i wrote this as a two part review. part two has spoilers. part 1 represent no and this isn not that one about the sex with car accidents. this is the one about racism in l. a. you know and the one where everybody is a racist and and race is the topic on everybody mind at all times. race. its like the movie has a form of turrets syndrome where race is the constant theme. race. racist. racism. race relations. relay race. paul haggis made a movie which took the structure of magnolia and which was used to show the disconnect of people who are tangentially connected and and then screwed it into a 153 mental vomit about racism in america. race. in the 24 hour period we have 7 stories running parallel all connected and about race. the first hour and people say ridiculous stuff and do absurd things in an effort to be real about racism in america. for example and the story with ludicrous and larenz tate provides the comic relief. too bad and the first half of their story is lifted straight from the bonnie situation in pulp fiction. racism. their section is the quentin tarantino section where and instead of being cool and talking about foot massages and religion and the characters talk about race and racism. constantly. the other good thing about it is the mexican story when the mexican guy is talking to his daughter. he gives her his invisible impenetrable cloak to protect her from bullets. decent writing and but that only because the writers have had daughters and know what they would say in his place. the rest of the stories are extremely ludicrous. the hindi does not act in any semblance of realism. the scene where he trying to get the lock fixed and the mexican tells him he needs a new door is abbreviated and stupid. why would anybody act like that. is it realistic. nooo. it reminds me more of the convenience store clerk from the doom generation. six dollar sixty six cents girly. if i ever watch the second half of the movie and i hope his head is shot off and his bodiless head starts coughing up relish. i haven not mentioned race in over a paragraph. race. racism. race for the sun. better. then and there is the black guy who wants to be white and matt dillon who has a chip on his shoulder against blacks and ryan phillippe who looks beautiful and does nothing and and various other bad actors acting badly with bad dialog. when matt dillon molests the black producers wife and could i help it if i was cracking up. when philippe is second guessing his writing up of his partner for racism and can i help but crack up. the movie is so funny when it is being racist. racist. racist i tell you. now and mind you and this movie was nominated for best picture and best director and best screenplay and and best editing and besides a nod to matt dillon who actually did attempt to do a decent job. who was paid off for that one and i have no clue. don not see it unless you feel like being preached at about the racism in society through a bad and unrealistic script from 2 white men over fifty who have no semblance of reality or interaction with real society in any way shape or form. d part 2 representthe second half of crash takes any and all story lines in the first half. and spews them back out in a sort of redemptive and conclusionary and the world is a big coincidence kind of way. and it is in fact one of the worst ways to do it. take 1999 magnolia. people weren not conveniently tied together over and over again. they were just connected in a strange way that happens more often than you think. you know somebody who knows somebody who did something that you knew somebody else was also involved in. crash takes this wrapping into a serious extreme. the stories are lined up so everybody meets again. are there only 5 on the lapd force. aren not these people working weird shifts. dillon and philippe were a late shift then an early one the next day. and and why did tate have to be the murdered hitchhiker. wouldn not it have had more emotional tension and as well as realism and if it had been somebody we had not been following all day long. like phillippe just picks up a random hitchhiker and then freaks out. everybody would be freaking out. eventually and in the second half and the touching invisible cloak scene is used to get the hindi to shoot the daughter. it ticked me off and made me feel dirty. not that the hindi shot the daughter and but that they created a beautiful touching scene and then had it be the direct cause of people tearing up. it really ticked me off. at the writers and not the scene. the whole movie is fake and totally uncalled for. the coincidences are far too many and they require an extreme suspension of disbelief. unlike magnolia which was connected mildly and this had connections upon connections upon connections which were just so over the top. the only good part in the second half was when sandra bullock falls down the stairs. she doesn not die though. she should have. i cheered when she fell. the worst part about the movie is it pulls a magnolia. not just in structure and but it has a montage over the song in the deep where you see everybody being depressed. magnolia took this and had post modern commentary on it by having all of the characters singing along to aimee mann wise up. unfortunately and magnolia came out in 1999 and while crash came out in 2005. its hard to make commentary on a movie which would not be made for another 6 years and but it happened. somehow. utter waste of my time. first half represent d while second half represent lowest grade ever while overall represent f  . 
