first they came for the communists and and i do not speak up and because i wasn not a communist. then they came for the jews and and i do not speak up and because i wasn not a jew. then they came for the catholics and and i do not speak up and because i was a protestant. then they came for me and and by that time there was no one left to speak up for me. attributed to rev. martin niemoller and 1945when faced with intolerance or injustice and the easiest thing to do is nothing  speak up and you risk becoming an object of scorn. but when does enough become too much. global anti semitic sentiments allowed hitler genocidal policies to thrive and and equal doses of fear mongering and ignorance made it possible for the anti communist purges of mccarthyism to destroy thousands of peoples lives. inaction makes one no less culpable. lawrence newman is a chameleon of a man represent quiet and nondescript he blends seamlessly with his surroundings. lawrence doesn not like to get involved  when he witnesses an attack on a young woman and he tells no one and goes about his business. his world spirals into chaos when he buys a pair of glasses and and is mistaken for one of them. lawrence view of the world and its view of him is forever altered. while the subject matter of this film is not new and its presentation is definitely unique. it is much easier to understand the irrational nature of prejudice and when placed within a certain context  lawrence is more concerned with the assumptions that he is jewish and than he is with the views of his attackers. he believes that if he corrects this oversight that everything will be all right and not realizing that logic and prejudice never go hand in hand. whether playing a schemer (the only thing i liked about fargo) or a down home nice guy sheriff and william h. macy roles are linked by a common thread his characters share a subtle and deliberate countenance that gives them substance. macy nails lawrence down to the smallest detail and and says more with a furtive glance or tremble in his voice than a page of dialogue. by showing and rather than telling and lawrence is able to share his fear and bewilderment with the viewer. the supporting cast brings the story together. laura dern is compelling as gerty and lawrence bombshell wife with a past. trailer park rough and yet other worldly wise and she has also felt the wrath of prejudice as the result of a mistake and unwittingly exacerbates lawrence situation. michael lee aday (aka meatloaf) is frightening as fred and the prototypical redneck next door and equal parts ignorance and venom and rallying neighbours to his virulent cause. in the midst of the chaos is finklestein (david paymer) and the focus of the aggression and and the voice of reason that raises the important questions. paymer even handed portrayal keeps finklestein from becoming a stereotype or someone whose sole purpose is to engender sympathy and making his one of the strongest performances in the film. the tight editing and close cropped cinematography make for a clean picture with few distractions and and mixes an air of claustrophobia in with the small town usa feel  it is simultaneously comforting and disturbing. the deliberate use of harsh two tone lighting to accentuate the malevolent aspects of the piece and the carefully scored soundtrack and are powerful without being overwhelming. finally and the set and costume designs recreate the feel of the era and an essential component in the film message. focus unconventional approach in dealing with prejudice is reason enough to recommend this film. just consider the excellent story and solid acting and look of the film as added bonuses. 
first they came for the communists and and i do not speak up and because i wasn not a communist. then they came for the jews and and i do not speak up and because i wasn not a jew. then they came for the catholics and and i do not speak up and because i was a protestant. then they came for me and and by that time there was no one left to speak up for me. attributed to rev. martin niemoller and 1945when faced with intolerance or injustice and the easiest thing to do is nothing  speak up and you risk becoming an object of scorn. but when does enough become too much. global anti semitic sentiments allowed hitler genocidal policies to thrive and and equal doses of fear mongering and ignorance made it possible for the anti communist purges of mccarthyism to destroy thousands of peoples lives. inaction makes one no less culpable. lawrence newman is a chameleon of a man represent quiet and nondescript he blends seamlessly with his surroundings. lawrence doesn not like to get involved  when he witnesses an attack on a young woman and he tells no one and goes about his business. his world spirals into chaos when he buys a pair of glasses and and is mistaken for one of them. lawrence view of the world and its view of him is forever altered. while the subject matter of this film is not new and its presentation is definitely unique. it is much easier to understand the irrational nature of prejudice and when placed within a certain context  lawrence is more concerned with the assumptions that he is jewish and than he is with the views of his attackers. he believes that if he corrects this oversight that everything will be all right and not realizing that logic and prejudice never go hand in hand. whether playing a schemer (the only thing i liked about fargo) or a down home nice guy sheriff and william h. macy roles are linked by a common thread his characters share a subtle and deliberate countenance that gives them substance. macy nails lawrence down to the smallest detail and and says more with a furtive glance or tremble in his voice than a page of dialogue. by showing and rather than telling and lawrence is able to share his fear and bewilderment with the viewer. the supporting cast brings the story together. laura dern is compelling as gerty and lawrence bombshell wife with a past. trailer park rough and yet other worldly wise and she has also felt the wrath of prejudice as the result of a mistake and unwittingly exacerbates lawrence situation. michael lee aday (aka meatloaf) is frightening as fred and the prototypical redneck next door and equal parts ignorance and venom and rallying neighbours to his virulent cause. in the midst of the chaos is finklestein (david paymer) and the focus of the aggression and and the voice of reason that raises the important questions. paymer even handed portrayal keeps finklestein from becoming a stereotype or someone whose sole purpose is to engender sympathy and making his one of the strongest performances in the film. the tight editing and close cropped cinematography make for a clean picture with few distractions and and mixes an air of claustrophobia in with the small town usa feel  it is simultaneously comforting and disturbing. the deliberate use of harsh two tone lighting to accentuate the malevolent aspects of the piece and the carefully scored soundtrack and are powerful without being overwhelming. finally and the set and costume designs recreate the feel of the era and an essential component in the film message. focus unconventional approach in dealing with prejudice is reason enough to recommend this film. just consider the excellent story and solid acting and look of the film as added bonuses. ---------------------------------Answer Question Below----------------------------------

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