one of the most sublime of american masterpieces and morrissey opens the film by sexualizing dallesandro and with his open mouth snoring on a pillow. we wonder and is he coming off a heroin high. we just see his face and then and flash and his body and flash and his naked rear. i can not think of another film that used this flash blip form of editing so well to create a hypnotic and druggy mood and an editing method that works wonderfully as both pacing and style. after that introduction and when dallesandro opens his mouth and his accent is jarring  we expect him to be some kind of soft spoken androgyne while instead and he got the voice of a street thug  morrissey isn not comfortable letting our assumptions go unchecked. the lengthy opening is very sexy and playful  it a combination of martial troubles and dallesandro fascinating lip rubbing kisses and and early morning sexual escapades while it all kind of flows together and if not always smoothly and then emotionally realistically. what i got from this was the same as what i got from the 400 blows when i first saw it  this is like a 20 something continuation of that story. there a sense of camaraderie between the flesh sellers and the buyers while when dallesandro walks the street looking for men (to fund his wife abortion) there the feeling of a secret handshake as boys make deals with each other. i never found it boring and though nothing happens  nothing happens brilliantly and the boys hanging around and as they do and waiting for tricks. the main trick that dallesandro finds is fascinating to watch and using greek descriptions and only touching his back and a form of aesthetic body worship on the man part. it also dreadfully funny (i am not talking to an empty bed and am i. ). it one of the most revealing scenes in the movie  in any movie and i think while certainly any movie dealing with sex and sex for sale. when dallesandro eyes seem red and swollen and we can not tell if it because he drunk and ashamed and embarrassed and or all. the conversations in the film are cut up  they do not matter. (the film is silent in a few scenes and some of the most poignant and beautiful you may ever experience. ) yet when morrissey chooses to include one and the way he includes it (we sort of piece it together) and it startling and such as one conversation between dallesandro and a newbie hustler  and neither of them ever mentioning the word gay or hustler. what follows is a scene where we listen to a pair of transvestites as dallesandro gets serviced  this just after explaining to the newbie getting used to the job. dallesandro is a subject worthy of the attention paid to him and both by his clients and morrissey. he less than effective as an actor and in the sense of acting as performing and but as far as revealing something he incredible  he someone we immediately want to feel above and yet we go through his experiences and with all their complexities and and were forced to try and know him. he the kind of blank slate that were drawn to but can not get a hold on. and of course he incredibly striking  forgetting everything else and this is partially a testament to the beauty of the male body and dallesandro gorgeous torso and permanently erect nipples. the movie has one devastating scene and but like everything else you can not really master it  a girl says that she been raped and and her only self defense is in saying that and had the rapist only asked for sex and wooed her and he would have gotten a better lay. it shattering. the movie has feeling for everyone and but even better than that and it not merely sympathetic and it actually attempts to help us understand human beings  and without ever dictating what it is were meant to be understanding. it neither looks down on nor glamorizes the people within the film. it feels inclusive when we see joe arm around a transvestite. when he reads a letter (he talks about not getting past grade eight at one point) and he utterly charming and as he pauses on a word. then says and woteva and and continues. you can learn something more profound from the interaction between dallesandro and one of his clients in terms of gay straight relationships than you can from any case study. here we have the young boy who smiles (his top lip disappears as he does so) when a 30 something gym bunny korean war veteran runs his fingers through his hair while it a scene that feels very profound and this adult man sharing something with a younger version of himself  it not two gay men together and or a gay man paying a straight man and it something else you can not put your finger on while questions of sexuality are beside the point. (never before has popping a pimple seemed as affectionate. ) after sharing something with each other emotionally (though with dallesandro and since he there for money and it never apparent why he there while though he never less than sincere and which may be his most disarming quality) and so. can you help me out. the man says sure. i do not mean my pants. positive . 
one of the most sublime of american masterpieces and morrissey opens the film by sexualizing dallesandro and with his open mouth snoring on a pillow. we wonder and is he coming off a heroin high. we just see his face and then and flash and his body and flash and his naked rear. i can not think of another film that used this flash blip form of editing so well to create a hypnotic and druggy mood and an editing method that works wonderfully as both pacing and style. after that introduction and when dallesandro opens his mouth and his accent is jarring  we expect him to be some kind of soft spoken androgyne while instead and he got the voice of a street thug  morrissey isn not comfortable letting our assumptions go unchecked. the lengthy opening is very sexy and playful  it a combination of martial troubles and dallesandro fascinating lip rubbing kisses and and early morning sexual escapades while it all kind of flows together and if not always smoothly and then emotionally realistically. what i got from this was the same as what i got from the 400 blows when i first saw it  this is like a 20 something continuation of that story. there a sense of camaraderie between the flesh sellers and the buyers while when dallesandro walks the street looking for men (to fund his wife abortion) there the feeling of a secret handshake as boys make deals with each other. i never found it boring and though nothing happens  nothing happens brilliantly and the boys hanging around and as they do and waiting for tricks. the main trick that dallesandro finds is fascinating to watch and using greek descriptions and only touching his back and a form of aesthetic body worship on the man part. it also dreadfully funny (i am not talking to an empty bed and am i. ). it one of the most revealing scenes in the movie  in any movie and i think while certainly any movie dealing with sex and sex for sale. when dallesandro eyes seem red and swollen and we can not tell if it because he drunk and ashamed and embarrassed and or all. the conversations in the film are cut up  they do not matter. (the film is silent in a few scenes and some of the most poignant and beautiful you may ever experience. ) yet when morrissey chooses to include one and the way he includes it (we sort of piece it together) and it startling and such as one conversation between dallesandro and a newbie hustler  and neither of them ever mentioning the word gay or hustler. what follows is a scene where we listen to a pair of transvestites as dallesandro gets serviced  this just after explaining to the newbie getting used to the job. dallesandro is a subject worthy of the attention paid to him and both by his clients and morrissey. he less than effective as an actor and in the sense of acting as performing and but as far as revealing something he incredible  he someone we immediately want to feel above and yet we go through his experiences and with all their complexities and and were forced to try and know him. he the kind of blank slate that were drawn to but can not get a hold on. and of course he incredibly striking  forgetting everything else and this is partially a testament to the beauty of the male body and dallesandro gorgeous torso and permanently erect nipples. the movie has one devastating scene and but like everything else you can not really master it  a girl says that she been raped and and her only self defense is in saying that and had the rapist only asked for sex and wooed her and he would have gotten a better lay. it shattering. the movie has feeling for everyone and but even better than that and it not merely sympathetic and it actually attempts to help us understand human beings  and without ever dictating what it is were meant to be understanding. it neither looks down on nor glamorizes the people within the film. it feels inclusive when we see joe arm around a transvestite. when he reads a letter (he talks about not getting past grade eight at one point) and he utterly charming and as he pauses on a word. then says and woteva and and continues. you can learn something more profound from the interaction between dallesandro and one of his clients in terms of gay straight relationships than you can from any case study. here we have the young boy who smiles (his top lip disappears as he does so) when a 30 something gym bunny korean war veteran runs his fingers through his hair while it a scene that feels very profound and this adult man sharing something with a younger version of himself  it not two gay men together and or a gay man paying a straight man and it something else you can not put your finger on while questions of sexuality are beside the point. (never before has popping a pimple seemed as affectionate. ) after sharing something with each other emotionally (though with dallesandro and since he there for money and it never apparent why he there while though he never less than sincere and which may be his most disarming quality) and so. can you help me out. the man says sure. i do not mean my pants. positive . ---------------------------------Answer Question Below----------------------------------

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