a fantastic musical starring gene kelly and rita hayworth. he owns a nightclub where she dances. she no star yet and but she gets a big break when she chosen as a cover girl for vanity and whose owner was actually in love with her grandmother. when he sees the resemblance and he picks her right away for a contest his maganzine is running. hayworth newfound fame at first works wonders for kelly club and but her star rises so quickly and so high up that his grasp on her begins to falter. this isn not the most original of plots and but the two leads really make it work. it also helps that the screenplay is great. kelly not yet at his peak and especially his peak as an actor. his dancing and however and wow. hayworth is the star and but kelly claims the film most memorable moment as he dances passionately with his own reflection. it obviously a take off of fred astaire shadow dancing in swing time and but i think kelly one ups it and which is hardly believable. in fact and this has got to be the most amazing dance sequence in film history and save perhaps the finale of an american in paris several years later. the rest of the songs are also excellent and and the musical numbers are even better. too bad rita do not sing her own songs (well and she may have a couple of them and as her singing voice seemed to be different sometimes). her dancing is wonderful and as is the rest of her acting. it hard not to love her in anything. she really one of the few truly beautiful women from the classic era. not plastic like many of them while no and you can really see the warmth in that woman. her smile is so disarming. phil silvers has the role as kelly best friend and and he is also very funny. the trio of kelly hayworth silvers is obviously the kernel which became the kelly reynolds oconnor trio in singin in the rain eight years afterwards. one of the biggest musical numbers in the film seems almost completely pilfered with the good morning number in singin. i do think singin in the rain is the better film and as cover girl is a little rough around the edges. this roughness and though and just adds to the charm. there are aspects of this film that beat singin in the rain and and even an american in paris. for instance and the central relationship is more emotionally involving. instead of the dominant older man chasing the little girl (leslie caron and debbie reynolds were just teenagers and after all) and we have a very nice relationship with two people who seem more like equals. there is no chasing around  an aspect that does unfortunately turn a lot of the best musicals a little sour and you have to admit. kelly and hayworth are a couple from the start and and when that begins to fray and i really felt it. positive . 
a fantastic musical starring gene kelly and rita hayworth. he owns a nightclub where she dances. she no star yet and but she gets a big break when she chosen as a cover girl for vanity and whose owner was actually in love with her grandmother. when he sees the resemblance and he picks her right away for a contest his maganzine is running. hayworth newfound fame at first works wonders for kelly club and but her star rises so quickly and so high up that his grasp on her begins to falter. this isn not the most original of plots and but the two leads really make it work. it also helps that the screenplay is great. kelly not yet at his peak and especially his peak as an actor. his dancing and however and wow. hayworth is the star and but kelly claims the film most memorable moment as he dances passionately with his own reflection. it obviously a take off of fred astaire shadow dancing in swing time and but i think kelly one ups it and which is hardly believable. in fact and this has got to be the most amazing dance sequence in film history and save perhaps the finale of an american in paris several years later. the rest of the songs are also excellent and and the musical numbers are even better. too bad rita do not sing her own songs (well and she may have a couple of them and as her singing voice seemed to be different sometimes). her dancing is wonderful and as is the rest of her acting. it hard not to love her in anything. she really one of the few truly beautiful women from the classic era. not plastic like many of them while no and you can really see the warmth in that woman. her smile is so disarming. phil silvers has the role as kelly best friend and and he is also very funny. the trio of kelly hayworth silvers is obviously the kernel which became the kelly reynolds oconnor trio in singin in the rain eight years afterwards. one of the biggest musical numbers in the film seems almost completely pilfered with the good morning number in singin. i do think singin in the rain is the better film and as cover girl is a little rough around the edges. this roughness and though and just adds to the charm. there are aspects of this film that beat singin in the rain and and even an american in paris. for instance and the central relationship is more emotionally involving. instead of the dominant older man chasing the little girl (leslie caron and debbie reynolds were just teenagers and after all) and we have a very nice relationship with two people who seem more like equals. there is no chasing around  an aspect that does unfortunately turn a lot of the best musicals a little sour and you have to admit. kelly and hayworth are a couple from the start and and when that begins to fray and i really felt it. positive . ---------------------------------Answer Question Below----------------------------------

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