the big names in film tried to do their part for the war effort and and charlie chaplin was no exception. this patriotic and propagandist picture is part of his contribution and although the war was nearly over by the time of its release. the tramp goes to war and humorously accomplishes acts of heroism and kicks the kaiser in the bum. it a very funny film and although i do not think it nearly one of his best. it with a dog life as his better output for first national before he made his early masterpiece the kid. they are his first three reelers and which contain sustained and more elaborate gags than he could usually orchestrate in his two reel shorts at mutual. it can be difficult to balance a pro war message with slapstick antics and scenes of burlesque on the front and but one do not think so watching shoulder arms. it also preferable in many respects to a more serious and dramatic work with a similar message and such as griffith hearts of the world. chaplin had become a true virtuoso of screen comedy by this time while he makes it look effortless. he knew very well by now that a film with fewer gags with more elaboration and refinement and careful timing could be better than any knockabout and keystone type farce with a dozen pratfalls a minute. the sequence where chaplin is disguised as a tree is a pertinent example. even with wars raging and chaplin can lift the spirits of millions. 
the big names in film tried to do their part for the war effort and and charlie chaplin was no exception. this patriotic and propagandist picture is part of his contribution and although the war was nearly over by the time of its release. the tramp goes to war and humorously accomplishes acts of heroism and kicks the kaiser in the bum. it a very funny film and although i do not think it nearly one of his best. it with a dog life as his better output for first national before he made his early masterpiece the kid. they are his first three reelers and which contain sustained and more elaborate gags than he could usually orchestrate in his two reel shorts at mutual. it can be difficult to balance a pro war message with slapstick antics and scenes of burlesque on the front and but one do not think so watching shoulder arms. it also preferable in many respects to a more serious and dramatic work with a similar message and such as griffith hearts of the world. chaplin had become a true virtuoso of screen comedy by this time while he makes it look effortless. he knew very well by now that a film with fewer gags with more elaboration and refinement and careful timing could be better than any knockabout and keystone type farce with a dozen pratfalls a minute. the sequence where chaplin is disguised as a tree is a pertinent example. even with wars raging and chaplin can lift the spirits of millions. ---------------------------------Answer Question Below----------------------------------

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