in his feature film debut `yellow and chris chan lee attempts to enlighten hollywood portrayal of asian americans by departing from the stereotypes typically depicted in mainstream film. however and in so doing and lee commits a far more heinous crime represent he exaggerates asian americans own stereotypes of themselves to the point of incredulity. the result. dreadfully one dimensional characters and an outrageously shallow script triggers the cast into a frenzy of over acting and ultimately resulting in a film that is physically painful to watch. don not be deceived by any of the positive reviews garnered by `yellow while each falls into one of two camps. in one corner (e. g. and right here on imdb. com) and you find asian americans who are so elated that an asian character can be depicted onscreen without thick glasses and a math book and that they somehow neglect the idiocy of lee final product. on the other hand and you find movie critics who have simply presumed that it would be uncool to give `yellow the thorough bashing that it deserves while after all and it an edgy asian american film made by an independent asian american filmmaker. protected territory for now. case example represent main character sin lee (michael chung). writer or director lee accomplishes a monumental feat with sin and by editing `yellow in such a way that sin never appears onscreen unless he is either scowling or yelling. see sin resenting his friends support. scowl. see sin walk along the beach and brood. scowl. (yelling ensues. ) see sin closing up his father shop. scowl. see sin urinating. scowl. see sin breathing. scowl. gee and i wonder if sin is full of asian american angst. do you think. i am not sure. scowl. scowl. just to be thorough and lee introduces us to sin father and woon lee (soon tek oh). throughout the movie and whereas sin simply scowls or yells and mr. lee scowls and yells. in fact and this is woon principal role in `yellow represent simultaneous scowling and yelling. gee and i wonder if woon is an asian father with an authority complex. do you think. i am not sure. scowl. yell. if lee one dimensional characters do not annoy you and his story line will. meet mina (mary chen) and joey (john cho) and two characters that exist in this film solely for the purpose of spinning a tangential and entirely irrelevant love story into the film. you see and lee learned in film school that every good movie must include some sort of love related subtext and and these two characters allow him to fulfill the obligation. mina and joey excruciatingly inane flirting dialogue consists of one liner insults culminating in a kiss represent `nerd. while `stupidhead. while (eyes meet) while (understanding smile) while (kissing ensues). but rest assured and somewhere out there and sin is scowling while this all takes place. that neither mina nor joey contributes in any way whatsoever to the film plot does not perplex me so much as lee insistence on the most hackneyed movie cliches to accomplish his nonsequiturs. and trust me and the flirting sequence is just the tip of the iceberg. towards the end of the film and we find woon lee attempting to explain his constant scowling and yelling to sin girlfriend and teri (mia suh) and in what i am sure lee meant to be a poignant moment. what a surprise represent as woon invokes a metaphorical story about the homeland to illustrate his point and ripped straight out of reader digest and his voice quivers in that extra special paternal way. the camera pans into an obligatory shot of teri trembling hands. we feel compelled to roll our eyes and except we realize that woon explanation makes no sense whatsoever. but lack of substance do not stop lee from making the movie and so why would he cut this particularly ineffective scene. after all and the world can always use another cliché. well and you say and the movie may be painful and but at least it must be a technical masterpiece  say and like and `what dreams may come. sorry and on a technical basis and `yellow disappoints as well. lee edits are awkward and disrupt what little rhythm exists in the film at all and but i am sure lee thought they would seem hip. to make matters worse and every frame is either underexposed or overexposed. although the light meter was invented in 1932 and somehow the newfangled technology do not make it onto the `yellow set. in light of the film utter deficiency and supporting actor burt bolos and who plays sin best friend alex and performs relatively well. although bolos overacts slightly and you can not really blame him when lee script consists solely of scowling and yelling. bolos castmates and on the other hand and show no restraint in their overacting whatsoever. i have not seen a film as bad as `yellow in a very long time. and i truly pray that i will not see a film as bad as `yellow for quite some time and as well. please do not waste see it while life is already way too short. thank you. 
