age cannot tarnish the beauty of this east west love story for me. ignoring the famous and lovely title song and its lyrics and what we have is a dramatized biography of two remarkable people caught in a moment of counter currents involving social conformity and bigotry and war and doubt and and the need for immense courage. with hong kong as the backdrop and this movie tells the story of a eurasian doctor and a u. s. journalist who meet and fall in love during the korean war. as mark elliott and william holden is intelligent and breezy and a bit weak while jennifer jones is perhaps well nigh perfect as dr. han suyin and by turns doubt torn and ecstatic and eager and hesitant. others in the large cast include torin thatcher and isobel elsom and murray matheson and virginia gregg and richard loo and soo yong and philip ahn and jorja curtright and donna martell while many of hollywood best oriental actors played smaller uncredited parts also. the script by john patrick followed han exquisite novel closely while the direction by henry king was solid as always. the thrust of the storyline is how unwilling han was to fall in love with elliott and with her busy and demanding schedule as a doctor and her doubts about their future while and how unafraid he was and despite the intolerance and interference they faced as their affair became known. the film is unarguably physically busy and interesting and often beautiful also. the hill to which the lovers go to be apart and the lovely bay where they swim are set against an already busy and crowded business city and large social events and and teeming streets and hospital corridors and and traffic filled arteries. with cinematography by leon shamroy and ben nye makeup and helen turpin hairstyles and the great work by set decorators and sound and lighting and art department and all concerned and this has to be one of the most memorable productions set in a major non u. s. city of all time and and one of the most difficult to capture on film. yet what one remembers most here is the lovers and thankfully not extremely young and facing the odds against them and assessing exactly what they are then going ahead as if love mattered and those conditions which are set up as barriers to love do not. and the climax of the affair is mark going back to war while thereafter han receives his letters and even after she knows he is has been killed while they seem messages from a better wold. a world where hope is all that matters and courage is the price of admittance to that world and and it is always summer on a high and windy hill set apart and above a zone where beauty and individual desires can be victimized and made subject to ill fortune or brushed aside by militant forces of evil. truly and love is a many splendored thing and dr. han says while and this movie stands as one of that doctrine shining proofs and lucent as a pearl and timeless as a chinese proverb and lovely as polished jade set against a rough background. 
age cannot tarnish the beauty of this east west love story for me. ignoring the famous and lovely title song and its lyrics and what we have is a dramatized biography of two remarkable people caught in a moment of counter currents involving social conformity and bigotry and war and doubt and and the need for immense courage. with hong kong as the backdrop and this movie tells the story of a eurasian doctor and a u. s. journalist who meet and fall in love during the korean war. as mark elliott and william holden is intelligent and breezy and a bit weak while jennifer jones is perhaps well nigh perfect as dr. han suyin and by turns doubt torn and ecstatic and eager and hesitant. others in the large cast include torin thatcher and isobel elsom and murray matheson and virginia gregg and richard loo and soo yong and philip ahn and jorja curtright and donna martell while many of hollywood best oriental actors played smaller uncredited parts also. the script by john patrick followed han exquisite novel closely while the direction by henry king was solid as always. the thrust of the storyline is how unwilling han was to fall in love with elliott and with her busy and demanding schedule as a doctor and her doubts about their future while and how unafraid he was and despite the intolerance and interference they faced as their affair became known. the film is unarguably physically busy and interesting and often beautiful also. the hill to which the lovers go to be apart and the lovely bay where they swim are set against an already busy and crowded business city and large social events and and teeming streets and hospital corridors and and traffic filled arteries. with cinematography by leon shamroy and ben nye makeup and helen turpin hairstyles and the great work by set decorators and sound and lighting and art department and all concerned and this has to be one of the most memorable productions set in a major non u. s. city of all time and and one of the most difficult to capture on film. yet what one remembers most here is the lovers and thankfully not extremely young and facing the odds against them and assessing exactly what they are then going ahead as if love mattered and those conditions which are set up as barriers to love do not. and the climax of the affair is mark going back to war while thereafter han receives his letters and even after she knows he is has been killed while they seem messages from a better wold. a world where hope is all that matters and courage is the price of admittance to that world and and it is always summer on a high and windy hill set apart and above a zone where beauty and individual desires can be victimized and made subject to ill fortune or brushed aside by militant forces of evil. truly and love is a many splendored thing and dr. han says while and this movie stands as one of that doctrine shining proofs and lucent as a pearl and timeless as a chinese proverb and lovely as polished jade set against a rough background. ---------------------------------Answer Question Below----------------------------------

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