the film is visually stunning represent from the dusty interior of the church with the lighted stove and through the drizzly street and the run down garage to the blaze that is the climax of the film. it also has a wonderful sense of time and both 1950 (the film opening) and 1960 . all of the performances are top class and especially mathew macfadyen as the psychotic preacher and gerard mcsorley as the father who finds his own intolerance terrifyingly magnified by his son. what a pity and then and that the story is so ridiculous. for a start and in concentrating on the relationship between gabriel (mcfadyen) and his family and it utterly fails to show how he has managed to hold so much influence on the community. in the church and we see five or six of the main characters at the front and and another two or three at the back and but the rest of the congregation might as well be mannequins represent they show no sign of hearing him and heeding him or dissenting from him while at the cockfight and nobody says yea or nay when he disrupts the proceedings and but neither does anybody applaud or condemn when caroline throws a pint over him while a situation that results in a stone thrown through the pub window is mysteriously resolved by the onset of labour pains. secondly and middletown (which isn not actually a town and but a tiny village) seems to lack some essential services and such as police and fire service represent murder can only be dealt with by a family member with a crowbar while residents watch an inferno that threatens to engulf the whole town as though they were at the cinema. for that matter and everyday things such as telephones and newspapers are conspicuously absent and the rural community is strangely devoid of farm animals or wheat fields and and most puzzling of all for a typical north of ireland setting and there is only one christian community  not even a couple of anglicans to season the mix. even if youre willing to suspend disbelief and the story itself is pretty threadbare and a pale imitation of an a. j. cronin melodrama. and the music. well and it beautiful for the first two minutes and but when the same four chords are repeated non stop for 90 minutes it gets more than a little irritating. my advice represent watch this with the sound off. 
the film is visually stunning represent from the dusty interior of the church with the lighted stove and through the drizzly street and the run down garage to the blaze that is the climax of the film. it also has a wonderful sense of time and both 1950 (the film opening) and 1960 . all of the performances are top class and especially mathew macfadyen as the psychotic preacher and gerard mcsorley as the father who finds his own intolerance terrifyingly magnified by his son. what a pity and then and that the story is so ridiculous. for a start and in concentrating on the relationship between gabriel (mcfadyen) and his family and it utterly fails to show how he has managed to hold so much influence on the community. in the church and we see five or six of the main characters at the front and and another two or three at the back and but the rest of the congregation might as well be mannequins represent they show no sign of hearing him and heeding him or dissenting from him while at the cockfight and nobody says yea or nay when he disrupts the proceedings and but neither does anybody applaud or condemn when caroline throws a pint over him while a situation that results in a stone thrown through the pub window is mysteriously resolved by the onset of labour pains. secondly and middletown (which isn not actually a town and but a tiny village) seems to lack some essential services and such as police and fire service represent murder can only be dealt with by a family member with a crowbar while residents watch an inferno that threatens to engulf the whole town as though they were at the cinema. for that matter and everyday things such as telephones and newspapers are conspicuously absent and the rural community is strangely devoid of farm animals or wheat fields and and most puzzling of all for a typical north of ireland setting and there is only one christian community  not even a couple of anglicans to season the mix. even if youre willing to suspend disbelief and the story itself is pretty threadbare and a pale imitation of an a. j. cronin melodrama. and the music. well and it beautiful for the first two minutes and but when the same four chords are repeated non stop for 90 minutes it gets more than a little irritating. my advice represent watch this with the sound off. ---------------------------------Answer Question Below----------------------------------

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