danny boyle was not the first person to realise that zombies can run like the clappers. that honour belongs to lifeforce and which is and of course and the greatest naked space vampire zombies from halley comet running amok in london end of the world movie ever made. tobe hooper may have made a lot of crap and but for this deliriously demented epic sci fi horror he deserves a place among the immortals. plus it offers space vampire mathilda may and the best thing to come out of france since simone simon and spending the entire movie naked. which she does very and very well. just bear in mind that while she is the most overwhelmingly feminine presence anyone on earth has ever encountered and she also totally alien to this planet and our life form and totally dangerous. it a pitch meeting i would have loved to have sat in on represent astronauts from the british space program find three naked humanoid alien life forms inside a giant 150 mile long artichoke or umbrella shaped spaceship hidden in the tail of halley comet filled with giant desiccated bats and bring them back to earth with near apocalyptic results as they proceed to drain the population of london of their lifeforce amid much nudity and whirlpools of thunder and spit your coffee across the room direlogue (i have been in space for six months and and she looks perfect to me. assume we know nothing and which is understating the matter. don not worry and a naked woman is not going to get out of this complex. ). oh and and we will get the writers of alien and blue thunder to write it with uncredited rewrites by the writer of mark of the devil and the sex thief and eskimo nell and the director of the jonestown monster. sounds like a winner and here $22m  have fun. and they do and they do. true and there enough promise in the raw material to have made something genuinely creepy and thought provoking (at a time when aids hysteria was approaching its height and a sexually transmitted plague offers ample opportunity for allegory) and but in the hands of the go go boys at cannon and what could have been another quatermass and the pit quickly turns instead to be more plan 10 from outer space. it full to bursting with delirious inanity and be it frank finlay hilarious death scene (here i go. ) and peter firth grand entrance (i am colonel caine. from the sas. discreetly shouts michael gothard across a room full of reporters represent gentlemen and that last remark was not for publication. this is a d notice situation he replies to the surprisingly obliging pressmen) and the security guards offering mathilda may naked space vampire a nice biscuit to stop her escaping and reanimated bodies exploding into dust all over people and the sweaty prime minister sucking the life out of his secretary and london filling up with zombie nuns and stockbrokers and joggers as the city gets its most comprehensive on screen trashing since mrs gorgo lost junior at battersea funfair and went on the rampage. and that not mentioning the this woman is a masochist. an extreme masochist. scene or the great stereophonic echo effect on the male vampire it will be a lot less terrifying if you just come to me line while a lead stake wielding peter firth adopts his best action man voice to reply i will do just that. in one scene alone you have a possessed patrick stewart embodying the female in our deeply confused astronaut hero mind and steve i never got over playing charlie manson railsback and his amazing dancing eyebrows in full on helta skelta. mode trying to resist the temptation to kiss him and the inimitable aubrey morris (the only man who makes freddie jones look restrained) playing the home secretary sir percy heseltine as a kind of demented brian rix and peter firth (one of those actors who always looks like he must have been a doctor who around the time no one was watching it anymore) hamming up the blasé public school macho in the hope that no one will ever see it and the peerless reaction shots of john hallam as the male nurse who keeps on opening the door mid psychic tornado to bring in more drugs. as if they needed any more in this film. it just a shame that frank finlay mad haired scientist who isn not qualified to certify death on alien life forms (a role originally intended for klaus kinski) missed out on the action in that one. no matter how mad you think the film is and it still manages to get madder still and whether it be a zombie pathologist (he too needs feeding) exploding all over the home secretary suit and patrick stewart blood and entrails forming a naked mathilda may or the space vampires turning st paul cathedral into the world biggest laser show to transport human souls from the london underground to their geostationary mother ship. i loved every gloriously insane moment. in it own truly unique way and this might be the greatest film ever made. the dvd offers the original 116 minute version that opened in the uk rather than the heavily edited 101 minute us version and which not only offers much more hilarity for your dollar and but also fully restores henry mancini score to its original glory (the us version covered a lot of the gaps with additional cues by michael kamen and james guthrie). although a somewhat surprising choice at first sight and mancini cut his teeth on many of the classic universal sci fi horrors of the 50s and his score is quite superb and with a terrific driving main title that offers a rare reminder of just how interesting he could be away from blake edwards. sadly there no more than a trailer by way of extras and though it would be nice to hope some day for a special edition with some of the deleted scenes from hooper originally intended 128 minute cut represent from what on display here and these might just offer even more comedy gold. 
