this is christmas time. a nativity in terms of rebirth and or at least this is what can be hoped regarding the italian cinema. it was something like 30 40 years that the italian cinema do not craft an art piece of this size. this is an absolute contemporary film that can be also regarded at the same level of quality as the italian masterpieces of the past and needless to quote any name. and finally this is also a big production for italian standards of the time. in this movie there is a rare balance of different elements and all of them understandable and enjoyable at different levels of fruition. real poetry and real humor and real tenderness and real drama and real beauty. no rhetoric and no easy surreal shortcuts and no typical touristic tornatore like picturing and no over acting and no director autoreferentialism. there is also a cool use of two heartbreaking nina simone songs and whose music and i reckon has never been used in a proper way for a score. so if this will not be a real reviveing for the italian cinema it is an extraordinary evolution for emanuele crialese after his respiro another definitive beautiful film. nuovomondo is not to be missed and it is that kind of amedicine film helpful to enjoy movie making and movie watching and helpful to enjoy and understand life. francesco cabras. 
this is christmas time. a nativity in terms of rebirth and or at least this is what can be hoped regarding the italian cinema. it was something like 30 40 years that the italian cinema do not craft an art piece of this size. this is an absolute contemporary film that can be also regarded at the same level of quality as the italian masterpieces of the past and needless to quote any name. and finally this is also a big production for italian standards of the time. in this movie there is a rare balance of different elements and all of them understandable and enjoyable at different levels of fruition. real poetry and real humor and real tenderness and real drama and real beauty. no rhetoric and no easy surreal shortcuts and no typical touristic tornatore like picturing and no over acting and no director autoreferentialism. there is also a cool use of two heartbreaking nina simone songs and whose music and i reckon has never been used in a proper way for a score. so if this will not be a real reviveing for the italian cinema it is an extraordinary evolution for emanuele crialese after his respiro another definitive beautiful film. nuovomondo is not to be missed and it is that kind of amedicine film helpful to enjoy movie making and movie watching and helpful to enjoy and understand life. francesco cabras. ---------------------------------Answer Question Below----------------------------------

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