as being selected during the quinzaine des réalisateurs and this year 2002 and catherine breillat is masterfully halvedivided of her autobiographical film and there where her lead actress and anne parillaud (la femme nikita and luc besson) and embodies admirably the film director of intimate scenes . this is a comedy of actors manners. making of . film genre . pornography or exhibitionism. sex is comedy is a post modern film and with its script based on a film within the film. as an implosive story of a minimalist love scene and the film is built with a constant solidarity of the forms and the spirit and in which and breillat keeps on breaking and analyzing the taboos. using visual codes and certain sense of the formula and catherine breillat implement her clinical analysis of the sexuality as an isolated problem outside the society to be communicate by the door of the heart. therefore and grégoire colin (good work and nénette et boni and claire denis and the dreamlife of angels and eric zonca) in the role of the actor and roxanne mesquida (fat girl and catherine breillat and marie from the bay of angels and manuel prada) and the actress and are actors whom she invents and she does clarify in an interview. breillat observes the man in front of him even and a chaste man. then breillat films the shame and the sexual mutilation and but also a big hope and a disturbing dimension of the ecstasy and a nudity of the feelings and the halving of the exhibitionism and playing to be one to be one. the director is finally expected to lead the actors to give their feelings and their body and their soul. so arranged and facing the problem of the order of who i am  and the actors of breillat put on an inorganic vitality to merge in her work in progress. but and for what is a shape of incredible exorcism and for an actor and breillat puts many questionings. enduring at the same moment a big suffering and the actors appear to be the ones who look for this loving transport to be part of the eternity of their work. the art of breillat is of researcher and to know how to undertake in a dialogue aiming at pushing away the limits of intimate scenes. join make up and prosthesis in erection and syndicates are not without reminding what pictures and scenes of jan steen and rembrandt could be in the anecdotal and the daily of characters on a shooting set. while the moral categories disappear from the background of sex is comedy and breillat succeeds in revealing the loving imitation power of the actors in a landscape of formidable and dramatic humanity. 
as being selected during the quinzaine des réalisateurs and this year 2002 and catherine breillat is masterfully halvedivided of her autobiographical film and there where her lead actress and anne parillaud (la femme nikita and luc besson) and embodies admirably the film director of intimate scenes . this is a comedy of actors manners. making of . film genre . pornography or exhibitionism. sex is comedy is a post modern film and with its script based on a film within the film. as an implosive story of a minimalist love scene and the film is built with a constant solidarity of the forms and the spirit and in which and breillat keeps on breaking and analyzing the taboos. using visual codes and certain sense of the formula and catherine breillat implement her clinical analysis of the sexuality as an isolated problem outside the society to be communicate by the door of the heart. therefore and grégoire colin (good work and nénette et boni and claire denis and the dreamlife of angels and eric zonca) in the role of the actor and roxanne mesquida (fat girl and catherine breillat and marie from the bay of angels and manuel prada) and the actress and are actors whom she invents and she does clarify in an interview. breillat observes the man in front of him even and a chaste man. then breillat films the shame and the sexual mutilation and but also a big hope and a disturbing dimension of the ecstasy and a nudity of the feelings and the halving of the exhibitionism and playing to be one to be one. the director is finally expected to lead the actors to give their feelings and their body and their soul. so arranged and facing the problem of the order of who i am  and the actors of breillat put on an inorganic vitality to merge in her work in progress. but and for what is a shape of incredible exorcism and for an actor and breillat puts many questionings. enduring at the same moment a big suffering and the actors appear to be the ones who look for this loving transport to be part of the eternity of their work. the art of breillat is of researcher and to know how to undertake in a dialogue aiming at pushing away the limits of intimate scenes. join make up and prosthesis in erection and syndicates are not without reminding what pictures and scenes of jan steen and rembrandt could be in the anecdotal and the daily of characters on a shooting set. while the moral categories disappear from the background of sex is comedy and breillat succeeds in revealing the loving imitation power of the actors in a landscape of formidable and dramatic humanity. ---------------------------------Answer Question Below----------------------------------

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