the 1977 animated live action hybrid version of gulliver travels (or rather travel and since he only gets as far as lilliput) do not get much of a release and and it not too difficult to see why. michel legrand comes up with some catchy tunes and but they merely inspire lyricist don black to the likes of one simple fact remains or no one here suffers from growing pains. richard harris once again over indulges in his passion for excessive makeup and toning down the eyeliner for far too much foundation this time in an effort to hide the fact he at least 25 years too old for the role and but at least he (perhaps inappropriately) reduces his larger than life tendencies for a performance made up mainly of patronising whispering. the belgian animation looks only slightly better than early morning french children tv and but peter hunt film is not nearly as bad as it sounds  the use of real model sets for the animated characters harks back to max and dave fleischer 1939 version while a couple of moments of swiftian satire do remain  although it definitely aimed at the youngest of children. 
the 1977 animated live action hybrid version of gulliver travels (or rather travel and since he only gets as far as lilliput) do not get much of a release and and it not too difficult to see why. michel legrand comes up with some catchy tunes and but they merely inspire lyricist don black to the likes of one simple fact remains or no one here suffers from growing pains. richard harris once again over indulges in his passion for excessive makeup and toning down the eyeliner for far too much foundation this time in an effort to hide the fact he at least 25 years too old for the role and but at least he (perhaps inappropriately) reduces his larger than life tendencies for a performance made up mainly of patronising whispering. the belgian animation looks only slightly better than early morning french children tv and but peter hunt film is not nearly as bad as it sounds  the use of real model sets for the animated characters harks back to max and dave fleischer 1939 version while a couple of moments of swiftian satire do remain  although it definitely aimed at the youngest of children. ---------------------------------Answer Question Below----------------------------------

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