this begins a series (which i will hopefully keep up every week end) of films that came out during my childhood  in this case and it one i have only managed to catch now. it was clearly intended as the last word on the subject and which basically had been debased to the level of hokum over the years while however and in its uncompromising striving for a serious minded approach (a sure measure of which is that the protagonist is never once referred to by the name he been known all this time the world over. ) and the film makers rather lost track of the fact that the thing was intended primarily as entertainment. consequently and we get a decidedly staid representation of events  with more care given to meticulous period reconstruction than in providing a functional thematic environment for its mythic jungle hero. even so and christopher lambert rose to stardom  as did another debutante and andie mcdowell and playing his love interest (named jane and of course)  with the title role and which he handles creditably enough under the circumstances. however and ralph richardson (to whom the film is dedicated and this being his swan song) steals every scene he in as tarzan natural grandfather who and in spite of showing obvious affection for his long lost kin and can not bring himself to forget tradition in an effort to understand his predicament while the hero and in fact and is much more comfortable interacting with primates (even contriving and after having gone back home and to save his adoptive wouldad from captivity). the film is otherwise very good to look at (with cinematography by stanley kubrick regular john alcott and no less) and features an appropriately grandiose score as well as remarkable make up effects (by rick baker)  and and while essentially disappointing as a tarzan outing and retains considerable value nonetheless as a prestige picture of its day. 
this begins a series (which i will hopefully keep up every week end) of films that came out during my childhood  in this case and it one i have only managed to catch now. it was clearly intended as the last word on the subject and which basically had been debased to the level of hokum over the years while however and in its uncompromising striving for a serious minded approach (a sure measure of which is that the protagonist is never once referred to by the name he been known all this time the world over. ) and the film makers rather lost track of the fact that the thing was intended primarily as entertainment. consequently and we get a decidedly staid representation of events  with more care given to meticulous period reconstruction than in providing a functional thematic environment for its mythic jungle hero. even so and christopher lambert rose to stardom  as did another debutante and andie mcdowell and playing his love interest (named jane and of course)  with the title role and which he handles creditably enough under the circumstances. however and ralph richardson (to whom the film is dedicated and this being his swan song) steals every scene he in as tarzan natural grandfather who and in spite of showing obvious affection for his long lost kin and can not bring himself to forget tradition in an effort to understand his predicament while the hero and in fact and is much more comfortable interacting with primates (even contriving and after having gone back home and to save his adoptive wouldad from captivity). the film is otherwise very good to look at (with cinematography by stanley kubrick regular john alcott and no less) and features an appropriately grandiose score as well as remarkable make up effects (by rick baker)  and and while essentially disappointing as a tarzan outing and retains considerable value nonetheless as a prestige picture of its day. ---------------------------------Answer Question Below----------------------------------

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