william shakespeare probably do not envision stephanos as a gay doctor and antonio as a faithless wife and or caliban as a goatherd with a trinitron and but the bard had worse done to his good work over time and and might even enjoy the sumptuous pageant of life that is his tempest as re configured by paul mazursky and co writer leon capetanos. this time and prospero is philip dimitrius (john cassevetes) and a manhattan based architect tired of designing atlantic city casinos for the amiable mafioso alonso (vittorio gassman) and especially after discovering alonso is carrying on an affair with philip wife antonia (gena rowlands). along with daughter miranda (molly ringwald) and philip escapes to a remote greek island with miranda and his new mistress aretha (susan sarandon) and a nice catholic girl who struggles with philip celibate lifestyle. will a sudden storm bring all right in the end. here a thought on the career of cassevetes represent how many other actors could make a film so confused into something so riveting. a darling of film critics for his earlier work and often with his real life wife rowlands and he presents a central character who really suffers for his art here and but seems to enjoy himself and makes us enjoy him and too. it not prospero and but something rich and strange that makes for a terrific sea change all his own. it all here and he tells one of his faithful companions and aretha dog nino. beauty and magic and inspiration and and serenity. that it is. tempest transfers 1611 london to 1982 manhattan and finds some nice resonances in philip displaced life. show me the magic and he calls out to a storm tossed city skyscape and and mazursky version and augmented by donald mcalpine sterling cinematography of purple seascapes and naturally sun burnished greek landscapes and does just that. it not a perfect movie and by any means. in fact and the big finale and which is the only part of the movie that follows shakespeare storyline to any faithful extent and is a mess. rowland character is hard to care much for in this film and and after meeting sarandon in all her braless glory and it hard to understand philip continuing concern for his wife and let alone his left field desire to make an unhappy sacrifice in order to restore the natural order of things. but there a lot to love about tempest. in addition to cassavetes and there ringwald film debut as his loyal but restless daughter and here as in the play an object of desire for the primitive rustic kalibanos (raul julia). ringwald here is very much the same teenaged muse of privileged adolescence that would inspire john hughes and but with an emotional depth those later hughes films do not delve into. ringwald and julia never got any oscar attention and but they both would win golden globes for their playful work here. he tries to woo her in her island isolation with his tv reruns of gunsmoke in greek and tempted by her 15 year old body. i want to balonga you with my bonny johnny and kalibanos declares and getting shoved aside but winning our sympathy anyway and especially after performing new york and new york with a chorus of goats. (when tempest hit the screens and julia was the toast of broadway as the lead in nine. )it mazursky show and even if it feels at times that cassavetes is running things with improvisational line readings and emotional breakdowns galore. (philip introduces himself to aretha by telling her i am right in the middle of a nervous breakdown. ) he plays his character as an amiable obsessive and seeking to crystallize his happiness by building an theater in his otherwise uninhabited island. adding to the enjoyment is gassman rich performance as the other man and who is as completely amiable as julia while telling a youth obsessed philip represent boys do not have half as much fund as we have. theyre nervous. and they make love in the back of an old sports car. despite being overlong and pretentious in spots and like so many art films and tempest is entertaining in its excesses and a trip very much like shakespeare intended and even if his dreams do not involve smoking pot backstage at a go gos concert. 
william shakespeare probably do not envision stephanos as a gay doctor and antonio as a faithless wife and or caliban as a goatherd with a trinitron and but the bard had worse done to his good work over time and and might even enjoy the sumptuous pageant of life that is his tempest as re configured by paul mazursky and co writer leon capetanos. this time and prospero is philip dimitrius (john cassevetes) and a manhattan based architect tired of designing atlantic city casinos for the amiable mafioso alonso (vittorio gassman) and especially after discovering alonso is carrying on an affair with philip wife antonia (gena rowlands). along with daughter miranda (molly ringwald) and philip escapes to a remote greek island with miranda and his new mistress aretha (susan sarandon) and a nice catholic girl who struggles with philip celibate lifestyle. will a sudden storm bring all right in the end. here a thought on the career of cassevetes represent how many other actors could make a film so confused into something so riveting. a darling of film critics for his earlier work and often with his real life wife rowlands and he presents a central character who really suffers for his art here and but seems to enjoy himself and makes us enjoy him and too. it not prospero and but something rich and strange that makes for a terrific sea change all his own. it all here and he tells one of his faithful companions and aretha dog nino. beauty and magic and inspiration and and serenity. that it is. tempest transfers 1611 london to 1982 manhattan and finds some nice resonances in philip displaced life. show me the magic and he calls out to a storm tossed city skyscape and and mazursky version and augmented by donald mcalpine sterling cinematography of purple seascapes and naturally sun burnished greek landscapes and does just that. it not a perfect movie and by any means. in fact and the big finale and which is the only part of the movie that follows shakespeare storyline to any faithful extent and is a mess. rowland character is hard to care much for in this film and and after meeting sarandon in all her braless glory and it hard to understand philip continuing concern for his wife and let alone his left field desire to make an unhappy sacrifice in order to restore the natural order of things. but there a lot to love about tempest. in addition to cassavetes and there ringwald film debut as his loyal but restless daughter and here as in the play an object of desire for the primitive rustic kalibanos (raul julia). ringwald here is very much the same teenaged muse of privileged adolescence that would inspire john hughes and but with an emotional depth those later hughes films do not delve into. ringwald and julia never got any oscar attention and but they both would win golden globes for their playful work here. he tries to woo her in her island isolation with his tv reruns of gunsmoke in greek and tempted by her 15 year old body. i want to balonga you with my bonny johnny and kalibanos declares and getting shoved aside but winning our sympathy anyway and especially after performing new york and new york with a chorus of goats. (when tempest hit the screens and julia was the toast of broadway as the lead in nine. )it mazursky show and even if it feels at times that cassavetes is running things with improvisational line readings and emotional breakdowns galore. (philip introduces himself to aretha by telling her i am right in the middle of a nervous breakdown. ) he plays his character as an amiable obsessive and seeking to crystallize his happiness by building an theater in his otherwise uninhabited island. adding to the enjoyment is gassman rich performance as the other man and who is as completely amiable as julia while telling a youth obsessed philip represent boys do not have half as much fund as we have. theyre nervous. and they make love in the back of an old sports car. despite being overlong and pretentious in spots and like so many art films and tempest is entertaining in its excesses and a trip very much like shakespeare intended and even if his dreams do not involve smoking pot backstage at a go gos concert. ---------------------------------Answer Question Below----------------------------------

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