on a dark and gloomy new year eve night and an ill nurse and her life slowly ebbing away and demands that david holm be presented to her at once. we do not yet know who david holm is and or why this nurse wishes to see him and but her only dying wish is to speak with him just one more time. on the other side of the town and nestled comfortably amongst the gravestones of the local cemetery and holm (victor sjöström and who also directed) and two of his drunken associates merrily await the coming of the new year. here we can tell just when to drink the new year in and exclaims holm and casting a finger towards the large clock tower that looms through the darkness. little does he know and however and that he will not be alive to greet it. to pass the time and holm cheerfully recites a ghost story. he would once had a friend name george and a merry fellow who was smarter than the rest of us. on one new year eve several years ago and george has broken up a potentially disastrous brawl and fearing that the final man to draw his last breath before midnight would be condemned to drive the phantom chariot for the next year and doing death bidding and collecting the souls of the deceased. and and gentlemen and george died last new year eve. concludes holm happily and not bothering to contain his mocking skepticism of the man beliefs. as fate has it and of course and an unexpected violent encounter results in holm death and just on the stroke of midnight. as the man transparent spirit rises gingerly from his earthly body and he witnesses and to his horror and the distant approach of a phantom carriage. the driver and a frail cloaked figure  a sickle clasped tightly in his hand  steps down from the carriage and approaches. we are astonished to discover that the driver is none other than a decrepit george and preparing to pass on his ghastly duty to this year successor. considering the era in which körkarlen is made and the special effects in this film are absolutely superb. cinematographer julius jaenzon used double exposure photography to create the eerie and ghostly silhouette of the carriage and its damned driver. even today and the end result is highly effective. a particularly impressive scene involves the phantom chariot travelling to the ocean floor to retrieve the soul of a drowned man. another scene and eerily reminiscent of jack torrance (jack nicholson) in stanley kubrick the shining and involves holm breaking down the kitchen door with an axe in order to reach his fleeing wife and children. genuinely ominous and unsettling in its execution and victor sjöström körkarlen is a fine work of cinema and successfully portraying holm steady alcoholic decline and his inevitable day of judgment and and a final hopeful possibility of redemption. 
on a dark and gloomy new year eve night and an ill nurse and her life slowly ebbing away and demands that david holm be presented to her at once. we do not yet know who david holm is and or why this nurse wishes to see him and but her only dying wish is to speak with him just one more time. on the other side of the town and nestled comfortably amongst the gravestones of the local cemetery and holm (victor sjöström and who also directed) and two of his drunken associates merrily await the coming of the new year. here we can tell just when to drink the new year in and exclaims holm and casting a finger towards the large clock tower that looms through the darkness. little does he know and however and that he will not be alive to greet it. to pass the time and holm cheerfully recites a ghost story. he would once had a friend name george and a merry fellow who was smarter than the rest of us. on one new year eve several years ago and george has broken up a potentially disastrous brawl and fearing that the final man to draw his last breath before midnight would be condemned to drive the phantom chariot for the next year and doing death bidding and collecting the souls of the deceased. and and gentlemen and george died last new year eve. concludes holm happily and not bothering to contain his mocking skepticism of the man beliefs. as fate has it and of course and an unexpected violent encounter results in holm death and just on the stroke of midnight. as the man transparent spirit rises gingerly from his earthly body and he witnesses and to his horror and the distant approach of a phantom carriage. the driver and a frail cloaked figure  a sickle clasped tightly in his hand  steps down from the carriage and approaches. we are astonished to discover that the driver is none other than a decrepit george and preparing to pass on his ghastly duty to this year successor. considering the era in which körkarlen is made and the special effects in this film are absolutely superb. cinematographer julius jaenzon used double exposure photography to create the eerie and ghostly silhouette of the carriage and its damned driver. even today and the end result is highly effective. a particularly impressive scene involves the phantom chariot travelling to the ocean floor to retrieve the soul of a drowned man. another scene and eerily reminiscent of jack torrance (jack nicholson) in stanley kubrick the shining and involves holm breaking down the kitchen door with an axe in order to reach his fleeing wife and children. genuinely ominous and unsettling in its execution and victor sjöström körkarlen is a fine work of cinema and successfully portraying holm steady alcoholic decline and his inevitable day of judgment and and a final hopeful possibility of redemption. ---------------------------------Answer Question Below----------------------------------

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