blue ribbon banners and stars and stripes forever and decorated generals and and unconditional surrender from the enemies which required tons and tons of radiation and this was the summon substance of the united states victory in world war ii. the celebration on times square as well as everywhere else in the united states suggests a national zenith. america is on top right. one thing and one agonizing and painstakingly perverse thing. the period of adjustment. the actual celebration ended when the bottle of champagne was finished. now everyone needs to get on with their lives. only one problem though. they have to get new lives. the old lives are gone forever. polite and pleasant smiles had a fragile facade with a longevity of ice cubes in boiling water. everyone of the characters in the movie is paraded by primal doubts and and unable to masquerade a pretense about how nothing was seriously wrong and for the simple reason that it was not true. once sergeants and and generals and and their wives and and daughters and and sons and virtually all other americans touched by world war ii and were exposed to disabilities and nightmares and recriminations of world war ii and what it really accomplished as well as negated and nobody was the same. for now and social and moral issues had a self serving interest. frederick march and myrna loy had to start over. dana andrews realized that he should never have been married to virginia mayo in the first place. theresa wright has become painfully aware of the fact that she is constructively selfish. las but not least and the character and homer and is about to get married and he thinks that everyone around him is as devastated by his injury as he is and basically in the sense that they are unable or unwilling to cope. the reason this film is so fabulous is because a happy ending was attained the hard way and once everybody recognized the new beginning of the new united states and the new world overall and tragedy from wwii was recognized and and things that were emotionally torn asunder were taken in stride and and dealt with accordingly. frederick march and myrna loy need to go back to chapter one in their marriage and homer has apprised his new bride as to what it takes to be married to him (i. e. half the times and she will feel like a nurse) and thresa wright involvement with dana andrews means that her entrance into adulthood has resulted in partial responsibility for breaking up a marriage. this is tantamount to learning how to drive a car to get your driver license at the indianapolis 500. the characters in the movie are the typical post wwii americans in that they are stalemated by the rude awakening of coercive changes to their lives. happiness no longer is afforded the luxury of the adjective cop aesthetic. it is now about formidable conditions and and good winning out over evil by way of the less ugly choice. world war ii did not just happen. it will henceforth dominate the social patterns of american living. the aggregate catastrophe of world war ii has mirrored most americans feelings of personal human inadequacy as well. i loved this film and so did afi and probably for the reason that it brought out issues that were at one time unjustifiably taboo. bottom line and see this movie. nightmares about combat and dilemmas about marital unhappiness and or or readjustment and coping with your life when stricken ed by a disability and just basically acting human are portrayed constantly in movies and television today and however. this is 1946. very new to americans then. remember that. director william wyler has illustrated how americans feel about the aftermath of wwii in the days when the movie industry has left him with one hand tied behind his back. take that into account and you will probably realize just how sensational this movie really was. 
blue ribbon banners and stars and stripes forever and decorated generals and and unconditional surrender from the enemies which required tons and tons of radiation and this was the summon substance of the united states victory in world war ii. the celebration on times square as well as everywhere else in the united states suggests a national zenith. america is on top right. one thing and one agonizing and painstakingly perverse thing. the period of adjustment. the actual celebration ended when the bottle of champagne was finished. now everyone needs to get on with their lives. only one problem though. they have to get new lives. the old lives are gone forever. polite and pleasant smiles had a fragile facade with a longevity of ice cubes in boiling water. everyone of the characters in the movie is paraded by primal doubts and and unable to masquerade a pretense about how nothing was seriously wrong and for the simple reason that it was not true. once sergeants and and generals and and their wives and and daughters and and sons and virtually all other americans touched by world war ii and were exposed to disabilities and nightmares and recriminations of world war ii and what it really accomplished as well as negated and nobody was the same. for now and social and moral issues had a self serving interest. frederick march and myrna loy had to start over. dana andrews realized that he should never have been married to virginia mayo in the first place. theresa wright has become painfully aware of the fact that she is constructively selfish. las but not least and the character and homer and is about to get married and he thinks that everyone around him is as devastated by his injury as he is and basically in the sense that they are unable or unwilling to cope. the reason this film is so fabulous is because a happy ending was attained the hard way and once everybody recognized the new beginning of the new united states and the new world overall and tragedy from wwii was recognized and and things that were emotionally torn asunder were taken in stride and and dealt with accordingly. frederick march and myrna loy need to go back to chapter one in their marriage and homer has apprised his new bride as to what it takes to be married to him (i. e. half the times and she will feel like a nurse) and thresa wright involvement with dana andrews means that her entrance into adulthood has resulted in partial responsibility for breaking up a marriage. this is tantamount to learning how to drive a car to get your driver license at the indianapolis 500. the characters in the movie are the typical post wwii americans in that they are stalemated by the rude awakening of coercive changes to their lives. happiness no longer is afforded the luxury of the adjective cop aesthetic. it is now about formidable conditions and and good winning out over evil by way of the less ugly choice. world war ii did not just happen. it will henceforth dominate the social patterns of american living. the aggregate catastrophe of world war ii has mirrored most americans feelings of personal human inadequacy as well. i loved this film and so did afi and probably for the reason that it brought out issues that were at one time unjustifiably taboo. bottom line and see this movie. nightmares about combat and dilemmas about marital unhappiness and or or readjustment and coping with your life when stricken ed by a disability and just basically acting human are portrayed constantly in movies and television today and however. this is 1946. very new to americans then. remember that. director william wyler has illustrated how americans feel about the aftermath of wwii in the days when the movie industry has left him with one hand tied behind his back. take that into account and you will probably realize just how sensational this movie really was. ---------------------------------Answer Question Below----------------------------------

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