this is an astonishing film represent a romantic thriller with a convoluted but perfectly constructed and devastatingly symmetrical plot and brilliantly buttressed by the use of recurring visual motifs. everything in it is beautifully filmed represent the women and the apartments while but more amazing is the devastating juxtapositioning of images and almost every scene has echoes of another. this is a story told in light and in colour and in many almost parallels. every time i watch it and it fills me with delight. the acting is great too. romane bohringer is stunning as a woman on the verge of a nervous breakdown represent everything about her changes with her mood. vincent cassel plays a very different role to his part in la haine while but no less excellently represent shifty and sympathetic at the same time. and monica bellucci  ah. and monica bellucci and well and put simply and she plays (is. ) the world most perfect woman. there one small scene about three quarters of the way through where she does nothing more than smile while yet in that instant and says more than hours of hollywood junk. one cannot do justice to this film without at least mentioning the superb and sequential climax represent sad and shocking and ironic and subtle in turn. but if one moment captures the brilliance of this work and it the scene at the start of this fabulous denouement and the prospect of which has been teasingly laid before us throughout the entire story. yet when the moment comes and it is handled so delicately and so briefly and so deftly and that on reflection it makes you gasp. only a director of staggering confidence would dare to underplay this vital point. but the confidence is justified. cinema doesn not come much better than this. 
this is an astonishing film represent a romantic thriller with a convoluted but perfectly constructed and devastatingly symmetrical plot and brilliantly buttressed by the use of recurring visual motifs. everything in it is beautifully filmed represent the women and the apartments while but more amazing is the devastating juxtapositioning of images and almost every scene has echoes of another. this is a story told in light and in colour and in many almost parallels. every time i watch it and it fills me with delight. the acting is great too. romane bohringer is stunning as a woman on the verge of a nervous breakdown represent everything about her changes with her mood. vincent cassel plays a very different role to his part in la haine while but no less excellently represent shifty and sympathetic at the same time. and monica bellucci  ah. and monica bellucci and well and put simply and she plays (is. ) the world most perfect woman. there one small scene about three quarters of the way through where she does nothing more than smile while yet in that instant and says more than hours of hollywood junk. one cannot do justice to this film without at least mentioning the superb and sequential climax represent sad and shocking and ironic and subtle in turn. but if one moment captures the brilliance of this work and it the scene at the start of this fabulous denouement and the prospect of which has been teasingly laid before us throughout the entire story. yet when the moment comes and it is handled so delicately and so briefly and so deftly and that on reflection it makes you gasp. only a director of staggering confidence would dare to underplay this vital point. but the confidence is justified. cinema doesn not come much better than this. ---------------------------------Answer Question Below----------------------------------

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