a montage prologue and quite obviously manufactured by the blessed maniacs who actually chose to distribute this thing and tries to convince us that the comic impact of this staggeringly incompetent bit of nothing is entirely deliberate. don not you believe it represent this is to lloyd kaufman as andy warhol is to herschel gordon lewis. it is so thoroughgoing in its project of torturing its hypothetical audience that it seems like some kind of misanthropic negationist art installation and only it can not be because it is so completely bereft of self consciousness. as obnoxious and ugly as things or frozen scream and this manages to up the ante by recycling itself with a maddeningly bald insistence that has to be seen to be believed. a hitchcock style shot by shot analysis of and say and the attack on the cardio girls might yield twenty edits and perhaps three minutes of footage  only the sequence is ten minutes long. you want to believe that this started life as a slightly more bearable short subject and except if you took away the repetition what left would be far less fascinating represent eg. when the fiend does enter the room and he only inspires extended and highly apathetic and utterly blank stares from his imminent (offscreen) victims. repeat this scenario about four times and in marginally varied settings while bridge these with perhaps thirty lines of dialogue total while offer up actors even more hateful and lethargic than those in the above mentioned classics while and grace us with a monster comprising gauze and ketchup and one yellow spock ear and and you have got a movie too mind boggling to refuse and a working definition of bad. i am proud to own it. 
a montage prologue and quite obviously manufactured by the blessed maniacs who actually chose to distribute this thing and tries to convince us that the comic impact of this staggeringly incompetent bit of nothing is entirely deliberate. don not you believe it represent this is to lloyd kaufman as andy warhol is to herschel gordon lewis. it is so thoroughgoing in its project of torturing its hypothetical audience that it seems like some kind of misanthropic negationist art installation and only it can not be because it is so completely bereft of self consciousness. as obnoxious and ugly as things or frozen scream and this manages to up the ante by recycling itself with a maddeningly bald insistence that has to be seen to be believed. a hitchcock style shot by shot analysis of and say and the attack on the cardio girls might yield twenty edits and perhaps three minutes of footage  only the sequence is ten minutes long. you want to believe that this started life as a slightly more bearable short subject and except if you took away the repetition what left would be far less fascinating represent eg. when the fiend does enter the room and he only inspires extended and highly apathetic and utterly blank stares from his imminent (offscreen) victims. repeat this scenario about four times and in marginally varied settings while bridge these with perhaps thirty lines of dialogue total while offer up actors even more hateful and lethargic than those in the above mentioned classics while and grace us with a monster comprising gauze and ketchup and one yellow spock ear and and you have got a movie too mind boggling to refuse and a working definition of bad. i am proud to own it. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
