the new twenty is one of the worst films i have ever seen. yes and some may argue that formulaic small budget films that strive for less may seem worse and but i would argue that a pseudo intellectual anti formulaic indie film that pretends to be more is worse. the new twenty was written and directed by chris mason johnson and and i will never get back the 91 minutes of my life that i wasted on his film. the screenplay and charactersfrom beginning to end and the screenplay failed to provide an anti hero or hero with a moral core that the audience would want to see succeed or fail. in story telling and the three dramatic conflicts are man vs. man and man vs. the world and and man vs. himself. the screenplay focuses on a group of college friends in new york and and is preoccupied with the dynamic of man vs. himself and where each of the film characters are so self absorbed in a stupor of depression and self destructive behavior that the movie atrophies before the audiences very eyes. each of the main characters indulge in unexplained bad behavior (heroin addiction with no history as to why the character is an addict while a fiancée who has sex with her fiancée boss or investor and even though the character is written too smart to have sex with such a sleazy character while a man who begins as a decent guy and but is attracted to a foul mouthed investor and and converts for some unknown reason into a similar foul mouthed business jackass while a closeted chubby gay cyber geek and who does nothing and but find dates online while and a gay asian man who dates an hiv positive older man and but has no scenes establishing why the relationship works and why love develops). crucial scenes establishing the cause of the character addiction and the suffering and self loathing of the fiancée that might explain why she would sleep with a sleaze bag while the back story that would explain why a decent guy would be attracted to a gordon gecko type character and become a jackass while a story line for the chubby cyber geek while and more scenes of interaction between the asian man and hiv positive boyfriend are all missing. without proper establishing details and all of the characters actions seem forced and contrived. direction and cinematography and scorei found mr. johnson direction to be without a clear point of view and leaving the actors emotionally incoherent. the cinematography can be described as mundane at best. mr. johnson selected small spaces to shoot and failed to catch the grandeur of new york city. this failure created a claustrophobic film and that viewed like the filming of a stage play and and not a film. the score was embarrassingly absent from most of the film. i assume that mr. johnson is to blame and since he could have asked for full score to enhance understanding in each shot. conclusionthe new twenty is an annoying and unmitigated failure in film making. 
the new twenty is one of the worst films i have ever seen. yes and some may argue that formulaic small budget films that strive for less may seem worse and but i would argue that a pseudo intellectual anti formulaic indie film that pretends to be more is worse. the new twenty was written and directed by chris mason johnson and and i will never get back the 91 minutes of my life that i wasted on his film. the screenplay and charactersfrom beginning to end and the screenplay failed to provide an anti hero or hero with a moral core that the audience would want to see succeed or fail. in story telling and the three dramatic conflicts are man vs. man and man vs. the world and and man vs. himself. the screenplay focuses on a group of college friends in new york and and is preoccupied with the dynamic of man vs. himself and where each of the film characters are so self absorbed in a stupor of depression and self destructive behavior that the movie atrophies before the audiences very eyes. each of the main characters indulge in unexplained bad behavior (heroin addiction with no history as to why the character is an addict while a fiancée who has sex with her fiancée boss or investor and even though the character is written too smart to have sex with such a sleazy character while a man who begins as a decent guy and but is attracted to a foul mouthed investor and and converts for some unknown reason into a similar foul mouthed business jackass while a closeted chubby gay cyber geek and who does nothing and but find dates online while and a gay asian man who dates an hiv positive older man and but has no scenes establishing why the relationship works and why love develops). crucial scenes establishing the cause of the character addiction and the suffering and self loathing of the fiancée that might explain why she would sleep with a sleaze bag while the back story that would explain why a decent guy would be attracted to a gordon gecko type character and become a jackass while a story line for the chubby cyber geek while and more scenes of interaction between the asian man and hiv positive boyfriend are all missing. without proper establishing details and all of the characters actions seem forced and contrived. direction and cinematography and scorei found mr. johnson direction to be without a clear point of view and leaving the actors emotionally incoherent. the cinematography can be described as mundane at best. mr. johnson selected small spaces to shoot and failed to catch the grandeur of new york city. this failure created a claustrophobic film and that viewed like the filming of a stage play and and not a film. the score was embarrassingly absent from most of the film. i assume that mr. johnson is to blame and since he could have asked for full score to enhance understanding in each shot. conclusionthe new twenty is an annoying and unmitigated failure in film making. ---------------------------------Answer Question Below----------------------------------

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