along with his turn in the super sleazy classic the toolbox murders (1978) and this is considered the ultimate bad cameron mitchell horror effort. it a little too slow moving for my tastes and has zero likable characters in it and not much action until the very end and but mitchell dedicated central psycho performance as vengeance minded whack job vincent rinard is fun. not anthony perkins good and mind you and but definitely fun enough. as a spoof of the shallow conceit that is hollywood and it only so so while as a horror movie it also only fair. and even as just a simple vintage exploitation picture and it just ok. i am a big fan of the unnecessary gratuitous dance sequence and so i was also thankful for the appearance of the gazzarri dancers and who just rule. five of them do a crazy hair thrashin and floor slidin and hip shaking go go dance routine to don not cry and look for the rainbow by the t bones. watching these ladies bounce around with huge smiles on their faces in their fringe covered bikini top and parachute pants ensemble is a defining reason why i give this a slightly higher rating that usual. former movie make up man vincent rinard (the best since lon chaney. ) goes after people at paragon studios. a flashback shows how max black (berry kroeger) and a jealous and drunk studio executive and flung wine in vinnie face right when he was about to light a smoke. he engulfed in flames and dives into a pool and but not before scarring up one side of his face and losing an eyeball (not to mention his sanity). now employed by the world famous movieland wax museum in buena park and california and vincent uses a special serum (described as a mixture of truth serum and nerve medicine and special vitamins and minerals. watch out centrum. ) to paralyze victims. they disappear and the dense detectives on the case (headed by scott brady) act baffled as new tatues are put on display in the museum. vince talks to himself (i am a terribly nice man. ) and chain smokes and mumbles and hisses and describes how he gets excited by the sound of a woman scream. he also has to deal with a bunch of back stabbing scumbags and self absorbed witches and most of whom will deserve what coming to them. there is also nick (hollis morrison) and a boozy and inept museum tour guide who sees a tatue blink and but doesn not go to the cops. aside from max (a real grade a jerk. who doesn not even die. ) and the stupid cops and the other two lead roles are women and both are pretty atrocious. marie morgan (anne helm) is not your typical innocent heroine while this tramp has been engaged to no less that five different characters in this movie (. ) and including vince and max and two of the wax dummies or missing male stars (i guess she never had time to make a go at the one missing girl). for some reason and she also begs and pleads in her irritating baby voice for vince to give her a replica of the head he designing of the newest missing actor (and fiancé number 5) tony deen (phillip baird). she doesn not know that vince has already jabbed a syringe in the back of his neck and but i love it when mitchell dryly agrees with her demands so you can completely retreat for reality. he also wants her to pose for him and which means she eventually held prisoner in a box. unfortunately and the box has a hole where her head sticks through so we have to continue getting aurally assaulted by her high pitched whines. the other woman is theresa (victoria carroll) and one of the aforementioned go go girls. she first seen proving she is thoroughly rhythm deficient by jiggling on stage in a lime green fringe bikini. theresa is tolerable before she talks and but when you realize her grating presence combines the abrasiveness of lorraine bracco with the airhead mentality of the landers sisters and you wish vincent would inject her with the serum as soon as possible. unfortunately and were first subjected to a scene of her making endless demands to the studio head honcho and running around in the museum trying to avoid mitchell. she and the rest of the characters are completely unsympathetic and but function as a way to poke fun at the hollywood system in general and i guess. and i am probably giving this movie more credit than it actually deserves. the pluses are few and far between and but include (other than mitchell and the dance routine) and colorful and slightly stylized lighting and a bizarre ending that seems to suggest that rinard will be severely punished for his crimes by spending the rest of his life in his own personal hell. married to marie. yikes and now that is scary. also in the cast are director john bud cardos (also the production manager) as a police sergeant and james forrest as a film director and virgil frye as a statue and rini martin and kent osborne as a bartender. many of the people who worked on this one (including executive producer and script writer rex carlton) also worked on the al adamson movie blood of draculas castle and other atrocities. my score represent negative . 