i wrote this as a two part review. part two has spoilers. part 1 represent no and this isn not that one about the sex with car accidents. this is the one about racism in l. a. you know and the one where everybody is a racist and and race is the topic on everybody mind at all times. race. its like the movie has a form of turrets syndrome where race is the constant theme. race. racist. racism. race relations. relay race. paul haggis made a movie which took the structure of magnolia and which was used to show the disconnect of people who are tangentially connected and and then screwed it into a 153 mental vomit about racism in america. race. in the 24 hour period we have 7 stories running parallel all connected and about race. the first hour and people say ridiculous stuff and do absurd things in an effort to be real about racism in america. for example and the story with ludicrous and larenz tate provides the comic relief. too bad and the first half of their story is lifted straight from the bonnie situation in pulp fiction. racism. their section is the quentin tarantino section where and instead of being cool and talking about foot massages and religion and the characters talk about race and racism. constantly. the other good thing about it is the mexican story when the mexican guy is talking to his daughter. he gives her his invisible impenetrable cloak to protect her from bullets. decent writing and but that only because the writers have had daughters and know what they would say in his place. the rest of the stories are extremely ludicrous. the hindi does not act in any semblance of realism. the scene where he trying to get the lock fixed and the mexican tells him he needs a new door is abbreviated and stupid. why would anybody act like that. is it realistic. nooo. it reminds me more of the convenience store clerk from the doom generation. six dollar sixty six cents girly. if i ever watch the second half of the movie and i hope his head is shot off and his bodiless head starts coughing up relish. i haven not mentioned race in over a paragraph. race. racism. race for the sun. better. then and there is the black guy who wants to be white and matt dillon who has a chip on his shoulder against blacks and ryan phillippe who looks beautiful and does nothing and and various other bad actors acting badly with bad dialog. when matt dillon molests the black producers wife and could i help it if i was cracking up. when philippe is second guessing his writing up of his partner for racism and can i help but crack up. the movie is so funny when it is being racist. racist. racist i tell you. now and mind you and this movie was nominated for best picture and best director and best screenplay and and best editing and besides a nod to matt dillon who actually did attempt to do a decent job. who was paid off for that one and i have no clue. don not see it unless you feel like being preached at about the racism in society through a bad and unrealistic script from 2 white men over fifty who have no semblance of reality or interaction with real society in any way shape or form. d part 2 representthe second half of crash takes any and all story lines in the first half. and spews them back out in a sort of redemptive and conclusionary and the world is a big coincidence kind of way. and it is in fact one of the worst ways to do it. take 1999 magnolia. people weren not conveniently tied together over and over again. they were just connected in a strange way that happens more often than you think. you know somebody who knows somebody who did something that you knew somebody else was also involved in. crash takes this wrapping into a serious extreme. the stories are lined up so everybody meets again. are there only 5 on the lapd force. aren not these people working weird shifts. dillon and philippe were a late shift then an early one the next day. and and why did tate have to be the murdered hitchhiker. wouldn not it have had more emotional tension and as well as realism and if it had been somebody we had not been following all day long. like phillippe just picks up a random hitchhiker and then freaks out. everybody would be freaking out. eventually and in the second half and the touching invisible cloak scene is used to get the hindi to shoot the daughter. it ticked me off and made me feel dirty. not that the hindi shot the daughter and but that they created a beautiful touching scene and then had it be the direct cause of people tearing up. it really ticked me off. at the writers and not the scene. the whole movie is fake and totally uncalled for. the coincidences are far too many and they require an extreme suspension of disbelief. unlike magnolia which was connected mildly and this had connections upon connections upon connections which were just so over the top. the only good part in the second half was when sandra bullock falls down the stairs. she doesn not die though. she should have. i cheered when she fell. the worst part about the movie is it pulls a magnolia. not just in structure and but it has a montage over the song in the deep where you see everybody being depressed. magnolia took this and had post modern commentary on it by having all of the characters singing along to aimee mann wise up. unfortunately and magnolia came out in 1999 and while crash came out in 2005. its hard to make commentary on a movie which would not be made for another 6 years and but it happened. somehow. utter waste of my time. first half represent d while second half represent lowest grade ever while overall represent f  . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
