saimin (usa represent the hypnotist or uk represent hypnosis) aspect ratio represent 1. 85 represent1sound format represent dolby stereo srfollowing a series of bizarre and apparently unrelated uicides and an experienced tokyo detective (ken utsui) enlists the help of a young psychoanalyst (goro inagaki) who believes the victims were acting on a post hypnotic suggestion. but their subsequent investigations reveal an even darker force at work and linked to a young girl (miho kanno) whose life has been blighted by sadistic abuse. based on a novel by keisuke matsuoka and this densely plotted mystery takes inspiration from a variety of sources (italian gialli and traditional japanese ghost stories and etc. ) and though some of the images in the climactic showdown reveal a more immediate influence represent the recent commercial success of hideo nakata ring (1998). for all its ambition and however and saimin is a routine potboiler which stumbles badly after a powerhouse opening (the uicides are particularly impressive and despite some feeble cgi effects) and though director masayuki ochiai  who co wrote the script with yasushi fukuda  rallies proceedings for an extended finale in which the narrative startling secrets are finally revealed. ochiai is best known for his film adaptation of novel turned video game parasite eve (1997)  which also starred leading man inagaki (a member of japanese pop group smap)  and while saimin echoes that movie strong visual sense and it falls short as drama and and most of the characters are mere ciphers and undermining the storyline emotional pay off. which is a shame and because the final half hour is galvanized by a series of dynamic set pieces  most notably and a concert hall sequence in which dvorak new world symphony is transformed into an instrument of murder.  and ochiai is well served by an excellent production team. however and those lured by the promise of gory carnage may be disappointed  the film is long on atmospherics and short on splatter. performances are varied and due to the script limitations and but kanno (tomie) is outstanding as a young woman suffering from multiple personality disorder  which and the subtitles on the print under review assures us and isn not recognized as a viable medical condition in japan.  who falls prey to a sleazy tv hypnotist (takeshi masu) and a prime suspect in the murders. inagaki is bland in a one dimensional role and and he constantly upstaged by utsui and a veteran performer whose career stretches back to the sûpâ jaiantsu series of the 1950 . (japanese dialogue). 
saimin (usa represent the hypnotist or uk represent hypnosis) aspect ratio represent 1. 85 represent1sound format represent dolby stereo srfollowing a series of bizarre and apparently unrelated uicides and an experienced tokyo detective (ken utsui) enlists the help of a young psychoanalyst (goro inagaki) who believes the victims were acting on a post hypnotic suggestion. but their subsequent investigations reveal an even darker force at work and linked to a young girl (miho kanno) whose life has been blighted by sadistic abuse. based on a novel by keisuke matsuoka and this densely plotted mystery takes inspiration from a variety of sources (italian gialli and traditional japanese ghost stories and etc. ) and though some of the images in the climactic showdown reveal a more immediate influence represent the recent commercial success of hideo nakata ring (1998). for all its ambition and however and saimin is a routine potboiler which stumbles badly after a powerhouse opening (the uicides are particularly impressive and despite some feeble cgi effects) and though director masayuki ochiai  who co wrote the script with yasushi fukuda  rallies proceedings for an extended finale in which the narrative startling secrets are finally revealed. ochiai is best known for his film adaptation of novel turned video game parasite eve (1997)  which also starred leading man inagaki (a member of japanese pop group smap)  and while saimin echoes that movie strong visual sense and it falls short as drama and and most of the characters are mere ciphers and undermining the storyline emotional pay off. which is a shame and because the final half hour is galvanized by a series of dynamic set pieces  most notably and a concert hall sequence in which dvorak new world symphony is transformed into an instrument of murder.  and ochiai is well served by an excellent production team. however and those lured by the promise of gory carnage may be disappointed  the film is long on atmospherics and short on splatter. performances are varied and due to the script limitations and but kanno (tomie) is outstanding as a young woman suffering from multiple personality disorder  which and the subtitles on the print under review assures us and isn not recognized as a viable medical condition in japan.  who falls prey to a sleazy tv hypnotist (takeshi masu) and a prime suspect in the murders. inagaki is bland in a one dimensional role and and he constantly upstaged by utsui and a veteran performer whose career stretches back to the sûpâ jaiantsu series of the 1950 . (japanese dialogue). ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
