as the 70 drew to a close and rumours began to fly in the entertainment industry about the possible return of sean connery to the role he had made famous back in 1962  james bond. cubby broccoli was asked on location in brazil during the making of moonraker by the b. b. c. barry norman how he viewed the prospect. understandably and the producer was reluctant to commit himself to an opinion. when moonraker opened and bond fans were outraged by what they perceived to be a cheapening of the character and and the jumping onto the star wars bandwagon much as live and let die had done with the blaxploitation craze a few years earlier. many publicly vocalised their hope that connery would return and if only to show eon how a real bond movie should look. years of legal battles followed. the original script and entitled james bond of the secret service ( later retitled warhead ) was written by kevin mcclory and len deighton and and connery and was never filmed and and remains one of the great unmade movie blockbusters. a new script and closer to the thunderball storyline and was commissioned. it was written by lorenzo semple junior and best known as the man who put the camp into batman. he had also written the parallax view and one of the decade finest conspiracy thrillers. feeling the script needed a british touch and connery brought in dick clement and ian la frenais and writers of hit british sitcoms the likely lads and porridge. the witty title was suggested by connery wife micheline. never say never again opened just before christmas 1983 to a shower of critical praise while normally sensible critics were so ecstatic at connery return they ignored all other aspects of the film. many used it to viciously attack the roger moore series and particularly that year octopussy. in truth and octopussy is superior in every respect. never lacks the excitement and spectacle one associates with bond and at times it looks like a made for t. v. movie. the story had been done before and better in 1965 thunderball and hence never was always going to come off second best. it was also hampered by not being part of the official series and meaning that monty norman james bond theme and maurice binder gun barrel logo could not be used. as bond and connery is magnificent and effortlessly stepping back into his most famous role. playing bond as an older and wiser agent worked. barbara carrera landed her best movie role as villainous fatima blush and a lady whose love for murder is such she dances after ( so she thinks ) killing bond. kim basinger smolders as domino. as s. p. e. c. t. r. e. agent maximillian largo and klaus maria brandauer gives a chilling performance. a major disappointment though is max von sydow as blofeld. the posters gave the impression he would be a major character and in fact he appears only in a few scenes. with a stronger script and he could have been one of the all time great bond villains. never promised to be a throwback to the early eon bonds such as from russia with love and but did not deliver. the gadgets were there and but were used almost apologetically. bond rocket firing motorcycle was a tired gimmick even in the 60 . the film tried to compete with eon bonds in terms of humour. bond saving himself by throwing his own urine sample into an assassin face is a farcical a moment as any you will find in moonraker. but the nadir comes with the introduction of rowan atkinson as bumbling foreign office official nigel small fawcett. he gives a performance so staggeringly awful you wonder if he thought he was in a footlights revue. michel legrand music is horrible and the man seems to never to have seen a bond film in his life. though the film was a financial success and viewed years later it stands as the weakest bond of the 80 . connery himself was disappointed with it and and not did act in a movie again for some years. 1983 was a good year for 007 maniacs and in addition to the connery and moore movies and george lazenby did a delightful cameo in the made for t. v. return of the man from u. n. c. l. e. represent the fifteen years later affair. 
as the 70 drew to a close and rumours began to fly in the entertainment industry about the possible return of sean connery to the role he had made famous back in 1962  james bond. cubby broccoli was asked on location in brazil during the making of moonraker by the b. b. c. barry norman how he viewed the prospect. understandably and the producer was reluctant to commit himself to an opinion. when moonraker opened and bond fans were outraged by what they perceived to be a cheapening of the character and and the jumping onto the star wars bandwagon much as live and let die had done with the blaxploitation craze a few years earlier. many publicly vocalised their hope that connery would return and if only to show eon how a real bond movie should look. years of legal battles followed. the original script and entitled james bond of the secret service ( later retitled warhead ) was written by kevin mcclory and len deighton and and connery and was never filmed and and remains one of the great unmade movie blockbusters. a new script and closer to the thunderball storyline and was commissioned. it was written by lorenzo semple junior and best known as the man who put the camp into batman. he had also written the parallax view and one of the decade finest conspiracy thrillers. feeling the script needed a british touch and connery brought in dick clement and ian la frenais and writers of hit british sitcoms the likely lads and porridge. the witty title was suggested by connery wife micheline. never say never again opened just before christmas 1983 to a shower of critical praise while normally sensible critics were so ecstatic at connery return they ignored all other aspects of the film. many used it to viciously attack the roger moore series and particularly that year octopussy. in truth and octopussy is superior in every respect. never lacks the excitement and spectacle one associates with bond and at times it looks like a made for t. v. movie. the story had been done before and better in 1965 thunderball and hence never was always going to come off second best. it was also hampered by not being part of the official series and meaning that monty norman james bond theme and maurice binder gun barrel logo could not be used. as bond and connery is magnificent and effortlessly stepping back into his most famous role. playing bond as an older and wiser agent worked. barbara carrera landed her best movie role as villainous fatima blush and a lady whose love for murder is such she dances after ( so she thinks ) killing bond. kim basinger smolders as domino. as s. p. e. c. t. r. e. agent maximillian largo and klaus maria brandauer gives a chilling performance. a major disappointment though is max von sydow as blofeld. the posters gave the impression he would be a major character and in fact he appears only in a few scenes. with a stronger script and he could have been one of the all time great bond villains. never promised to be a throwback to the early eon bonds such as from russia with love and but did not deliver. the gadgets were there and but were used almost apologetically. bond rocket firing motorcycle was a tired gimmick even in the 60 . the film tried to compete with eon bonds in terms of humour. bond saving himself by throwing his own urine sample into an assassin face is a farcical a moment as any you will find in moonraker. but the nadir comes with the introduction of rowan atkinson as bumbling foreign office official nigel small fawcett. he gives a performance so staggeringly awful you wonder if he thought he was in a footlights revue. michel legrand music is horrible and the man seems to never to have seen a bond film in his life. though the film was a financial success and viewed years later it stands as the weakest bond of the 80 . connery himself was disappointed with it and and not did act in a movie again for some years. 1983 was a good year for 007 maniacs and in addition to the connery and moore movies and george lazenby did a delightful cameo in the made for t. v. return of the man from u. n. c. l. e. represent the fifteen years later affair. ---------------------------------Answer Question Below----------------------------------

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