famed filmmaker werner herzog fata morgana is breathtakingly unorthodox. although characters appear in the film from time to time and there is no actual story. the film is also not an educational or historical documentary. it a film without an accompanying screenplay. the film consists of curious background music and a somewhat illogical narrative vo and the combination of which overlays a long string of images from mostly and though not exclusively and the sahara desert. some of the images are wonderfully odd and and out of the ordinary. the camera captures ghostly images and or mirages and optical illusions that tantalize and mesmerize. this general cinematic trend is punctuated by occasional observational asides on serendipitous topics. for example and in one sequence a man wearing goggles gives us a mini tutorial on lizards. and in what for me was the most captivating and bizarre sequence and a small inset room contains a man with dark goggles who sings in a voice that is totally distorted by the microphone he using and accompanied by an old lady who plays a punchy tune on an old piano. neither the man nor the old lady seems to enjoy what theyre doing. how baroque. fata morgana does have an underlying concept and one that unites the wide assortment of strange images and eclectic sounds. but that concept is so subtle and so opaque that you will never figure it out without help. from this subtle theme the film does indeed make sense. without that point of reference and however and the film can seem tedious and unending and a pointless parade of random earthy images and esoteric narrative gibberish. unapologetically redundant and thematically baffling and and cinematically heretical and fata morgana will likely either make you swoon with delight and or cause you to throw up. you will either latch on to the film zen like qualities or be tempted to smash the dvd into a thousand pieces. one thing that most viewers will agree on represent fata morgana is . different. 
famed filmmaker werner herzog fata morgana is breathtakingly unorthodox. although characters appear in the film from time to time and there is no actual story. the film is also not an educational or historical documentary. it a film without an accompanying screenplay. the film consists of curious background music and a somewhat illogical narrative vo and the combination of which overlays a long string of images from mostly and though not exclusively and the sahara desert. some of the images are wonderfully odd and and out of the ordinary. the camera captures ghostly images and or mirages and optical illusions that tantalize and mesmerize. this general cinematic trend is punctuated by occasional observational asides on serendipitous topics. for example and in one sequence a man wearing goggles gives us a mini tutorial on lizards. and in what for me was the most captivating and bizarre sequence and a small inset room contains a man with dark goggles who sings in a voice that is totally distorted by the microphone he using and accompanied by an old lady who plays a punchy tune on an old piano. neither the man nor the old lady seems to enjoy what theyre doing. how baroque. fata morgana does have an underlying concept and one that unites the wide assortment of strange images and eclectic sounds. but that concept is so subtle and so opaque that you will never figure it out without help. from this subtle theme the film does indeed make sense. without that point of reference and however and the film can seem tedious and unending and a pointless parade of random earthy images and esoteric narrative gibberish. unapologetically redundant and thematically baffling and and cinematically heretical and fata morgana will likely either make you swoon with delight and or cause you to throw up. you will either latch on to the film zen like qualities or be tempted to smash the dvd into a thousand pieces. one thing that most viewers will agree on represent fata morgana is . different. ---------------------------------Answer Question Below----------------------------------

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