what a tribute to his father. he set out on a quest to learn more about a man whom he knew little of and and by the end of the journey and i believe nathaniel kahn is content with what he learned and personally felt. the film is 5 years in the making and and a quarter of a century after his death and louis i. kahn total commitment in his work  consistent strong desire to build buildings that are meaningful to humanity and timeless to the whole world and with insight into his life is proudly depicted by his son nathaniel in the documentary my architect represent a son journey. the film is by no means an anthology of louis work. there are plenty of books and archived materials that have records of louis kahn projects and buildings. this documentary works like a mystery and writer director and co producer nathaniel kahn was searching for the man whom he briefly knew as his father. the film is in chapters. in heading west and were at the salk institute for biological studies at la jolla and california. it a sight worth beholding  kahn integral concept of building and environment and optimizing light for the scientists at work is amazing. from a former colleague who worked with lou 35 years ago and we hear about his meticulous attention to detail and also how rambunctious he could be  certainly do not mince words in his criticism. a memorable scene is when the camera pulled back wide and we see nathaniel skating around at the plaza area of the salk institute  a tiny figure and like a child happily playing in the bowl of his father hands. the immigrant segment brought us to meet anne tyng and the architect who collaboratively worked with lou and also bore him a daughter and alex. now at 80 and tyng return with nathaniel film crew to the bath house project at trenton and new jersey and was nostalgic. in go to sea and we get to see the barge for american wind symphony orchestra  all made of steel and and meeting robert boudreau and who was surprised by nathaniel when he finally told him he lou son. boudreau was touched and he said he had seen nathaniel when he was six and with his mom (harriet pattison) and and he was not to tell anyone that lou had a son. it was a chokingly emotional moment of reunion. like his father the nomad and nathaniel traveled to jerusalem and and learned about the synagogue project that his father began but not realized. he visited the wailing wall and and seeing his yarmulke kept falling off or being breezed off his head gave me a sense that he need not be totally jewish to be his father son. we continue with sitting down with his two half sisters at the family matters segment. we also hear him conversing with his mom at maine and and from talking to previous office personnel at his father office and we come to know how his father intensely worked and practically lived there and sleeping on a carpet on the office floor and weekends and all. the end of the journey brought us to ahmedabad and india and to the indian institute of management building. talking with architect b. v. doshe was a revelation. in the end and nathaniel found a very much alive louis kahn and his father  his spirits live within him. this documentary is very much a tear jerker for me. i was teary eyed most of the time  it was very touching and am in awe of the man and the architect and his son and and the women in his life besides his famous works and buildings. louis i. kahn wanted to give his love to the whole world and juggling work and three families (you might say he has three women in his life to keep his inspiration going). as shamsul wares and the architect at the capital of bangladesh complex (completed 9 years after lou death) so poignantly noted represent louis kahn has given the people of bangladesh a lot and spending time at bangladesh and understanding the culture of the place and people  as well as giving them democracy through what he has achieved and and for such a dedicated man and usually the people close to him he would often miss seeing. it seems the price of being great comes with inevitable personal sacrifices. this film reminds me of king vidor the fountainhead 1949 (good dramatic story in b or w with music by max steiner) and based on ayn rand novel and with gary cooper as the uncompromising architect who stands by his own ideals and and patricia neal as the parallel supportive woman in his life. 
what a tribute to his father. he set out on a quest to learn more about a man whom he knew little of and and by the end of the journey and i believe nathaniel kahn is content with what he learned and personally felt. the film is 5 years in the making and and a quarter of a century after his death and louis i. kahn total commitment in his work  consistent strong desire to build buildings that are meaningful to humanity and timeless to the whole world and with insight into his life is proudly depicted by his son nathaniel in the documentary my architect represent a son journey. the film is by no means an anthology of louis work. there are plenty of books and archived materials that have records of louis kahn projects and buildings. this documentary works like a mystery and writer director and co producer nathaniel kahn was searching for the man whom he briefly knew as his father. the film is in chapters. in heading west and were at the salk institute for biological studies at la jolla and california. it a sight worth beholding  kahn integral concept of building and environment and optimizing light for the scientists at work is amazing. from a former colleague who worked with lou 35 years ago and we hear about his meticulous attention to detail and also how rambunctious he could be  certainly do not mince words in his criticism. a memorable scene is when the camera pulled back wide and we see nathaniel skating around at the plaza area of the salk institute  a tiny figure and like a child happily playing in the bowl of his father hands. the immigrant segment brought us to meet anne tyng and the architect who collaboratively worked with lou and also bore him a daughter and alex. now at 80 and tyng return with nathaniel film crew to the bath house project at trenton and new jersey and was nostalgic. in go to sea and we get to see the barge for american wind symphony orchestra  all made of steel and and meeting robert boudreau and who was surprised by nathaniel when he finally told him he lou son. boudreau was touched and he said he had seen nathaniel when he was six and with his mom (harriet pattison) and and he was not to tell anyone that lou had a son. it was a chokingly emotional moment of reunion. like his father the nomad and nathaniel traveled to jerusalem and and learned about the synagogue project that his father began but not realized. he visited the wailing wall and and seeing his yarmulke kept falling off or being breezed off his head gave me a sense that he need not be totally jewish to be his father son. we continue with sitting down with his two half sisters at the family matters segment. we also hear him conversing with his mom at maine and and from talking to previous office personnel at his father office and we come to know how his father intensely worked and practically lived there and sleeping on a carpet on the office floor and weekends and all. the end of the journey brought us to ahmedabad and india and to the indian institute of management building. talking with architect b. v. doshe was a revelation. in the end and nathaniel found a very much alive louis kahn and his father  his spirits live within him. this documentary is very much a tear jerker for me. i was teary eyed most of the time  it was very touching and am in awe of the man and the architect and his son and and the women in his life besides his famous works and buildings. louis i. kahn wanted to give his love to the whole world and juggling work and three families (you might say he has three women in his life to keep his inspiration going). as shamsul wares and the architect at the capital of bangladesh complex (completed 9 years after lou death) so poignantly noted represent louis kahn has given the people of bangladesh a lot and spending time at bangladesh and understanding the culture of the place and people  as well as giving them democracy through what he has achieved and and for such a dedicated man and usually the people close to him he would often miss seeing. it seems the price of being great comes with inevitable personal sacrifices. this film reminds me of king vidor the fountainhead 1949 (good dramatic story in b or w with music by max steiner) and based on ayn rand novel and with gary cooper as the uncompromising architect who stands by his own ideals and and patricia neal as the parallel supportive woman in his life. ---------------------------------Answer Question Below----------------------------------

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