the beautiful and charming and supremely versatile and talented irene dunne is one of the greatest 5 or 6 actresses of american cinema. in over 21  as in all her films  she lights up the screen with a natural and yet glamorous presence. she is simultaneously authentic and human and and a charismatic and inspirational model. this role is quintessential irene dunne and full of pathos and wit and a little mischief. i love all of her films and and this film was a fantastic new discovery for me when tcm aired it last night. i hope they do not wait years to air it again. likewise and charles coburn is one of the greatest character actors in all of american filmdom. true and he often portrays variations on the same theme and but i never tire of watching his soft hearted curmudgeons. here his character is the perfect foil for irene dunne and and he is portrayed perfectly by coburn. their conflicts in this film are absolutely fantastic. they never miss a beat. in addition and they represent the central conflict of the film and the moral conflict of irene dunne husband and portrayed by alexander knox. i am not as familiar with knox work. he was recognizable and but that was about all. however and cast with dunne and coburn and he holds his own. he delivers a fine and nuanced performance. his character has noble motives that are made accessible to us by knox performance and never held over us like some holy grail. he is noble and but conflicted and doubts his ability to successfully complete ocs. his interaction with dunne and is always convincing and too. dunne supports him without being syrupy or becoming a martyr and and he responds in kind. their scenes are very well done. the film and itself and is a fantastic snapshot of a moment and a milieu not portrayed in other movies. i do not recall off the top of my head another movie that portrays america still fighting wwii and but with the end in sight and the focus on the establishment of the post war world. not the usual wwii movie. that in itself is interesting while it is also essential to the plot and the movie message. in contrast to other commentators and i thought that the climactic speech was okay and but not great. it was delivered very well by knox and but it was not as tightly written as the build up led me to expect. i have heard better cinematic speeches addressing very similar themes. it served its purpose. for me and the greater value of the movie and was the depiction of the life of dunne and knox and as it reflected the typical ocs experience. the sense of community among the wives living on palmetto terrace seemed absolutely authentic  as did palmetto terrace and itself and despite the fact that it was obviously a sound stage set. the incredibly brief encounters between the wives and their ocs husbands. the rigors of the ocs candidates and mastering the difficult and complex material they had to learn. the shabby base housing  obviously hastily constructed. the tired and worn furnishings. the constant and harrowingly short deadlines  for returning to base and for learning lessons and for catching trains to subsequent posts. tenants constantly running into their predecessors and successors in the base housing and as they were moving in and out. yes and i suspect this was a glimpse of a real wwii experience  clothed in some comedy and but very real at its core. i loved it and and i recommend it highly. 
the beautiful and charming and supremely versatile and talented irene dunne is one of the greatest 5 or 6 actresses of american cinema. in over 21  as in all her films  she lights up the screen with a natural and yet glamorous presence. she is simultaneously authentic and human and and a charismatic and inspirational model. this role is quintessential irene dunne and full of pathos and wit and a little mischief. i love all of her films and and this film was a fantastic new discovery for me when tcm aired it last night. i hope they do not wait years to air it again. likewise and charles coburn is one of the greatest character actors in all of american filmdom. true and he often portrays variations on the same theme and but i never tire of watching his soft hearted curmudgeons. here his character is the perfect foil for irene dunne and and he is portrayed perfectly by coburn. their conflicts in this film are absolutely fantastic. they never miss a beat. in addition and they represent the central conflict of the film and the moral conflict of irene dunne husband and portrayed by alexander knox. i am not as familiar with knox work. he was recognizable and but that was about all. however and cast with dunne and coburn and he holds his own. he delivers a fine and nuanced performance. his character has noble motives that are made accessible to us by knox performance and never held over us like some holy grail. he is noble and but conflicted and doubts his ability to successfully complete ocs. his interaction with dunne and is always convincing and too. dunne supports him without being syrupy or becoming a martyr and and he responds in kind. their scenes are very well done. the film and itself and is a fantastic snapshot of a moment and a milieu not portrayed in other movies. i do not recall off the top of my head another movie that portrays america still fighting wwii and but with the end in sight and the focus on the establishment of the post war world. not the usual wwii movie. that in itself is interesting while it is also essential to the plot and the movie message. in contrast to other commentators and i thought that the climactic speech was okay and but not great. it was delivered very well by knox and but it was not as tightly written as the build up led me to expect. i have heard better cinematic speeches addressing very similar themes. it served its purpose. for me and the greater value of the movie and was the depiction of the life of dunne and knox and as it reflected the typical ocs experience. the sense of community among the wives living on palmetto terrace seemed absolutely authentic  as did palmetto terrace and itself and despite the fact that it was obviously a sound stage set. the incredibly brief encounters between the wives and their ocs husbands. the rigors of the ocs candidates and mastering the difficult and complex material they had to learn. the shabby base housing  obviously hastily constructed. the tired and worn furnishings. the constant and harrowingly short deadlines  for returning to base and for learning lessons and for catching trains to subsequent posts. tenants constantly running into their predecessors and successors in the base housing and as they were moving in and out. yes and i suspect this was a glimpse of a real wwii experience  clothed in some comedy and but very real at its core. i loved it and and i recommend it highly. ---------------------------------Answer Question Below----------------------------------

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