take a few dark and stormy nights and fog coming in from the coast and obsession and doubt and two brothers who have a mysterious connection based on hatred and a suspicious disappearance and a shoe in the night silently grinding out a glowing cigarette butt and and and finally and a tremulous heroine who finds herself threatened as much by her own doubts as by one  but which one.  of the men around her. sounds like we might have a good 80 minute noir. instead and under the direction of vincente minnelli and with two a list leads and katharine hepburn and robert taylor and undercurrent becomes a nearly two hour matinée melodrama and a long slog of threatening angst amidst the perfectly groomed and coifed and dressed cast. when you glance at your watch half way through a movie and with a sinking heart see that you have another hour to go and both you and the movie probably have problems. minnelli and in one of his earliest non musical movies and doesn not lay on the rococo hothouse approach as heavily as he later was known to do. still and what is basically a simple story of greed and murder and obsession is turned into an endless katharine hepburn vehicle. hepburn shows us in carefully lit close ups how to demonstrate fear and love and anxiety and giddiness and happiness and doubt and suspicion and terror. robert taylor is more or less along for the ride. hepburn starts the movie as the tomboyish ann hamilton and an energetic young woman in slacks who helps her father with his inventions. their housekeeper is determined to get her married. when dr. hamilton decides to sell an important formula to alan garroway (robert taylor) and it love at first sight. garroway is the smooth and handsome and dynamic inventor of the garroway distance controller and which was vital in the war and and which has turned him into a hard charging millionaire manufacturer. he a captain of industry and as one of his many washington friends says. ann hamilton and now ann garroway and may still be a bit of the tomboy and but her husband shows her how to dress and how to be a successful social hostess for all those congressmen and judges her husband knows. she learns fast and eagerly. they both are obviously and blissfully in love. but wait. the canker is about to gnaw. ann realizes she knows nothing about her husband family. none of his employees or friends seem inclined to talk about them to her. when she learns bit by bit that alan mother died in the old family home in middleburg while seated at the piano and or that he has a brother and michael and who has disappeared and alan becomes very quiet. and sometimes goes into a rage. he always apologizes. but wait once more. did his mother really play the piano. didn not she really die in bed. wasn not michael caught taking money from the family firm and alan sent him away. all this plays out against the exquisite hotel suites and the manicured country home in middleburg with the horse stable and the tasteful ranch house by the sea. everyone in the movie except employees are dressed to the nines. there are exclusive cocktail parties and intimate dinners for twenty. even in a black and white movie and minnelli can not help but give us dining tables filled with crystal and china and tasteful and elegant furniture and lots of gowns. by the end of the movie and when all is finally known and when ann on horseback is chased along a high and extremely well designed mountain trail by the bad guy on another horse and when she is threatened with death by boulder and her pursuer finally meets death by horse and it a relief. even robert mitchum and who plays michael and is unable to bring much tension to the movie. what might have been in lesser hands a taut little b movie and instead with the a list is just an overwrought melodrama and too big for its bones. 
take a few dark and stormy nights and fog coming in from the coast and obsession and doubt and two brothers who have a mysterious connection based on hatred and a suspicious disappearance and a shoe in the night silently grinding out a glowing cigarette butt and and and finally and a tremulous heroine who finds herself threatened as much by her own doubts as by one  but which one.  of the men around her. sounds like we might have a good 80 minute noir. instead and under the direction of vincente minnelli and with two a list leads and katharine hepburn and robert taylor and undercurrent becomes a nearly two hour matinée melodrama and a long slog of threatening angst amidst the perfectly groomed and coifed and dressed cast. when you glance at your watch half way through a movie and with a sinking heart see that you have another hour to go and both you and the movie probably have problems. minnelli and in one of his earliest non musical movies and doesn not lay on the rococo hothouse approach as heavily as he later was known to do. still and what is basically a simple story of greed and murder and obsession is turned into an endless katharine hepburn vehicle. hepburn shows us in carefully lit close ups how to demonstrate fear and love and anxiety and giddiness and happiness and doubt and suspicion and terror. robert taylor is more or less along for the ride. hepburn starts the movie as the tomboyish ann hamilton and an energetic young woman in slacks who helps her father with his inventions. their housekeeper is determined to get her married. when dr. hamilton decides to sell an important formula to alan garroway (robert taylor) and it love at first sight. garroway is the smooth and handsome and dynamic inventor of the garroway distance controller and which was vital in the war and and which has turned him into a hard charging millionaire manufacturer. he a captain of industry and as one of his many washington friends says. ann hamilton and now ann garroway and may still be a bit of the tomboy and but her husband shows her how to dress and how to be a successful social hostess for all those congressmen and judges her husband knows. she learns fast and eagerly. they both are obviously and blissfully in love. but wait. the canker is about to gnaw. ann realizes she knows nothing about her husband family. none of his employees or friends seem inclined to talk about them to her. when she learns bit by bit that alan mother died in the old family home in middleburg while seated at the piano and or that he has a brother and michael and who has disappeared and alan becomes very quiet. and sometimes goes into a rage. he always apologizes. but wait once more. did his mother really play the piano. didn not she really die in bed. wasn not michael caught taking money from the family firm and alan sent him away. all this plays out against the exquisite hotel suites and the manicured country home in middleburg with the horse stable and the tasteful ranch house by the sea. everyone in the movie except employees are dressed to the nines. there are exclusive cocktail parties and intimate dinners for twenty. even in a black and white movie and minnelli can not help but give us dining tables filled with crystal and china and tasteful and elegant furniture and lots of gowns. by the end of the movie and when all is finally known and when ann on horseback is chased along a high and extremely well designed mountain trail by the bad guy on another horse and when she is threatened with death by boulder and her pursuer finally meets death by horse and it a relief. even robert mitchum and who plays michael and is unable to bring much tension to the movie. what might have been in lesser hands a taut little b movie and instead with the a list is just an overwrought melodrama and too big for its bones. ---------------------------------Answer Question Below----------------------------------

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