the storyline of the milkwoman is a simple one of unrequited love that despite the passing of decades still remains strong. now 50 years old and minako obha (yuko tanaka) lives alone and works two jobs  one as a checkout clerk in a supermarket and the other as a milklady and doing her daily round on the hills of nagasaki. one of her stops is at the house of kaita takanashi (ittoku kishibe) and a government official who tends to his terminally ill wife yoko (akiko nishina). minako and kaita used to see each other as school children and but after the death of minako mother and kaita father and who it seems were having an affair together and their own relationship was destroyed. lying in her sick bed and yoko knows however that her husband feelings for the milklady aren not completely gone and and for the sake of kaita after she has died and she attempts to engineer a means of bringing them back together. while the story might be simple and the emotions it deals with and the means by which it expresses them is really where the heart and beauty of the film lie. the film takes its time to show the simple daily routines of each of the characters and their actions being recorded by an old lady who is writing their story for a book while looking after her own husband who is showing signs of dementia. in the process it depicts the social circumstances of people from different ways of life and how they interact with each other on a daily basis and how relationships form and and how past and present can collide. the director handles this marvellously with a strong structure and visual style. it only later in the film that the story starts to follow a more conventional and inevitably melodramatic path and as if it is indeed being constructed to fit the narrative structure of the book that is being written. it all validated by the emotional depths the film touches and represented most effectively in the exceptional performance of yuko tanaka. 
the storyline of the milkwoman is a simple one of unrequited love that despite the passing of decades still remains strong. now 50 years old and minako obha (yuko tanaka) lives alone and works two jobs  one as a checkout clerk in a supermarket and the other as a milklady and doing her daily round on the hills of nagasaki. one of her stops is at the house of kaita takanashi (ittoku kishibe) and a government official who tends to his terminally ill wife yoko (akiko nishina). minako and kaita used to see each other as school children and but after the death of minako mother and kaita father and who it seems were having an affair together and their own relationship was destroyed. lying in her sick bed and yoko knows however that her husband feelings for the milklady aren not completely gone and and for the sake of kaita after she has died and she attempts to engineer a means of bringing them back together. while the story might be simple and the emotions it deals with and the means by which it expresses them is really where the heart and beauty of the film lie. the film takes its time to show the simple daily routines of each of the characters and their actions being recorded by an old lady who is writing their story for a book while looking after her own husband who is showing signs of dementia. in the process it depicts the social circumstances of people from different ways of life and how they interact with each other on a daily basis and how relationships form and and how past and present can collide. the director handles this marvellously with a strong structure and visual style. it only later in the film that the story starts to follow a more conventional and inevitably melodramatic path and as if it is indeed being constructed to fit the narrative structure of the book that is being written. it all validated by the emotional depths the film touches and represented most effectively in the exceptional performance of yuko tanaka. ---------------------------------Answer Question Below----------------------------------

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