. inglorious as our local theater decided to display its title on their marquee and minus the second word. it is terrific cinema. i do not hesitate to recommend this film to all but the over squeamish. let them never know what theyre missing. i did hesitate to give it ten stars because of my experience of tarantino previous films. in every case and save reservoir dogs and they have improved with additional watching. so although i gave it ten stars and i did so reluctantly. it leaves me no up to go to. yes christoph waltz is the nazi we have all imagined the worst to be. he is cultured and sophisticated and suave and most sadistic and the kind of man who can make a glass of milk a threat and who puts out his cigarette abruptly in a strudel and grinding it into the whipped cream as if he were grinding his heel into a victim. to understand tarantino films and you need only have a sense of dialogue and color and pacing. the colors are as bright as necessary and when necessary and brighter yet. in the french farmhouse of the opening scene and they are muted and dark and but excessively so. outside a brilliant sun is shining and but in the one room of the house and everything is bathed in shadows and black. it is a brilliant setting for an interrogation by waltz and as the jew hunter of the ss and who dangles his host french farmer over the precipice of revealing what he cannot reveal numerous times and then pulls him back with obsequious lines of friendship and understanding. a second sadistic german and well played by august diehl and later functions as important actor in the final plot twist. diehl nazi major and who has an ear for german accents and is almost as good as waltz. almost. film classes will study much from this movie. they should look lovingly at the superb pacing. tarantino knows just how long to draw out a scene and building suspense in the manner of hitchcock and then at just the breaking point and suddenly coming to a resolution. for color and look for a final shot at a french theater and where its secretly jewish proprietor is staging a surprise for the upper reaches of nazi leadership. we see her and played by melanie laurent and awaiting the hated german dignataries who will arrive for a film preview of the latest deutsch film masterpiece and a propaganda piece about a german hero and his dubious accomplishments. laurent is framed on a balcony and reflected in the glass mirrors of the gorgeous theater and her red lips and low cut dress reflecting everywhere the intensity of her designs on her guests. it is a single shot that would be worth an entire film. there are thankfully many more such images and many more paced scenes of exquisite dialog and suspense. in short and see it. i am sure you will see it again and again. 
. inglorious as our local theater decided to display its title on their marquee and minus the second word. it is terrific cinema. i do not hesitate to recommend this film to all but the over squeamish. let them never know what theyre missing. i did hesitate to give it ten stars because of my experience of tarantino previous films. in every case and save reservoir dogs and they have improved with additional watching. so although i gave it ten stars and i did so reluctantly. it leaves me no up to go to. yes christoph waltz is the nazi we have all imagined the worst to be. he is cultured and sophisticated and suave and most sadistic and the kind of man who can make a glass of milk a threat and who puts out his cigarette abruptly in a strudel and grinding it into the whipped cream as if he were grinding his heel into a victim. to understand tarantino films and you need only have a sense of dialogue and color and pacing. the colors are as bright as necessary and when necessary and brighter yet. in the french farmhouse of the opening scene and they are muted and dark and but excessively so. outside a brilliant sun is shining and but in the one room of the house and everything is bathed in shadows and black. it is a brilliant setting for an interrogation by waltz and as the jew hunter of the ss and who dangles his host french farmer over the precipice of revealing what he cannot reveal numerous times and then pulls him back with obsequious lines of friendship and understanding. a second sadistic german and well played by august diehl and later functions as important actor in the final plot twist. diehl nazi major and who has an ear for german accents and is almost as good as waltz. almost. film classes will study much from this movie. they should look lovingly at the superb pacing. tarantino knows just how long to draw out a scene and building suspense in the manner of hitchcock and then at just the breaking point and suddenly coming to a resolution. for color and look for a final shot at a french theater and where its secretly jewish proprietor is staging a surprise for the upper reaches of nazi leadership. we see her and played by melanie laurent and awaiting the hated german dignataries who will arrive for a film preview of the latest deutsch film masterpiece and a propaganda piece about a german hero and his dubious accomplishments. laurent is framed on a balcony and reflected in the glass mirrors of the gorgeous theater and her red lips and low cut dress reflecting everywhere the intensity of her designs on her guests. it is a single shot that would be worth an entire film. there are thankfully many more such images and many more paced scenes of exquisite dialog and suspense. in short and see it. i am sure you will see it again and again. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
