there a third man look to the shadowy b and w photography of stolen identity and a thriller produced by turhan bey and ex star of universal pictures during the 40s. it an expertly filmed tale of jealousy that leads to murder when a famous pianist (francis lederer) becomes overly possessive of his wife (joan camden) and is soon intent on carrying out a scheme to murder a man she having an affair with. a taxi driver (donald buka) happens to be giving the woman lover a lift to the hotel when he steps outside a moment to chat with a worker digging up the street. lederer uses the sound of the drill to muffle the sound of the bullet he puts in the head of the passenger from outside the back of the car. when buka returns to his cab and he finds a dead man in the passenger seat. enroute to report the murder to the police and he changes his mind and decides to switch identities with the dead man who has an american passport which means buka could realize his ambition to return to the united states. the stolen identity plot becomes thicker when the man girlfriend (lederer wife) shows up at the hotel to accuse buka of impersonating the dead man. it the sort of plot movie goers have probably seen countless times and but it gets a nice workout here and with plenty of tense scenes as buka and lederer wife plan how to run from the authorities until a final confrontation with the murderer and the police. it extremely absorbing and well done and holds the interest throughout with some excellent atmospheric photography of vienna that will remind most movie goers of the third man. well worth viewing. 
there a third man look to the shadowy b and w photography of stolen identity and a thriller produced by turhan bey and ex star of universal pictures during the 40s. it an expertly filmed tale of jealousy that leads to murder when a famous pianist (francis lederer) becomes overly possessive of his wife (joan camden) and is soon intent on carrying out a scheme to murder a man she having an affair with. a taxi driver (donald buka) happens to be giving the woman lover a lift to the hotel when he steps outside a moment to chat with a worker digging up the street. lederer uses the sound of the drill to muffle the sound of the bullet he puts in the head of the passenger from outside the back of the car. when buka returns to his cab and he finds a dead man in the passenger seat. enroute to report the murder to the police and he changes his mind and decides to switch identities with the dead man who has an american passport which means buka could realize his ambition to return to the united states. the stolen identity plot becomes thicker when the man girlfriend (lederer wife) shows up at the hotel to accuse buka of impersonating the dead man. it the sort of plot movie goers have probably seen countless times and but it gets a nice workout here and with plenty of tense scenes as buka and lederer wife plan how to run from the authorities until a final confrontation with the murderer and the police. it extremely absorbing and well done and holds the interest throughout with some excellent atmospheric photography of vienna that will remind most movie goers of the third man. well worth viewing. ---------------------------------Answer Question Below----------------------------------

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