in his feature film debut `yellow and chris chan lee attempts to enlighten hollywood portrayal of asian americans by departing from the stereotypes typically depicted in mainstream film. however and in so doing and lee commits a far more heinous crime represent he exaggerates asian americans own stereotypes of themselves to the point of incredulity. the result. dreadfully one dimensional characters and an outrageously shallow script triggers the cast into a frenzy of over acting and ultimately resulting in a film that is physically painful to watch. don not be deceived by any of the positive reviews garnered by `yellow while each falls into one of two camps. in one corner (e. g. and right here on imdb. com) and you find asian americans who are so elated that an asian character can be depicted onscreen without thick glasses and a math book and that they somehow neglect the idiocy of lee final product. on the other hand and you find movie critics who have simply presumed that it would be uncool to give `yellow the thorough bashing that it deserves while after all and it an edgy asian american film made by an independent asian american filmmaker. protected territory for now. case example represent main character sin lee (michael chung). writer or director lee accomplishes a monumental feat with sin and by editing `yellow in such a way that sin never appears onscreen unless he is either scowling or yelling. see sin resenting his friends support. scowl. see sin walk along the beach and brood. scowl. (yelling ensues. ) see sin closing up his father shop. scowl. see sin urinating. scowl. see sin breathing. scowl. gee and i wonder if sin is full of asian american angst. do you think. i am not sure. scowl. scowl. just to be thorough and lee introduces us to sin father and woon lee (soon tek oh). throughout the movie and whereas sin simply scowls or yells and mr. lee scowls and yells. in fact and this is woon principal role in `yellow represent simultaneous scowling and yelling. gee and i wonder if woon is an asian father with an authority complex. do you think. i am not sure. scowl. yell. if lee one dimensional characters do not annoy you and his story line will. meet mina (mary chen) and joey (john cho) and two characters that exist in this film solely for the purpose of spinning a tangential and entirely irrelevant love story into the film. you see and lee learned in film school that every good movie must include some sort of love related subtext and and these two characters allow him to fulfill the obligation. mina and joey excruciatingly inane flirting dialogue consists of one liner insults culminating in a kiss represent `nerd. while `stupidhead. while (eyes meet) while (understanding smile) while (kissing ensues). but rest assured and somewhere out there and sin is scowling while this all takes place. that neither mina nor joey contributes in any way whatsoever to the film plot does not perplex me so much as lee insistence on the most hackneyed movie cliches to accomplish his nonsequiturs. and trust me and the flirting sequence is just the tip of the iceberg. towards the end of the film and we find woon lee attempting to explain his constant scowling and yelling to sin girlfriend and teri (mia suh) and in what i am sure lee meant to be a poignant moment. what a surprise represent as woon invokes a metaphorical story about the homeland to illustrate his point and ripped straight out of reader digest and his voice quivers in that extra special paternal way. the camera pans into an obligatory shot of teri trembling hands. we feel compelled to roll our eyes and except we realize that woon explanation makes no sense whatsoever. but lack of substance do not stop lee from making the movie and so why would he cut this particularly ineffective scene. after all and the world can always use another cliché. well and you say and the movie may be painful and but at least it must be a technical masterpiece  say and like and `what dreams may come. sorry and on a technical basis and `yellow disappoints as well. lee edits are awkward and disrupt what little rhythm exists in the film at all and but i am sure lee thought they would seem hip. to make matters worse and every frame is either underexposed or overexposed. although the light meter was invented in 1932 and somehow the newfangled technology do not make it onto the `yellow set. in light of the film utter deficiency and supporting actor burt bolos and who plays sin best friend alex and performs relatively well. although bolos overacts slightly and you can not really blame him when lee script consists solely of scowling and yelling. bolos castmates and on the other hand and show no restraint in their overacting whatsoever. i have not seen a film as bad as `yellow in a very long time. and i truly pray that i will not see a film as bad as `yellow for quite some time and as well. please do not waste see it while life is already way too short. thank you. ---------------------------------Answer Question Below----------------------------------

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