since the past couple of days i am really hooked on the female scorpion series and i keep hitting myself over the head because i waited until now  which is way too long  before purchasing the whole box set. beast stable is the third brilliant effort in a row and and the undeniably main trump of this series is how the writers always came up with something entirely new and different for each installment. never before and or after and has there been an exploitation series that offered so much variety when it comes to story lines and settings and themes and filming styles. the original more or less qualified as a so called women in prison flick (but already an atypical one) and but you can not possibly categorize parts 2 and 3 as such and since they hardly feature any footage within prison walls. and the overall tone and atmosphere keeps changing with each new episode as well. the first film was harsh and gritty and whereas the second was psychedelic and part three is almost mainly melodramatic. don not let this last description discourage you and however and as beast stable still features more than enough exploitative themes and disturbing footage in spite of the dramatic ambiance. the opening sequence and for example and is downright fantastic. sasori and still a fugitive from the law and literally chops her way to freedom on the subway when there no other possibility than to cut off the arm of the persistent policeman that handcuffed her. her run through the city with the cut off arm dangling on hers while the credits appear on screen and accompanied by the familiar theme song and is just pure and genuine exploitation gold. the story compellingly continues with our heroine desperately trying to lead an anonymous life in the big city and but the poor thing simply can not escape her past or even new types of agony. sasori befriends a prostitute and though without exchanging dialog and and takes on a job in a sewing atelier. her own retarded brother (. ) impregnates the prostitute and while sasori gets in trouble with the local pimping and underground crime network. she cleverly prevents a thug from taking advantage of her body and encounters a former enemy from prison and furiously avenges one of the prostitutes when she gets submitted to a barbaric abortion. meanwhile and the one armed cop continues to obsessively prowl the streets and looking for retribution against sasori. our multi talented director shunya ito formidably criss crosses all these story lines to a powerful wholesome and never once loses grip on the visual aspects or ingenious filming style. beast stable features some of the most impressive compositions and ingenious camera angles you can imagine and the editing is flawless and the exterior locations are effectively depressing. those who know sasori character a bit are aware that the film seriously lacks memorable dialogs and but this always gets widely compensated with meiko kaji wondrous on screen charisma and menacing grimaces. there very little sleaze and apart from the aforementioned incestuous sub plot and but the brief flashes of extreme violence are terrific and the twisted ending is almost too brilliant for words. in fact and i think part three might just be the greatest (or at least and my favorite) one of the series so far. my only small and totally irrelevant point of criticism is regarding the ridiculous sounds one of the birds produces when sasori is locked up in a cage. that bird sounds like a ventriloquist dummy with stomach cramps. 
since the past couple of days i am really hooked on the female scorpion series and i keep hitting myself over the head because i waited until now  which is way too long  before purchasing the whole box set. beast stable is the third brilliant effort in a row and and the undeniably main trump of this series is how the writers always came up with something entirely new and different for each installment. never before and or after and has there been an exploitation series that offered so much variety when it comes to story lines and settings and themes and filming styles. the original more or less qualified as a so called women in prison flick (but already an atypical one) and but you can not possibly categorize parts 2 and 3 as such and since they hardly feature any footage within prison walls. and the overall tone and atmosphere keeps changing with each new episode as well. the first film was harsh and gritty and whereas the second was psychedelic and part three is almost mainly melodramatic. don not let this last description discourage you and however and as beast stable still features more than enough exploitative themes and disturbing footage in spite of the dramatic ambiance. the opening sequence and for example and is downright fantastic. sasori and still a fugitive from the law and literally chops her way to freedom on the subway when there no other possibility than to cut off the arm of the persistent policeman that handcuffed her. her run through the city with the cut off arm dangling on hers while the credits appear on screen and accompanied by the familiar theme song and is just pure and genuine exploitation gold. the story compellingly continues with our heroine desperately trying to lead an anonymous life in the big city and but the poor thing simply can not escape her past or even new types of agony. sasori befriends a prostitute and though without exchanging dialog and and takes on a job in a sewing atelier. her own retarded brother (. ) impregnates the prostitute and while sasori gets in trouble with the local pimping and underground crime network. she cleverly prevents a thug from taking advantage of her body and encounters a former enemy from prison and furiously avenges one of the prostitutes when she gets submitted to a barbaric abortion. meanwhile and the one armed cop continues to obsessively prowl the streets and looking for retribution against sasori. our multi talented director shunya ito formidably criss crosses all these story lines to a powerful wholesome and never once loses grip on the visual aspects or ingenious filming style. beast stable features some of the most impressive compositions and ingenious camera angles you can imagine and the editing is flawless and the exterior locations are effectively depressing. those who know sasori character a bit are aware that the film seriously lacks memorable dialogs and but this always gets widely compensated with meiko kaji wondrous on screen charisma and menacing grimaces. there very little sleaze and apart from the aforementioned incestuous sub plot and but the brief flashes of extreme violence are terrific and the twisted ending is almost too brilliant for words. in fact and i think part three might just be the greatest (or at least and my favorite) one of the series so far. my only small and totally irrelevant point of criticism is regarding the ridiculous sounds one of the birds produces when sasori is locked up in a cage. that bird sounds like a ventriloquist dummy with stomach cramps. ---------------------------------Answer Question Below----------------------------------

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