after a decade of turbulent unrest and american movies began to switch gears and turn their cameras away from war torn battlefields and political corruption and and general social unease to the more intimate world of family dysfunction. the toll the selfish baby boomers began to take on the american family as they grew up and had kids of their own was making itself felt. kramer vs. kramer is one of the first of these dysfunctional family dramas that would continue to be so popular throughout the 1980s and and it one of the best. it gets a rather bum rap now and because it known as the film that beat apocalypse now for the 1979 best picture academy award and but comparing these two films is like comparing a banana to a marinated chicken breast represent theyre not remotely the same and but can not we enjoy them both. director or writer robert benton doesn not try to do anything fancy with his movie while its strength lies in its performances and those of dustin hoffman and meryl streep particularly and playing a divorced couple fighting childishly and selfishly over their son. the courtroom scene in which they duke it out for custody and and in which each is forced to hurt the other in terrible ways and is devastating and and feels authentic. the movie doesn not present hoffman solid dad as a hero and or streep straying mom as a villain. theyre neither good or bad as people  theyre simply bad at being married. the film is tear jerky at the finale and but not in a manipulative way. it earns its right to elicit sobs. grade represent a. 
after a decade of turbulent unrest and american movies began to switch gears and turn their cameras away from war torn battlefields and political corruption and and general social unease to the more intimate world of family dysfunction. the toll the selfish baby boomers began to take on the american family as they grew up and had kids of their own was making itself felt. kramer vs. kramer is one of the first of these dysfunctional family dramas that would continue to be so popular throughout the 1980s and and it one of the best. it gets a rather bum rap now and because it known as the film that beat apocalypse now for the 1979 best picture academy award and but comparing these two films is like comparing a banana to a marinated chicken breast represent theyre not remotely the same and but can not we enjoy them both. director or writer robert benton doesn not try to do anything fancy with his movie while its strength lies in its performances and those of dustin hoffman and meryl streep particularly and playing a divorced couple fighting childishly and selfishly over their son. the courtroom scene in which they duke it out for custody and and in which each is forced to hurt the other in terrible ways and is devastating and and feels authentic. the movie doesn not present hoffman solid dad as a hero and or streep straying mom as a villain. theyre neither good or bad as people  theyre simply bad at being married. the film is tear jerky at the finale and but not in a manipulative way. it earns its right to elicit sobs. grade represent a. ---------------------------------Answer Question Below----------------------------------

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