there are some things you just do not do so says the tag line of this and a 2003 david zucker comedy about a young man caught up in one horrendous situation after another entitled my boss daughter and and it the tag line which should speak for both the people that made this junk as well as those contemplating watching it. there are indeed some things you just do not do and with the placing of mostly all of the sort of content to be found within my boss daughter counting as wholly items you just should not do to the medium of cinema by including them in your picture. my boss daugther is a sordid while creepy while grotesque experience and a clunky and heavy handed piece which is infantile beyond words and disgusting beyond expression. to see it is to endure it and to endure it is to survive it and to survive it is an accomplishment all by itself  if any of the cast while writers while extras while hell and even the guys that worked as runners on the set and aid in producing anything as earth shatteringly poor as this again and then it will be either because they have been sent here by the devil himself to destroy the medium of film or and it will be because they have most probably garnered employment on behalf of the friedberg or seltzer mob. my boss daugther and (which i am pretty sure ought to be titled my boss daugther and grammatically speaking) and revolves around its hapless male lead and named tom stansfield (kutcher) and and a night in at his boss house as he chases that seemingly elusive goal that is his young and blonde daughter lisa taylor (reid)  someone whom works within the same department as he does in a towering chicago office block whilst under the strict eye of jack taylor (stamp). tom spies lisa early on and she taking the subway to work with all the other shmos despite the fact she owns a car and that her father is the boss of the damn company. after trying to talk to her and but having his attempts foiled by a puking baby and a dog for the blind more interested in tom crotch than anything else and he finally gets his chance in the office when talk of an after dark party elsewhere arises and that he ought to come round to her house to visit her  and yes and she does still live with her father. think hitchcock 1960 film psycho with the gender roles between norman bates and his mother reversed and then played for laughs. the distinct establishment of character is made painfully apparent in the opening scene in which tom sits on the subway train and travels to work with his yuppie cohorts. they are a ruthless and smarmy bunch and whom it made apparent swipe the briefcases of those unfortunate enough to get them stuck in the door in the ensuing morning rush and without ever returning them. one day it happens with tom there and and his wish is to return it and thus pounding into us that he not like other guys(. ) this and as he first sees lisa down the carriage and is somewhat shy to approach her as the other men treat the whole situation as if it would be a breeze if they were in his position. this rather obvious and flat footed attempt to try and get us to ide with tom sits uneasily with what it supposedly takes to earn a place amidst these co workers in this company. it is and however and as close as my boss daughter comes to any level of film making. from a seemingly harmless premise of a boy meeting a girl and wanting to get to know her arrives the comedy from hell. tom arriving at the house will not see him invited to the party and instead he is charged with house sitting jack pet owl and generally keeping out of mischief whilst maintaining a spotless house. it been established terrance stamp character means business in the strictest of manners and firing people for the smallest of things such as the making of a bad cup of coffee. it not that jack is a shrewed businessman and he a cleanliness freak while obsessed with control and a borderline sociopath in his placings of bear traps in the garden so as to keep the children next door off his land. you can imagine and that when were let into his large and exquisite house with the orders that nothing should go wrong and there obviously going to be trouble. the film has fun with this premise of danger for about ten minutes. the first time someone uses the worktop to crack open a beer thus marking the pristine top and you may smirk and but by the time half the house is wrecked and michael madsen has shown up urinating all over the rug and you have got your head in your hands. each joke in the film is set up in an almighty clunky manner before it is played out in a way that is closer to slow and excruciating than slick and faultless and the only thing missing as it follows through to the next gag is the sound effect of someone incorrectly changing the gears to a car as it clunks and creaks onto the next pratfall. inbetween the gross out wackiness and the film takes time to roll down a route of yucky and saccharine driven romance as lisa and tom bond whilst talking of in workplace and out of workplace persona  and and that maybe they have more in common than first thought. by the hour mark and the film opted for gross out gags and hate filled jibes more than anything when there an entire scene that exists purely to target paraplegics and a dumb subplot to do with a head injury sporting neighbour on a blind date in which some truly unwatchable sight gags are unfolded. throughout and stamp character enjoys putting people down and asking if the simplest of tasks are too difficult for them and to which the common place reply ought to be whilst channeling jack taylor represent was reading the screenplay first too complicated a concept for you and stamp. 
