if youre looking for a kung fu action movie and look elsewhere. while there are fighting scenes and the film revolves around its provincial protagonist and who struggles to find her way in americanized canton. unlike most kung fu comedies and the action scenes are used to reinforce the comedy and instead of the other way around. cheung booi is a statement about the farcical nature of kung fu movies and where the stars always seem to find some reason to fight. instead of some grand drama about honor and respect and minor misunderstandings cause the characters to yell at each other and start beating each other up. my young auntie and as it known in the west and is the story of cheng tai nun and played by kara hui and who is a young woman who marries an elderly landowner to keep his holdings from falling into the hands of his greedy and corrupt brother. after he dies and she moves to canton to live with her nephew and played by director lau kar leung and and his son ah tao and played by hsiao ho. the basis of the irony is that although cheng is the same age as ah tao and her manner is more akin to her status as his step great aunt. while ah tao speaks english (extremely poorly) and plays the guitar and goes to costume parties and cheng utterly fails when she tries to adapt to her lifestyle in canton and complete with makeup and revealing gowns and high heels and dance scenes. what makes this movie great is its realization. lau kar leung is perhaps one of the greatest and if not the greatest director of his generation in hong kong and and kara hui won best actress at the first hong kong film awards in 1982. also and this is arguably hsiao ho finest performance. his chemistry with hui is remarkable and and although he went on to have a storied career in kung fu comedies and often working alongside sammo hung and he has the perfect combination of athleticism and comedy. as the romantic tension and intrigue build in the second half of the movie and his entire countenance changes. no longer does he easily jaunt through life without a care in the world. he becomes the straight man and his cohorts the kramer and elaine and george. my one complaint is how suddenly the comedic aspects of the film die off during the conclusion. the film transitions from outright farce to dramatic intrigue with little but a change in incidental music. but there is a certain symmetry in it. the film begins focused on the intrigue and focused more on lau kar leung character and and it ends that way and too. but the final scene returns to the movie comedic roots and giving conclusion to both aspects of the film. 
if youre looking for a kung fu action movie and look elsewhere. while there are fighting scenes and the film revolves around its provincial protagonist and who struggles to find her way in americanized canton. unlike most kung fu comedies and the action scenes are used to reinforce the comedy and instead of the other way around. cheung booi is a statement about the farcical nature of kung fu movies and where the stars always seem to find some reason to fight. instead of some grand drama about honor and respect and minor misunderstandings cause the characters to yell at each other and start beating each other up. my young auntie and as it known in the west and is the story of cheng tai nun and played by kara hui and who is a young woman who marries an elderly landowner to keep his holdings from falling into the hands of his greedy and corrupt brother. after he dies and she moves to canton to live with her nephew and played by director lau kar leung and and his son ah tao and played by hsiao ho. the basis of the irony is that although cheng is the same age as ah tao and her manner is more akin to her status as his step great aunt. while ah tao speaks english (extremely poorly) and plays the guitar and goes to costume parties and cheng utterly fails when she tries to adapt to her lifestyle in canton and complete with makeup and revealing gowns and high heels and dance scenes. what makes this movie great is its realization. lau kar leung is perhaps one of the greatest and if not the greatest director of his generation in hong kong and and kara hui won best actress at the first hong kong film awards in 1982. also and this is arguably hsiao ho finest performance. his chemistry with hui is remarkable and and although he went on to have a storied career in kung fu comedies and often working alongside sammo hung and he has the perfect combination of athleticism and comedy. as the romantic tension and intrigue build in the second half of the movie and his entire countenance changes. no longer does he easily jaunt through life without a care in the world. he becomes the straight man and his cohorts the kramer and elaine and george. my one complaint is how suddenly the comedic aspects of the film die off during the conclusion. the film transitions from outright farce to dramatic intrigue with little but a change in incidental music. but there is a certain symmetry in it. the film begins focused on the intrigue and focused more on lau kar leung character and and it ends that way and too. but the final scene returns to the movie comedic roots and giving conclusion to both aspects of the film. ---------------------------------Answer Question Below----------------------------------

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