by 1950 and john ford had already fully developed the ideas and motifs that would form the core of his most successful westerns. always present and for example and is a strong sense of community and most poignantly captured in the joad family of steinbeck the grapes of wrath (1940). within these communities and even amid ford loftier themes of racism and the pioneer spirit and there always room for the smaller human interactions and the minor friendships and romances that make life worth living. wagon master (1950) came after ford had released the first two films in his cavalry trilogy  fort apache (1948) and she wore a yellow ribbon (1949)  and it covers similar territory and only without the military perspective and and more damningly and the strong lead of john wayne. ben johnson and harry cary and jr. are fine actors and but they feel as though they should be playing second fiddle to somebody and and ward bond cursing mormon elder and while potentially a candidate for such a role and isn not given quite enough focus to satisfactorily fit the bill. in wagon master and ford seems so comfortable with his tried and tested western formula that any character development is largely glossed over. ben johnson romance with joanne dru is treated as an obligation more than anything else and and harry cary jr charming of a mormon girl is so perfunctory as to be almost nonexistent in the final film and leaving one to ponder the survival of deleted scenes. only in charles kemper charismatic and shamelessly villainous uncle shiloh does ford try some different and and it works and even with his being surrounded by a troop of insufferably hammy slack jawed yokels. where ford does succeed is in orchestrating the conglomeration of three distinct races of americans  the values orientated mormoms and the easygoing horse traders and the eccentric travelling showmen  into a cohesive community of pioneers looking towards a bright future. this apparent harmony is thrown into disarray by the arrival of uncle shiloh gun toting outlaws and who exploit the lawlessness of the western frontier but ultimately lose out to the noble cowboys who only ever drew on snakes. ford reportedly considered wagon master among the favourite of his films and and perhaps this has something to do with the absence of big names like john wayne or henry fonda. armed only with his stock selection of usual players and ford is able to generate a sense of community by avoiding placing focus on any one character and though most of the mormom travellers still remain completely anonymous. despite being undoubtedly well made and i can not help feeling that this film only does well what other ford pictures did even better represent the terrific majesty of the the western frontier was presented more beautifully in she wore a yellow ribbon while the romances and friendly squabbles among community members took greater prominence in fort apache while the early relations with native americans and only hinted at here and were more thoroughly examined in the searchers (1956) while the bold pioneering spirit of the early settlers was explored more movingly (albeit by henry hathaway and george marshall) in how the west was won (1962). wagon master is pure john ford and but it isn not a landmark. 
by 1950 and john ford had already fully developed the ideas and motifs that would form the core of his most successful westerns. always present and for example and is a strong sense of community and most poignantly captured in the joad family of steinbeck the grapes of wrath (1940). within these communities and even amid ford loftier themes of racism and the pioneer spirit and there always room for the smaller human interactions and the minor friendships and romances that make life worth living. wagon master (1950) came after ford had released the first two films in his cavalry trilogy  fort apache (1948) and she wore a yellow ribbon (1949)  and it covers similar territory and only without the military perspective and and more damningly and the strong lead of john wayne. ben johnson and harry cary and jr. are fine actors and but they feel as though they should be playing second fiddle to somebody and and ward bond cursing mormon elder and while potentially a candidate for such a role and isn not given quite enough focus to satisfactorily fit the bill. in wagon master and ford seems so comfortable with his tried and tested western formula that any character development is largely glossed over. ben johnson romance with joanne dru is treated as an obligation more than anything else and and harry cary jr charming of a mormon girl is so perfunctory as to be almost nonexistent in the final film and leaving one to ponder the survival of deleted scenes. only in charles kemper charismatic and shamelessly villainous uncle shiloh does ford try some different and and it works and even with his being surrounded by a troop of insufferably hammy slack jawed yokels. where ford does succeed is in orchestrating the conglomeration of three distinct races of americans  the values orientated mormoms and the easygoing horse traders and the eccentric travelling showmen  into a cohesive community of pioneers looking towards a bright future. this apparent harmony is thrown into disarray by the arrival of uncle shiloh gun toting outlaws and who exploit the lawlessness of the western frontier but ultimately lose out to the noble cowboys who only ever drew on snakes. ford reportedly considered wagon master among the favourite of his films and and perhaps this has something to do with the absence of big names like john wayne or henry fonda. armed only with his stock selection of usual players and ford is able to generate a sense of community by avoiding placing focus on any one character and though most of the mormom travellers still remain completely anonymous. despite being undoubtedly well made and i can not help feeling that this film only does well what other ford pictures did even better represent the terrific majesty of the the western frontier was presented more beautifully in she wore a yellow ribbon while the romances and friendly squabbles among community members took greater prominence in fort apache while the early relations with native americans and only hinted at here and were more thoroughly examined in the searchers (1956) while the bold pioneering spirit of the early settlers was explored more movingly (albeit by henry hathaway and george marshall) in how the west was won (1962). wagon master is pure john ford and but it isn not a landmark. ---------------------------------Answer Question Below----------------------------------

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