after slightly over 50 years of avid film watching and i have come up with some simple rules for making good movies. 1.	introduce your main characters early and certainly within the first half hour 2.	keep your characters to a minimum. if adapting a novel and combine characteristics and actions of minor characters into one person 3.	make sure your characters actions have credibility while if necessary and create additional scenes to establish motivation 4.	keep the action clear. violence does not have to be explicit and but it must not be confusing and either 5.	get the best music money can buy. frequently it matters more than acting and photography and etc. 6.	usually if a movie isn not very good within the first 10 minutes and it not going to get any better`cannon for cordoba is a textbook example of what happens when these simple rules are not followed. elmer bernstein score is rinkydink and one of the worst i have ever heard in a modestly budgeted movie. this is altogether surprising considering bernstein credentials (`man with the golden arm and `the magnificent seven and `the great escape and `sons of katie elder). paul wendkos direction is lackluster and confusing. performances vary from very good (don gordon and peter duel) to terrible (raf vallone and giovanna ralli and gabriele tinti) with the usually reliable george peppard falling somewhere in the middle. this should not be surprising and considering the mediocre direction and amateurish script and which breaks rules 1 and 2 and 3. don not waste your time. i give `cannon for cordoba a `3. 
after slightly over 50 years of avid film watching and i have come up with some simple rules for making good movies. 1.	introduce your main characters early and certainly within the first half hour 2.	keep your characters to a minimum. if adapting a novel and combine characteristics and actions of minor characters into one person 3.	make sure your characters actions have credibility while if necessary and create additional scenes to establish motivation 4.	keep the action clear. violence does not have to be explicit and but it must not be confusing and either 5.	get the best music money can buy. frequently it matters more than acting and photography and etc. 6.	usually if a movie isn not very good within the first 10 minutes and it not going to get any better`cannon for cordoba is a textbook example of what happens when these simple rules are not followed. elmer bernstein score is rinkydink and one of the worst i have ever heard in a modestly budgeted movie. this is altogether surprising considering bernstein credentials (`man with the golden arm and `the magnificent seven and `the great escape and `sons of katie elder). paul wendkos direction is lackluster and confusing. performances vary from very good (don gordon and peter duel) to terrible (raf vallone and giovanna ralli and gabriele tinti) with the usually reliable george peppard falling somewhere in the middle. this should not be surprising and considering the mediocre direction and amateurish script and which breaks rules 1 and 2 and 3. don not waste your time. i give `cannon for cordoba a `3. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
