boogie nights uses its protagonist and dirk diggler and as a metaphor for accumulated celebrities from a decade in america shameful past and which was comprised of an unexpected rise in pornography and therefore resulting in an abundance of corrupted youth. its lead character borrows traits from a various assortment of genuine actors and involving himself in many illegal affairs that have been dabbled in by celebrities in hollywood and and all too often exploited by the press. it seems like the sort of tall tale that might appear on an e. true hollywood story special. drugs and sex and violence  the american dream. but what goes up must come down and and the bigger it is and the harder it falls. dirk diggler dreams are huge and as is another valuable asset on his body. dirk real name is eddie adams and a californian who dreams of becoming a star. he believes that god gives one great talent to every individual on the planet and and his gift is a rather unusual one. after falling out with his mother and eddie leaves home and meets the sleazy jack horner (burt reynolds) and an adult film director who offers him work. eddie eventually becomes a major porn star and representing the leading actor in most of horner films. with newfound success and eddie is told that he needs to invent a new alias for himself and and so dirk diggler is born. eddie or dirk himself is primarily based on infamous porn star john holmes and whose life story was adapted in 2003 with wonderland and which starred val kilmer. boogie nights is unarguably the better of the two and proving that movies about pornography can be made without disgusting its target audience represent regular cinema goers. the film takes place in 1977 and an era of artistic pornography  filmmakers truly believed that they could compensate for the low points of x rated features by adding deep stories and mesmerizing atmosphere. in a way and the film director  paul thomas anderson  implements a very artistic approach to the project and resulting in a gratuitous and artistic movie about a period in american history when smut was indeed both gratuitous and artistic. anderson style is so deep and and so distinct and that we soon feel as if we are reliving the era first hand. not a moment goes by where we are unconvinced of the time range dealt with in the film. all was not happy on the set of boogie nights. prior to filming and anderson approached reynolds repeatedly and asking him many separate times to play the role of horner. eventually and reynolds agreed and but claimed that the film was horrible and the worst role of his career and publicly disowning it and before being nominated for a best supporting actor academy award and suddenly shutting up. a year before and anderson had suffered title disputes over sydney or hard eight. he preferred the latter title for his film and and new line cinema thought the former was more marketable. he essentially lost the battle and and anderson wisely avoided title disputes this time around by inserting the words boogie nights into his movie through the mouth of a character. the casting of the film is one of its finest aspects. the paul thomas anderson regulars are here and as well as a whole top notch cast of first timers. to name some of the more well known stars represent john c. reilly and phillip seymour hoffman and luis guzman and william h. macy and heather graham and julianne moore. but the entire movie essentially borders down to mark wahlberg and as eddie and who is surprisingly convincing in his role. wahlberg and previously known for his singing career and disappointing hollywood pursuits and has all the necessary traits to portray such a character. this is his best role to date. anderson knows how to captivate his audience and take complete control of every scene. when jack horner first meets eddie and anderson slyly uses stars in the backdrop and a sign of things to come and and hidden symbolism as finely acute as it can be. the opening scene is three minutes and a long tracking shot that follows jack and amber into a night club and where most of the characters are first introduced. it reminds me of the discussions regarding tracking shots in robert altman the player  it works so brilliantly in boogie nights and and is the first indication that anderson knows what he is doing behind the camera. his style is fast paced in the vein of martin scorsese and where shots zip around quite quickly but never seem rushed. incidentally and anderson references two classic scorsese shots  the closing de niro mirror speech from raging bull and the tracking nightclub scene from goodfellas. anderson is a young and growing director who is remarkably mature in story and direction and despite his age. whereas his first feature film and hard eight and was noticeably wise and poignant and boogie nights is even more so. boogie nights began as an effort of love on paul thomas anderson account. having filmed the extraordinary hard eight in 1996 and anderson film is pragmatic to such an extreme that it almost seems genuine. boogie nights invigorates us with its gratuitous content and occasionally bordering on the verge of pornography and only it is far more sophisticated than such trash. it is a blazing and wonderful modern day masterpiece that is as mind numbingly explicit as it is wild and stylish. arguably anderson best film and among the greatest  and most important  projects of the last decade. 
