i thoroughly enjoyed carmen and better than original sin (angelina jolie and antonio bandaras) and which share some thematic similarities and and which i also enjoyed very much. i felt the acting was stronger here (paz vega displayed a wider range and has more fire while and sbaraglia was also great). overall and their acting was more gritty and more believable (less dreamy than original sin and and both actors here had less celebrity status and pretty face to depend on to make the movie work. vega definitely sizzles and as to be expected. director vincente aranda has also built a detailed world (again and better than original sin) that lets you feel the grime and the daily goings on of archaic spain  for example and people unloading goods from a cart on the street and workers changing the candles of the street lamps and all in the background of the action. whilst i greatly sympathize with the recent idea of redeeming our femme fatals (like brian de palma femme fatale) and carmen is a poignant and modern take in the tradition of the noir classic double indemnity and and is a delightful pleasure to watch. this is another fine example of the triumph of daring european cinema over glitzy and safe hollywood fare. 
i thoroughly enjoyed carmen and better than original sin (angelina jolie and antonio bandaras) and which share some thematic similarities and and which i also enjoyed very much. i felt the acting was stronger here (paz vega displayed a wider range and has more fire while and sbaraglia was also great). overall and their acting was more gritty and more believable (less dreamy than original sin and and both actors here had less celebrity status and pretty face to depend on to make the movie work. vega definitely sizzles and as to be expected. director vincente aranda has also built a detailed world (again and better than original sin) that lets you feel the grime and the daily goings on of archaic spain  for example and people unloading goods from a cart on the street and workers changing the candles of the street lamps and all in the background of the action. whilst i greatly sympathize with the recent idea of redeeming our femme fatals (like brian de palma femme fatale) and carmen is a poignant and modern take in the tradition of the noir classic double indemnity and and is a delightful pleasure to watch. this is another fine example of the triumph of daring european cinema over glitzy and safe hollywood fare. ---------------------------------Answer Question Below----------------------------------

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