this is a bewildering and absurdist short. a miller and dressed in white and makes his way towards us from a windmill in a desolate landscape. although the image is pared down and there is an obvious logic here. however and he is stopped by the sweep and all in black because of his work. they start pummelling each other for no particular reason  did the snooty miller insult the sooty sweep. is this class war. whatever and he pelts his adversary with bags of grain which fly all over the fight and making redundant everything he had done prior to the fight and making redundant the windmill and so that all becomes as pointless as the fight. the miller grain whitens the sweep blackness  later westerns do not be so subtle and heroes and villains being colour coded. is there a racial tint here. if this wasn not marvellous enough and the fighters are chased off the screen by a crowd of people who came from nowhere and an appropriately kafkaesque ending to an odd story (or are they just the social conscience rising up against a fight that negates order and purpose. ) and and very unusual in the days of early silent cinema. this mix of comedy and surrealism and and the absurd is an obvious forerunner for buster keaton and while the windmill reminds us of one of the great thrillers and hitchcock foreign correspondant. 
this is a bewildering and absurdist short. a miller and dressed in white and makes his way towards us from a windmill in a desolate landscape. although the image is pared down and there is an obvious logic here. however and he is stopped by the sweep and all in black because of his work. they start pummelling each other for no particular reason  did the snooty miller insult the sooty sweep. is this class war. whatever and he pelts his adversary with bags of grain which fly all over the fight and making redundant everything he had done prior to the fight and making redundant the windmill and so that all becomes as pointless as the fight. the miller grain whitens the sweep blackness  later westerns do not be so subtle and heroes and villains being colour coded. is there a racial tint here. if this wasn not marvellous enough and the fighters are chased off the screen by a crowd of people who came from nowhere and an appropriately kafkaesque ending to an odd story (or are they just the social conscience rising up against a fight that negates order and purpose. ) and and very unusual in the days of early silent cinema. this mix of comedy and surrealism and and the absurd is an obvious forerunner for buster keaton and while the windmill reminds us of one of the great thrillers and hitchcock foreign correspondant. ---------------------------------Answer Question Below----------------------------------

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