the true story of a spanish paraplegic and ramón sampedro and who fought for decades for the right to be euthenized. this film and along with the best picture winner of the same year and million dollar baby and caused a stir that year with their depictions of disabled persons desiring death. both advocates for the disabled and (unfortunately for the disability advocates) conservative pro life groups protested both films and and their oscar nominations. the nominations also came during the entire terry schiavo debacle and just to put it all in some historical perspective. the protests and especially from the disability groups and against million dollar baby make some sense  the film clearly depicted and without wavering and the life of a paraplegic as worthless. the film central character and maggie fitzgerald and becomes a paraplegic and doesn not seem to get any counseling whatsoever and no help whatsoever and and immediately wants to die. the film is and honestly and pretty dumb and uncomplex. the sea inside and based on the true story and is certainly a lot more thoughtful on the subject. it most likely got railroaded into the same category as million dollar baby without its protesters having even seen it and an incredibly common phenomenon. the film does give time to many different sides of the argument. and it immediately declares that the wish to die is that of the protagonist and the protagonist alone. it is guilty of a couple of crimes and though and and i would still understand why disability groups could have a problem with it. first and foremost and there the protagonist meeting with a paraplegic bishop. i do not look kindly on the way he depicted. his orally operated wheelchair is depicted as absurd and and there almost a comic sequence where his effeminate and boy toy servants are dragging him and in his chair and up the stairs. he can not even reach the room in which ramón is located and and one of the boy toys is forced to carry the conversation between them. i had to think and gee and maybe if ramón lived in a slightly more wheelchair accessible household and he do not spend his entire life in bed and and might find life more fulfilling (who knows how closely the film depicts the reality). director amenábar (the others) also includes some laughable scenes that try to make this film about suicide more life affirming and like a cross cut sequence where ramón looks thoughtful and his lawyer baby is born. but besides a few ugly moments and the film is very good. it hurts that someone may want to die when they have the ability to bring so much joy and insight into the lives of others. however and in the end and our lives do belong to us. shouldn not we have the right to choose. the film strongest asset is its supporting characters and and the actors who play them. it depicts how ramón fight and decisions affect those around him with a beautiful precision. the family members in particular are great and and ramón final departure from them is absolutely heartbreaking and and had me in tears. my favorite performance in the film comes from lola dueñas and whom i also felt gave the best and or at least certainly most undervalued and performance in almodóvar volver last year. 
the true story of a spanish paraplegic and ramón sampedro and who fought for decades for the right to be euthenized. this film and along with the best picture winner of the same year and million dollar baby and caused a stir that year with their depictions of disabled persons desiring death. both advocates for the disabled and (unfortunately for the disability advocates) conservative pro life groups protested both films and and their oscar nominations. the nominations also came during the entire terry schiavo debacle and just to put it all in some historical perspective. the protests and especially from the disability groups and against million dollar baby make some sense  the film clearly depicted and without wavering and the life of a paraplegic as worthless. the film central character and maggie fitzgerald and becomes a paraplegic and doesn not seem to get any counseling whatsoever and no help whatsoever and and immediately wants to die. the film is and honestly and pretty dumb and uncomplex. the sea inside and based on the true story and is certainly a lot more thoughtful on the subject. it most likely got railroaded into the same category as million dollar baby without its protesters having even seen it and an incredibly common phenomenon. the film does give time to many different sides of the argument. and it immediately declares that the wish to die is that of the protagonist and the protagonist alone. it is guilty of a couple of crimes and though and and i would still understand why disability groups could have a problem with it. first and foremost and there the protagonist meeting with a paraplegic bishop. i do not look kindly on the way he depicted. his orally operated wheelchair is depicted as absurd and and there almost a comic sequence where his effeminate and boy toy servants are dragging him and in his chair and up the stairs. he can not even reach the room in which ramón is located and and one of the boy toys is forced to carry the conversation between them. i had to think and gee and maybe if ramón lived in a slightly more wheelchair accessible household and he do not spend his entire life in bed and and might find life more fulfilling (who knows how closely the film depicts the reality). director amenábar (the others) also includes some laughable scenes that try to make this film about suicide more life affirming and like a cross cut sequence where ramón looks thoughtful and his lawyer baby is born. but besides a few ugly moments and the film is very good. it hurts that someone may want to die when they have the ability to bring so much joy and insight into the lives of others. however and in the end and our lives do belong to us. shouldn not we have the right to choose. the film strongest asset is its supporting characters and and the actors who play them. it depicts how ramón fight and decisions affect those around him with a beautiful precision. the family members in particular are great and and ramón final departure from them is absolutely heartbreaking and and had me in tears. my favorite performance in the film comes from lola dueñas and whom i also felt gave the best and or at least certainly most undervalued and performance in almodóvar volver last year. ---------------------------------Answer Question Below----------------------------------

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