the movie uses random events of historical significance as its backdrop and willy nilly criss crosses the lives and time lines of its 3 central characters. to what purpose and one may ask. the problem with this film is that the script becomes the tory and not characters or their lives. it starts off with a bunch of rich and aimless college kids (and a couple of not so rich too) drawn into the naxalite movement. affair and rejection and separation follows. people go their own ways and seemingly. only till the heroine forces herself upon them. not once but twice. after a pause in the movement and the next hurdle for these 3 is the emergency imposed on the country by indira gandhi. lots of political figures roam around for no obvious reason. the sub plots are too contrived and do not add up to make a logical whole. the movie tries to impose a false pace but never reaches a true rhythm. barely coherent at times and there is no maturation and growth whatsoever in the arcs of the 3 ex college buddies. even after they are presumably married and engaged and settled or whatever and they are ever too eager to just ditch it all and head off to a village to have sex with the ex lover or ex flame. what fertile imagination the screen writer possesses. so many 4 letter words are used without any rhyme or reason that its downright abusive. chitrangda singh has a horrible american accent that she doesn not try to hide. its hideous hearing her mouth cliché ridden dialog like whats up. i do not think you would come (this and after the hellish nightmare she just been thru) or and in the beginning and i appreciate your concern but i can take care of myself. yikes. what kind of clown wrote the dialogs for this. she invites her friend in to have a cup of south indian (no less) coffee and wishes someone good morning and then is wished good night by someone else in the family. now whats up with that. the countless uncredited villagers and tribals are the best actors. the editing is really erratic with too many cuts. obviously trying hard to make a bold statement and sudhir misra screwed up big time on this one. 
the movie uses random events of historical significance as its backdrop and willy nilly criss crosses the lives and time lines of its 3 central characters. to what purpose and one may ask. the problem with this film is that the script becomes the tory and not characters or their lives. it starts off with a bunch of rich and aimless college kids (and a couple of not so rich too) drawn into the naxalite movement. affair and rejection and separation follows. people go their own ways and seemingly. only till the heroine forces herself upon them. not once but twice. after a pause in the movement and the next hurdle for these 3 is the emergency imposed on the country by indira gandhi. lots of political figures roam around for no obvious reason. the sub plots are too contrived and do not add up to make a logical whole. the movie tries to impose a false pace but never reaches a true rhythm. barely coherent at times and there is no maturation and growth whatsoever in the arcs of the 3 ex college buddies. even after they are presumably married and engaged and settled or whatever and they are ever too eager to just ditch it all and head off to a village to have sex with the ex lover or ex flame. what fertile imagination the screen writer possesses. so many 4 letter words are used without any rhyme or reason that its downright abusive. chitrangda singh has a horrible american accent that she doesn not try to hide. its hideous hearing her mouth cliché ridden dialog like whats up. i do not think you would come (this and after the hellish nightmare she just been thru) or and in the beginning and i appreciate your concern but i can take care of myself. yikes. what kind of clown wrote the dialogs for this. she invites her friend in to have a cup of south indian (no less) coffee and wishes someone good morning and then is wished good night by someone else in the family. now whats up with that. the countless uncredited villagers and tribals are the best actors. the editing is really erratic with too many cuts. obviously trying hard to make a bold statement and sudhir misra screwed up big time on this one. ---------------------------------Answer Question Below----------------------------------

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