you are alone is a beautiful and almost delicate film and smart directed and crisply written and with two complex and riveting performances and and a twist of an ending that no one will see coming and but will make you want to see the film a second time to go back and catch up on all the clues you misread. the story and about a highschool girl who drowns her depression and awkwardness by working a few hours a week as a $500 an hour schoolgirl escort and and the depressed next door neighbor who discovers her secret and hires her for an afternoon call in a downtown new haven hotel and features breathtaking performances from both jessica bohl and as the girl and and richard brundage and as her neighbor. bohl as daphne gives a breakthrough performance on par with maggie gyllenhaal in secretary. she so captures a teenager angst of growing into her own skin and and when she talks about always being in control and you start to realize she not in control at all and but in danger of going over the deep end and which i guess in a way she does. brundage as buddy is depressed and angry and heartbroken and a shell of a man. but it isn not until the film startling conclusion that you grasp a full comprehension of his pain. after a very brief opening segment and which will hook most independent film lovers and and have the religious right running towards the exits and we are brought into the hotel room. at first youre not sure about these people and or the film making style. shaky and annoying. like the characters. until you realize their back story and told in short flashbacks. theyre confrontational at first for a reason and and so is the camera. but as they open up and as the story settles down and likewise and so does the camera. and and i do not know and 20 minutes in and give or take and you find yourself unable to take your eyes away from the screen. having just seen the world premiere screening at the brooklyn film fest  where the director asked the audience if anyone expected the ending and not one person answered yes  i almost wish the film were already on video so i could watch it again. because thinking back now on some of the conversations in the film and particularly a very candid dialog regarding fantasy and climax and i really thought things were going in a very different direction. but i realize now so much of their conversation meant something completely different than what i imagined. i need to see it again. but as dark and sexual as much of the talk is and blunt to say the least and i found myself laughing more than i might have expected at some of its candor and which definitely falls into the things we think and but lack the nerve to say out loud category. it very blunt and especially when you realize so much of it has a completely different meaning. some of it will make you uncomfortable and especially if youre watching you are alone with a partner. you will definitely have something to talk about  perhaps argue about  afterwards. perhaps it should come with a warning represent you should be alone when watching. the music is amazing. i would have come home and and purchased the soundtrack at my favorite online music store if i could have. the film looks as good as anything shot on film. after the screening director gorman bechard was asked what sort of process he used to get the digital footage to look so good. his answer represent none. they couldn not afford it. i have to give bechard credit. i am a big fan of his two shorts and the pretty girl and objects in the mirror and but even they could not have prepared me for the complexities and surprises of this film. to everyone involved represent bravo. 
you are alone is a beautiful and almost delicate film and smart directed and crisply written and with two complex and riveting performances and and a twist of an ending that no one will see coming and but will make you want to see the film a second time to go back and catch up on all the clues you misread. the story and about a highschool girl who drowns her depression and awkwardness by working a few hours a week as a $500 an hour schoolgirl escort and and the depressed next door neighbor who discovers her secret and hires her for an afternoon call in a downtown new haven hotel and features breathtaking performances from both jessica bohl and as the girl and and richard brundage and as her neighbor. bohl as daphne gives a breakthrough performance on par with maggie gyllenhaal in secretary. she so captures a teenager angst of growing into her own skin and and when she talks about always being in control and you start to realize she not in control at all and but in danger of going over the deep end and which i guess in a way she does. brundage as buddy is depressed and angry and heartbroken and a shell of a man. but it isn not until the film startling conclusion that you grasp a full comprehension of his pain. after a very brief opening segment and which will hook most independent film lovers and and have the religious right running towards the exits and we are brought into the hotel room. at first youre not sure about these people and or the film making style. shaky and annoying. like the characters. until you realize their back story and told in short flashbacks. theyre confrontational at first for a reason and and so is the camera. but as they open up and as the story settles down and likewise and so does the camera. and and i do not know and 20 minutes in and give or take and you find yourself unable to take your eyes away from the screen. having just seen the world premiere screening at the brooklyn film fest  where the director asked the audience if anyone expected the ending and not one person answered yes  i almost wish the film were already on video so i could watch it again. because thinking back now on some of the conversations in the film and particularly a very candid dialog regarding fantasy and climax and i really thought things were going in a very different direction. but i realize now so much of their conversation meant something completely different than what i imagined. i need to see it again. but as dark and sexual as much of the talk is and blunt to say the least and i found myself laughing more than i might have expected at some of its candor and which definitely falls into the things we think and but lack the nerve to say out loud category. it very blunt and especially when you realize so much of it has a completely different meaning. some of it will make you uncomfortable and especially if youre watching you are alone with a partner. you will definitely have something to talk about  perhaps argue about  afterwards. perhaps it should come with a warning represent you should be alone when watching. the music is amazing. i would have come home and and purchased the soundtrack at my favorite online music store if i could have. the film looks as good as anything shot on film. after the screening director gorman bechard was asked what sort of process he used to get the digital footage to look so good. his answer represent none. they couldn not afford it. i have to give bechard credit. i am a big fan of his two shorts and the pretty girl and objects in the mirror and but even they could not have prepared me for the complexities and surprises of this film. to everyone involved represent bravo. ---------------------------------Answer Question Below----------------------------------

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