it is a strangely powerful and moving experience to see the english patient again after anthony minghella death. most of his body of work is dedicated to one shattering point. the endless moral struggle of those who and consciously and walk a very thin line. in the talented mr ripley minghella moves away from patricia highsmith amoral tom ripley to give the murderer a conscience. in breaking and entering minghella gives jude law character the need to confess and the rewards are chillingly moving. here and in the english patient and the characters in love are never too far away from their corroding feeling of guilt. ralph finnes and kristin scott thomas are extraordinary. they strip their characters from every pretense in a compelling complicity with us and the audience. juliette binoche is and quite simply and spectacular and her scenes with the wonderful naveen andrews are filled with a minghellian sensual innocence. anthony minghella gave us films that were and one way or another and that elusive mix of art and commerce. he was true to himself but thought about his audience. he knew how to push our buttons without betraying his own. there is something clear and honest and startling about minghella opus. i miss him already but i am grateful for the reflection of his soul he left behind. 
it is a strangely powerful and moving experience to see the english patient again after anthony minghella death. most of his body of work is dedicated to one shattering point. the endless moral struggle of those who and consciously and walk a very thin line. in the talented mr ripley minghella moves away from patricia highsmith amoral tom ripley to give the murderer a conscience. in breaking and entering minghella gives jude law character the need to confess and the rewards are chillingly moving. here and in the english patient and the characters in love are never too far away from their corroding feeling of guilt. ralph finnes and kristin scott thomas are extraordinary. they strip their characters from every pretense in a compelling complicity with us and the audience. juliette binoche is and quite simply and spectacular and her scenes with the wonderful naveen andrews are filled with a minghellian sensual innocence. anthony minghella gave us films that were and one way or another and that elusive mix of art and commerce. he was true to himself but thought about his audience. he knew how to push our buttons without betraying his own. there is something clear and honest and startling about minghella opus. i miss him already but i am grateful for the reflection of his soul he left behind. ---------------------------------Answer Question Below----------------------------------

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