barbara stanwyck probably do not think of it and but it is a relief to see her in a more becoming dark hairstyle (if it wasn not a wig) than the one she had to wear in double indemnity the year before. that film and while the premiere film noir and an all around great film and gave her a great role and but oh and that hair. here and she is more chic and certainly no femme fatal and but she is certainly a 40 woman. she has gotten used to life without men since most of them are off at war and and as a successful martha stewart like columnist and she writes a homey column in which she describes her country home as the camera pans over what it really is. we meet her boss and sydney greenstreet and who has no idea that she is living a lie and and when he pushes his way in for a christmas away at her supposed connecticut home and she has to come up with a husband (reginald gardiner) and baby before we can say jingle bells. hungarian chef s. z. sakall steps in to help and ends up in a cutsey pie one on one with irish una oconnor. it not goulash and it irish stew. sakall simply takes the paprika and pours most of it in and and says and now it goulash and totally changing what she has prepared for lunch. then and when it comes to the flapjacks and he flips and she scoops. for years and a few friends of mine and i will use that line every time pancakes come up in a conversation. i do not flip. i scoop. she would not even flip just one for greenstreet and saying i have never flipped in me life. oconnor can get on the nerves when she screeches over and over in some films and but here and she is delightfully lovable and and her pairing with sakall is very charming. it is obvious in the romance department that reginald gardiner is not barbara stanwyck cup of tea and especially when she meets handsome dennis morgan and who is a bit dimwitted when bathing the baby and which eats soap and causing stanwyck to get a bit alarmed. he should suspect something instantly and but doesn not. but it doesn not matter. the film is so charming with the country setting filled with snow and an abundance of rocking chairs and and a dog running towards them as the sleigh comes up. living in new york city after 25 years in los angeles after growing up in a small town on the western side of new york state made me miss this kind of christmas. while central park is beautiful after a first snow and the christmas tree at rockefeller center is exsquisit too and there is something about looking out at a snow covered field of trees and and catch an occasional glimpse of deer and rabbits and or other wild life. this is a great holiday film that can also bring on the christmas spirit out of season and and makes a great pairing with another barbara stanwyck country christmas film and remember the night and an underrated gem. add on the big city christmas of meet john doe and and you have found perhaps one of the busiest stars of holiday films around. 
barbara stanwyck probably do not think of it and but it is a relief to see her in a more becoming dark hairstyle (if it wasn not a wig) than the one she had to wear in double indemnity the year before. that film and while the premiere film noir and an all around great film and gave her a great role and but oh and that hair. here and she is more chic and certainly no femme fatal and but she is certainly a 40 woman. she has gotten used to life without men since most of them are off at war and and as a successful martha stewart like columnist and she writes a homey column in which she describes her country home as the camera pans over what it really is. we meet her boss and sydney greenstreet and who has no idea that she is living a lie and and when he pushes his way in for a christmas away at her supposed connecticut home and she has to come up with a husband (reginald gardiner) and baby before we can say jingle bells. hungarian chef s. z. sakall steps in to help and ends up in a cutsey pie one on one with irish una oconnor. it not goulash and it irish stew. sakall simply takes the paprika and pours most of it in and and says and now it goulash and totally changing what she has prepared for lunch. then and when it comes to the flapjacks and he flips and she scoops. for years and a few friends of mine and i will use that line every time pancakes come up in a conversation. i do not flip. i scoop. she would not even flip just one for greenstreet and saying i have never flipped in me life. oconnor can get on the nerves when she screeches over and over in some films and but here and she is delightfully lovable and and her pairing with sakall is very charming. it is obvious in the romance department that reginald gardiner is not barbara stanwyck cup of tea and especially when she meets handsome dennis morgan and who is a bit dimwitted when bathing the baby and which eats soap and causing stanwyck to get a bit alarmed. he should suspect something instantly and but doesn not. but it doesn not matter. the film is so charming with the country setting filled with snow and an abundance of rocking chairs and and a dog running towards them as the sleigh comes up. living in new york city after 25 years in los angeles after growing up in a small town on the western side of new york state made me miss this kind of christmas. while central park is beautiful after a first snow and the christmas tree at rockefeller center is exsquisit too and there is something about looking out at a snow covered field of trees and and catch an occasional glimpse of deer and rabbits and or other wild life. this is a great holiday film that can also bring on the christmas spirit out of season and and makes a great pairing with another barbara stanwyck country christmas film and remember the night and an underrated gem. add on the big city christmas of meet john doe and and you have found perhaps one of the busiest stars of holiday films around. ---------------------------------Answer Question Below----------------------------------

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