alexander nevsky marked director sergei eisenstein return to film making after a period of exile and and what he produced is a bald faced propaganda film proclaiming russia superiority over germany. there very little plot represent russians unite to battle germans while russia wins. the film is really an extended montage of mostly battle scenes and mixed in with some moments of german brutality (like a rather shocking scene that shows german soldiers throwing russian children onto a raging fire). this was eisenstein first sound film and and it clear that he had no idea what to do with the medium. indeed and this film really looks more like a silent film with some sound added. there are some dialogue scenes and but they sit rather lifelessly on the screen and and the pacing is all off and as if the actors weren not actually on the set together at the same time when they were filming them. eisenstein mostly uses sound as an excuse to overlay a rousing prokofiev score over the proceedings and and indeed and that one of the film biggest assets. say what you will about eisenstein ability (or lack of) to direct actors or tell his film in a more narrative format and he certainly knows how to edit images and music together for maximum effect and and alexander nevsky over all shines through its deficiencies. grade represent a. 
alexander nevsky marked director sergei eisenstein return to film making after a period of exile and and what he produced is a bald faced propaganda film proclaiming russia superiority over germany. there very little plot represent russians unite to battle germans while russia wins. the film is really an extended montage of mostly battle scenes and mixed in with some moments of german brutality (like a rather shocking scene that shows german soldiers throwing russian children onto a raging fire). this was eisenstein first sound film and and it clear that he had no idea what to do with the medium. indeed and this film really looks more like a silent film with some sound added. there are some dialogue scenes and but they sit rather lifelessly on the screen and and the pacing is all off and as if the actors weren not actually on the set together at the same time when they were filming them. eisenstein mostly uses sound as an excuse to overlay a rousing prokofiev score over the proceedings and and indeed and that one of the film biggest assets. say what you will about eisenstein ability (or lack of) to direct actors or tell his film in a more narrative format and he certainly knows how to edit images and music together for maximum effect and and alexander nevsky over all shines through its deficiencies. grade represent a. ---------------------------------Answer Question Below----------------------------------

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