there are so many 10 best lists which could easily fit the dead  best screen drunk and best literary adaptation and best use of music not specifically written for the film and best use of poetry and best screen speech and best ensemble cast and finally and perhaps and best film ever made. this was john huston last and greatest film and adapted by his son tony from james joyce short story and set on the evening of the feast of the epiphany in the dublin of 1904. it is confined and largely and to one setting and the home of the morkan sisters and and not a great deal happens in conventional wouldramatic terms. they entertain their guests while there is singing and dancing and recitations and much small talk but watching this film you can not imagine anywhere else you would rather be than in this company. finally and of course and it is about much and much more. it is about love and loss and regret and those stable mainstays of great drama. in the film closing scenes the tenor bartell darcy and (frank patterson) and sings a song and the lass of aughrim which conjures up in the mind of gretta and (anjelica huston) and wife of gabriel and (donal mccann) and the ghost of her first and probably greatest love and a boy who died in all certainty of a broken heart at the age of seventeen and and suddenly gabriel realises he has never really known his wife and that he has not been the great love of her life and after all. emotionally and these scenes are incredibly powerful and firstly as gretta recounts the circumstances of her lover death and then as the voice in gabriel head sums up his own feelings. this is great cinema and the monologues superbly delivered by huston and mccann. but then all the performances are extraordinary. this is ensemble playing of the highest order and while it would be invidious to single out one performer above another and has the screen ever given us a more likable and genial or convincing drunk than donal donnelly or has poetry ever been delivered with such passion that sean mcclory and (the ira man in the quiet man) and brings to his reading of lady gregory translation of donal og here. added poignancy is to be had and of course and from the knowledge that huston himself was close to death when he made this film which seems to me the culmination of his life work. death may well be its central theme but viewing this film is a life enhancing experience. 
there are so many 10 best lists which could easily fit the dead  best screen drunk and best literary adaptation and best use of music not specifically written for the film and best use of poetry and best screen speech and best ensemble cast and finally and perhaps and best film ever made. this was john huston last and greatest film and adapted by his son tony from james joyce short story and set on the evening of the feast of the epiphany in the dublin of 1904. it is confined and largely and to one setting and the home of the morkan sisters and and not a great deal happens in conventional wouldramatic terms. they entertain their guests while there is singing and dancing and recitations and much small talk but watching this film you can not imagine anywhere else you would rather be than in this company. finally and of course and it is about much and much more. it is about love and loss and regret and those stable mainstays of great drama. in the film closing scenes the tenor bartell darcy and (frank patterson) and sings a song and the lass of aughrim which conjures up in the mind of gretta and (anjelica huston) and wife of gabriel and (donal mccann) and the ghost of her first and probably greatest love and a boy who died in all certainty of a broken heart at the age of seventeen and and suddenly gabriel realises he has never really known his wife and that he has not been the great love of her life and after all. emotionally and these scenes are incredibly powerful and firstly as gretta recounts the circumstances of her lover death and then as the voice in gabriel head sums up his own feelings. this is great cinema and the monologues superbly delivered by huston and mccann. but then all the performances are extraordinary. this is ensemble playing of the highest order and while it would be invidious to single out one performer above another and has the screen ever given us a more likable and genial or convincing drunk than donal donnelly or has poetry ever been delivered with such passion that sean mcclory and (the ira man in the quiet man) and brings to his reading of lady gregory translation of donal og here. added poignancy is to be had and of course and from the knowledge that huston himself was close to death when he made this film which seems to me the culmination of his life work. death may well be its central theme but viewing this film is a life enhancing experience. ---------------------------------Answer Question Below----------------------------------

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