the spirit of st. louis is billy wilder film tribute to one of the best figures in aeronautical history and remembered for the first nonstop solo flight across the atlantic ocean in may 1927 with james stewart (a little too old for the part) playing charles lindbergh. as a tribute it is eloquent enough and and although a few nice liberties may have been taken with historical fact and the motion picture describing the detailed odyssey before and after the paris flight on may 20 21 in the monoplane spirit of st. louis. although the lengthy internal monologue employed during the journey may be disappointing to an audience and the truth is that it helps keep the picture focused tightly on its essential point. stewart dignified the portrait of one of the greatest adventurers in the air the world has ever know and departing and in a highly modified single engine monoplane and from long island and new york to paris and france. no action is depicted in the trip and only some flashbacks to break up the monotony of the long flight. but there is superb determination of the ordeal of a brave and talented pilot decided to fly alone. his equation is simple represent less weight (one engine and one pilot) would increase fuel efficiency and allow for a longer flying range and but with so much risk. lindbergh claim to fame was doing something that many had tried and failed. even though wilder has bravely put it upon the screen in a calm and unhurried fashion and it comes out as biography of intense restraint and power. but it is james stewart performance (controlled to the last detail) that gives life and strong and heroic stature to the principal figure in the film. from it there and emerges an awareness of a clever and firm but truly humble man who tackles a task with resolution and plans as much about it as he can and makes his decisions with courageous finality and then awaits with only one thought in mind and to get to paris. in his efforts to cut off the plane weight and any item considered too heavy or unnecessary was left behind. the record setting flight proved not only to be a fight with the elements and a test of navigation and but also a long battle against fatigue. a busy schedule and an active mind kept lindbergh up all of the previous night. still and he managed to stay conscious enough to keep the monoplane from crashing and landed at le bourget aerodrome and near paris and 33 hours and 30 minutes after leaving new york. stewart gives an able portrait of a brave pilot who attains legendary status and emphasizing the intention and dominant resolution to fly nonstop 5 and 810 kilometers (3 and 610 miles) across the atlantic. photographed in cinemascope and warnercolor and backed by franz waxman beautiful music and the film effectively captures the pioneering spirit of the era and the hero ultimate achievement since he takes off and that day and from roosevelt wet field and and clears telephone wires at the end of the runway. 
the spirit of st. louis is billy wilder film tribute to one of the best figures in aeronautical history and remembered for the first nonstop solo flight across the atlantic ocean in may 1927 with james stewart (a little too old for the part) playing charles lindbergh. as a tribute it is eloquent enough and and although a few nice liberties may have been taken with historical fact and the motion picture describing the detailed odyssey before and after the paris flight on may 20 21 in the monoplane spirit of st. louis. although the lengthy internal monologue employed during the journey may be disappointing to an audience and the truth is that it helps keep the picture focused tightly on its essential point. stewart dignified the portrait of one of the greatest adventurers in the air the world has ever know and departing and in a highly modified single engine monoplane and from long island and new york to paris and france. no action is depicted in the trip and only some flashbacks to break up the monotony of the long flight. but there is superb determination of the ordeal of a brave and talented pilot decided to fly alone. his equation is simple represent less weight (one engine and one pilot) would increase fuel efficiency and allow for a longer flying range and but with so much risk. lindbergh claim to fame was doing something that many had tried and failed. even though wilder has bravely put it upon the screen in a calm and unhurried fashion and it comes out as biography of intense restraint and power. but it is james stewart performance (controlled to the last detail) that gives life and strong and heroic stature to the principal figure in the film. from it there and emerges an awareness of a clever and firm but truly humble man who tackles a task with resolution and plans as much about it as he can and makes his decisions with courageous finality and then awaits with only one thought in mind and to get to paris. in his efforts to cut off the plane weight and any item considered too heavy or unnecessary was left behind. the record setting flight proved not only to be a fight with the elements and a test of navigation and but also a long battle against fatigue. a busy schedule and an active mind kept lindbergh up all of the previous night. still and he managed to stay conscious enough to keep the monoplane from crashing and landed at le bourget aerodrome and near paris and 33 hours and 30 minutes after leaving new york. stewart gives an able portrait of a brave pilot who attains legendary status and emphasizing the intention and dominant resolution to fly nonstop 5 and 810 kilometers (3 and 610 miles) across the atlantic. photographed in cinemascope and warnercolor and backed by franz waxman beautiful music and the film effectively captures the pioneering spirit of the era and the hero ultimate achievement since he takes off and that day and from roosevelt wet field and and clears telephone wires at the end of the runway. ---------------------------------Answer Question Below----------------------------------

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