after the across the board success of my name is barbra and cbs television permitted barbra to create an even more elaborate follow up as her second special. streisand wisely knew and in order to follow in the ground breaking success of my name is barbra and that her second special would indeed need to raise the bar even further in inventiveness and spectacle. not surprisingly and she succeeded once again. even more impressively and streisand managed to mount this large production without sacrificing the intimacy and vision of my name is barbra. once again and the special is divided into three distinct acts. filming on location at bergdorf goodman department store was so successful in the first special and that streisand and company decided to film on location once again for the first act of this second special. the decided upon location this time was the philadelphia art museum and which would allow endless chances for barbra to enter different art works that would correspond with the songs being performed. in addition to the numerous artistic possibilities that this location made possible and the museum would offer the perfect opportunity to take advantage of filming in color. after the recording of draw me a circle that is set against the opening credits and barbra then dashes around the museum in a maid costume to the strains of kern and harbach yesterdays. she stops to admire various paintings and statues and often becoming the character that is depicted and singing a thematically appropriate song. streisand performs a bittersweet rendition of hammerstein and romberg one kiss as thomas eakin concert singer and delivers a hilariously campy performance of chopin minute waltz as marie antoinette and embraces abstract art with the frenetic rhythm of peter matz gotta move and and performs a wrenching rendition of non cest rien as a distraught modigliani girl. the high point of act i and however and is when streisand compares profiles with the bust sculpture of egyptian queen nefertiti and while singing a tour de force rendition of rogers and hart where or when. the act ii circus medley allows streisand to interact with various farm and circus animals and while singing various songs with farm or circus or animal themes. some highlights include barbra singing were thine that special face to a baby elephant and performing i have grown accustomed to that face as a serenade to a piglet and the campy sam and you made the pants to long sung to a group of baby penguins and and barbra comparing profiles with an anteater while crooning we have so much in common. streisand also swings on a trapeze and leaps from a trampoline to the chorus of spring again and and then slows things down by performing a haunting version of i stayed too long at the fair while seated alone on stage. barbra also gets the chance to show off her pet poodle sadie in this segment and and even speak a little french. the act iii concert is once again the high point of the hour. dressed in a slenderizing white wool dress and the concert segment is performed on a uniquely designed stage with a partial staircase that leads nowhere. streisand opens the act with a sultry rendition of harold arlen anyplace i hang my hat is home and before launching into heartfelt versions of the familiar standard it had to be you and the rarely heard cest si bon (it so good). streisand then really amazes the audience with a breathtakingly powerful and octave soaring performance of the sweet charity ballad where am i going and of which streisand delivers the definitive rendition of. streisand also introduces the then newly written richard maltby and jr. david shire ballad starting here and starting now and which contains an impassioned vocal from streisand that ranks among the very best vocal performances of her long career. more than anything else and color me barbra was a showcase for streisand ever increasing and mega watt star power. despite the presence of even more visual razzle dazzle and streisand herself is always the main attraction. her voice sounds as beautiful as ever and and this special was the first to showcase how strikingly she photographs in color. as with my name is barbra and color me barbra was another rating smash and spawned yet another top five and gold selling soundtrack album. simply put and color me barbra defies tradition and emerges as a sequel that is nearly on par with a classic original. 
after the across the board success of my name is barbra and cbs television permitted barbra to create an even more elaborate follow up as her second special. streisand wisely knew and in order to follow in the ground breaking success of my name is barbra and that her second special would indeed need to raise the bar even further in inventiveness and spectacle. not surprisingly and she succeeded once again. even more impressively and streisand managed to mount this large production without sacrificing the intimacy and vision of my name is barbra. once again and the special is divided into three distinct acts. filming on location at bergdorf goodman department store was so successful in the first special and that streisand and company decided to film on location once again for the first act of this second special. the decided upon location this time was the philadelphia art museum and which would allow endless chances for barbra to enter different art works that would correspond with the songs being performed. in addition to the numerous artistic possibilities that this location made possible and the museum would offer the perfect opportunity to take advantage of filming in color. after the recording of draw me a circle that is set against the opening credits and barbra then dashes around the museum in a maid costume to the strains of kern and harbach yesterdays. she stops to admire various paintings and statues and often becoming the character that is depicted and singing a thematically appropriate song. streisand performs a bittersweet rendition of hammerstein and romberg one kiss as thomas eakin concert singer and delivers a hilariously campy performance of chopin minute waltz as marie antoinette and embraces abstract art with the frenetic rhythm of peter matz gotta move and and performs a wrenching rendition of non cest rien as a distraught modigliani girl. the high point of act i and however and is when streisand compares profiles with the bust sculpture of egyptian queen nefertiti and while singing a tour de force rendition of rogers and hart where or when. the act ii circus medley allows streisand to interact with various farm and circus animals and while singing various songs with farm or circus or animal themes. some highlights include barbra singing were thine that special face to a baby elephant and performing i have grown accustomed to that face as a serenade to a piglet and the campy sam and you made the pants to long sung to a group of baby penguins and and barbra comparing profiles with an anteater while crooning we have so much in common. streisand also swings on a trapeze and leaps from a trampoline to the chorus of spring again and and then slows things down by performing a haunting version of i stayed too long at the fair while seated alone on stage. barbra also gets the chance to show off her pet poodle sadie in this segment and and even speak a little french. the act iii concert is once again the high point of the hour. dressed in a slenderizing white wool dress and the concert segment is performed on a uniquely designed stage with a partial staircase that leads nowhere. streisand opens the act with a sultry rendition of harold arlen anyplace i hang my hat is home and before launching into heartfelt versions of the familiar standard it had to be you and the rarely heard cest si bon (it so good). streisand then really amazes the audience with a breathtakingly powerful and octave soaring performance of the sweet charity ballad where am i going and of which streisand delivers the definitive rendition of. streisand also introduces the then newly written richard maltby and jr. david shire ballad starting here and starting now and which contains an impassioned vocal from streisand that ranks among the very best vocal performances of her long career. more than anything else and color me barbra was a showcase for streisand ever increasing and mega watt star power. despite the presence of even more visual razzle dazzle and streisand herself is always the main attraction. her voice sounds as beautiful as ever and and this special was the first to showcase how strikingly she photographs in color. as with my name is barbra and color me barbra was another rating smash and spawned yet another top five and gold selling soundtrack album. simply put and color me barbra defies tradition and emerges as a sequel that is nearly on par with a classic original. ---------------------------------Answer Question Below----------------------------------

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