even the maria montez or jon hall technicolored baubles of the 40s are eclipsed by princess of the nile and fox entry in hollywood mid 50s obsession with things egyptian (see land of the pharoahs and valley of the kings and etc. ) pure and unadulterated and mindless hokum and lavishly produced (low budgeted and actually and but using sets and costumes left over from the robe and this technicolored spectacle looks like it cost millions). 71 minutes of eye candy (the plot and having something to do with nefarious derrings do in ancient egypt and is beside the point) offers the cinematographer and audiences the delectable sight of debra paget wearing an assortment of see thru veils and most of which hit the ground when she shakes and shimmies thru a slave girl production number unparalleled in film history. female moviegoers were not shortchanged represent fox handsomest young contract player and jeffrey hunter and is as photogenic as ms. paget and while michael rennie lurks around in the background and stirring up evil doings in the land of the pyramids. for those who might think paget and hunter can not act and were only hired for their physical attributes and check out their subtle and overlooked and heartbreaking work together a few years later in white feather (another fox production that has sadly vanished into the realm of lost films). princess of the nile still stands in a class by itself as a cheerfully mindless and breathlessly fast paced and dazzling testament to the glories of 3 strip technicolor and the seductive charms of ms. paget (all of 20 at the time). put this one of a kind kitsch classic at the top of your guilty pleasures list and and enjoy. satisfaction guaranteed. 
even the maria montez or jon hall technicolored baubles of the 40s are eclipsed by princess of the nile and fox entry in hollywood mid 50s obsession with things egyptian (see land of the pharoahs and valley of the kings and etc. ) pure and unadulterated and mindless hokum and lavishly produced (low budgeted and actually and but using sets and costumes left over from the robe and this technicolored spectacle looks like it cost millions). 71 minutes of eye candy (the plot and having something to do with nefarious derrings do in ancient egypt and is beside the point) offers the cinematographer and audiences the delectable sight of debra paget wearing an assortment of see thru veils and most of which hit the ground when she shakes and shimmies thru a slave girl production number unparalleled in film history. female moviegoers were not shortchanged represent fox handsomest young contract player and jeffrey hunter and is as photogenic as ms. paget and while michael rennie lurks around in the background and stirring up evil doings in the land of the pyramids. for those who might think paget and hunter can not act and were only hired for their physical attributes and check out their subtle and overlooked and heartbreaking work together a few years later in white feather (another fox production that has sadly vanished into the realm of lost films). princess of the nile still stands in a class by itself as a cheerfully mindless and breathlessly fast paced and dazzling testament to the glories of 3 strip technicolor and the seductive charms of ms. paget (all of 20 at the time). put this one of a kind kitsch classic at the top of your guilty pleasures list and and enjoy. satisfaction guaranteed. ---------------------------------Answer Question Below----------------------------------

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