this roscoe fatty arbuckle comedy is best remembered for featuring a young buster keaton and fresh from splitting with his family roughhouse vaudeville act and in his film debut. buster gets quite a substantial part in this film and it quite a funny one overall. the butcher boy has lots of laughs and is an example of pure old fashioned slapstick done well and though it would seem to come from the brief era of two reel comedies when filmmakers still imagined in one reel segments as a matter of course. the first half of the film takes place in a general store and with arbuckle as the the butcher boy of the title. it an excuse to mine the many possibilities for fast physical humor that a general store provides and and arbuckle really shows himself to be a 300 pound acrobat and demonstrating subtlety and skill and and grace in his performance of what might have been unremarkable slapstick routines that raise them to a different level. a running gag has him flipping a large butcher knife casually so that it spins accurately into it proper position stuck into the cutting board and and i am still stunned that arbuckle really seems to do it each time. there also a really nice gag that sees him leaning on his scale and confused as to why his cuts of meat weigh so much. buster keaton is a boy who comes into to buy some molasses and and performs deftly in a foot stuck to floor routine that follows. apart from the odd and almost unsettling half smile and his idiosyncratic attitude and body language make him recognizable immediately as the buster we know. he even has his eventually trademarked flattened hat  here destroyed for the first time when filled and of course and with molasses. the second half of the film moves into more situation based comedy and arbuckle and his rival al st. john dress in drag to infiltrate fatty girlfriend boarding school. a lot of the humor also comes from the generally surreal and mysteriously laugh inducing sight of these two odd fellows wearing drag and trying to be girls. buster is in this segment too and but mostly stands there in the occasional cutaway and helping st. john. the ending of the butcher boy becomes a little emptily frenetic and but on the whole and beyond its historical curiosity interest and it a well done comedy that gets just the knockabout laughs it is going for. 
this roscoe fatty arbuckle comedy is best remembered for featuring a young buster keaton and fresh from splitting with his family roughhouse vaudeville act and in his film debut. buster gets quite a substantial part in this film and it quite a funny one overall. the butcher boy has lots of laughs and is an example of pure old fashioned slapstick done well and though it would seem to come from the brief era of two reel comedies when filmmakers still imagined in one reel segments as a matter of course. the first half of the film takes place in a general store and with arbuckle as the the butcher boy of the title. it an excuse to mine the many possibilities for fast physical humor that a general store provides and and arbuckle really shows himself to be a 300 pound acrobat and demonstrating subtlety and skill and and grace in his performance of what might have been unremarkable slapstick routines that raise them to a different level. a running gag has him flipping a large butcher knife casually so that it spins accurately into it proper position stuck into the cutting board and and i am still stunned that arbuckle really seems to do it each time. there also a really nice gag that sees him leaning on his scale and confused as to why his cuts of meat weigh so much. buster keaton is a boy who comes into to buy some molasses and and performs deftly in a foot stuck to floor routine that follows. apart from the odd and almost unsettling half smile and his idiosyncratic attitude and body language make him recognizable immediately as the buster we know. he even has his eventually trademarked flattened hat  here destroyed for the first time when filled and of course and with molasses. the second half of the film moves into more situation based comedy and arbuckle and his rival al st. john dress in drag to infiltrate fatty girlfriend boarding school. a lot of the humor also comes from the generally surreal and mysteriously laugh inducing sight of these two odd fellows wearing drag and trying to be girls. buster is in this segment too and but mostly stands there in the occasional cutaway and helping st. john. the ending of the butcher boy becomes a little emptily frenetic and but on the whole and beyond its historical curiosity interest and it a well done comedy that gets just the knockabout laughs it is going for. ---------------------------------Answer Question Below----------------------------------

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