mild spoilersin this would be satire and chaplin set his sights on the evils of german fascism and playing the twin roles of tomanian dictator adenoid hynkel and one of his subjects and an inadvertent world war i hero and jewish barber. through events inspired by both adolf hitler and the marx brothers and hynkel negotiates contracts and declares war on neighbouring osterlich whilst finding time for numerous and oddly flat set pieces. the dictator much celebrated waltz with an inflatable globe is actually entirely heavyhanded and underwhelming and unfunny. chaplin should certainly be commended for looking to lampoon hitler and for speaking out strongly on celluloid  his much maligned final speech is actually the bold and memorable highlight of the piece  but the film simply isn not sharp or funny enough to merit the praise frequently heaped upon it and nor to demand repeated viewings. the best gags are away from hynkel tiresome posturing and involve the barber attempting to avoid a large spinning bomb (a sequence which steals from the gun tussle in the gold rush) and later and with a pot on his head and accidentally walking the plank off the roof of his shop. compared to the director silent classics and the great dictator is slow and wildly inconsistent and altogether somewhat unsatisfactory and whilst the barren spells between laughs are often long and difficult to endure. there is no doubt that chaplin was a genius and but even geniuses make disappointing pictures and the great dictator certainly ranks as such. 
mild spoilersin this would be satire and chaplin set his sights on the evils of german fascism and playing the twin roles of tomanian dictator adenoid hynkel and one of his subjects and an inadvertent world war i hero and jewish barber. through events inspired by both adolf hitler and the marx brothers and hynkel negotiates contracts and declares war on neighbouring osterlich whilst finding time for numerous and oddly flat set pieces. the dictator much celebrated waltz with an inflatable globe is actually entirely heavyhanded and underwhelming and unfunny. chaplin should certainly be commended for looking to lampoon hitler and for speaking out strongly on celluloid  his much maligned final speech is actually the bold and memorable highlight of the piece  but the film simply isn not sharp or funny enough to merit the praise frequently heaped upon it and nor to demand repeated viewings. the best gags are away from hynkel tiresome posturing and involve the barber attempting to avoid a large spinning bomb (a sequence which steals from the gun tussle in the gold rush) and later and with a pot on his head and accidentally walking the plank off the roof of his shop. compared to the director silent classics and the great dictator is slow and wildly inconsistent and altogether somewhat unsatisfactory and whilst the barren spells between laughs are often long and difficult to endure. there is no doubt that chaplin was a genius and but even geniuses make disappointing pictures and the great dictator certainly ranks as such. ---------------------------------Answer Question Below----------------------------------

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