ah and how refreshing to see a vision of 18th century england complete with mud and the pox and gibbets. and accompanied by a delightful techno soundtrack to boot. this is the story of downtrodden highwayman plunkett (robert carlisle) and gentleman fallen on hard times captain macleane (jonny lee miller) and and how they get together and rob the aristo pigs. plunkett is a hard nut and but macleane is far too polite for that and and thus becomes the gentleman highwayman. he falls in love with lady rebecca (liv tyler) and (who to be frank is the only weak part of the whole shebang) and wants to impress her. the costumes are fantastic. big and colourful and historically innacurate beautiful togs. alan cummings gets all the best threads and and the best lines as lord rochester and sporting a very non 18th century eyebrow piercing. the music shifts between swooping glorious choirs and thumping bass laden techno and which doesn not jarr as you think it should do in a historical film. the script is fast moving and peppered with modern day colloquialisms while merchant ivory and this is not. there are hilarious parts and disgusting parts and sit on the edge of your seat and nibble your fingernails parts and but the whole thing chugs along and is wonderfully entertaining throughout. this is cheer in the cinema stuff. unmissable. 
ah and how refreshing to see a vision of 18th century england complete with mud and the pox and gibbets. and accompanied by a delightful techno soundtrack to boot. this is the story of downtrodden highwayman plunkett (robert carlisle) and gentleman fallen on hard times captain macleane (jonny lee miller) and and how they get together and rob the aristo pigs. plunkett is a hard nut and but macleane is far too polite for that and and thus becomes the gentleman highwayman. he falls in love with lady rebecca (liv tyler) and (who to be frank is the only weak part of the whole shebang) and wants to impress her. the costumes are fantastic. big and colourful and historically innacurate beautiful togs. alan cummings gets all the best threads and and the best lines as lord rochester and sporting a very non 18th century eyebrow piercing. the music shifts between swooping glorious choirs and thumping bass laden techno and which doesn not jarr as you think it should do in a historical film. the script is fast moving and peppered with modern day colloquialisms while merchant ivory and this is not. there are hilarious parts and disgusting parts and sit on the edge of your seat and nibble your fingernails parts and but the whole thing chugs along and is wonderfully entertaining throughout. this is cheer in the cinema stuff. unmissable. ---------------------------------Answer Question Below----------------------------------

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