there are some things you just do not do so says the tag line of this and a 2003 david zucker comedy about a young man caught up in one horrendous situation after another entitled my boss daughter and and it the tag line which should speak for both the people that made this junk as well as those contemplating watching it. there are indeed some things you just do not do and with the placing of mostly all of the sort of content to be found within my boss daughter counting as wholly items you just should not do to the medium of cinema by including them in your picture. my boss daugther is a sordid while creepy while grotesque experience and a clunky and heavy handed piece which is infantile beyond words and disgusting beyond expression. to see it is to endure it and to endure it is to survive it and to survive it is an accomplishment all by itself  if any of the cast while writers while extras while hell and even the guys that worked as runners on the set and aid in producing anything as earth shatteringly poor as this again and then it will be either because they have been sent here by the devil himself to destroy the medium of film or and it will be because they have most probably garnered employment on behalf of the friedberg or seltzer mob. my boss daugther and (which i am pretty sure ought to be titled my boss daugther and grammatically speaking) and revolves around its hapless male lead and named tom stansfield (kutcher) and and a night in at his boss house as he chases that seemingly elusive goal that is his young and blonde daughter lisa taylor (reid)  someone whom works within the same department as he does in a towering chicago office block whilst under the strict eye of jack taylor (stamp). tom spies lisa early on and she taking the subway to work with all the other shmos despite the fact she owns a car and that her father is the boss of the damn company. after trying to talk to her and but having his attempts foiled by a puking baby and a dog for the blind more interested in tom crotch than anything else and he finally gets his chance in the office when talk of an after dark party elsewhere arises and that he ought to come round to her house to visit her  and yes and she does still live with her father. think hitchcock 1960 film psycho with the gender roles between norman bates and his mother reversed and then played for laughs. the distinct establishment of character is made painfully apparent in the opening scene in which tom sits on the subway train and travels to work with his yuppie cohorts. they are a ruthless and smarmy bunch and whom it made apparent swipe the briefcases of those unfortunate enough to get them stuck in the door in the ensuing morning rush and without ever returning them. one day it happens with tom there and and his wish is to return it and thus pounding into us that he not like other guys(. ) this and as he first sees lisa down the carriage and is somewhat shy to approach her as the other men treat the whole situation as if it would be a breeze if they were in his position. this rather obvious and flat footed attempt to try and get us to ide with tom sits uneasily with what it supposedly takes to earn a place amidst these co workers in this company. it is and however and as close as my boss daughter comes to any level of film making. from a seemingly harmless premise of a boy meeting a girl and wanting to get to know her arrives the comedy from hell. tom arriving at the house will not see him invited to the party and instead he is charged with house sitting jack pet owl and generally keeping out of mischief whilst maintaining a spotless house. it been established terrance stamp character means business in the strictest of manners and firing people for the smallest of things such as the making of a bad cup of coffee. it not that jack is a shrewed businessman and he a cleanliness freak while obsessed with control and a borderline sociopath in his placings of bear traps in the garden so as to keep the children next door off his land. you can imagine and that when were let into his large and exquisite house with the orders that nothing should go wrong and there obviously going to be trouble. the film has fun with this premise of danger for about ten minutes. the first time someone uses the worktop to crack open a beer thus marking the pristine top and you may smirk and but by the time half the house is wrecked and michael madsen has shown up urinating all over the rug and you have got your head in your hands. each joke in the film is set up in an almighty clunky manner before it is played out in a way that is closer to slow and excruciating than slick and faultless and the only thing missing as it follows through to the next gag is the sound effect of someone incorrectly changing the gears to a car as it clunks and creaks onto the next pratfall. inbetween the gross out wackiness and the film takes time to roll down a route of yucky and saccharine driven romance as lisa and tom bond whilst talking of in workplace and out of workplace persona  and and that maybe they have more in common than first thought. by the hour mark and the film opted for gross out gags and hate filled jibes more than anything when there an entire scene that exists purely to target paraplegics and a dumb subplot to do with a head injury sporting neighbour on a blind date in which some truly unwatchable sight gags are unfolded. throughout and stamp character enjoys putting people down and asking if the simplest of tasks are too difficult for them and to which the common place reply ought to be whilst channeling jack taylor represent was reading the screenplay first too complicated a concept for you and stamp. ---------------------------------Answer Question Below----------------------------------

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