no more corned beef and cabbage for her. this little romantic comedy clips along from scene to scene with a few exotic twists (some imaginary scenes and a costume party). all of this is centered around the wife of the husband(s) who is looking to break out of the doldrums and played by gloria swanson (she is twenty here. ). both the leading men have a natural air that is convincing and of course swanson is perfect in all kinds of moods and from frivolous to worried to hopeful. behind all the games and apparent lightheartedness is that old serious problem of staying in love and not straying in love. there a little corniness and but director demille is on top of keeping it snappy and believable in all. as with many films from this period and the subtitles do not just tell what they are saying (or thinking) but often give a kind of philosophical insight and as if to justify the tragedy (or raciness). and there is that higher purpose here and probably better without the instructional text and but it part of the narrative style and and it kind of quaint. if you are looking for visual or formal amazement and you would not find it here. but as a story and well acted and and filmed with precision and economy and it really a great example. the events might not come as a total surprise and but it such a modern love story and set almost a hundred years ago and it a gas. and did i saw swanson was perfect. 
no more corned beef and cabbage for her. this little romantic comedy clips along from scene to scene with a few exotic twists (some imaginary scenes and a costume party). all of this is centered around the wife of the husband(s) who is looking to break out of the doldrums and played by gloria swanson (she is twenty here. ). both the leading men have a natural air that is convincing and of course swanson is perfect in all kinds of moods and from frivolous to worried to hopeful. behind all the games and apparent lightheartedness is that old serious problem of staying in love and not straying in love. there a little corniness and but director demille is on top of keeping it snappy and believable in all. as with many films from this period and the subtitles do not just tell what they are saying (or thinking) but often give a kind of philosophical insight and as if to justify the tragedy (or raciness). and there is that higher purpose here and probably better without the instructional text and but it part of the narrative style and and it kind of quaint. if you are looking for visual or formal amazement and you would not find it here. but as a story and well acted and and filmed with precision and economy and it really a great example. the events might not come as a total surprise and but it such a modern love story and set almost a hundred years ago and it a gas. and did i saw swanson was perfect. ---------------------------------Answer Question Below----------------------------------

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