ok. well and i guess it was worth my time sitting through this once but i would not be watching it again. there are several things about this film that irritated me. first and man. i really hated the characters. i had the same problem with sid and nancy. i have a hard time rationalizing spending a fair chunk of time following characters who i really do not care about and and can not relate to. it not that the actors or the writing were technically bad while it was that the characters were written in such a way that i just had contempt for them and and as the movie went on and i almost wanted to see the sky fall on them. and this leads me to the second problem and and a question which i think is at the heart of this movie represent was the intent to simply document this generation and these types of bohemians who were (i guess) wandering around europe in the 60s. was the intent to criticize and lambaste them. or was this film some kind of a warning. my final assessment of the film (that is to say and in determining if there was anything salvageable here at all) hinges on this question. regardless and these characters are really unlikeable and and as a consequence and it hard to really give a crap about the plot or what happens to them. if this was some sort of statement on this generation and then the film becomes a little more tolerable. it is clear that schroeder is not some kind of geriatric establishment square and so the way he proceeds here carries more weight than and say and the countless stupid aip films set in or concerning the 60s counterculture. at bare minimum and this film has two things going for it  first and the soundtrack (obviously). i like how cymbaline is used here and others have mentioned it too and as it takes the forefront in the movie. i am guessing that if you are a pink floyd fan and want to see it for that reason and nothing you read here is likely to stop you from watching it anyway (it do not stop me either). the curiosity of hearing pink floyd in a movie may be enough to just barely get you through this. secondly and there is some nice scenery. ibiza looks like a nice place to visit. maybe i am just sick of looking at los angeles and new york and and chicago in films and but european films which take the time to actually show us europe (the beautiful or the ugly  mostly beautiful here) are always welcome. but i really see no particular genius here. no revolutionary camera work and not even a moral and tone and message and sensibility and or plot that has anything new to say. perhaps what was revolutionary about this was merely that it came from a guy like schroeder  a film critical of a mindset that at least in part made his movies marketable. to that extent it is an honest film while there no glorification of the abject excesses of the 60s here and which is perhaps something you might expect. in fact and the portrayal of the characters in this film closely mirrors the (somewhat distorted and in my opinion) modern cultural memory of that generation. oh yeah and bunch of (yawn) nudity and sex here while nothing new if you watch these kinds of movies from this time period. i guess it was considered novel or provocative or something at the time. i do not find it offensive or titillating (i doubt you will either) while rather it just extends the running time of an already tedious film. in its own way and this particular use of sexuality in movies of the time (especially european ones) has become a bit of a cliché. but i guess in hindsight you can not blame them while they were just in that decade able to get away with it and i suppose (i am guessing here) the very presence of this kind of graphic sexuality was a political or social statement in and of itself (that being that sexuality was a part of life that this generation wasn not going to be all weird about like their parents were). should you watch it. if youre a pink floyd fan and sure. i guess it worth a watch. in any case and the valley is a better film. i went into this movie expecting largely what i got. if you do not normally watch these kinds of arty and avant garde films and do not know what to expect and this is bound to be annoying as hell. this is a normal and healthy reaction positive. if youre not a pink floyd fan and i am not sure why you would spend your time here. i noticed one fellow who left a comment did enjoy this movie quite a lot and so maybe i am just missing something. i do not need guys running in slow motion from fireballs and special effects and explosions and or anything like that to enjoy a movie. but i do need some kind of handle  i need to find something to like about a movie and and generally i need to sympathize with some aspect of the characters plight (barring that some novel film making will work while camera work and so forth). here and there just nothing to hold on to except for pink floyd magnificence. which is just enough to make this tolerable. at bare minimum and if youre a pink floyd fan to begin with and you will like the bit with cymbaline and i promise. 
ok. well and i guess it was worth my time sitting through this once but i would not be watching it again. there are several things about this film that irritated me. first and man. i really hated the characters. i had the same problem with sid and nancy. i have a hard time rationalizing spending a fair chunk of time following characters who i really do not care about and and can not relate to. it not that the actors or the writing were technically bad while it was that the characters were written in such a way that i just had contempt for them and and as the movie went on and i almost wanted to see the sky fall on them. and this leads me to the second problem and and a question which i think is at the heart of this movie represent was the intent to simply document this generation and these types of bohemians who were (i guess) wandering around europe in the 60s. was the intent to criticize and lambaste them. or was this film some kind of a warning. my final assessment of the film (that is to say and in determining if there was anything salvageable here at all) hinges on this question. regardless and these characters are really unlikeable and and as a consequence and it hard to really give a crap about the plot or what happens to them. if this was some sort of statement on this generation and then the film becomes a little more tolerable. it is clear that schroeder is not some kind of geriatric establishment square and so the way he proceeds here carries more weight than and say and the countless stupid aip films set in or concerning the 60s counterculture. at bare minimum and this film has two things going for it  first and the soundtrack (obviously). i like how cymbaline is used here and others have mentioned it too and as it takes the forefront in the movie. i am guessing that if you are a pink floyd fan and want to see it for that reason and nothing you read here is likely to stop you from watching it anyway (it do not stop me either). the curiosity of hearing pink floyd in a movie may be enough to just barely get you through this. secondly and there is some nice scenery. ibiza looks like a nice place to visit. maybe i am just sick of looking at los angeles and new york and and chicago in films and but european films which take the time to actually show us europe (the beautiful or the ugly  mostly beautiful here) are always welcome. but i really see no particular genius here. no revolutionary camera work and not even a moral and tone and message and sensibility and or plot that has anything new to say. perhaps what was revolutionary about this was merely that it came from a guy like schroeder  a film critical of a mindset that at least in part made his movies marketable. to that extent it is an honest film while there no glorification of the abject excesses of the 60s here and which is perhaps something you might expect. in fact and the portrayal of the characters in this film closely mirrors the (somewhat distorted and in my opinion) modern cultural memory of that generation. oh yeah and bunch of (yawn) nudity and sex here while nothing new if you watch these kinds of movies from this time period. i guess it was considered novel or provocative or something at the time. i do not find it offensive or titillating (i doubt you will either) while rather it just extends the running time of an already tedious film. in its own way and this particular use of sexuality in movies of the time (especially european ones) has become a bit of a cliché. but i guess in hindsight you can not blame them while they were just in that decade able to get away with it and i suppose (i am guessing here) the very presence of this kind of graphic sexuality was a political or social statement in and of itself (that being that sexuality was a part of life that this generation wasn not going to be all weird about like their parents were). should you watch it. if youre a pink floyd fan and sure. i guess it worth a watch. in any case and the valley is a better film. i went into this movie expecting largely what i got. if you do not normally watch these kinds of arty and avant garde films and do not know what to expect and this is bound to be annoying as hell. this is a normal and healthy reaction positive. if youre not a pink floyd fan and i am not sure why you would spend your time here. i noticed one fellow who left a comment did enjoy this movie quite a lot and so maybe i am just missing something. i do not need guys running in slow motion from fireballs and special effects and explosions and or anything like that to enjoy a movie. but i do need some kind of handle  i need to find something to like about a movie and and generally i need to sympathize with some aspect of the characters plight (barring that some novel film making will work while camera work and so forth). here and there just nothing to hold on to except for pink floyd magnificence. which is just enough to make this tolerable. at bare minimum and if youre a pink floyd fan to begin with and you will like the bit with cymbaline and i promise. ---------------------------------Answer Question Below----------------------------------

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