someone once defined what is the definition of an intellectual as being represent a person who can listen to the william tell overture without thinking of the lone ranger. in this and we heartily concur. it surely would be a tall order to accomplish this and and one that leopold stokowski and arturo toscanini or . leonard bernstein would all find nigh well impossible to do. and in this there is no disgrace. the radio series and the television series and along with some movie serials and feature films and syndicated newspaper comic strip and comic books and all did their part to make the masked man of the plains and his faithful indian companion and tonto a deeply seeded element of our collective psyche and of our literary folklore. as with most legends and it all started gradually and first with a series of radio plays and written for local use in detroit over radio station wxyz. the creator was one george w. trendle and the principal writer on the series was mr. trendle brother in law and mr. fran striker. the year was 1933 when the ranger first rode out to the plains of the early western united states. the lone ranger and tonto and the radio series all successfully guided depression era americans through the mid and late 30 up to and through world war ii. but the post war era found the country in the midst of a super nova explosion of invention and technology. there had been a new communications medium standing ready in the wings and but unable to go forth until both ve day and vj day had been achieved. once these were accomplished and the world and america was ready to settle down to both peace and prosperity. the new technology was and of course was television. and we would surely need something else than roller derby and wrestling from marigold arena to fill up the broadcast hours. and while at first and the time that a tv station had anything on and except that portrait of that mohican chief (test pattern and schultz. ) very soon and with post haste and the networks began tapping their existing natural resources and their existing programming. virtually all would be ripe for adaptation to the tv screen. so and the folks over at lone ranger and incorporated were very interested when producers jack chertok and harry poppe and sherman harris and jack wrather all approached them with a deal to put the masked man and tonto on the television waves and as well as the radio. immediately they went to work and gave us the first season and which made use of the considerable back log of radio dramas and all potentially adaptable to tv dramas. they cast clayton moore and a fine supporting actor in many a feature film and and with about a dozen years experience. he also had done some work in serials over at republic pictures thrill factory and which would be invaluable experience in doing the lone ranger. cast as his faithful indian companion and partner in bringing justice to various parts of the frontier and we had sheer perfection in character supporting actor and jay silverheels. we must mention that there was that rift in about 53 and when clayton moore walked and was replaced with john hart. after a season or so and mr. moore was back in having been missed so much. now and back to our story. the first years of filming gave the episodes a look and a sound all of their own. they made good use of off screen narrator and which gave these shows a feel of authenticity and an individual and stand out one of a kind series. the actors employed were all veterans of the movies of the late silent era thru the 1930 and 1940 . a lot of them had been just about exclusively cowboy movie players. a good example of these is the casting of glenn strange (bartender sam on gunsmoke) as the vicious and murderous gang leader and butch cavandish. and it was the cavendish gang massacre of the texas rangers that led to the origin of john reid (thought to have been slain with the other texas rangers) as the lone ranger. in addition to the old timers in the cast and you will find a lot of new and up and coming talent (then) in the cast. we see people like phyllis coates and dwayne hickman and denver pyle and others in the cast from week to week. all of this and along with an always calling for fair play and justice and peace in a western world. the last couple of seasons brought some big changes. first was the use of colour filming. that made no difference as a colour tv set was still a long way off for our household. the second was a new set of musical themes and queues. (other than rossini finale from u no wutt. ) the new music was never a big deal to us and as we preferred the old radio stock stuff. with this series and two feature films done during this period and the lone ranger (warner brothers and 1956) and the lone ranger and the lost city of gold (united artists and 1958) and the character has been permanently and indelibly impressed in our identity as a people and we americans. 
someone once defined what is the definition of an intellectual as being represent a person who can listen to the william tell overture without thinking of the lone ranger. in this and we heartily concur. it surely would be a tall order to accomplish this and and one that leopold stokowski and arturo toscanini or . leonard bernstein would all find nigh well impossible to do. and in this there is no disgrace. the radio series and the television series and along with some movie serials and feature films and syndicated newspaper comic strip and comic books and all did their part to make the masked man of the plains and his faithful indian companion and tonto a deeply seeded element of our collective psyche and of our literary folklore. as with most legends and it all started gradually and first with a series of radio plays and written for local use in detroit over radio station wxyz. the creator was one george w. trendle and the principal writer on the series was mr. trendle brother in law and mr. fran striker. the year was 1933 when the ranger first rode out to the plains of the early western united states. the lone ranger and tonto and the radio series all successfully guided depression era americans through the mid and late 30 up to and through world war ii. but the post war era found the country in the midst of a super nova explosion of invention and technology. there had been a new communications medium standing ready in the wings and but unable to go forth until both ve day and vj day had been achieved. once these were accomplished and the world and america was ready to settle down to both peace and prosperity. the new technology was and of course was television. and we would surely need something else than roller derby and wrestling from marigold arena to fill up the broadcast hours. and while at first and the time that a tv station had anything on and except that portrait of that mohican chief (test pattern and schultz. ) very soon and with post haste and the networks began tapping their existing natural resources and their existing programming. virtually all would be ripe for adaptation to the tv screen. so and the folks over at lone ranger and incorporated were very interested when producers jack chertok and harry poppe and sherman harris and jack wrather all approached them with a deal to put the masked man and tonto on the television waves and as well as the radio. immediately they went to work and gave us the first season and which made use of the considerable back log of radio dramas and all potentially adaptable to tv dramas. they cast clayton moore and a fine supporting actor in many a feature film and and with about a dozen years experience. he also had done some work in serials over at republic pictures thrill factory and which would be invaluable experience in doing the lone ranger. cast as his faithful indian companion and partner in bringing justice to various parts of the frontier and we had sheer perfection in character supporting actor and jay silverheels. we must mention that there was that rift in about 53 and when clayton moore walked and was replaced with john hart. after a season or so and mr. moore was back in having been missed so much. now and back to our story. the first years of filming gave the episodes a look and a sound all of their own. they made good use of off screen narrator and which gave these shows a feel of authenticity and an individual and stand out one of a kind series. the actors employed were all veterans of the movies of the late silent era thru the 1930 and 1940 . a lot of them had been just about exclusively cowboy movie players. a good example of these is the casting of glenn strange (bartender sam on gunsmoke) as the vicious and murderous gang leader and butch cavandish. and it was the cavendish gang massacre of the texas rangers that led to the origin of john reid (thought to have been slain with the other texas rangers) as the lone ranger. in addition to the old timers in the cast and you will find a lot of new and up and coming talent (then) in the cast. we see people like phyllis coates and dwayne hickman and denver pyle and others in the cast from week to week. all of this and along with an always calling for fair play and justice and peace in a western world. the last couple of seasons brought some big changes. first was the use of colour filming. that made no difference as a colour tv set was still a long way off for our household. the second was a new set of musical themes and queues. (other than rossini finale from u no wutt. ) the new music was never a big deal to us and as we preferred the old radio stock stuff. with this series and two feature films done during this period and the lone ranger (warner brothers and 1956) and the lone ranger and the lost city of gold (united artists and 1958) and the character has been permanently and indelibly impressed in our identity as a people and we americans. ---------------------------------Answer Question Below----------------------------------

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