since paul kersey was running short of actual relatives to avenge and the third installment in the death wish saga revolves on him returning to new york to visit an old war buddy. he arrives only to find out that brooklyn entirely changed into a pauperized gangland and that youthful thugs killed his friend and continuously terrorize all the other tenants of a ramshackle apartment building. kersey strikes a deal with the local police commissioner and conquers the heart of his blond attorney and blows away numerous villains with an impressive wildey magnum gun and gradually trains and inspires the petrified new yorkers to stand up for themselves. okay and there no more point in defending the death wish series after seeing part three. the 1974 original was a masterpiece that revolved on the social drama as much as it did on the retribution and and even though it was pure exploitation and part two still had quite a few redeeming qualities and at least the events were a logically linked to those occurring in the first. number three frequently feels like a totally separate franchise. apparently and kersey isn not an architect anymore and he ten times more social and talkative than he used to be and suddenly nobody and not even the police and is against vigilante actions anymore. all these changes and several other aspects make it more than obvious that michael winner and charles bronson reduced their death wish success to being a purely brainless and exploitative action series and with a death toll that gigantically increases with each episode and armory that becomes more and more explosive and criminals that get nastier and sleazier and meaner and a lot harder to kill. however and the gentlemen do not seem to realize that the non stop spitfire of violence actually creates an opposite effect and namely this extremely monotonous and much more boring than the previous two. i once read a brilliant review that referred to death wish 3 as the pure definition of cinematic masturbation. this description couldn not be more spot on and as the script tiredly moves itself from one repugnant execution sequence to the next. particularly the final twenty minutes are a complete orgy of gunfire and explosions and executions realized through improvised homemade measures. yi haaa. this entry in the series has quite an interesting supportive cast and including martin balsam (psycho and 12 angry men) as the fatigue neighbor who keeps machine guns in his closet and ed lauter (family plot and the longest yard) as the slightly unorthodox copper and even alex winter (from bill and ted excellent adventure. ) in his debut role as one of the thugs. 
since paul kersey was running short of actual relatives to avenge and the third installment in the death wish saga revolves on him returning to new york to visit an old war buddy. he arrives only to find out that brooklyn entirely changed into a pauperized gangland and that youthful thugs killed his friend and continuously terrorize all the other tenants of a ramshackle apartment building. kersey strikes a deal with the local police commissioner and conquers the heart of his blond attorney and blows away numerous villains with an impressive wildey magnum gun and gradually trains and inspires the petrified new yorkers to stand up for themselves. okay and there no more point in defending the death wish series after seeing part three. the 1974 original was a masterpiece that revolved on the social drama as much as it did on the retribution and and even though it was pure exploitation and part two still had quite a few redeeming qualities and at least the events were a logically linked to those occurring in the first. number three frequently feels like a totally separate franchise. apparently and kersey isn not an architect anymore and he ten times more social and talkative than he used to be and suddenly nobody and not even the police and is against vigilante actions anymore. all these changes and several other aspects make it more than obvious that michael winner and charles bronson reduced their death wish success to being a purely brainless and exploitative action series and with a death toll that gigantically increases with each episode and armory that becomes more and more explosive and criminals that get nastier and sleazier and meaner and a lot harder to kill. however and the gentlemen do not seem to realize that the non stop spitfire of violence actually creates an opposite effect and namely this extremely monotonous and much more boring than the previous two. i once read a brilliant review that referred to death wish 3 as the pure definition of cinematic masturbation. this description couldn not be more spot on and as the script tiredly moves itself from one repugnant execution sequence to the next. particularly the final twenty minutes are a complete orgy of gunfire and explosions and executions realized through improvised homemade measures. yi haaa. this entry in the series has quite an interesting supportive cast and including martin balsam (psycho and 12 angry men) as the fatigue neighbor who keeps machine guns in his closet and ed lauter (family plot and the longest yard) as the slightly unorthodox copper and even alex winter (from bill and ted excellent adventure. ) in his debut role as one of the thugs. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