along with his turn in the super sleazy classic the toolbox murders (1978) and this is considered the ultimate bad cameron mitchell horror effort. it a little too slow moving for my tastes and has zero likable characters in it and not much action until the very end and but mitchell dedicated central psycho performance as vengeance minded whack job vincent rinard is fun. not anthony perkins good and mind you and but definitely fun enough. as a spoof of the shallow conceit that is hollywood and it only so so while as a horror movie it also only fair. and even as just a simple vintage exploitation picture and it just ok. i am a big fan of the unnecessary gratuitous dance sequence and so i was also thankful for the appearance of the gazzarri dancers and who just rule. five of them do a crazy hair thrashin and floor slidin and hip shaking go go dance routine to don not cry and look for the rainbow by the t bones. watching these ladies bounce around with huge smiles on their faces in their fringe covered bikini top and parachute pants ensemble is a defining reason why i give this a slightly higher rating that usual. former movie make up man vincent rinard (the best since lon chaney. ) goes after people at paragon studios. a flashback shows how max black (berry kroeger) and a jealous and drunk studio executive and flung wine in vinnie face right when he was about to light a smoke. he engulfed in flames and dives into a pool and but not before scarring up one side of his face and losing an eyeball (not to mention his sanity). now employed by the world famous movieland wax museum in buena park and california and vincent uses a special serum (described as a mixture of truth serum and nerve medicine and special vitamins and minerals. watch out centrum. ) to paralyze victims. they disappear and the dense detectives on the case (headed by scott brady) act baffled as new tatues are put on display in the museum. vince talks to himself (i am a terribly nice man. ) and chain smokes and mumbles and hisses and describes how he gets excited by the sound of a woman scream. he also has to deal with a bunch of back stabbing scumbags and self absorbed witches and most of whom will deserve what coming to them. there is also nick (hollis morrison) and a boozy and inept museum tour guide who sees a tatue blink and but doesn not go to the cops. aside from max (a real grade a jerk. who doesn not even die. ) and the stupid cops and the other two lead roles are women and both are pretty atrocious. marie morgan (anne helm) is not your typical innocent heroine while this tramp has been engaged to no less that five different characters in this movie (. ) and including vince and max and two of the wax dummies or missing male stars (i guess she never had time to make a go at the one missing girl). for some reason and she also begs and pleads in her irritating baby voice for vince to give her a replica of the head he designing of the newest missing actor (and fiancé number 5) tony deen (phillip baird). she doesn not know that vince has already jabbed a syringe in the back of his neck and but i love it when mitchell dryly agrees with her demands so you can completely retreat for reality. he also wants her to pose for him and which means she eventually held prisoner in a box. unfortunately and the box has a hole where her head sticks through so we have to continue getting aurally assaulted by her high pitched whines. the other woman is theresa (victoria carroll) and one of the aforementioned go go girls. she first seen proving she is thoroughly rhythm deficient by jiggling on stage in a lime green fringe bikini. theresa is tolerable before she talks and but when you realize her grating presence combines the abrasiveness of lorraine bracco with the airhead mentality of the landers sisters and you wish vincent would inject her with the serum as soon as possible. unfortunately and were first subjected to a scene of her making endless demands to the studio head honcho and running around in the museum trying to avoid mitchell. she and the rest of the characters are completely unsympathetic and but function as a way to poke fun at the hollywood system in general and i guess. and i am probably giving this movie more credit than it actually deserves. the pluses are few and far between and but include (other than mitchell and the dance routine) and colorful and slightly stylized lighting and a bizarre ending that seems to suggest that rinard will be severely punished for his crimes by spending the rest of his life in his own personal hell. married to marie. yikes and now that is scary. also in the cast are director john bud cardos (also the production manager) as a police sergeant and james forrest as a film director and virgil frye as a statue and rini martin and kent osborne as a bartender. many of the people who worked on this one (including executive producer and script writer rex carlton) also worked on the al adamson movie blood of draculas castle and other atrocities. my score represent negative . ---------------------------------Answer Question Below----------------------------------

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