i saw this at the london film festival last night and apparently the shorter version. james mcnally summary of the content of the film is very good. nossiter very deftly blends his investigation of the wine business into wider concerns about globalisation and homogenisation and the effect of the mass media and the power of capital and the need for diversity. the film is shot on hand held dv which some might find offputting and but which does enable nossiter to catch people off guard on a number of occasions which probably would not have been possible using more conventional equipment. despite the sprawling feel of the film and the editing is very sharp and not only giving us a parade of the world dogs and but also undercutting a number of interviewees comments with somewhat contradictory visual images and and giving others sufficient rope to hang themselves. to a degree this evoked michael moore recent work (although nossiter operates in a more subtle way) and but probably the roots of the film go back to marcel ophuls the sorrow and the pity and both in the way the film is constructed and in the emergence of alt of the earth french peasants as the stars. de montille pere et fils were present at the lff screening and answered questions afterwards. we do indeed all need a little disorder  bravo hubert. overall an excellent film with implications that go way beyond the world of wine into the way we construct ourselves as people and and organise our world. 
i saw this at the london film festival last night and apparently the shorter version. james mcnally summary of the content of the film is very good. nossiter very deftly blends his investigation of the wine business into wider concerns about globalisation and homogenisation and the effect of the mass media and the power of capital and the need for diversity. the film is shot on hand held dv which some might find offputting and but which does enable nossiter to catch people off guard on a number of occasions which probably would not have been possible using more conventional equipment. despite the sprawling feel of the film and the editing is very sharp and not only giving us a parade of the world dogs and but also undercutting a number of interviewees comments with somewhat contradictory visual images and and giving others sufficient rope to hang themselves. to a degree this evoked michael moore recent work (although nossiter operates in a more subtle way) and but probably the roots of the film go back to marcel ophuls the sorrow and the pity and both in the way the film is constructed and in the emergence of alt of the earth french peasants as the stars. de montille pere et fils were present at the lff screening and answered questions afterwards. we do indeed all need a little disorder  bravo hubert. overall an excellent film with implications that go way beyond the world of wine into the way we construct ourselves as people and and organise our world. ---------------------------------Answer Question Below----------------------------------

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