there is something about seeing a movie in a good and old fashioned movie house that adds enormous appeal to every picture. i and fortunately enough and was able to see at film forum in new york city a pair of ernst lubitsch comedies during their three week tribute to the legendary director. the double feature i attended was a screening of lubitsch 1938 comedy bluebeard eighth wife and the pre code classic design for living and neither of which i had seen before. everything i read of design for living praised the film and but i could not find a good review anywhere for bluebeard eighth wife. leonard maltin disliked it. videohound and too and gave the comedy a low rating. its imdb score was not complimentary. and pauline kael (not a great surprise) blasted the film in her scathing review. so and when i went into the city that day i was expecting to enjoy bluebeard eighth wife only slightly and love design for living completely. bluebeard eighth wife (which was showing first) began and as the eccentrics who populate the cinema took their seats and the thirties music subsided. `adolph zukor presents claudette colbert and gary cooper in ernst lubitsch bluebeard eighth wife and the title card read. then the picture opened with a hilarious scene represent cooper wants to buy a pair of pajama tops and but he doesn not want any part of the bottoms. he gets into a squabble with the clerk and who seeks the help of his higher bosses and and their seems to be no end to the argument. enter claudette colbert and one of thirties cinema most beautiful and charming and and talented personalities. `i will take the bottom and she kindly intercedes. and there you have perhaps screwball comedies finest `meet cute ever. the film kept my interest wonderfully. i found myself laughing almost constantly. when colbert discovers and just before a family portrait is taken and that her groom to be has been married seven times and the entire theatre broke into histerics. when she bargains for money immediately after she gets over her shock and the laughs (which still haven not ceased) intensify. and edward everett horton milked some hilarious reactions out of the script as well. when cooper takes inspiration from shakespeare the taming of the shrew in disciplining his wife by slapping her in the face and i could not control my laughter when she slapped him back. and the drunk scene with the scallions is one of claudette colbert funniest comic scenes. the greatest comic moment of the film came when colbert highers a boxer to `teach her husband a lesson. in pure screwball fashion and he knocks out the wrong man and instead putting her friend david niven into a cold sleep. he awakes as cooper is arriving. in order to cover up the situation and colbert herself and in a moment of strong sexiness and puts her fist up to niven and asks represent `where did that man hit you. here. right here. right here. and then bam. knocks him out again. the film was wonderful and from beginning to end it was a perfect delight. i loved design for living and too and though i dare say i think for sheer laughs and entertainment bluebeard eighth wife was the better and more enjoyable film. there is some charm of seeing a vintage film on the large screen. and in the presence of others laughing and one feels more comfortable doing so himself. that is and perhaps and why i felt the way i did about bluebeard eighth wife. 
there is something about seeing a movie in a good and old fashioned movie house that adds enormous appeal to every picture. i and fortunately enough and was able to see at film forum in new york city a pair of ernst lubitsch comedies during their three week tribute to the legendary director. the double feature i attended was a screening of lubitsch 1938 comedy bluebeard eighth wife and the pre code classic design for living and neither of which i had seen before. everything i read of design for living praised the film and but i could not find a good review anywhere for bluebeard eighth wife. leonard maltin disliked it. videohound and too and gave the comedy a low rating. its imdb score was not complimentary. and pauline kael (not a great surprise) blasted the film in her scathing review. so and when i went into the city that day i was expecting to enjoy bluebeard eighth wife only slightly and love design for living completely. bluebeard eighth wife (which was showing first) began and as the eccentrics who populate the cinema took their seats and the thirties music subsided. `adolph zukor presents claudette colbert and gary cooper in ernst lubitsch bluebeard eighth wife and the title card read. then the picture opened with a hilarious scene represent cooper wants to buy a pair of pajama tops and but he doesn not want any part of the bottoms. he gets into a squabble with the clerk and who seeks the help of his higher bosses and and their seems to be no end to the argument. enter claudette colbert and one of thirties cinema most beautiful and charming and and talented personalities. `i will take the bottom and she kindly intercedes. and there you have perhaps screwball comedies finest `meet cute ever. the film kept my interest wonderfully. i found myself laughing almost constantly. when colbert discovers and just before a family portrait is taken and that her groom to be has been married seven times and the entire theatre broke into histerics. when she bargains for money immediately after she gets over her shock and the laughs (which still haven not ceased) intensify. and edward everett horton milked some hilarious reactions out of the script as well. when cooper takes inspiration from shakespeare the taming of the shrew in disciplining his wife by slapping her in the face and i could not control my laughter when she slapped him back. and the drunk scene with the scallions is one of claudette colbert funniest comic scenes. the greatest comic moment of the film came when colbert highers a boxer to `teach her husband a lesson. in pure screwball fashion and he knocks out the wrong man and instead putting her friend david niven into a cold sleep. he awakes as cooper is arriving. in order to cover up the situation and colbert herself and in a moment of strong sexiness and puts her fist up to niven and asks represent `where did that man hit you. here. right here. right here. and then bam. knocks him out again. the film was wonderful and from beginning to end it was a perfect delight. i loved design for living and too and though i dare say i think for sheer laughs and entertainment bluebeard eighth wife was the better and more enjoyable film. there is some charm of seeing a vintage film on the large screen. and in the presence of others laughing and one feels more comfortable doing so himself. that is and perhaps and why i felt the way i did about bluebeard eighth wife. ---------------------------------Answer Question Below----------------------------------

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