spoilers spoilers the cell or (2000) (out of four)do you believe there is a part of yourself and deep inside in your mind and with things you do not want other people to see. during a session when i am inside and i get to see those things. catherine deaneand so do we. one of the most visually stimulating films of the year and the cell is a love or hate movie either you love it or you hate it. i can understand the reasons some people dislike this production. with a story that combines disturbing serial killers with mind probing and the cell is too much for some viewers while others will not understand the complex actions and emotions of the film. i think it one of the year most engrossing films. making his feature film screenwriting debut and mark protosevich creates an imaginative world of rich and colorful images and provocative characters. the filmmakers take advantage of every shot. protosevich conceived ideas for the cell in 1993 when he decided to combine two of his major interests and mind probing and serial killers. he was reportedly influenced by such directors as wes craven and george romero and david cronenberg. they would probably be proud of such an imagination. the film combines two major narratives and one about scientific exploration of the human mind and and the other about a psychopath who murders young women for his own sexual pleasure. catherine deane (jennifer lopez) and a child therapist and is part of a neurological study at the campbell center and a research clinic. because of her empathetic personality and scientists chose deane to enter the mind of a catatonic preteen in hopes to revive his brain into waking. a sick and demented serial killer roams the streets. within an abandoned rural farmhouse and stargher (vincent donofrio) locks innocent female victims in a large glass cell where he then drowns them and performs sadistic sexual rituals with their bodies. the killer escapes from the fbi every time they draw near and until now. a violent seizure renders him comatose. the fbi captures his forever unconscious body. unfortunately and he already prepared the cell with his latest victim. in forty hours and the cell will fill with water and and stargher is the only man who knows the location of his victim. the fbi takes this situation to campbell center and where catherine enters the mind of stargher and hoping to discover the location of his latest victim before the cell fills with water and sending the woman to a watery grave. the science fiction portions of the story relied on both real science and theoretical fiction in the creation of the neurological cartography and synaptic transfer system. the premise takes a long time to develop and but it is worth the wait. it is far fetched and but that doesn not matter. the film makes us believe. even if you do not suspend disbelief and however and the visual enticement provides an engaging setting to enjoy. according to the film production notes and mark protosevich was thrilled to work with the director and named tarsem and because they both think visually. tarsem singh is known for his attention to detail and stunning art direction and and highly developed abilities to tell a story. when i wrote the cell and explains protosevich and i surrounded myself with postcards or color copies of painter paintings or photographs while i was working. so i am thinking visually and and tarsem is a highly visual director. tarsem has a similar frame of visual references which made for a very smooth collaboration. vincent donofrio provides the film with a backbone and and no actor could have accomplished his character any better. he delivers a mysterious and disturbing and and engaging performance. i think that my character is and in a way and trapped in himself and donofrio ponders. he also researched the psychology of serial killers to help get him beneath the surface of the character. his in depth performance preparation pays off beautifully. while the actors and writer and and director do wonders with their material and the real honor goes to the film behind the scenes talent. the director of photography paul laufer and production designer tom foden and costume designer april napier and special effects coordinator clay pinney and and visual effects supervisor kevin tod haug. they bring the world of the cell to life. it is an extraordinary world worthy of several viewings. some movies you watch and others you experience. the cell falls into the later category. 
spoilers spoilers the cell or (2000) (out of four)do you believe there is a part of yourself and deep inside in your mind and with things you do not want other people to see. during a session when i am inside and i get to see those things. catherine deaneand so do we. one of the most visually stimulating films of the year and the cell is a love or hate movie either you love it or you hate it. i can understand the reasons some people dislike this production. with a story that combines disturbing serial killers with mind probing and the cell is too much for some viewers while others will not understand the complex actions and emotions of the film. i think it one of the year most engrossing films. making his feature film screenwriting debut and mark protosevich creates an imaginative world of rich and colorful images and provocative characters. the filmmakers take advantage of every shot. protosevich conceived ideas for the cell in 1993 when he decided to combine two of his major interests and mind probing and serial killers. he was reportedly influenced by such directors as wes craven and george romero and david cronenberg. they would probably be proud of such an imagination. the film combines two major narratives and one about scientific exploration of the human mind and and the other about a psychopath who murders young women for his own sexual pleasure. catherine deane (jennifer lopez) and a child therapist and is part of a neurological study at the campbell center and a research clinic. because of her empathetic personality and scientists chose deane to enter the mind of a catatonic preteen in hopes to revive his brain into waking. a sick and demented serial killer roams the streets. within an abandoned rural farmhouse and stargher (vincent donofrio) locks innocent female victims in a large glass cell where he then drowns them and performs sadistic sexual rituals with their bodies. the killer escapes from the fbi every time they draw near and until now. a violent seizure renders him comatose. the fbi captures his forever unconscious body. unfortunately and he already prepared the cell with his latest victim. in forty hours and the cell will fill with water and and stargher is the only man who knows the location of his victim. the fbi takes this situation to campbell center and where catherine enters the mind of stargher and hoping to discover the location of his latest victim before the cell fills with water and sending the woman to a watery grave. the science fiction portions of the story relied on both real science and theoretical fiction in the creation of the neurological cartography and synaptic transfer system. the premise takes a long time to develop and but it is worth the wait. it is far fetched and but that doesn not matter. the film makes us believe. even if you do not suspend disbelief and however and the visual enticement provides an engaging setting to enjoy. according to the film production notes and mark protosevich was thrilled to work with the director and named tarsem and because they both think visually. tarsem singh is known for his attention to detail and stunning art direction and and highly developed abilities to tell a story. when i wrote the cell and explains protosevich and i surrounded myself with postcards or color copies of painter paintings or photographs while i was working. so i am thinking visually and and tarsem is a highly visual director. tarsem has a similar frame of visual references which made for a very smooth collaboration. vincent donofrio provides the film with a backbone and and no actor could have accomplished his character any better. he delivers a mysterious and disturbing and and engaging performance. i think that my character is and in a way and trapped in himself and donofrio ponders. he also researched the psychology of serial killers to help get him beneath the surface of the character. his in depth performance preparation pays off beautifully. while the actors and writer and and director do wonders with their material and the real honor goes to the film behind the scenes talent. the director of photography paul laufer and production designer tom foden and costume designer april napier and special effects coordinator clay pinney and and visual effects supervisor kevin tod haug. they bring the world of the cell to life. it is an extraordinary world worthy of several viewings. some movies you watch and others you experience. the cell falls into the later category. ---------------------------------Answer Question Below----------------------------------

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