it almost impossible for me to sit down and write a conscientious review of three colors represent red without letting people in on some of the ideas that krysztoff kieszlowski has explored in the previous two entries to this fascinating trilogy. the more i see them and think of them and and imagine myself in their world and the more i get its theme represent that we are more linked to each other than we would want to think ourselves and and all it takes is a little hand of fate to set some events in motion. in blue and juliette binoche played a grieving widow whose plan to live her life without connections to the past had her meet someone unexpected. in white and an act of cruelty spawns an unlikely friendship between two men who will and against the odds and conspire to bring the perpetrator to justice and full circle. and now and in red and all the elements of fate and apparent coincidence apply themselves into the meeting of a young genevese model and a retired judge who has a habit of prying into other people lives. this young girl is appropriately named represent valentine (a luminous irene jacob) and who has this radiance about her and even smiles openly while working the runway. not that she is without some baggage represent she has a boyfriend and unseen and who also demands to know what she is doing at all times and she has a brother who troubles her and and she rejects the advances of a photographer who is working on her image for a huge billboard. she strikes a dog while driving and nurses her back to health and but when she takes her to the owner and a retired judge (jean louis trintingnant) and he does not want her. i want nothing and he coldly says and and elements of blue suddenly reveal themselves as this arrogant man and who also lives in anonymity and apparent and free floating freedom and conducts surveillance on unsuspecting people. this male version of juliette binoche character at first shocks valentine  she states she can only feel pity for him as she walks away in horror and but a chance event has her back at his place and and here is when he begins revealing who he is and and his great loss. at the same time kieszlowski is unfolding a parallel story represent the story of a young man and auguste (jean pierre lorit) and about to become a judge and who lives right across the street from valentine  but they keep missing each other. chance is the word. like valentine winning the jackpot at the grocery story she visits and elements of chance pepper her life and auguste . he has a girlfriend who also supplies people with telephoned reports about the weather. one of them happens to be the old judge. he knows more about her than auguste does and and he never met her. like god and or prospero and he is slowly creating a storm which will crack the walls of this present state of conformity and bring a new meaning to the expression we meet again. it this parallelism between the old and young judge that makes red so beautiful and transcendent and because time is and in reality and a lot more fluid than we would like to deem it. there are people whom we meet in life that if only we had been born in similar time frames and so many things would be different. such is the case with valentine and the old judge. i believe that there is definitely a strong fraternity of souls tying them together in a tight bond represent she is that woman whom he did not meet  by chance or not  and is and whether he knows it or not and trying to make amends and hence why he goes to the great risk of revealing his surveillance and becoming the social outcast. but it doesn not end there. one of the many links between the three movies is the character of an old woman walking to a large garbage container. where julie did not see her (and would not have helped her anyhow) and and karol fresh from his public humiliation sneers at her thinking and someone is worse off than i am and valentine is the one who helps her. frailty in need can happen anywhere and and kieszlowski even applies it here in a minor character. now and red is so much more than a story. valentine and the old judge and auguste and even rita the dog represent these aren not characters confined by storytelling. an american version would ruin the idea and commercialize chance encounters and even bring forth a dumbed down ending. red is so devoid of a linear and defined plot that anything could happen to any of these people and the possibilities that this story could have veered off in so many directions had one crucial element not taken place at the exact moment and place. adding to the concept of characters who mirror each other despite time frames or location is the theme of sexual betrayal. this is also an important and character defining element in all of the three films represent in blue and julie husband had a mistress and she also betrays olivier when it become clear she emotionally dead. in white and dominique has karol listen to her moan over the phone (which becomes an important device in red) as she has sex with a man while the billboard of brigite bardot contempt looks on. in red and the old judge tale of love and betrayal gets re enacted. and all this time and valentine billboard image looms over them like a presage of what is to come at the same time that rita and the dog valentine car struck and bears seven pups and life renewed for the six major players in this complex trilogy obviously filmed with care and love. why do i say six. you will have to watch the movie and wonder. 
