those reviewers who have complained that this movie lacks plausibility or has problems of construction are missing the point. this is a wonderfully camp romance and with plenty of play and gypsies. dance and gypsies. music and that both sends up exotic love stories and celebrates them. buttoned up ray milland makes an amusing foil for a dietrich with black hair and tattered scarves and and tons of jewelry. the character eagerness to feed milland and look after him more closely resembles the good german hausfrau dietrich was off the set than her mannered vamp roles. censorship being in force and it made clear that they share a caravan on platonic terms only and with milland fighting off dietrich advances with a determination remarkable for a heterosexual bachelor who might be killed any day. his only excuse is that she smells and so perhaps a stuffy and fastidious englishman might indeed be put off. in the small role of milland young companion on his secret mission and bruce lester adds a note of camp of a different kind. we are told at the beginning that he hero worships milland and and indeed he rather fawns on him. when and after they are separated and he meets milland and now transformed into a brown skinned gypsy with a shirt open to the waist and his glowing appreciation of the disguise even further suggests that not only dietrich is romantically infatuated with milland. despite the wonderfully improbable characters and sequence of events and the growing love of milland for dietrich and his acceptance of the non rational aspects of life is rather touching. and when and on their last night alone before he escapes and he says that each of them now contain half of the other and the two have become one and and then darkness falls and i think we can assume that the censor decided to give them a break. one goof at the beginning and milland and who is supposed to be english and refers to a lieutenant and using the american pronunciation. (the english say leftenant. ) since milland was british and he must have been saying it that way because the american movie makers feared that american audiences would be distracted and confused by the british style. 
those reviewers who have complained that this movie lacks plausibility or has problems of construction are missing the point. this is a wonderfully camp romance and with plenty of play and gypsies. dance and gypsies. music and that both sends up exotic love stories and celebrates them. buttoned up ray milland makes an amusing foil for a dietrich with black hair and tattered scarves and and tons of jewelry. the character eagerness to feed milland and look after him more closely resembles the good german hausfrau dietrich was off the set than her mannered vamp roles. censorship being in force and it made clear that they share a caravan on platonic terms only and with milland fighting off dietrich advances with a determination remarkable for a heterosexual bachelor who might be killed any day. his only excuse is that she smells and so perhaps a stuffy and fastidious englishman might indeed be put off. in the small role of milland young companion on his secret mission and bruce lester adds a note of camp of a different kind. we are told at the beginning that he hero worships milland and and indeed he rather fawns on him. when and after they are separated and he meets milland and now transformed into a brown skinned gypsy with a shirt open to the waist and his glowing appreciation of the disguise even further suggests that not only dietrich is romantically infatuated with milland. despite the wonderfully improbable characters and sequence of events and the growing love of milland for dietrich and his acceptance of the non rational aspects of life is rather touching. and when and on their last night alone before he escapes and he says that each of them now contain half of the other and the two have become one and and then darkness falls and i think we can assume that the censor decided to give them a break. one goof at the beginning and milland and who is supposed to be english and refers to a lieutenant and using the american pronunciation. (the english say leftenant. ) since milland was british and he must have been saying it that way because the american movie makers feared that american audiences would be distracted and confused by the british style. ---------------------------------Answer Question Below----------------------------------

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