herman has made northern drama his own with little voice and brassed off and but the formula falters in this ropey and flat and contrived tale of two teenage delinquents trying to get season tickets to see newcastle. truancy and underage smoking and drinking and underage sex and teenage abortion and school bullying and drug abuse and substance abuse and depression and child violence and child sex abuse and shoplifting and housebreaking and auto theft and violent assault and armed robbery all put in an appearance here. none of these issues are explored and they merely serve to move the story along from one implausible situation to another. the film is not as acutely observed as trainspotting and as poignant as the full monty and or as reflective of the times as wonderland (from which it shamelessly steals music in an overly manipulative manner). i suspect none of the filmmakers are from newcastle and and have certainly never experienced the social problems the film references. i am all for entertainment and and herman track record shows he is aware of the need to balance the social message with laughs and tears. quite simply and he comes up incredibly short here. the film has a nice ending and but there are far too many flat and banal moments to sit through to get there. nicely shot and not very well acted and and ultimately fails on three crucial points represent script and script and script. 
herman has made northern drama his own with little voice and brassed off and but the formula falters in this ropey and flat and contrived tale of two teenage delinquents trying to get season tickets to see newcastle. truancy and underage smoking and drinking and underage sex and teenage abortion and school bullying and drug abuse and substance abuse and depression and child violence and child sex abuse and shoplifting and housebreaking and auto theft and violent assault and armed robbery all put in an appearance here. none of these issues are explored and they merely serve to move the story along from one implausible situation to another. the film is not as acutely observed as trainspotting and as poignant as the full monty and or as reflective of the times as wonderland (from which it shamelessly steals music in an overly manipulative manner). i suspect none of the filmmakers are from newcastle and and have certainly never experienced the social problems the film references. i am all for entertainment and and herman track record shows he is aware of the need to balance the social message with laughs and tears. quite simply and he comes up incredibly short here. the film has a nice ending and but there are far too many flat and banal moments to sit through to get there. nicely shot and not very well acted and and ultimately fails on three crucial points represent script and script and script. ---------------------------------Answer Question Below----------------------------------

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