on march 17 and 1974 and a man is found dead in the toilets at manhattan penn station. although well known and he cannot be identified because he scratched out the personal information in his passport and his body lays unclaimed at the city morgue for three days. it turned out to be the body of what many consider one of the greatest american architects of the twentieth century and louis i. kahn. he died at the age of 73 and on his way from india and where one of his greatest projects and the institute for management in ahmedabad and was nearing completion. one of the most influential post war american architects and louis kahn architectural legacy includes the house of parliament in dhaka and bangladesh and the kimbell art museum in forth worth and the yale art gallery and the salk institute in california and a kind of mobile music boat and designed to give concerts in harbours in various cities around the world. while celebrated as an architect and very little was known about his private life. in addition to his wife esther and and their daughter and sue ann and kahn was survived by two mistresses and harriet pattison and anne tyng and and their two children. all three families lived within miles of each other in suburban philadelphia and but their paths never crossed until the funeral. his son and nathaniel and the director of this film and was only 11 years old at the time and and had only a few memories of his father weekly visits at harriet patterson and nathaniel mother and in philadelphia. twenty five years later and he sets out on a journey to confront his father by visiting kahn buildings and talking to relatives and colleagues and visiting the places that played a role in louis kahn life. one of the most moving confrontations is when nathaniel asks his mother and a landscape architect and mistress of louis kahn and why she kept up with playing second fiddle to his wife and never confronted him with this. tears shed her eyes and but she has no regrets. it was worth it. it such an intensely sad moment. she obviously shattered and treated as an outcast at his funeral and which she was forbidden to attend and it almost as if she led a substitute life. it all feels strangely unreal. another interview with edward bacon and kahn architectural nemesis and who was in charge of the rebuilding of his native philadelpia in the fifties and sixties and almost suffers a stroke on the spot and when he is reminded of kahn unsavoury ideas about architecture. his son and nathaniel and listens uncomfortably when a very senior bacon literally screams with anger whenever kahn name comes up. the final scene is reserved for kahn grandest creation and the capitol in dhaka and bangladesh. it took 23 years to complete and a vast and extraordinary building and of which the bangladeshi are extremely proud. it one of the very few national symbols with stature in this impoverished nation. some of the interviews with the locals brought tears in my eyes and especially when they find out they are talking to  god forbid  the architect own son. the film is as much a personal journey as it is an account of kahn grand architectural legacy and is above all about the fruition of the film itself and film making in general. perhaps louis i. kahn faltered as a father and but these shortcomings in his personal life make for an all the more interesting portrait in this extraordinary film. camera obscura   positive . 
on march 17 and 1974 and a man is found dead in the toilets at manhattan penn station. although well known and he cannot be identified because he scratched out the personal information in his passport and his body lays unclaimed at the city morgue for three days. it turned out to be the body of what many consider one of the greatest american architects of the twentieth century and louis i. kahn. he died at the age of 73 and on his way from india and where one of his greatest projects and the institute for management in ahmedabad and was nearing completion. one of the most influential post war american architects and louis kahn architectural legacy includes the house of parliament in dhaka and bangladesh and the kimbell art museum in forth worth and the yale art gallery and the salk institute in california and a kind of mobile music boat and designed to give concerts in harbours in various cities around the world. while celebrated as an architect and very little was known about his private life. in addition to his wife esther and and their daughter and sue ann and kahn was survived by two mistresses and harriet pattison and anne tyng and and their two children. all three families lived within miles of each other in suburban philadelphia and but their paths never crossed until the funeral. his son and nathaniel and the director of this film and was only 11 years old at the time and and had only a few memories of his father weekly visits at harriet patterson and nathaniel mother and in philadelphia. twenty five years later and he sets out on a journey to confront his father by visiting kahn buildings and talking to relatives and colleagues and visiting the places that played a role in louis kahn life. one of the most moving confrontations is when nathaniel asks his mother and a landscape architect and mistress of louis kahn and why she kept up with playing second fiddle to his wife and never confronted him with this. tears shed her eyes and but she has no regrets. it was worth it. it such an intensely sad moment. she obviously shattered and treated as an outcast at his funeral and which she was forbidden to attend and it almost as if she led a substitute life. it all feels strangely unreal. another interview with edward bacon and kahn architectural nemesis and who was in charge of the rebuilding of his native philadelpia in the fifties and sixties and almost suffers a stroke on the spot and when he is reminded of kahn unsavoury ideas about architecture. his son and nathaniel and listens uncomfortably when a very senior bacon literally screams with anger whenever kahn name comes up. the final scene is reserved for kahn grandest creation and the capitol in dhaka and bangladesh. it took 23 years to complete and a vast and extraordinary building and of which the bangladeshi are extremely proud. it one of the very few national symbols with stature in this impoverished nation. some of the interviews with the locals brought tears in my eyes and especially when they find out they are talking to  god forbid  the architect own son. the film is as much a personal journey as it is an account of kahn grand architectural legacy and is above all about the fruition of the film itself and film making in general. perhaps louis i. kahn faltered as a father and but these shortcomings in his personal life make for an all the more interesting portrait in this extraordinary film. camera obscura   positive . ---------------------------------Answer Question Below----------------------------------

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