mishima  a life in four chapters is in my opinion the best paul schrader film to this day. mesmorizing cinematography and accompanied with philip glass mystical musical score added a completely magical aura to the story of one of the japan greatest novelists and whose originality and picturesque narrative are beautifully portrayed in this picture. as any gifted character and mishima was troubled with severe self conflicts and the main of them being the conflict between the pen and a sword as the director puts it in his final chapter and or the struggle between the sensitive poet with homosexual feelings and living in a notoriously masculine society with centuries long warrior traditions and thus widening the gap between the sensitive and the militantly traditional side of mishima himself. all schrader films (and the ones he wrote scripts for) are basically stories of the inside conflict within a man that doesn not belong in an environment he lives in. that also goes for mishima and who and apart from japanese military school upbringing is brought up with love for theater and words. his demise consisted of both of these key points in his life and it was about words and theatrical ending in a life long play. film like this comes along once in a long while and and most will have to wait a lifetime to reach this beauty. 2 negative . 
mishima  a life in four chapters is in my opinion the best paul schrader film to this day. mesmorizing cinematography and accompanied with philip glass mystical musical score added a completely magical aura to the story of one of the japan greatest novelists and whose originality and picturesque narrative are beautifully portrayed in this picture. as any gifted character and mishima was troubled with severe self conflicts and the main of them being the conflict between the pen and a sword as the director puts it in his final chapter and or the struggle between the sensitive poet with homosexual feelings and living in a notoriously masculine society with centuries long warrior traditions and thus widening the gap between the sensitive and the militantly traditional side of mishima himself. all schrader films (and the ones he wrote scripts for) are basically stories of the inside conflict within a man that doesn not belong in an environment he lives in. that also goes for mishima and who and apart from japanese military school upbringing is brought up with love for theater and words. his demise consisted of both of these key points in his life and it was about words and theatrical ending in a life long play. film like this comes along once in a long while and and most will have to wait a lifetime to reach this beauty. 2 negative . ---------------------------------Answer Question Below----------------------------------

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