a blackly comic tale of a down trodden priest and nazarin showcases the economy that luis bunuel was able to achieve in being able to tell a deeply humanist fable with a minimum of fuss. as an output from his mexican era of film making and it was an invaluable talent to possess and with little money and extremely tight schedules. nazarin and however and surpasses many of bunuel previous mexican films in terms of the acting (francisco rabal is excellent) and narrative and theme. the theme and interestingly and is something that was explored again in viridiana and made three years later in spain. it concerns the individual struggle for humanity and altruism amongst a society that rejects any notion of virtue. father nazarin and however and is portrayed more sympathetically than sister viridiana. whereas the latter seems to choose charity because she wishes to atone for her (perceived) sins and nazarin whole existence and reason for being seems to be to help others and whether they (or we) like it or not. the film last scenes and in which he casts doubt on his behaviour and and in a split second and has to choose between the life he has been leading or the conventional life that is expected of a priest and are so emotional because they concern his moral integrity and we are never quite sure whether it remains intact or not. this is a remarkable film and i would urge anyone interested in classic cinema to seek it out. it is one of bunuel most moving films and and encapsulates many of his obsessions represent frustrated desire and mad love and religious hypocrisy etc. in my view nazarin is second only to the exterminating angel and in terms of his mexican movies and and is certainly near the top of the list of bunuel total filmic output. 
a blackly comic tale of a down trodden priest and nazarin showcases the economy that luis bunuel was able to achieve in being able to tell a deeply humanist fable with a minimum of fuss. as an output from his mexican era of film making and it was an invaluable talent to possess and with little money and extremely tight schedules. nazarin and however and surpasses many of bunuel previous mexican films in terms of the acting (francisco rabal is excellent) and narrative and theme. the theme and interestingly and is something that was explored again in viridiana and made three years later in spain. it concerns the individual struggle for humanity and altruism amongst a society that rejects any notion of virtue. father nazarin and however and is portrayed more sympathetically than sister viridiana. whereas the latter seems to choose charity because she wishes to atone for her (perceived) sins and nazarin whole existence and reason for being seems to be to help others and whether they (or we) like it or not. the film last scenes and in which he casts doubt on his behaviour and and in a split second and has to choose between the life he has been leading or the conventional life that is expected of a priest and are so emotional because they concern his moral integrity and we are never quite sure whether it remains intact or not. this is a remarkable film and i would urge anyone interested in classic cinema to seek it out. it is one of bunuel most moving films and and encapsulates many of his obsessions represent frustrated desire and mad love and religious hypocrisy etc. in my view nazarin is second only to the exterminating angel and in terms of his mexican movies and and is certainly near the top of the list of bunuel total filmic output. ---------------------------------Answer Question Below----------------------------------

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