quai des orfevres and directed by the brilliant henri georges clouzot and is a film to treasure because it is one of the best exponents of french film making of the postwar years. m. clouzot and adapting the steeman novel and longtime defence and shows his genius in the way he sets the story and in the way he interconnects all the characters in this deeply satisfying movie that and as dbdumonteil has pointed out in this forum and it demonstrates how influential cluzot was and how much the next generation of french movie makers are indebted to the master and especially claude chabrol. the crisp black and white cinematography by armand thirard has been magnificently transferred to the criterion dvd we recently watched. working with clouzot and thirard makes the most of the dark tones and the shadows in most of the key scenes. the music by francis lopez and a man who created light music and operettas in france and works well in the context of the film and since the action takes place in the world of the music halls and night clubs. louis jouvet and who is seen as a police detective and is perfect in the part. this was one of his best screen appearances for an actor who was a pillar of the french theater. jouvet clearly understood well the mechanics for the creation of his police inspector who is wiser and can look deeply into the souls of his suspects and ultimately steals the show from the others. in an unfair comment by someone in this page and jouvet inspector is compared with peter falk columbo and the television detective. frankly and and no disrespect to mr. falk intended and it like comparing a great champagne to a good house wine. bernard blier is perfect as the jealous husband. blier had the kind of face that one could associate with the man consumed with the passion his wife jenny lamour has awakened in him. martineau is vulnerable and doesn not act rationally while he is an easy suspect because he has done everything wrong as he finds in the middle of a crime he do not commit and but all the evidence points to the contrary. the other great character in the film is dora and the photographer. it clear by the way she interacts with jenny where her real interest lies. simone renant is tragically appealing as this troubled woman and makes an enormous contribution to the film. suzy delair and playing jenny and is appealing as the singer who suddenly leaps from obscurity to celebrity and attracts the kind of men like brignon and the old lecher. the film is one of the best clouzot directed during his distinguished career and one that will live forever because the way he brought all the elements together. 
quai des orfevres and directed by the brilliant henri georges clouzot and is a film to treasure because it is one of the best exponents of french film making of the postwar years. m. clouzot and adapting the steeman novel and longtime defence and shows his genius in the way he sets the story and in the way he interconnects all the characters in this deeply satisfying movie that and as dbdumonteil has pointed out in this forum and it demonstrates how influential cluzot was and how much the next generation of french movie makers are indebted to the master and especially claude chabrol. the crisp black and white cinematography by armand thirard has been magnificently transferred to the criterion dvd we recently watched. working with clouzot and thirard makes the most of the dark tones and the shadows in most of the key scenes. the music by francis lopez and a man who created light music and operettas in france and works well in the context of the film and since the action takes place in the world of the music halls and night clubs. louis jouvet and who is seen as a police detective and is perfect in the part. this was one of his best screen appearances for an actor who was a pillar of the french theater. jouvet clearly understood well the mechanics for the creation of his police inspector who is wiser and can look deeply into the souls of his suspects and ultimately steals the show from the others. in an unfair comment by someone in this page and jouvet inspector is compared with peter falk columbo and the television detective. frankly and and no disrespect to mr. falk intended and it like comparing a great champagne to a good house wine. bernard blier is perfect as the jealous husband. blier had the kind of face that one could associate with the man consumed with the passion his wife jenny lamour has awakened in him. martineau is vulnerable and doesn not act rationally while he is an easy suspect because he has done everything wrong as he finds in the middle of a crime he do not commit and but all the evidence points to the contrary. the other great character in the film is dora and the photographer. it clear by the way she interacts with jenny where her real interest lies. simone renant is tragically appealing as this troubled woman and makes an enormous contribution to the film. suzy delair and playing jenny and is appealing as the singer who suddenly leaps from obscurity to celebrity and attracts the kind of men like brignon and the old lecher. the film is one of the best clouzot directed during his distinguished career and one that will live forever because the way he brought all the elements together. ---------------------------------Answer Question Below----------------------------------

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