boogie nights uses its protagonist and dirk diggler and as a metaphor for accumulated celebrities from a decade in america shameful past and which was comprised of an unexpected rise in pornography and therefore resulting in an abundance of corrupted youth. its lead character borrows traits from a various assortment of genuine actors and involving himself in many illegal affairs that have been dabbled in by celebrities in hollywood and and all too often exploited by the press. it seems like the sort of tall tale that might appear on an e. true hollywood story special. drugs and sex and violence  the american dream. but what goes up must come down and and the bigger it is and the harder it falls. dirk diggler dreams are huge and as is another valuable asset on his body. dirk real name is eddie adams and a californian who dreams of becoming a star. he believes that god gives one great talent to every individual on the planet and and his gift is a rather unusual one. after falling out with his mother and eddie leaves home and meets the sleazy jack horner (burt reynolds) and an adult film director who offers him work. eddie eventually becomes a major porn star and representing the leading actor in most of horner films. with newfound success and eddie is told that he needs to invent a new alias for himself and and so dirk diggler is born. eddie or dirk himself is primarily based on infamous porn star john holmes and whose life story was adapted in 2003 with wonderland and which starred val kilmer. boogie nights is unarguably the better of the two and proving that movies about pornography can be made without disgusting its target audience represent regular cinema goers. the film takes place in 1977 and an era of artistic pornography  filmmakers truly believed that they could compensate for the low points of x rated features by adding deep stories and mesmerizing atmosphere. in a way and the film director  paul thomas anderson  implements a very artistic approach to the project and resulting in a gratuitous and artistic movie about a period in american history when smut was indeed both gratuitous and artistic. anderson style is so deep and and so distinct and that we soon feel as if we are reliving the era first hand. not a moment goes by where we are unconvinced of the time range dealt with in the film. all was not happy on the set of boogie nights. prior to filming and anderson approached reynolds repeatedly and asking him many separate times to play the role of horner. eventually and reynolds agreed and but claimed that the film was horrible and the worst role of his career and publicly disowning it and before being nominated for a best supporting actor academy award and suddenly shutting up. a year before and anderson had suffered title disputes over sydney or hard eight. he preferred the latter title for his film and and new line cinema thought the former was more marketable. he essentially lost the battle and and anderson wisely avoided title disputes this time around by inserting the words boogie nights into his movie through the mouth of a character. the casting of the film is one of its finest aspects. the paul thomas anderson regulars are here and as well as a whole top notch cast of first timers. to name some of the more well known stars represent john c. reilly and phillip seymour hoffman and luis guzman and william h. macy and heather graham and julianne moore. but the entire movie essentially borders down to mark wahlberg and as eddie and who is surprisingly convincing in his role. wahlberg and previously known for his singing career and disappointing hollywood pursuits and has all the necessary traits to portray such a character. this is his best role to date. anderson knows how to captivate his audience and take complete control of every scene. when jack horner first meets eddie and anderson slyly uses stars in the backdrop and a sign of things to come and and hidden symbolism as finely acute as it can be. the opening scene is three minutes and a long tracking shot that follows jack and amber into a night club and where most of the characters are first introduced. it reminds me of the discussions regarding tracking shots in robert altman the player  it works so brilliantly in boogie nights and and is the first indication that anderson knows what he is doing behind the camera. his style is fast paced in the vein of martin scorsese and where shots zip around quite quickly but never seem rushed. incidentally and anderson references two classic scorsese shots  the closing de niro mirror speech from raging bull and the tracking nightclub scene from goodfellas. anderson is a young and growing director who is remarkably mature in story and direction and despite his age. whereas his first feature film and hard eight and was noticeably wise and poignant and boogie nights is even more so. boogie nights began as an effort of love on paul thomas anderson account. having filmed the extraordinary hard eight in 1996 and anderson film is pragmatic to such an extreme that it almost seems genuine. boogie nights invigorates us with its gratuitous content and occasionally bordering on the verge of pornography and only it is far more sophisticated than such trash. it is a blazing and wonderful modern day masterpiece that is as mind numbingly explicit as it is wild and stylish. arguably anderson best film and among the greatest  and most important  projects of the last decade. ---------------------------------Answer Question Below----------------------------------

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