another fabulous movie from catherine breillat and this time about the difficulties of shooting a sex scene in a movie. using comedy  a new genre for breillat  we get a backstage view of filmmaking but in documentary style. the character who plays the director in the movie is based on breillat and the sex scene in question is taken from her earlier film a ma soeur as is the main teenage actress. but the film and like all of breillat work and is not entertainment alone. it is peppered with philosophical observations on the nature of sexuality as well as demonstrating a devotion to purity (as opposed to pornography) that is a cornerstone of breillat work and a devotion to real emotion. we see the director character harangue the young lead actress and actor to bring the best out in them and hypnotising them into the parts they need to play and bringing out part of themselves that the director can see in them but they cannot see in themselves until they achieve the heights of acting that she demands of them. she makes meaningful movies and not titillation and but she shows the work that is needed to produce this and and so gives us insights both into the (decidedly french) film making process and the psychology of male  female sexuality. 
another fabulous movie from catherine breillat and this time about the difficulties of shooting a sex scene in a movie. using comedy  a new genre for breillat  we get a backstage view of filmmaking but in documentary style. the character who plays the director in the movie is based on breillat and the sex scene in question is taken from her earlier film a ma soeur as is the main teenage actress. but the film and like all of breillat work and is not entertainment alone. it is peppered with philosophical observations on the nature of sexuality as well as demonstrating a devotion to purity (as opposed to pornography) that is a cornerstone of breillat work and a devotion to real emotion. we see the director character harangue the young lead actress and actor to bring the best out in them and hypnotising them into the parts they need to play and bringing out part of themselves that the director can see in them but they cannot see in themselves until they achieve the heights of acting that she demands of them. she makes meaningful movies and not titillation and but she shows the work that is needed to produce this and and so gives us insights both into the (decidedly french) film making process and the psychology of male  female sexuality. ---------------------------------Answer Question Below----------------------------------

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