film and and the premise is to die for. it slick and oozes sophistication and devilish charm. the cross cutting between walker and granger characters is magnificent granger do or die tennis match is just as vital as villain walker rescue of an incriminating piece of evidence lost down a drain. hitch again build his villain into a nasty and repulsive yet sympathetic and oddly charming (did anyone else find him strangely attractive and more so than granger. ) piece of work we are just as tense as walker in our hope that he can get the lighter out of the drain. we need him to and anyway. he holds the key to the story. you will never view an approach from a stranger in the same way again after seeing this film. amazing. positive . 
this is one of alfred hitchcock best films and and one of his most underrated. i believe it certainly exceeds a psycho or the birds for technical artistry and brilliance. it is a macabre and tense and darkly humorous product that will leave you in awe for quite some time. robert walker creates one of hitchcock most memorable villains as the father hating and mother fixated (but aren not most of hitchcock villains mummy boys. ) bruno. it is a disturbing and stunning performance that illuminates the whole film. his character is obsessive and apparently homosexual (look at those deliberately effeminate ties and hear how he is described as european) and strangely charming and dangerous to cross. farley granger certainly knows this as he becomes entangled in bruno sordid web after the pair meet on a train. bruno and knowing some inside information on guy affairs and proposes the two wap murders for each other benefit. walker will kill granger slutty and conniving wife who is inhibiting his marriage to beautiful anne and whilst granger will murder bruno father and who he so intensely hates. everyone happy and right. a win win and as bruno asserts. wrong. granger forgets about the indecent proposal and but an obsessed walker doesn not. he commits his murder and is determined to hound granger until he completes his side of the bargain too. strangers becomes a riveting and suspenseful game of cat and mouse in hitch capable hands. hitchcock was absolutely amazing at creating intriguing minor characters and building scenes. we have the whore miriam and granger estranged wife pregnant to another man. she lasciviously slurps a phallic ice cream cone whilst openly eating up bruno with her eyes. barbara morton and anne sister and is a deceptively sweet yet smart and cunning young girl who comes out with the most crude remarks you will hear from a bespectacled girl in the pictures in the 50 . senator morton is authoritative and self absorbed. this is one of the most daring films hitchcock ever made and and it is and typical to a hitch film and subtly sexual in detail. this fits into the film noir category with it focus on murder and lies and deceit and shadowy cinematography. walker nut is one for the ages and and granger makes a convincing troubled protagonist. roman is perhaps weaker than the other two and and i never believed her relationship with granger. still and the overwhelming positives cancel out the slight negatives and it can be safely said that this is one of the best american films ever made. just look at what hitch does here the originality and the technical skill. we see the murder of miriam reflected in her shattered glasses. a game of tennis turns into one of the most thrilling and intense scenes you will ever see. a innocent fairground turns into a place of murder and foul occurrences. a young boy balloon is popped callously by walker (hitch obviously liked what he saw in the third man. ). children delight at riding the carousel turns into screaming and fast paced terror. hitch subverts normal and everyday events like no other. the camera work here is among the best ever seen in a hitchcock film and and the premise is to die for. it slick and oozes sophistication and devilish charm. the cross cutting between walker and granger characters is magnificent granger do or die tennis match is just as vital as villain walker rescue of an incriminating piece of evidence lost down a drain. hitch again build his villain into a nasty and repulsive yet sympathetic and oddly charming (did anyone else find him strangely attractive and more so than granger. ) piece of work we are just as tense as walker in our hope that he can get the lighter out of the drain. we need him to and anyway. he holds the key to the story. you will never view an approach from a stranger in the same way again after seeing this film. amazing. positive . ---------------------------------Answer Question Below----------------------------------

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