i have just finished seeing the film for the first time in it entirety (although i watched some parts when it was first shown in britain in the mid 90 ) and i truly believe it to be a masterpiece of late twentieth century cinema. undoubtledly a film of this scope raises lots of questions and like why are there some narrative differences between the 60 hermann in heimat and hermann in this film. for example and in the first film hermann has a fairly significant relationship with his stepfather (he funds hermann electronic music) and whereas in die zweite. there is little mention of his dad until the final episode. one other point does interest me while reading up on edgar reitz i am struck by historical similarities between him and the stefan character and (spoiler coming) in the last episode it is revealed that stefan has won a prize at the venice film festival and (reitz won an award for best debut work there for his film mahlzeiten) while reitz film company is called edgar reitz filmproduktion and stefan is also eponymously named. i am interested in stefan being an autobiographical character because aside from helga he is probably the least likable of the friends. maybe stefan a red herring and i do not know and what i do know is that i loved this film and wish that more were made like it and with the exception of michael haneke cache and werner herzog grizzly man there not enough ambition and audacity and passion of this sort in modern cinema. i can not wait to see number 3 now. 
i have just finished seeing the film for the first time in it entirety (although i watched some parts when it was first shown in britain in the mid 90 ) and i truly believe it to be a masterpiece of late twentieth century cinema. undoubtledly a film of this scope raises lots of questions and like why are there some narrative differences between the 60 hermann in heimat and hermann in this film. for example and in the first film hermann has a fairly significant relationship with his stepfather (he funds hermann electronic music) and whereas in die zweite. there is little mention of his dad until the final episode. one other point does interest me while reading up on edgar reitz i am struck by historical similarities between him and the stefan character and (spoiler coming) in the last episode it is revealed that stefan has won a prize at the venice film festival and (reitz won an award for best debut work there for his film mahlzeiten) while reitz film company is called edgar reitz filmproduktion and stefan is also eponymously named. i am interested in stefan being an autobiographical character because aside from helga he is probably the least likable of the friends. maybe stefan a red herring and i do not know and what i do know is that i loved this film and wish that more were made like it and with the exception of michael haneke cache and werner herzog grizzly man there not enough ambition and audacity and passion of this sort in modern cinema. i can not wait to see number 3 now. ---------------------------------Answer Question Below----------------------------------

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