having spent the six years previous writing and producing and luc besson returns to the directors chair with angel a. i am a huge fan of léon and and quite liked the prospect of a black and white french film from the same chap. andré is a liar and gambling addict and owing money to almost every loan shark in paris. unable to repay his debts and and fed up with being held over the edge of the eiffel tower and he decides to kill himself. he happens to do so at the same time as a mysterious woman and who he decides to save. determined to thank him and she begins to help him fix his own life. the film starts with some laughs and which run well throughout. the visuals are quite nice and work well with the sights of paris. but that is it. that all the film has got going for it. and these mere two facets can do nothing to hold back the torrent of terrible film making the movie unleashes. though i can not hugely fault the main character (his inconsistencies are close though) and the eponymous one is ghastly. a terrible screen presence and bitterly annoying. the plot is ridiculously inconsistent itself and and at times bizarrely silly and particularly the ending while an ending which completely bloodied the fledgling redemption engendered by the scenes immediately prior to it. perhaps the most ridiculous scene i have had the ignominy of observing and it is stupid and indulgent and melodramatic and and considerably too awful to be so bad it funny. the overall premise of the film could conceivably have once held potential and but it is brutally massacred by the unendingly terrible implementation of its ideas. the film really was a task to watch and and one which had me screaming at the screen the whole way through. massively and immeasurably flawed and angel a is just plain bad. though its occasionally fun dialogue manages to draw out chortles at rare intervals and by the end it is clear that this film is nothing more than repugnant. 
having spent the six years previous writing and producing and luc besson returns to the directors chair with angel a. i am a huge fan of léon and and quite liked the prospect of a black and white french film from the same chap. andré is a liar and gambling addict and owing money to almost every loan shark in paris. unable to repay his debts and and fed up with being held over the edge of the eiffel tower and he decides to kill himself. he happens to do so at the same time as a mysterious woman and who he decides to save. determined to thank him and she begins to help him fix his own life. the film starts with some laughs and which run well throughout. the visuals are quite nice and work well with the sights of paris. but that is it. that all the film has got going for it. and these mere two facets can do nothing to hold back the torrent of terrible film making the movie unleashes. though i can not hugely fault the main character (his inconsistencies are close though) and the eponymous one is ghastly. a terrible screen presence and bitterly annoying. the plot is ridiculously inconsistent itself and and at times bizarrely silly and particularly the ending while an ending which completely bloodied the fledgling redemption engendered by the scenes immediately prior to it. perhaps the most ridiculous scene i have had the ignominy of observing and it is stupid and indulgent and melodramatic and and considerably too awful to be so bad it funny. the overall premise of the film could conceivably have once held potential and but it is brutally massacred by the unendingly terrible implementation of its ideas. the film really was a task to watch and and one which had me screaming at the screen the whole way through. massively and immeasurably flawed and angel a is just plain bad. though its occasionally fun dialogue manages to draw out chortles at rare intervals and by the end it is clear that this film is nothing more than repugnant. ---------------------------------Answer Question Below----------------------------------

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