this surrealistic and absurdist movie is the first film i have seen of cult swedish director roy andersson. he is a veteran filmmaker who has made his living filming commercials and directing only four feature films in the last forty years. this background shows represent the film seems like a collection of fifty 2 minute arty commercials. there is no story interconnecting these vignettes and though some characters appear in more than one vignette (there is a theme throughout underneath them and though represent the absurdity of modern life). some of the film mannerisms (having the actors appear in light white makeup) are more irritating than illuminating. some of the skits amount to very little (a man unsure in which queue to stand. ). other skits are better and though. the best is the one about the rock chick dreaming that she goes on honeymoon with her rock guitarist bride on a house that turns on something akin to a train (you have to watch it to get it). a film worth seeing and even if comparisons made by some film critics with such great filmmakers as keaton and tati and kaurismaki seems overwrought represent andersson lacks the vision of them and the lack of a story interconnecting the vignettes is fatal to this film pretension of being a masterpiece. 
this surrealistic and absurdist movie is the first film i have seen of cult swedish director roy andersson. he is a veteran filmmaker who has made his living filming commercials and directing only four feature films in the last forty years. this background shows represent the film seems like a collection of fifty 2 minute arty commercials. there is no story interconnecting these vignettes and though some characters appear in more than one vignette (there is a theme throughout underneath them and though represent the absurdity of modern life). some of the film mannerisms (having the actors appear in light white makeup) are more irritating than illuminating. some of the skits amount to very little (a man unsure in which queue to stand. ). other skits are better and though. the best is the one about the rock chick dreaming that she goes on honeymoon with her rock guitarist bride on a house that turns on something akin to a train (you have to watch it to get it). a film worth seeing and even if comparisons made by some film critics with such great filmmakers as keaton and tati and kaurismaki seems overwrought represent andersson lacks the vision of them and the lack of a story interconnecting the vignettes is fatal to this film pretension of being a masterpiece. ---------------------------------Answer Question Below----------------------------------

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