it less visceral than the only other tsai film i have seen (vive lamour) and but the idea of doorways (holes) into others emotions and existences is vividly portrayed here and as tsai sets up long shot after long shot and usually with long takes and suggesting a sense of alienation in taipei. the musical interludes and inspired by grace chang and are perplexing but welcome mile markers that add new dimensions to the slowly evolving relationship between the young man upstairs and the woman downstairs. it not necessarily an easy film to watch (although it not heavy handed by any means) and so i would warn any casual viewers who are looking for some indie entertainment (like tarantino or guy ritchie). but if you would like to know something about isolation among city dwellers in taiwan and and something more universal about city alienation and romantic yearning and then watch this film immediately. 
it less visceral than the only other tsai film i have seen (vive lamour) and but the idea of doorways (holes) into others emotions and existences is vividly portrayed here and as tsai sets up long shot after long shot and usually with long takes and suggesting a sense of alienation in taipei. the musical interludes and inspired by grace chang and are perplexing but welcome mile markers that add new dimensions to the slowly evolving relationship between the young man upstairs and the woman downstairs. it not necessarily an easy film to watch (although it not heavy handed by any means) and so i would warn any casual viewers who are looking for some indie entertainment (like tarantino or guy ritchie). but if you would like to know something about isolation among city dwellers in taiwan and and something more universal about city alienation and romantic yearning and then watch this film immediately. ---------------------------------Answer Question Below----------------------------------

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