i recently rented twister and a movie i would seen several years ago on tv and and it has aged well while i found myself laughing out loud several times at it and as weird as all these people are and by the end i profoundly cared about them. this is the sort of little movie that is made for a cult audience because and rather like howdy gazpacho (well and i think that what it is) and it an acquired taste represent you have to be attuned to its peculiar wavelength. the production values might be charitably called inexpensive and the pace and atmosphere take a while to get settled and but the film has a look and especially in some wonderful shots contrasting the dry flatness of the land with the cluttery nouveau riche opulence of the mansion interior represent michael almereyda had a good eye even then. life with sodapop magnate eugene cleveland (harry dean stanton) and his household (two adult children and a grandchild and and a housekeeper) seems so detached from life outside we could be in gormenghast. everyone in this film is wonderful (especially suzy amis and crispin glover as the directionless genius siblings maureen and howdy) and inhabiting their roles so comfortably after a while you just buy the strange premise and that somehow and having survived the tornado and being apparently incapable of happiness and these people are lucky and and yet do not know quite what to do with their luck. there are some truly great scenes represent eugene sudden confrontations first with his gold digging children tv host girlfriend virginia (an acidly pert lois chiles) and then with his children while william s. burroughs taking target practice in the barn and telling a story about a mysterious jim while maureen boyfriend chris proving himself by battling a shed full of wasps cloaked in a tablecloth and doily and old fedora while howdy and violet and maureen and chris all sitting on the couch (the latter three in appropriately lightweight summer garments and the former in a red blazer and black leather rocknroll gear) staring at images of deserts on the huge tv and and contemplating the future (the images were done by bill viola and who did the backdrop video installation for nine inch nails last tour). crispin glover is predictably magnificent as howdy represent as always and he remains perfectly in character. howdy has made a cult of his misery and brilliance while he like the oscar wilde of kansas and striving to live up to his red velvet suit. whether he thrashing away tunelessly yet loudly on an electric guitar and cracking a fullsize bullwhip while wearing an all black cowboy outfit and demolishing a room and or even doing simple things like driving or pouring the aforementioned soup from a blender pitcher and he mesmerizing. if you like his work and you will like this. 
i recently rented twister and a movie i would seen several years ago on tv and and it has aged well while i found myself laughing out loud several times at it and as weird as all these people are and by the end i profoundly cared about them. this is the sort of little movie that is made for a cult audience because and rather like howdy gazpacho (well and i think that what it is) and it an acquired taste represent you have to be attuned to its peculiar wavelength. the production values might be charitably called inexpensive and the pace and atmosphere take a while to get settled and but the film has a look and especially in some wonderful shots contrasting the dry flatness of the land with the cluttery nouveau riche opulence of the mansion interior represent michael almereyda had a good eye even then. life with sodapop magnate eugene cleveland (harry dean stanton) and his household (two adult children and a grandchild and and a housekeeper) seems so detached from life outside we could be in gormenghast. everyone in this film is wonderful (especially suzy amis and crispin glover as the directionless genius siblings maureen and howdy) and inhabiting their roles so comfortably after a while you just buy the strange premise and that somehow and having survived the tornado and being apparently incapable of happiness and these people are lucky and and yet do not know quite what to do with their luck. there are some truly great scenes represent eugene sudden confrontations first with his gold digging children tv host girlfriend virginia (an acidly pert lois chiles) and then with his children while william s. burroughs taking target practice in the barn and telling a story about a mysterious jim while maureen boyfriend chris proving himself by battling a shed full of wasps cloaked in a tablecloth and doily and old fedora while howdy and violet and maureen and chris all sitting on the couch (the latter three in appropriately lightweight summer garments and the former in a red blazer and black leather rocknroll gear) staring at images of deserts on the huge tv and and contemplating the future (the images were done by bill viola and who did the backdrop video installation for nine inch nails last tour). crispin glover is predictably magnificent as howdy represent as always and he remains perfectly in character. howdy has made a cult of his misery and brilliance while he like the oscar wilde of kansas and striving to live up to his red velvet suit. whether he thrashing away tunelessly yet loudly on an electric guitar and cracking a fullsize bullwhip while wearing an all black cowboy outfit and demolishing a room and or even doing simple things like driving or pouring the aforementioned soup from a blender pitcher and he mesmerizing. if you like his work and you will like this. ---------------------------------Answer Question Below----------------------------------

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