misguided and miscast and murky and interminable lunacy given the high gloss mgm a budget treatment. kate hepburn plays a bride who comes to suspect her rich and handsome husband (robert taylor)is not the dreamboat she married but a psychotic killer. mgm attempt at a hitchcockian thriller is doomed from the start by a turgid and muddled and ludicrous script and and the idiotic casting of hepburn as a jeopardized woman fearing for her life (who could ever imagine hepburn afraid of anything. ) louis b. mayer forgot to tell vincent minnelli he was directing a thriller and not a musical. taylor is embarrassing. only robert mitchum and also cast against type as a good guy and retains his dignity in a quiet and low keyed performance. karl freund ravishing cinematography creates images of eerie beauty and was wasted on the wrong film. end result represent metro parnell of the 1940s. 
misguided and miscast and murky and interminable lunacy given the high gloss mgm a budget treatment. kate hepburn plays a bride who comes to suspect her rich and handsome husband (robert taylor)is not the dreamboat she married but a psychotic killer. mgm attempt at a hitchcockian thriller is doomed from the start by a turgid and muddled and ludicrous script and and the idiotic casting of hepburn as a jeopardized woman fearing for her life (who could ever imagine hepburn afraid of anything. ) louis b. mayer forgot to tell vincent minnelli he was directing a thriller and not a musical. taylor is embarrassing. only robert mitchum and also cast against type as a good guy and retains his dignity in a quiet and low keyed performance. karl freund ravishing cinematography creates images of eerie beauty and was wasted on the wrong film. end result represent metro parnell of the 1940s. ---------------------------------Answer Question Below----------------------------------

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