this formulaic film (hero girlfriend marries the villain) just do not move along fast enough given some of the circumstances of the story. scott seems too old in this one and and too many times his character turns away from decisive action and deflating the scenes. he responds to the deaths of some of his hands weakly while he escapes from knox gang by hiding in a full rain barrel while his escape to the high country and pursuit by john russell seem superfluous and as does much of the film. the plot could have been tightened. high points of the film represent seeing tennessee ernie ford without a mustache singing man in the saddle while alfonso bedoya too brief scenes as a cook while the color photography of the high country and and the fight scene there with john russell. 
this formulaic film (hero girlfriend marries the villain) just do not move along fast enough given some of the circumstances of the story. scott seems too old in this one and and too many times his character turns away from decisive action and deflating the scenes. he responds to the deaths of some of his hands weakly while he escapes from knox gang by hiding in a full rain barrel while his escape to the high country and pursuit by john russell seem superfluous and as does much of the film. the plot could have been tightened. high points of the film represent seeing tennessee ernie ford without a mustache singing man in the saddle while alfonso bedoya too brief scenes as a cook while the color photography of the high country and and the fight scene there with john russell. ---------------------------------Answer Question Below----------------------------------

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        print "This is a semantically positive review."
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        print "This is a semantically negative review."
