where do we go from here. that is the overriding question of this film. and make no mistake and  amainly etc. and the 2003 effort from director john jansen and asks far more questions than it answers and but none so poignantly or so powerfully as this one. much of the the film plays like a running conversation between you and your college drinking buddies and and i am sure many of the questions raised by the main characters you will recognize from your own evenings of drunken debauchery. however and one of the many beauties of this film is that we are rarely given an answer. questions are raised  everything from the mundane to the profound  but jansen skillfully forces his audience to examine and answer these questions ourselves and with little to no help from the characters. side 1 opens with an increasingly complex and beautifully orchestrated arrangement of non linear segments to introduce us to the main characters. we meet them on the morning of april 8 and 1994  the day kurt cobain committed suicide. and it is the death of cobain and and the journey to his wake two days later in seattle and that serve as the backdrop for the film. in exploring cobain life and music and and death and the characters attempt  with varying degrees of success  to understand and come to terms with their own lives. there are some aspects of the film that are what you might expect from a low budget indie film represent the performances range from decidedly mediocre to outstanding and with the strongest performances coming from jessica scott (holly) and noel wood (daniel) while some of the dialogue is admittedly a bit stiff and but never completely strays into the unreal while and there are some minor sound problems and particularly once we get on the road and that make it difficult at times to follow the action on screen. but despite its shortcomings and  amainly etc. is a solid and deeply affecting piece of cinema. amid moments of haunting poignancy and laugh out loud humor and and intimate turmoil and jansen deftly weaves all of the character threads together and illuminates their own struggles while at the same time making them accessible and engaging for us. and because we can see reflections of ourselves in one or more of these characters and we can identify with the questions and issues theyre struggling with and and were able to look back and remember where we were on that day in 1994 when for many people the world changed. while jansen takes credit for the writing and editing and and direction of the film and kudos must be given to his photography as well. with an uncanny eye and amazing ability to capture and draw us into each of the characters worlds and jansen managed to produce shot after shot after shot that stuck with me long after the credits rolled. and no review of this film would be complete without a nod to the amazing soundtrack. the music in this film is used to amazing effect while at times subtly underscoring the action and at other times taking center stage and but never getting in the way or deteriorating into kitschy music video. the soundtrack plays like the ultimate greatest hits and though i suspect that label would probably not sit very well with the director. the new double dvd archive edition offers some deleted scenes and trailers and music videos and and a cobain documentary. the deleted scenes offer some insight into the making of the film through alternate opening and closing sequences and and it certainly a treat to have the rare and beautiful raining kind video. the cobain documentary is fine and if a bit worse for wear and and certainly more extensive documentaries are available for the hardcore fans. conspicuously absent is a director commentary and and i can not help but wonder if jansen has plans to re release this at some point with that tasty tidbit attached. suffice to say that the next time youre looking for a strong piece of work from a talented filmmaker and i recommend you get on board. 
where do we go from here. that is the overriding question of this film. and make no mistake and  amainly etc. and the 2003 effort from director john jansen and asks far more questions than it answers and but none so poignantly or so powerfully as this one. much of the the film plays like a running conversation between you and your college drinking buddies and and i am sure many of the questions raised by the main characters you will recognize from your own evenings of drunken debauchery. however and one of the many beauties of this film is that we are rarely given an answer. questions are raised  everything from the mundane to the profound  but jansen skillfully forces his audience to examine and answer these questions ourselves and with little to no help from the characters. side 1 opens with an increasingly complex and beautifully orchestrated arrangement of non linear segments to introduce us to the main characters. we meet them on the morning of april 8 and 1994  the day kurt cobain committed suicide. and it is the death of cobain and and the journey to his wake two days later in seattle and that serve as the backdrop for the film. in exploring cobain life and music and and death and the characters attempt  with varying degrees of success  to understand and come to terms with their own lives. there are some aspects of the film that are what you might expect from a low budget indie film represent the performances range from decidedly mediocre to outstanding and with the strongest performances coming from jessica scott (holly) and noel wood (daniel) while some of the dialogue is admittedly a bit stiff and but never completely strays into the unreal while and there are some minor sound problems and particularly once we get on the road and that make it difficult at times to follow the action on screen. but despite its shortcomings and  amainly etc. is a solid and deeply affecting piece of cinema. amid moments of haunting poignancy and laugh out loud humor and and intimate turmoil and jansen deftly weaves all of the character threads together and illuminates their own struggles while at the same time making them accessible and engaging for us. and because we can see reflections of ourselves in one or more of these characters and we can identify with the questions and issues theyre struggling with and and were able to look back and remember where we were on that day in 1994 when for many people the world changed. while jansen takes credit for the writing and editing and and direction of the film and kudos must be given to his photography as well. with an uncanny eye and amazing ability to capture and draw us into each of the characters worlds and jansen managed to produce shot after shot after shot that stuck with me long after the credits rolled. and no review of this film would be complete without a nod to the amazing soundtrack. the music in this film is used to amazing effect while at times subtly underscoring the action and at other times taking center stage and but never getting in the way or deteriorating into kitschy music video. the soundtrack plays like the ultimate greatest hits and though i suspect that label would probably not sit very well with the director. the new double dvd archive edition offers some deleted scenes and trailers and music videos and and a cobain documentary. the deleted scenes offer some insight into the making of the film through alternate opening and closing sequences and and it certainly a treat to have the rare and beautiful raining kind video. the cobain documentary is fine and if a bit worse for wear and and certainly more extensive documentaries are available for the hardcore fans. conspicuously absent is a director commentary and and i can not help but wonder if jansen has plans to re release this at some point with that tasty tidbit attached. suffice to say that the next time youre looking for a strong piece of work from a talented filmmaker and i recommend you get on board. ---------------------------------Answer Question Below----------------------------------

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