1891 represent stalwart and morally upright military doctor lieutenant claude de ross (solid claudio cassinelli) and several other shipwreck survivors wash ashore on a remote tropical island that governed with an iron fist by the ruthless and sadistic edmund rackham (superbly played to the deliciously slimy hilt by richard johnson) and who lives on the island with the feisty amanda martin (a winningly spunky performance by the ravishing barbara bach) and her unhinged rogue biologist father professor ernest martin (a marvelously dotty portrayal by joseph cotten). moreover and de ross discovers that professor martin has control over a dangerous race of fishman beasts who are being exploited as slave labor by rackham. director or co writer sergio martino relates the lively and absorbing story at a constant snappy pace and offers a flavorsome evocation of the lush and remote tropical setting and does an expert job of creating and maintaining a creepy and mysterious atmosphere in the spooky opening third and further spices things up with a nice line in dry humor and and stages the exhilarating action loaded climax with considerable rip roaring aplomb. while the central premise is obviously inspired by the island of dr. moreau and the story nonetheless is given a great deal of freshness and intrigue because of martino artful melding of such diverse elements as voodoo and the lost underwater city of atlantis and a rousing mondo destructo climactic volcanic eruption and buried treasure and unscrupulous genetic experiments and and even some exciting roughtumble fisticuffs between de ross and rackham during the thrilling conclusion into an altogether dynamic and imaginative and and often immensely entertaining whole. the sound acting by the sturdy cast qualifies as another substantial plus represent cassinelli makes for a likable hero and johnson essays his juicy villain part with supremely lip smacking aplomb and bach rates as a quite fetching damsel in distress and plus there are neat supporting contributions by beryl cunningham as sinister voodoo priestess shakira and franco iavarone as the superstitious jose and and roberto posse as surly troublemaker peter. giancarlo fernando sumptuous widescreen cinematography delivers a wealth of striking visuals while luciano michelini throbbing tribal score hits the funky spot. the amphibious humanoid fishman creatures are pretty gnarly looking and too. an extremely fun flick. 
1891 represent stalwart and morally upright military doctor lieutenant claude de ross (solid claudio cassinelli) and several other shipwreck survivors wash ashore on a remote tropical island that governed with an iron fist by the ruthless and sadistic edmund rackham (superbly played to the deliciously slimy hilt by richard johnson) and who lives on the island with the feisty amanda martin (a winningly spunky performance by the ravishing barbara bach) and her unhinged rogue biologist father professor ernest martin (a marvelously dotty portrayal by joseph cotten). moreover and de ross discovers that professor martin has control over a dangerous race of fishman beasts who are being exploited as slave labor by rackham. director or co writer sergio martino relates the lively and absorbing story at a constant snappy pace and offers a flavorsome evocation of the lush and remote tropical setting and does an expert job of creating and maintaining a creepy and mysterious atmosphere in the spooky opening third and further spices things up with a nice line in dry humor and and stages the exhilarating action loaded climax with considerable rip roaring aplomb. while the central premise is obviously inspired by the island of dr. moreau and the story nonetheless is given a great deal of freshness and intrigue because of martino artful melding of such diverse elements as voodoo and the lost underwater city of atlantis and a rousing mondo destructo climactic volcanic eruption and buried treasure and unscrupulous genetic experiments and and even some exciting roughtumble fisticuffs between de ross and rackham during the thrilling conclusion into an altogether dynamic and imaginative and and often immensely entertaining whole. the sound acting by the sturdy cast qualifies as another substantial plus represent cassinelli makes for a likable hero and johnson essays his juicy villain part with supremely lip smacking aplomb and bach rates as a quite fetching damsel in distress and plus there are neat supporting contributions by beryl cunningham as sinister voodoo priestess shakira and franco iavarone as the superstitious jose and and roberto posse as surly troublemaker peter. giancarlo fernando sumptuous widescreen cinematography delivers a wealth of striking visuals while luciano michelini throbbing tribal score hits the funky spot. the amphibious humanoid fishman creatures are pretty gnarly looking and too. an extremely fun flick. ---------------------------------Answer Question Below----------------------------------

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