it almost impossible for me to sit down and write a conscientious review of three colors represent red without letting people in on some of the ideas that krysztoff kieszlowski has explored in the previous two entries to this fascinating trilogy. the more i see them and think of them and and imagine myself in their world and the more i get its theme represent that we are more linked to each other than we would want to think ourselves and and all it takes is a little hand of fate to set some events in motion. in blue and juliette binoche played a grieving widow whose plan to live her life without connections to the past had her meet someone unexpected. in white and an act of cruelty spawns an unlikely friendship between two men who will and against the odds and conspire to bring the perpetrator to justice and full circle. and now and in red and all the elements of fate and apparent coincidence apply themselves into the meeting of a young genevese model and a retired judge who has a habit of prying into other people lives. this young girl is appropriately named represent valentine (a luminous irene jacob) and who has this radiance about her and even smiles openly while working the runway. not that she is without some baggage represent she has a boyfriend and unseen and who also demands to know what she is doing at all times and she has a brother who troubles her and and she rejects the advances of a photographer who is working on her image for a huge billboard. she strikes a dog while driving and nurses her back to health and but when she takes her to the owner and a retired judge (jean louis trintingnant) and he does not want her. i want nothing and he coldly says and and elements of blue suddenly reveal themselves as this arrogant man and who also lives in anonymity and apparent and free floating freedom and conducts surveillance on unsuspecting people. this male version of juliette binoche character at first shocks valentine  she states she can only feel pity for him as she walks away in horror and but a chance event has her back at his place and and here is when he begins revealing who he is and and his great loss. at the same time kieszlowski is unfolding a parallel story represent the story of a young man and auguste (jean pierre lorit) and about to become a judge and who lives right across the street from valentine  but they keep missing each other. chance is the word. like valentine winning the jackpot at the grocery story she visits and elements of chance pepper her life and auguste . he has a girlfriend who also supplies people with telephoned reports about the weather. one of them happens to be the old judge. he knows more about her than auguste does and and he never met her. like god and or prospero and he is slowly creating a storm which will crack the walls of this present state of conformity and bring a new meaning to the expression we meet again. it this parallelism between the old and young judge that makes red so beautiful and transcendent and because time is and in reality and a lot more fluid than we would like to deem it. there are people whom we meet in life that if only we had been born in similar time frames and so many things would be different. such is the case with valentine and the old judge. i believe that there is definitely a strong fraternity of souls tying them together in a tight bond represent she is that woman whom he did not meet  by chance or not  and is and whether he knows it or not and trying to make amends and hence why he goes to the great risk of revealing his surveillance and becoming the social outcast. but it doesn not end there. one of the many links between the three movies is the character of an old woman walking to a large garbage container. where julie did not see her (and would not have helped her anyhow) and and karol fresh from his public humiliation sneers at her thinking and someone is worse off than i am and valentine is the one who helps her. frailty in need can happen anywhere and and kieszlowski even applies it here in a minor character. now and red is so much more than a story. valentine and the old judge and auguste and even rita the dog represent these aren not characters confined by storytelling. an american version would ruin the idea and commercialize chance encounters and even bring forth a dumbed down ending. red is so devoid of a linear and defined plot that anything could happen to any of these people and the possibilities that this story could have veered off in so many directions had one crucial element not taken place at the exact moment and place. adding to the concept of characters who mirror each other despite time frames or location is the theme of sexual betrayal. this is also an important and character defining element in all of the three films represent in blue and julie husband had a mistress and she also betrays olivier when it become clear she emotionally dead. in white and dominique has karol listen to her moan over the phone (which becomes an important device in red) as she has sex with a man while the billboard of brigite bardot contempt looks on. in red and the old judge tale of love and betrayal gets re enacted. and all this time and valentine billboard image looms over them like a presage of what is to come at the same time that rita and the dog valentine car struck and bears seven pups and life renewed for the six major players in this complex trilogy obviously filmed with care and love. why do i say six. you will have to watch the movie and wonder. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
