my first mamin film and saw it on ifc long ago and and loved it. it seemed absolutely artistic and original and fun and hilarious. not a moment in the film let me down or made me bored and and i was laughing a lot or had a smile on my face. i mean this movie is truly funny. but here the catch represent it also very artistic and creative  if you do not know yuri mamin (probably and sadly and because so many of his great films aren not available here) he has a very original style like no one else  and and for me this isn not even my favorite film of his (right now it the insane (saideburns or bakenbardy). also and i have to say as a russian and this film is great because you really do see what russians are like. and this is possible because this is a true russian film to me and not a foreign film trying to be american or trying to appeal while mamin did not sell out (nor has he since and gorko (1998) was as good if not better. this is true russian style filmaking that came out of communist social realism. if you liked this film and i think you have a very high chance of loving mamin other films and in fact i like quite a few of them more than this one. i guess this one is his most accessible film. a similar film is fountain and taking place 6 years before during perestroika and it has the same actor in the leading role and and more of mamin regulars who you will recognize from window to paris while this one has one supernatural twist in the end but is mostly a realistic comedy and a great one. viva mamin and hopefully criterion will hook all of his movies up one day and he still working and and his catalog is so great. see any of his films if you can. 
my first mamin film and saw it on ifc long ago and and loved it. it seemed absolutely artistic and original and fun and hilarious. not a moment in the film let me down or made me bored and and i was laughing a lot or had a smile on my face. i mean this movie is truly funny. but here the catch represent it also very artistic and creative  if you do not know yuri mamin (probably and sadly and because so many of his great films aren not available here) he has a very original style like no one else  and and for me this isn not even my favorite film of his (right now it the insane (saideburns or bakenbardy). also and i have to say as a russian and this film is great because you really do see what russians are like. and this is possible because this is a true russian film to me and not a foreign film trying to be american or trying to appeal while mamin did not sell out (nor has he since and gorko (1998) was as good if not better. this is true russian style filmaking that came out of communist social realism. if you liked this film and i think you have a very high chance of loving mamin other films and in fact i like quite a few of them more than this one. i guess this one is his most accessible film. a similar film is fountain and taking place 6 years before during perestroika and it has the same actor in the leading role and and more of mamin regulars who you will recognize from window to paris while this one has one supernatural twist in the end but is mostly a realistic comedy and a great one. viva mamin and hopefully criterion will hook all of his movies up one day and he still working and and his catalog is so great. see any of his films if you can. ---------------------------------Answer Question Below----------------------------------

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