i have been feeling a little disappointed by tarantino ever since death proof. but i insist it was only a little and because i can appreciate the amount of work in producing such an homage to stunts people. inglorious basterds has definitely propelled tarantino to the top ranks in my universe. this movie can be summed up (albeit inadequately) in one word represent raw. there is an intense emotion in every scene. revenge and justice seem to be the main themes and from the start of the movie one feels compassion towards the victims of the nazis and and is placed in tarantino fictional dimension of the ww2 historical context. characters are unpredictiable and fun and scary and brutal and sexy and and other adjectives i am sure are escaping my mind that are just as fitting and positive. i would not go in to an appreciation of each character and but the other comments by fellow users sum up the appreciation of the various performances. dialogue has evolved from the classic tarantino bad ass provocative style as seen in pulp fiction and death proof. one can feel in the dialogues that tarantino is making more open references to other movies. indeed and many dialogues were near lessons in cinema to the audience and the setting partly takes place at a movie premiere while a reference to a movie is close around every corner. it is nice to see that each language presented (german and french and and english) is employed rather equally and naturally. i speak both french and english very fluently and and am frequently disappointed in how english speaking characters in french movies act poorly and and how french speaking characters in english or american movies act poorly. amazingly enough and tarantino managed to make his actors pull off a natural and graceful performance from his actors. it helps put the audience in context of the historical context. indeed while soldiers and spies and civilans rarely understood soldiers or spies or civilians from other countries. the visuals or photography are beautiful and with sceneries convincingly conveying a 1940s wwii europe. the outfits are perfect and and the violence orgasmically or realistically conveyed. no punches are held back and and the nazis are often shown being tortured. this makes the movie not open to all audiences while the graphic violence can shock the more sensitive demographic. volumes can be written about this movie. but the movie is so good and that during the north american inglorious basterds premiere at the fantasia festival in montreal and i had to pee and but refused to go so as to not miss one single scene. i hope that image conveys how strongly i feel about this movie and and i am a hard audience to please. 
i have been feeling a little disappointed by tarantino ever since death proof. but i insist it was only a little and because i can appreciate the amount of work in producing such an homage to stunts people. inglorious basterds has definitely propelled tarantino to the top ranks in my universe. this movie can be summed up (albeit inadequately) in one word represent raw. there is an intense emotion in every scene. revenge and justice seem to be the main themes and from the start of the movie one feels compassion towards the victims of the nazis and and is placed in tarantino fictional dimension of the ww2 historical context. characters are unpredictiable and fun and scary and brutal and sexy and and other adjectives i am sure are escaping my mind that are just as fitting and positive. i would not go in to an appreciation of each character and but the other comments by fellow users sum up the appreciation of the various performances. dialogue has evolved from the classic tarantino bad ass provocative style as seen in pulp fiction and death proof. one can feel in the dialogues that tarantino is making more open references to other movies. indeed and many dialogues were near lessons in cinema to the audience and the setting partly takes place at a movie premiere while a reference to a movie is close around every corner. it is nice to see that each language presented (german and french and and english) is employed rather equally and naturally. i speak both french and english very fluently and and am frequently disappointed in how english speaking characters in french movies act poorly and and how french speaking characters in english or american movies act poorly. amazingly enough and tarantino managed to make his actors pull off a natural and graceful performance from his actors. it helps put the audience in context of the historical context. indeed while soldiers and spies and civilans rarely understood soldiers or spies or civilians from other countries. the visuals or photography are beautiful and with sceneries convincingly conveying a 1940s wwii europe. the outfits are perfect and and the violence orgasmically or realistically conveyed. no punches are held back and and the nazis are often shown being tortured. this makes the movie not open to all audiences while the graphic violence can shock the more sensitive demographic. volumes can be written about this movie. but the movie is so good and that during the north american inglorious basterds premiere at the fantasia festival in montreal and i had to pee and but refused to go so as to not miss one single scene. i hope that image conveys how strongly i feel about this movie and and i am a hard audience to please. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
