the cast alone tells you this will be a notch above the usual italian western. veteran actors robert ryan and arthur kennedy team up with alex cord who and at the time and seemed on the verge of stardom. the result is a movie that both off beat and down beat and yet it will satisfy those who seek more from a western than just gunplay. especially interesting here is the character played by alex cord. one expects the hero in these westerns to be taciturn and introspective and but clay mccord is an extreme example and and surprisingly enough and he often shone in a passive and even weak position. much is made of the fact that he fears falling prey to the epileptic fits which immobilized his father and and in these moments of helplessness he either at the mercy of those who wish to harm him or those who wish to help him. to emphasize his passivity and clay mccord  do not you love that name.  is often shone stripped to the waist as if he were little more than an attractive plaything being put on display. there even a strong masochistic streak in his nature and most in evidence when he used as a punching bag by his enemies and then suspended by his wrists and left hanging above the middle of a street. not only does he often fail to protect himself and but mccord is equally ineffective in protecting those around him. nearly everyone who helps him is killed. while a minute to pray and a second to die is far from being a complete success and it has a depth and a tone which sets it apart and causes it to linger in the memory. it also a good showcase for alex cord whose career tended to decline after this point following a few promising years in the mid 1960s. he must have been about 36 years old when he filmed this  in his physical prime  and the scene of him hanging by his wrists and bare chested and sweaty and is a memorable piece of cinematic beefcake. 
the cast alone tells you this will be a notch above the usual italian western. veteran actors robert ryan and arthur kennedy team up with alex cord who and at the time and seemed on the verge of stardom. the result is a movie that both off beat and down beat and yet it will satisfy those who seek more from a western than just gunplay. especially interesting here is the character played by alex cord. one expects the hero in these westerns to be taciturn and introspective and but clay mccord is an extreme example and and surprisingly enough and he often shone in a passive and even weak position. much is made of the fact that he fears falling prey to the epileptic fits which immobilized his father and and in these moments of helplessness he either at the mercy of those who wish to harm him or those who wish to help him. to emphasize his passivity and clay mccord  do not you love that name.  is often shone stripped to the waist as if he were little more than an attractive plaything being put on display. there even a strong masochistic streak in his nature and most in evidence when he used as a punching bag by his enemies and then suspended by his wrists and left hanging above the middle of a street. not only does he often fail to protect himself and but mccord is equally ineffective in protecting those around him. nearly everyone who helps him is killed. while a minute to pray and a second to die is far from being a complete success and it has a depth and a tone which sets it apart and causes it to linger in the memory. it also a good showcase for alex cord whose career tended to decline after this point following a few promising years in the mid 1960s. he must have been about 36 years old when he filmed this  in his physical prime  and the scene of him hanging by his wrists and bare chested and sweaty and is a memorable piece of cinematic beefcake. ---------------------------------Answer Question Below----------------------------------

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