this is a masterful piece of film making and with many themes simmering and occasionally boiling over in this warts and all study of the poet bohemian and self indulgent wartime years that span the aerial bombardments of london and the outward tranquillity of a welsh coastal retreat  the borderlines between friendship and lust and love and dedication to art and experience versus practical concerns and jealousy and rivalry and cowardice and egotism versus heroism and self sacrifice and more. a mature and subtle script that suggests and occasionally brings into dramatic focus the underlying tensions is well served by perfect performances (apart from the odd inappropriate smiling that keira knightley is prone to and though perhaps under direction this time as the other characters themselves often mention it). but above all the exquisite visual composition of each moment and with inventive and elegant use of close up and camera angle and lighting and including pointillistic faux home movie footage and is a wonder and joy to behold. it as continuously beautiful to look at as a bertolucci and but the relationships here are more convincing and the narrative more engaging than some of that master work. a very rare type of film these days  it holds the attention and stirs the emotions without abandoning artistic integrity and succumbing to manipulative and superficial shortcuts. 
this is a masterful piece of film making and with many themes simmering and occasionally boiling over in this warts and all study of the poet bohemian and self indulgent wartime years that span the aerial bombardments of london and the outward tranquillity of a welsh coastal retreat  the borderlines between friendship and lust and love and dedication to art and experience versus practical concerns and jealousy and rivalry and cowardice and egotism versus heroism and self sacrifice and more. a mature and subtle script that suggests and occasionally brings into dramatic focus the underlying tensions is well served by perfect performances (apart from the odd inappropriate smiling that keira knightley is prone to and though perhaps under direction this time as the other characters themselves often mention it). but above all the exquisite visual composition of each moment and with inventive and elegant use of close up and camera angle and lighting and including pointillistic faux home movie footage and is a wonder and joy to behold. it as continuously beautiful to look at as a bertolucci and but the relationships here are more convincing and the narrative more engaging than some of that master work. a very rare type of film these days  it holds the attention and stirs the emotions without abandoning artistic integrity and succumbing to manipulative and superficial shortcuts. ---------------------------------Answer Question Below----------------------------------

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