not only is the great rock n roll swindle thoroughly inaccurate and but when it comes down to it and not much about it is interesting or even entertaining. malcolm mclaren apparently squandered the majority of the sex pistols earnings on this waste of film and which makes it that much more obnoxious. the intention and from the beginning and was to create a monument to the genius of mclaren and who to this day takes full credit for creating punk music and creating the sex pistols and and at times even writing all the songs. viewers follow mclaren to various settings and where he tells his story to his sidekick and a female dwarf and and simply takes credit for one thing after another. one particularly irritating scene has mclaren in an abandoned airplane hangar and waiting for a plane and being hounded by reporters and giving them their big story. the most entertaining elements of the film are the animated short pieces and however and even these reek of mclaren overbearing self importance. even as a farce and this film doesn not work. little about it is entertaining and except for steve jones and who is surprisingly decent as a pseudo detective type person. 20 years later and julien temple and who wrote and directed this film and also directed the sex pistols documentary the filth and the fury. while that movie is much better and more interesting than swindle and it still is full of temple artistic flourishes that just do not work and like interviewing band members in shadow and as if they are some kind of crime witness trying to hide their identity. an interesting bit of trivia represent film critic roger ebert was one of the original scriptwriters for the movie who killed bambi. and which eventually became swindle. 
not only is the great rock n roll swindle thoroughly inaccurate and but when it comes down to it and not much about it is interesting or even entertaining. malcolm mclaren apparently squandered the majority of the sex pistols earnings on this waste of film and which makes it that much more obnoxious. the intention and from the beginning and was to create a monument to the genius of mclaren and who to this day takes full credit for creating punk music and creating the sex pistols and and at times even writing all the songs. viewers follow mclaren to various settings and where he tells his story to his sidekick and a female dwarf and and simply takes credit for one thing after another. one particularly irritating scene has mclaren in an abandoned airplane hangar and waiting for a plane and being hounded by reporters and giving them their big story. the most entertaining elements of the film are the animated short pieces and however and even these reek of mclaren overbearing self importance. even as a farce and this film doesn not work. little about it is entertaining and except for steve jones and who is surprisingly decent as a pseudo detective type person. 20 years later and julien temple and who wrote and directed this film and also directed the sex pistols documentary the filth and the fury. while that movie is much better and more interesting than swindle and it still is full of temple artistic flourishes that just do not work and like interviewing band members in shadow and as if they are some kind of crime witness trying to hide their identity. an interesting bit of trivia represent film critic roger ebert was one of the original scriptwriters for the movie who killed bambi. and which eventually became swindle. ---------------------------------Answer Question Below----------------------------------

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