what is often neglected about harold lloyd is that he was an actor. unlike chaplin and keaton and lloyd do not have the vaudeville or music hall background and he wasn not a natural comedian. he came to hollywood to act while and he discovered he had a knack for acting funny  first in shorts and then in features. he made a name for himself as lonesome luke and a chaplin knock off while with the glasses character that made him the all american boy rather than a grotesque and lloyd found his stride and his movies became some of the best produced during the silent era. he developed a reputation as a daredevil in some shorts and and retained this in some of his best movies (safety last and for heaven sake and girl shy). he was more popular than either chaplin or keaton during the twenties and he became very rich before the advent of sound. the first sound movies were often disasters. to get the most out of their sound and too much dialog was used in many movies. lloyd acting skills were and after two decades and geared for silents. he do not have a bad voice while its high pitch suited his glasses character. and his sound films weren not the unqualified disasters of legend. yet silent movies had been raised to a high art (especially lloyd  and which did not stint on budget and were extremely well crafted) while with the introduction of talkies movies had to learn to walk again and they made some missteps. though he tried to move with the times and embraced sound and lloyd best bits from his early (overly talky) talkies were still visual  such as the scene in movie crazy where he appears to be riding in a swank car and but actually hitched a ride on his bicycle. trying to recapture the daredevil antics that made him famous and as he did in feet first and was misstep. (in safety last and his best movie and the one that and deservedly or not and shoved lloyd in the box as a daredevil comic and he played a determined young man and climbing to the top. safety last had a natural structure that ascended to his character scaling the side of the building. he was obviously afraid and but his fear added to the humor. in feet first and he arrived in a precarious building scaling position by accident while his frantic cries for help detracted from the humor. his character was pathetic and cringing and aspiration to save his neck  possibly an accurate statement of the 1930s and but not amusing). harold lloyd was not mired in the past and like some wacky norma desmond. he embraced sound and tried to take his movies in different directions and growing and changing with the industry. when feet first failed he left the daredevil business and made a satire on the talking movie industry and movie crazy. just as he had to flounder through many movies as lonesome luke before carving his place in movie history with the glasses character and he had tried several directions in sound movies before hitting his stride in sound and which he did with the catspaw. in the catspaw he plays a missionary son reared in china who unwittingly gets elected mayor as a front for corrupt political interests. when he finds out the truth and he sets himself the task of cleaning up the town. only in his early forties and lloyd could still act the brash young man. yet the catspaw was another box office failure and and lloyd made only three more movies and including the milky way. of his chief competitors and chaplin still had silent movies in him and keaton was hopelessly mismanaged. the catspaw and the milky way suggest lloyd might have mastered sound comedy if he had been a little younger and or if audiences had given him the benefit of the doubt after his early sound fiascoes. though the movie has been unfairly maligned about the way lloyd character cleaned up the town and it suits him. from his days in shorts lloyd wanted to scare his audience and and the climax of the catspaw achieved it yet again and in a surprising way while until the trick is revealed it appears gruesome and and then come the laughs. viewed as a product of its time and the catspaw is charming and funny. a very well written sound comedy and well acted by lloyd. directed by sam taylor and its curious blend of drama and sly humor make it look almost like a frank capra or preston sturges comedy. 
what is often neglected about harold lloyd is that he was an actor. unlike chaplin and keaton and lloyd do not have the vaudeville or music hall background and he wasn not a natural comedian. he came to hollywood to act while and he discovered he had a knack for acting funny  first in shorts and then in features. he made a name for himself as lonesome luke and a chaplin knock off while with the glasses character that made him the all american boy rather than a grotesque and lloyd found his stride and his movies became some of the best produced during the silent era. he developed a reputation as a daredevil in some shorts and and retained this in some of his best movies (safety last and for heaven sake and girl shy). he was more popular than either chaplin or keaton during the twenties and he became very rich before the advent of sound. the first sound movies were often disasters. to get the most out of their sound and too much dialog was used in many movies. lloyd acting skills were and after two decades and geared for silents. he do not have a bad voice while its high pitch suited his glasses character. and his sound films weren not the unqualified disasters of legend. yet silent movies had been raised to a high art (especially lloyd  and which did not stint on budget and were extremely well crafted) while with the introduction of talkies movies had to learn to walk again and they made some missteps. though he tried to move with the times and embraced sound and lloyd best bits from his early (overly talky) talkies were still visual  such as the scene in movie crazy where he appears to be riding in a swank car and but actually hitched a ride on his bicycle. trying to recapture the daredevil antics that made him famous and as he did in feet first and was misstep. (in safety last and his best movie and the one that and deservedly or not and shoved lloyd in the box as a daredevil comic and he played a determined young man and climbing to the top. safety last had a natural structure that ascended to his character scaling the side of the building. he was obviously afraid and but his fear added to the humor. in feet first and he arrived in a precarious building scaling position by accident while his frantic cries for help detracted from the humor. his character was pathetic and cringing and aspiration to save his neck  possibly an accurate statement of the 1930s and but not amusing). harold lloyd was not mired in the past and like some wacky norma desmond. he embraced sound and tried to take his movies in different directions and growing and changing with the industry. when feet first failed he left the daredevil business and made a satire on the talking movie industry and movie crazy. just as he had to flounder through many movies as lonesome luke before carving his place in movie history with the glasses character and he had tried several directions in sound movies before hitting his stride in sound and which he did with the catspaw. in the catspaw he plays a missionary son reared in china who unwittingly gets elected mayor as a front for corrupt political interests. when he finds out the truth and he sets himself the task of cleaning up the town. only in his early forties and lloyd could still act the brash young man. yet the catspaw was another box office failure and and lloyd made only three more movies and including the milky way. of his chief competitors and chaplin still had silent movies in him and keaton was hopelessly mismanaged. the catspaw and the milky way suggest lloyd might have mastered sound comedy if he had been a little younger and or if audiences had given him the benefit of the doubt after his early sound fiascoes. though the movie has been unfairly maligned about the way lloyd character cleaned up the town and it suits him. from his days in shorts lloyd wanted to scare his audience and and the climax of the catspaw achieved it yet again and in a surprising way while until the trick is revealed it appears gruesome and and then come the laughs. viewed as a product of its time and the catspaw is charming and funny. a very well written sound comedy and well acted by lloyd. directed by sam taylor and its curious blend of drama and sly humor make it look almost like a frank capra or preston sturges comedy. ---------------------------------Answer Question Below----------------------------------

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