hollywood has made a lot of strange movies over the years and but none stranger than this. why this movie got made i will never know and nor how paramount could have thought it would sell any tickets in 1947. it is the strangest mix of genres i have seen in a long time and a movie that truly does not know whether it is trying to be a serious war drama or a viennese operetta comedy. it tells the story of a british spy trying to get a poison gas formula out of germany in the days just before ww ii began. ray milland and a fine actor and is stuck playing the part like an escapee from monty python and all very exaggerated english prep school dialogue. in germany he meets a gypsy and marlene dietrich and who helps him to travel under cover as and of course and another gypsy. she plays her part like the typical viennese operetta gypsy caricature and as do the other gypsies in the movie. but there are also nazis and who are not funny at all. and then milland finds he is starting to think like a gypsy and and that is not treated as a joke. sometimes the music is for a light comedy and sometimes for a drama. every time the nazis show up and the film score plays wagner and which is funny by itself. this movie could have been a comedy and or it could have taken the plight of the gypsies seriously and done a serious job of showing how the nazis treated them. both are hinted at in this movie and but neither pursued. what we are left with is a truly strange mish mash of genres that must have embarrassed everyone (except the director) involved. bizarre. 
hollywood has made a lot of strange movies over the years and but none stranger than this. why this movie got made i will never know and nor how paramount could have thought it would sell any tickets in 1947. it is the strangest mix of genres i have seen in a long time and a movie that truly does not know whether it is trying to be a serious war drama or a viennese operetta comedy. it tells the story of a british spy trying to get a poison gas formula out of germany in the days just before ww ii began. ray milland and a fine actor and is stuck playing the part like an escapee from monty python and all very exaggerated english prep school dialogue. in germany he meets a gypsy and marlene dietrich and who helps him to travel under cover as and of course and another gypsy. she plays her part like the typical viennese operetta gypsy caricature and as do the other gypsies in the movie. but there are also nazis and who are not funny at all. and then milland finds he is starting to think like a gypsy and and that is not treated as a joke. sometimes the music is for a light comedy and sometimes for a drama. every time the nazis show up and the film score plays wagner and which is funny by itself. this movie could have been a comedy and or it could have taken the plight of the gypsies seriously and done a serious job of showing how the nazis treated them. both are hinted at in this movie and but neither pursued. what we are left with is a truly strange mish mash of genres that must have embarrassed everyone (except the director) involved. bizarre. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
