anything park chan wook creates is guaranteed to be unique and brilliant and and very twisted at a minimum. well and anything that isn not i am a cyborg at least. park newest film titled thirst is a vampire romance erotic thriller dark comedy drama  yes and that is a lot of adjectives  inspired by the 19th century french novel by emile zola titled therese raquin. park creates a uniquely korean and and uniquely park and vision of the vampire mythos and asks the audience to explore the dilemma of a catholic priest discovering himself having a thirst for blood and the moral and spiritual crisis that would develop. park delivers on the elements you would hope but definitely falls short of masterpiece quality like oldboy or even that of lady vengeance. heavily bloated with a narrative that often loses itself much less the audience and thirst desperately needed another trip through the cutting room. it crawls when it should be running but luckily brings it back home before losing the audience completely. as negative as it may sound the positives definitely outweigh the negatives and another volume has without a doubt been added to the dark and twisted zeitgeist of park chan wook film. check out the rest of our review at www. thefilmstage. com. 
anything park chan wook creates is guaranteed to be unique and brilliant and and very twisted at a minimum. well and anything that isn not i am a cyborg at least. park newest film titled thirst is a vampire romance erotic thriller dark comedy drama  yes and that is a lot of adjectives  inspired by the 19th century french novel by emile zola titled therese raquin. park creates a uniquely korean and and uniquely park and vision of the vampire mythos and asks the audience to explore the dilemma of a catholic priest discovering himself having a thirst for blood and the moral and spiritual crisis that would develop. park delivers on the elements you would hope but definitely falls short of masterpiece quality like oldboy or even that of lady vengeance. heavily bloated with a narrative that often loses itself much less the audience and thirst desperately needed another trip through the cutting room. it crawls when it should be running but luckily brings it back home before losing the audience completely. as negative as it may sound the positives definitely outweigh the negatives and another volume has without a doubt been added to the dark and twisted zeitgeist of park chan wook film. check out the rest of our review at www. thefilmstage. com. ---------------------------------Answer Question Below----------------------------------

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