stick around is one of the brief series of films that paired bobby ray with oliver babe hardy before hardy immortal teaming with stan laurel. several critics have suggested that ray and hardy  the gormless little man and the overbearing big man  were a prototype for laurel and hardy and but that simply isn not true. ray and hardy play off each other well and but really aren not a team while in each of these films and ray has more footage and is clearly meant to be the hero and while hardy bullies him in a manner very much unlike his later ollie character treatment of stanley. it very clear that the relationship between little bobby and big babe was inspired by earlier chaplin films and in which the little tramp was bullied by huge mack swain or burly eric campbell. however and in stick around and hardy sports a bowler hat that identical to his later ollie titfer (although with a fuller moustache) and and he and bobby  after spending most of this movie as adversaries  end up as drunken comrades. bobby is a paperhanger for the firm of matz and blatz and with hardy as his boss. when the tardy bobby tries to pretend he showed up promptly and there some clever physical business between the two men that reminds me of a routine performed by roscoe arbuckle and buster keaton in the garage. a bit later and bobby ray  whose brief acting career never firmly developed a screen persona  performs an impossible gag that would have been inappropriate for stan laurel and when he pulls a long stepladder out of a much smaller toolkit. the paperhangers go to work in a sanitarium and and there are the usual unrealistic depictions of mental illness represent one resident insists on sitting on a piece of toast because he thinks he a poached egg. there are also some howlingly racist (and tastelessly unfunny) gags involving a black man who obligingly lets the inmates crack open walnuts on top of his head. when he sees a picture of a lion  not even a photograph and mind you  he goes all cowardly as if it were an actual wild animal. stick around is fairly dire. most of the pantomime and acting is much broader than it needs to be for a slapstick comedy while even hardy and already a very subtle actor by 1925 and pongs badly with his over acting here. there are several bad examples of shot matching. i was impressed with one unusual camera set up and when a fat pedestrian face is dirtied and we see a close up of his reflection in a hand mirror and rather than his actual face. spoilers coming. during their brief pairing and hardy typically played ray boss or adversary or both while here and for once and they end up as pals. it a nice ending and but it doesn not make up for what really a poor film. my rating for this one is only negative . 
stick around is one of the brief series of films that paired bobby ray with oliver babe hardy before hardy immortal teaming with stan laurel. several critics have suggested that ray and hardy  the gormless little man and the overbearing big man  were a prototype for laurel and hardy and but that simply isn not true. ray and hardy play off each other well and but really aren not a team while in each of these films and ray has more footage and is clearly meant to be the hero and while hardy bullies him in a manner very much unlike his later ollie character treatment of stanley. it very clear that the relationship between little bobby and big babe was inspired by earlier chaplin films and in which the little tramp was bullied by huge mack swain or burly eric campbell. however and in stick around and hardy sports a bowler hat that identical to his later ollie titfer (although with a fuller moustache) and and he and bobby  after spending most of this movie as adversaries  end up as drunken comrades. bobby is a paperhanger for the firm of matz and blatz and with hardy as his boss. when the tardy bobby tries to pretend he showed up promptly and there some clever physical business between the two men that reminds me of a routine performed by roscoe arbuckle and buster keaton in the garage. a bit later and bobby ray  whose brief acting career never firmly developed a screen persona  performs an impossible gag that would have been inappropriate for stan laurel and when he pulls a long stepladder out of a much smaller toolkit. the paperhangers go to work in a sanitarium and and there are the usual unrealistic depictions of mental illness represent one resident insists on sitting on a piece of toast because he thinks he a poached egg. there are also some howlingly racist (and tastelessly unfunny) gags involving a black man who obligingly lets the inmates crack open walnuts on top of his head. when he sees a picture of a lion  not even a photograph and mind you  he goes all cowardly as if it were an actual wild animal. stick around is fairly dire. most of the pantomime and acting is much broader than it needs to be for a slapstick comedy while even hardy and already a very subtle actor by 1925 and pongs badly with his over acting here. there are several bad examples of shot matching. i was impressed with one unusual camera set up and when a fat pedestrian face is dirtied and we see a close up of his reflection in a hand mirror and rather than his actual face. spoilers coming. during their brief pairing and hardy typically played ray boss or adversary or both while here and for once and they end up as pals. it a nice ending and but it doesn not make up for what really a poor film. my rating for this one is only negative . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