danny boyle was not the first person to realise that zombies can run like the clappers. that honour belongs to lifeforce and which is and of course and the greatest naked space vampire zombies from halley comet running amok in london end of the world movie ever made. tobe hooper may have made a lot of crap and but for this deliriously demented epic sci fi horror he deserves a place among the immortals. plus it offers space vampire mathilda may and the best thing to come out of france since simone simon and spending the entire movie naked. which she does very and very well. just bear in mind that while she is the most overwhelmingly feminine presence anyone on earth has ever encountered and she also totally alien to this planet and our life form and totally dangerous. it a pitch meeting i would have loved to have sat in on represent astronauts from the british space program find three naked humanoid alien life forms inside a giant 150 mile long artichoke or umbrella shaped spaceship hidden in the tail of halley comet filled with giant desiccated bats and bring them back to earth with near apocalyptic results as they proceed to drain the population of london of their lifeforce amid much nudity and whirlpools of thunder and spit your coffee across the room direlogue (i have been in space for six months and and she looks perfect to me. assume we know nothing and which is understating the matter. don not worry and a naked woman is not going to get out of this complex. ). oh and and we will get the writers of alien and blue thunder to write it with uncredited rewrites by the writer of mark of the devil and the sex thief and eskimo nell and the director of the jonestown monster. sounds like a winner and here $22m  have fun. and they do and they do. true and there enough promise in the raw material to have made something genuinely creepy and thought provoking (at a time when aids hysteria was approaching its height and a sexually transmitted plague offers ample opportunity for allegory) and but in the hands of the go go boys at cannon and what could have been another quatermass and the pit quickly turns instead to be more plan 10 from outer space. it full to bursting with delirious inanity and be it frank finlay hilarious death scene (here i go. ) and peter firth grand entrance (i am colonel caine. from the sas. discreetly shouts michael gothard across a room full of reporters represent gentlemen and that last remark was not for publication. this is a d notice situation he replies to the surprisingly obliging pressmen) and the security guards offering mathilda may naked space vampire a nice biscuit to stop her escaping and reanimated bodies exploding into dust all over people and the sweaty prime minister sucking the life out of his secretary and london filling up with zombie nuns and stockbrokers and joggers as the city gets its most comprehensive on screen trashing since mrs gorgo lost junior at battersea funfair and went on the rampage. and that not mentioning the this woman is a masochist. an extreme masochist. scene or the great stereophonic echo effect on the male vampire it will be a lot less terrifying if you just come to me line while a lead stake wielding peter firth adopts his best action man voice to reply i will do just that. in one scene alone you have a possessed patrick stewart embodying the female in our deeply confused astronaut hero mind and steve i never got over playing charlie manson railsback and his amazing dancing eyebrows in full on helta skelta. mode trying to resist the temptation to kiss him and the inimitable aubrey morris (the only man who makes freddie jones look restrained) playing the home secretary sir percy heseltine as a kind of demented brian rix and peter firth (one of those actors who always looks like he must have been a doctor who around the time no one was watching it anymore) hamming up the blasé public school macho in the hope that no one will ever see it and the peerless reaction shots of john hallam as the male nurse who keeps on opening the door mid psychic tornado to bring in more drugs. as if they needed any more in this film. it just a shame that frank finlay mad haired scientist who isn not qualified to certify death on alien life forms (a role originally intended for klaus kinski) missed out on the action in that one. no matter how mad you think the film is and it still manages to get madder still and whether it be a zombie pathologist (he too needs feeding) exploding all over the home secretary suit and patrick stewart blood and entrails forming a naked mathilda may or the space vampires turning st paul cathedral into the world biggest laser show to transport human souls from the london underground to their geostationary mother ship. i loved every gloriously insane moment. in it own truly unique way and this might be the greatest film ever made. the dvd offers the original 116 minute version that opened in the uk rather than the heavily edited 101 minute us version and which not only offers much more hilarity for your dollar and but also fully restores henry mancini score to its original glory (the us version covered a lot of the gaps with additional cues by michael kamen and james guthrie). although a somewhat surprising choice at first sight and mancini cut his teeth on many of the classic universal sci fi horrors of the 50s and his score is quite superb and with a terrific driving main title that offers a rare reminder of just how interesting he could be away from blake edwards. sadly there no more than a trailer by way of extras and though it would be nice to hope some day for a special edition with some of the deleted scenes from hooper originally intended 128 minute cut represent from what on display here and these might just offer even more comedy gold. ---------------------------------Answer Question Below----------------------------------

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