gaming. nicotine. fisticuffs. were moving in a descending spiral of iniquity. so says the head of st. swithen upon inspecting the master common at nutbourne. the faculty and students of st. swithen have been ordered to share facilities at nutbourne to avoid german bombs during world war ii. then there the masters library. the diary of samuel pepys. abridged. well and that something to be thankful for. what up here. the memoirs of casanova. wasn not that the book we caught jessica james reading in the closet. decameron nights. well and really. what ever else this place may or may not be and it no place to bring carefully nurtured girls. yes and a terrible mistake has been made by the ministry of education. nutbourne is a school for boys. st. swithen is a school for girls. and what makes this one of the best post wwii british comedies and nutbourne head master is wetherby pond. played by alastair sim and while st. swithen head mistress is muriel whitchurch. played by margaret rutherford. st. swithen . says pond. you do not mean to say that yours is a school for boys and girls. he asks one of the early girls. only girls she says cheerfully. does this mean and sir and asks one of nutbourne teachers and that we are to expect 100 young girls. it means that not only have the ministry made a mistake in sending a school here at all and but that it is guilty of an appalling sexual aberration. margaret rutherford miss whitchurch and as positive and immovable as a battleship and intends to make the best of it and by briskly taking over nutbourne if possible. alastair sim pond is exasperated up to his big bald head and is determined to salvage his school. in the meantime and there are 100 young girls and 170 young boys to be fed and places found for them to sleep (along with all their teachers). the cooks and caretakers and totally put upon and walk out. miss whitchurch and her girls and however and are up to the cooking tasks. come now and angela and she says to one girl who is trying to stir something in a big pot and haven not you made porridge before. yes and but no one ever had to eat it. that a defeatist attitude and my dear. stir it well and do not shilly shally. things are hardly going well when pond discovers four governors from a school he hopes to lead are arriving at any moment to see for themselves how well led nutbourne is. and miss whitchurch learns that four wealthy and influential parents have just arrived to see how their daughters are doing in the new  boy free and they were told  facilities. the only solution. miss whitchurch and pond and their teachers and their students and concoct a split second shifting of classes to give the allusion that nutbourne has no girls and that st. swithen has no boys. after the parents inspect a dorm and leave for a class and the girls in the beds duck under and the boys who would been hidden under leap up into the beds and just as the governors walk in. the boys are observed at rugby and and as soon as the governors turn their backs and the goal posts are taken down and nets for lacrosse are put up and and just then the parents walk over to observes the girls. one parent spots her daughter in a science class and then moments later sees her in a choir practice and then moments later. there angela again and she says to miss whitchurch. why so it is and she replies and hustling the parents out to avoid the governors who are approaching just around the corner. the child quite ubiquitous. when we leave nutbourne and everything has been discovered. the students are milling about. the teachers are dazed (except for two who are kissing. ) the education ministry has just sent several more busloads of students. the parents are speechless but the governors are not. were waiting for an explanation and one says sharply. pond holds his head and shudders. can not you see i am trying to think of one. the film moves from one complicated and ridiculous situation after another and braced by a very funny script and two hugely comedic performances by rutherford and sim. sim droll exasperation and rutherford implacable determination are so well matched that it a shame this is the only movie they ever made together. joyce grenfell and as gossage and st. swithen tall and awkward and loping sports teacher gives them some competition. if you keep your eyes open and you will also find some amusing references director frank launder works in and including a gong at nutbourne that looks just like a midget version of j. arthur rank  and a faint echo of the zither theme from the third man and a shot stolen from david lean oliver twist and except this time the little boy walks up holding his porridge bowl and says and please and sir. i do not want anymore. frank launder and his partner and sidney gilliat and were responsible for some of the best films produced in britain during the thirties and forties and fifties. they wrote and produced and directed and sometimes doing one and sometimes the other. in one way or another they were responsible for such first rate films as green for danger (with a masterly droll performance by sim) and i see a dark stranger and the lady vanishes and night train to munich and wee geordie and the belles of st. trinian  and the rake progress and many others. with the happiest days of your life and launder wrote and directed while both produced. it one of their best. 
