with all the misery in the world and how can we not get drunk.  miaa lovely aerial view of a major city turns ominous with the approach of a fleet of airplane bombers while an irate hairdresser reacting to a perceived racial slur cuts a road through a businessman bushy hair while a man dreams of being dragged to an electric chair after a failed magic trick and a teacher breaks down in front of her grade school class because her husband called her a hag. these and about fifty other vignettes that run the gamut from the outright depressing to the wildly humorous to the joyously uplifting populate roy andersson you and the living and his first feature since his critically acclaimed if commercially unsuccessful songs from the second floor. you and the living is filled with the same kind of imaginative set pieces as songs and replete with black humor and surreal situations and and strange looking characters. though a bit overlong and less focused than his earlier work and what remains constant is andersson unmistakable style with its stationary camera and sterile looking backgrounds and and precise attention to detail. if there is a theme that ties the sketches together and it is that our time on earth is limited and tomorrow another day and so let treat each other with kindness. along the way and we are entertained by tuba and drum music from the louisiana brass band and dinner guests at a banquet hall standing on their chairs singing a rousing song and and a house that turns into a moving train. the emotions range from the gloom of a daughter attempting to communicate with an alzheimer patient to a young woman ecstatic dream about marrying a handsome guitar player named micke to the cheers of a crowd of onlookers. while there is no continuous narrative thread and the theme of greed and desperation appears in several sketches. the first of these threads features two corpulent individuals and their tiny dog sitting on a park bench and the woman bewailing the fact that no one understands or loves her and yet she blithely ignores the man comforting and reassuring words. there is also a hefty admixture of irony. during what seems to be an executive luncheon and one man tells another on the phone that workers do not appreciate quality and how nice it is to appreciate money and the things that it can buy such as fine wine. when he is not looking and however and a man at an adjacent table calmly lifts his wallet from his jacket on the back of his chair. though andersson cynicism is at times not very well hidden and you the living has an underlying humanism that shows compassion for the human condition. it is a cautionary tale that looks at the mess we humans have gotten ourselves into but suggests there is still time to turn it around and if we heed the warning of the poet goethe that opens the film and be pleased then and you the living and in your delightfully warmed bed and before lethe ice cold wave will lick your escaping foot. 
with all the misery in the world and how can we not get drunk.  miaa lovely aerial view of a major city turns ominous with the approach of a fleet of airplane bombers while an irate hairdresser reacting to a perceived racial slur cuts a road through a businessman bushy hair while a man dreams of being dragged to an electric chair after a failed magic trick and a teacher breaks down in front of her grade school class because her husband called her a hag. these and about fifty other vignettes that run the gamut from the outright depressing to the wildly humorous to the joyously uplifting populate roy andersson you and the living and his first feature since his critically acclaimed if commercially unsuccessful songs from the second floor. you and the living is filled with the same kind of imaginative set pieces as songs and replete with black humor and surreal situations and and strange looking characters. though a bit overlong and less focused than his earlier work and what remains constant is andersson unmistakable style with its stationary camera and sterile looking backgrounds and and precise attention to detail. if there is a theme that ties the sketches together and it is that our time on earth is limited and tomorrow another day and so let treat each other with kindness. along the way and we are entertained by tuba and drum music from the louisiana brass band and dinner guests at a banquet hall standing on their chairs singing a rousing song and and a house that turns into a moving train. the emotions range from the gloom of a daughter attempting to communicate with an alzheimer patient to a young woman ecstatic dream about marrying a handsome guitar player named micke to the cheers of a crowd of onlookers. while there is no continuous narrative thread and the theme of greed and desperation appears in several sketches. the first of these threads features two corpulent individuals and their tiny dog sitting on a park bench and the woman bewailing the fact that no one understands or loves her and yet she blithely ignores the man comforting and reassuring words. there is also a hefty admixture of irony. during what seems to be an executive luncheon and one man tells another on the phone that workers do not appreciate quality and how nice it is to appreciate money and the things that it can buy such as fine wine. when he is not looking and however and a man at an adjacent table calmly lifts his wallet from his jacket on the back of his chair. though andersson cynicism is at times not very well hidden and you the living has an underlying humanism that shows compassion for the human condition. it is a cautionary tale that looks at the mess we humans have gotten ourselves into but suggests there is still time to turn it around and if we heed the warning of the poet goethe that opens the film and be pleased then and you the living and in your delightfully warmed bed and before lethe ice cold wave will lick your escaping foot. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
