this abomination and the sequel one more time (no thanks) and the hideous jerry lewis disasters like don not raise the bridge lower the water (why not just flush instead) drove cinema owners to close their doors rather than be forced to run these films. true represent in the 60s block booking of films was still enforced on hapless suburban and country cinemas. this means that in order to get a good film the cinema was forced to run woeful timewasters like these represent i remember well in 1974 keen to screen fiddler on the roof or something good like that and i was bailed up in the united artists booking office by some sozzled salesman who waved a sheet of flops before me and squinted and bellowing represent now before we get to that one and lemme see ya date these ones first. which basically means represent book these duds and we will give ya a tired hit. this is how and why so many cinemas closed and forced to screen and annoy their waning audiences with these assembly line failures with lame comedians and bored talent. cinema owners and exhausted with arguing simply closed and sold to a petrol station and saw the cinema demolished. these days the same type of films (eg represent i now pronounce you chuck and larry) get banished to the 20 seat cinema 99 in a mega google plex instead. not much has changed. freddy got fingered. anyone. 
this abomination and the sequel one more time (no thanks) and the hideous jerry lewis disasters like don not raise the bridge lower the water (why not just flush instead) drove cinema owners to close their doors rather than be forced to run these films. true represent in the 60s block booking of films was still enforced on hapless suburban and country cinemas. this means that in order to get a good film the cinema was forced to run woeful timewasters like these represent i remember well in 1974 keen to screen fiddler on the roof or something good like that and i was bailed up in the united artists booking office by some sozzled salesman who waved a sheet of flops before me and squinted and bellowing represent now before we get to that one and lemme see ya date these ones first. which basically means represent book these duds and we will give ya a tired hit. this is how and why so many cinemas closed and forced to screen and annoy their waning audiences with these assembly line failures with lame comedians and bored talent. cinema owners and exhausted with arguing simply closed and sold to a petrol station and saw the cinema demolished. these days the same type of films (eg represent i now pronounce you chuck and larry) get banished to the 20 seat cinema 99 in a mega google plex instead. not much has changed. freddy got fingered. anyone. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