gaming. nicotine. fisticuffs. were moving in a descending spiral of iniquity. so says the head of st. swithen upon inspecting the master common at nutbourne. the faculty and students of st. swithen have been ordered to share facilities at nutbourne to avoid german bombs during world war ii. then there the masters library. the diary of samuel pepys. abridged. well and that something to be thankful for. what up here. the memoirs of casanova. wasn not that the book we caught jessica james reading in the closet. decameron nights. well and really. what ever else this place may or may not be and it no place to bring carefully nurtured girls. yes and a terrible mistake has been made by the ministry of education. nutbourne is a school for boys. st. swithen is a school for girls. and what makes this one of the best post wwii british comedies and nutbourne head master is wetherby pond. played by alastair sim and while st. swithen head mistress is muriel whitchurch. played by margaret rutherford. st. swithen . says pond. you do not mean to say that yours is a school for boys and girls. he asks one of the early girls. only girls she says cheerfully. does this mean and sir and asks one of nutbourne teachers and that we are to expect 100 young girls. it means that not only have the ministry made a mistake in sending a school here at all and but that it is guilty of an appalling sexual aberration. margaret rutherford miss whitchurch and as positive and immovable as a battleship and intends to make the best of it and by briskly taking over nutbourne if possible. alastair sim pond is exasperated up to his big bald head and is determined to salvage his school. in the meantime and there are 100 young girls and 170 young boys to be fed and places found for them to sleep (along with all their teachers). the cooks and caretakers and totally put upon and walk out. miss whitchurch and her girls and however and are up to the cooking tasks. come now and angela and she says to one girl who is trying to stir something in a big pot and haven not you made porridge before. yes and but no one ever had to eat it. that a defeatist attitude and my dear. stir it well and do not shilly shally. things are hardly going well when pond discovers four governors from a school he hopes to lead are arriving at any moment to see for themselves how well led nutbourne is. and miss whitchurch learns that four wealthy and influential parents have just arrived to see how their daughters are doing in the new  boy free and they were told  facilities. the only solution. miss whitchurch and pond and their teachers and their students and concoct a split second shifting of classes to give the allusion that nutbourne has no girls and that st. swithen has no boys. after the parents inspect a dorm and leave for a class and the girls in the beds duck under and the boys who would been hidden under leap up into the beds and just as the governors walk in. the boys are observed at rugby and and as soon as the governors turn their backs and the goal posts are taken down and nets for lacrosse are put up and and just then the parents walk over to observes the girls. one parent spots her daughter in a science class and then moments later sees her in a choir practice and then moments later. there angela again and she says to miss whitchurch. why so it is and she replies and hustling the parents out to avoid the governors who are approaching just around the corner. the child quite ubiquitous. when we leave nutbourne and everything has been discovered. the students are milling about. the teachers are dazed (except for two who are kissing. ) the education ministry has just sent several more busloads of students. the parents are speechless but the governors are not. were waiting for an explanation and one says sharply. pond holds his head and shudders. can not you see i am trying to think of one. the film moves from one complicated and ridiculous situation after another and braced by a very funny script and two hugely comedic performances by rutherford and sim. sim droll exasperation and rutherford implacable determination are so well matched that it a shame this is the only movie they ever made together. joyce grenfell and as gossage and st. swithen tall and awkward and loping sports teacher gives them some competition. if you keep your eyes open and you will also find some amusing references director frank launder works in and including a gong at nutbourne that looks just like a midget version of j. arthur rank  and a faint echo of the zither theme from the third man and a shot stolen from david lean oliver twist and except this time the little boy walks up holding his porridge bowl and says and please and sir. i do not want anymore. frank launder and his partner and sidney gilliat and were responsible for some of the best films produced in britain during the thirties and forties and fifties. they wrote and produced and directed and sometimes doing one and sometimes the other. in one way or another they were responsible for such first rate films as green for danger (with a masterly droll performance by sim) and i see a dark stranger and the lady vanishes and night train to munich and wee geordie and the belles of st. trinian  and the rake progress and many others. with the happiest days of your life and launder wrote and directed while both produced. it one of their best. ---------------------------------Answer Question Below----------------------------------

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