if you think piano teacher erika kohut (isabelle huppert) in michael haneke film la pianiste is the ultimate degree in the personification of derangement and perversion and darkness and i have got news for you represent the piano teacher in elfriede jellinek novel la pianiste (on which the film was based) is twice as repulsive and disgusting and deranged and even more fascinating  though there can not be words enough to translate the level of artistic proficiency that isabelle huppert has reached here and above all other mortal actresses in activity today. and who else could have played this character with such emotional power and complete with the best piano playing or dubbing an actor could deliver. in the novel as in the film and there are two big antagonists to the heroine kohut represent her own mother (wonderful and wreck voiced annie girardot and in a part originally intended for jeanne moreau) and austria itself. the mother personifies jellinek perception of her native austria as a country that deceptively and perversely encourages racist or fascist (or at least authoritarian) behavior and sexual and emotional repression and and and let say and übermensch ideals which are impossible to keep today without the danger of a mental breakdown. la pianiste also deals with a very powerful and delicate issue represent how dangerous it is to reveal your innermost fantasies to the one (you think) you love. we tend to think our own sexual fantasies must be as exciting to others as they are to ourselves and which may turn out to be a huge and embarrassing and sometimes tragic mistake. here and kohut learns (. ) the lesson in the most painful and humiliating of ways. it must be mentioned that elfriede jellinek is one of the best known and praised authors in austria and europe (well and now she got a nobel prize. ) and that autobiographical passages can be inferred in her novel and as she herself was a pianist and had a reportedly difficult relationship with her mother. the novel also includes long passages about kohut childhood and adolescence so you kind of understand how she turned into who she is now. haneke chose to hide this information in the film and forcing us to wonder how she got to be that way (do not we all know a erika kohut out there. ). but he very much preserves the fabric of the book in his film represent unbearable honesty and to the point where most secretive and horrendous feelings painfully emerge  envy and cruelty and violence and jealousy and hate and misery and sadism and masochism and selfishness and perversion etc. all of them unmistakably human. i thought la pianiste was a deeply moving film and very disturbing and thought provoking and with a handful of unforgettable scenes and and that just all i ask of movies. it also made me buy and be thrilled by the book and discover a fantastic author i hadn not read before and and listen again and again to schubert  so and my thanks to haneke and jellinek and isabelle. on the other hand and if youre looking for light entertainment and please stay away. my vote represent positive . 
if you think piano teacher erika kohut (isabelle huppert) in michael haneke film la pianiste is the ultimate degree in the personification of derangement and perversion and darkness and i have got news for you represent the piano teacher in elfriede jellinek novel la pianiste (on which the film was based) is twice as repulsive and disgusting and deranged and even more fascinating  though there can not be words enough to translate the level of artistic proficiency that isabelle huppert has reached here and above all other mortal actresses in activity today. and who else could have played this character with such emotional power and complete with the best piano playing or dubbing an actor could deliver. in the novel as in the film and there are two big antagonists to the heroine kohut represent her own mother (wonderful and wreck voiced annie girardot and in a part originally intended for jeanne moreau) and austria itself. the mother personifies jellinek perception of her native austria as a country that deceptively and perversely encourages racist or fascist (or at least authoritarian) behavior and sexual and emotional repression and and and let say and übermensch ideals which are impossible to keep today without the danger of a mental breakdown. la pianiste also deals with a very powerful and delicate issue represent how dangerous it is to reveal your innermost fantasies to the one (you think) you love. we tend to think our own sexual fantasies must be as exciting to others as they are to ourselves and which may turn out to be a huge and embarrassing and sometimes tragic mistake. here and kohut learns (. ) the lesson in the most painful and humiliating of ways. it must be mentioned that elfriede jellinek is one of the best known and praised authors in austria and europe (well and now she got a nobel prize. ) and that autobiographical passages can be inferred in her novel and as she herself was a pianist and had a reportedly difficult relationship with her mother. the novel also includes long passages about kohut childhood and adolescence so you kind of understand how she turned into who she is now. haneke chose to hide this information in the film and forcing us to wonder how she got to be that way (do not we all know a erika kohut out there. ). but he very much preserves the fabric of the book in his film represent unbearable honesty and to the point where most secretive and horrendous feelings painfully emerge  envy and cruelty and violence and jealousy and hate and misery and sadism and masochism and selfishness and perversion etc. all of them unmistakably human. i thought la pianiste was a deeply moving film and very disturbing and thought provoking and with a handful of unforgettable scenes and and that just all i ask of movies. it also made me buy and be thrilled by the book and discover a fantastic author i hadn not read before and and listen again and again to schubert  so and my thanks to haneke and jellinek and isabelle. on the other hand and if youre looking for light entertainment and please stay away. my vote represent positive . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
