the film classe tous risques directed by claude sautet was not a film and to be honest and i had ever really heard of until the film forum in nyc said that they would have a 2 week screening of the film and with new english subtitles. when i also read that it was in the vein of the classic french crime films ala jean pierre melville and i jumped at the chance to check it out (at best it would rank up with his great works and and at worst i would get some good popcorn in a great theater). it was well worth the admission and as classe tous risques is one of those kinds of french films that is just waiting to be re discovered (or discovered for the first time). with terrific and tense diligence and sautet keeps the suspense at a tight pitch for the first forty minutes of the film and keeping a good (if not great) middle section and and then ending it up with what is always expected with these films and but with fascinating motivations by way of the characters. with a film in the vein of this sort and you know how it will end and but it the cool and observant journey that counts. the film features a performance with some real truth and honesty and amid the old school criminal code and by lino ventura as aldo and who at the start of the film (one of the best beginnings to a film in this genre and country) steals a hefty amount of money with his partner in crime). when there is a sudden and ugly twist of fate on a beach late one night and aldo is again on the run with two little kids. he gets the aid of eric stark (jean paul belmondo and a role in tune with le doulos only with a smidgen more humanity and charisma) and who is also a thief and drives him into paris. but there are some problems with some of aldo old business partner  and and one old score may be just the right ticket. a couple of times the plot may seem to be leisurely and but it isn not. like melville and sautet doesn not allow any fat to his story and and it a very tightly structured film and with some good doses of humor here and there (i was sometimes grinning at the audacity of the criminals in the beginning chase sequence and and also with a particular woman who had a finicky thing with her cat and a fish). along with a fine score by the great george delerue and exceptional cinematography and and a mood that is seldom met let alone matched now adays and classe tous risques is a reminder of that bridge between the real old school film noir and and the latter day crime films. gangsters in these new sort of thug life movies have a 1000th of the class and honor of the thieves in this film and and is a second banana to the works of melville and jules dassin (a compliment i assure you). that it has a good realistic and moral edge helps as well. 
the film classe tous risques directed by claude sautet was not a film and to be honest and i had ever really heard of until the film forum in nyc said that they would have a 2 week screening of the film and with new english subtitles. when i also read that it was in the vein of the classic french crime films ala jean pierre melville and i jumped at the chance to check it out (at best it would rank up with his great works and and at worst i would get some good popcorn in a great theater). it was well worth the admission and as classe tous risques is one of those kinds of french films that is just waiting to be re discovered (or discovered for the first time). with terrific and tense diligence and sautet keeps the suspense at a tight pitch for the first forty minutes of the film and keeping a good (if not great) middle section and and then ending it up with what is always expected with these films and but with fascinating motivations by way of the characters. with a film in the vein of this sort and you know how it will end and but it the cool and observant journey that counts. the film features a performance with some real truth and honesty and amid the old school criminal code and by lino ventura as aldo and who at the start of the film (one of the best beginnings to a film in this genre and country) steals a hefty amount of money with his partner in crime). when there is a sudden and ugly twist of fate on a beach late one night and aldo is again on the run with two little kids. he gets the aid of eric stark (jean paul belmondo and a role in tune with le doulos only with a smidgen more humanity and charisma) and who is also a thief and drives him into paris. but there are some problems with some of aldo old business partner  and and one old score may be just the right ticket. a couple of times the plot may seem to be leisurely and but it isn not. like melville and sautet doesn not allow any fat to his story and and it a very tightly structured film and with some good doses of humor here and there (i was sometimes grinning at the audacity of the criminals in the beginning chase sequence and and also with a particular woman who had a finicky thing with her cat and a fish). along with a fine score by the great george delerue and exceptional cinematography and and a mood that is seldom met let alone matched now adays and classe tous risques is a reminder of that bridge between the real old school film noir and and the latter day crime films. gangsters in these new sort of thug life movies have a 1000th of the class and honor of the thieves in this film and and is a second banana to the works of melville and jules dassin (a compliment i assure you). that it has a good realistic and moral edge helps as well. ---------------------------------Answer Question Below----------------------------------

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