i have read all the complimentary posts on this muddled semi noir and am puzzled at the high regard for what seems and in the cruel light of 2007 and a very sloppy late rko assembly line product. all that endless documentary footage of fish and waves and fish and waves has little to do with the central conflict and just pads the running time. the editing is downright careless represent scenes just end and and are followed by other scenes that have little to do with what preceded them. the dialog bears the stilted traces of the odets origins represent high flown metaphors that never could have come from the limited imaginations of these workaday people. but what really surprising is how horribly overacted the triangle is and on all sides. i love stanwyck and but she snarls and contorts and lashes out wildly  an undisciplined performance several notches below her standard. douglas and overplaying at being lovable and then goes onto a would be murderous rampage and is similarly hammy and as is ryan and snarling and shouting most unnaturally. the less interesting second couple at least provides recognizable human behavior represent keith andes and whose character is kind of a neanderthal by today standards and nevertheless is smooth and persuasive as stanwyck (much younger and one presumes) brother and and marilyn monroe and as his girlfriend and is natural and unaffected. on monterey windswept coast (and all that monterey footage and while largely irrelevant and is interesting as a document of what the town looked like) and amid all the overheated hysteria and these two are islands of sanity. a final point and and a spoiler represent perhaps the breen office mandated it and but does anybody believe the happy ending for a second. stanwyck may temporarily have regressed into being an obedient wifey and but i give the marriage a month. 
i have read all the complimentary posts on this muddled semi noir and am puzzled at the high regard for what seems and in the cruel light of 2007 and a very sloppy late rko assembly line product. all that endless documentary footage of fish and waves and fish and waves has little to do with the central conflict and just pads the running time. the editing is downright careless represent scenes just end and and are followed by other scenes that have little to do with what preceded them. the dialog bears the stilted traces of the odets origins represent high flown metaphors that never could have come from the limited imaginations of these workaday people. but what really surprising is how horribly overacted the triangle is and on all sides. i love stanwyck and but she snarls and contorts and lashes out wildly  an undisciplined performance several notches below her standard. douglas and overplaying at being lovable and then goes onto a would be murderous rampage and is similarly hammy and as is ryan and snarling and shouting most unnaturally. the less interesting second couple at least provides recognizable human behavior represent keith andes and whose character is kind of a neanderthal by today standards and nevertheless is smooth and persuasive as stanwyck (much younger and one presumes) brother and and marilyn monroe and as his girlfriend and is natural and unaffected. on monterey windswept coast (and all that monterey footage and while largely irrelevant and is interesting as a document of what the town looked like) and amid all the overheated hysteria and these two are islands of sanity. a final point and and a spoiler represent perhaps the breen office mandated it and but does anybody believe the happy ending for a second. stanwyck may temporarily have regressed into being an obedient wifey and but i give the marriage a month. ---------------------------------Answer Question Below----------------------------------

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