george burns returns as the joshing almighty after enjoying a big success with 1977 oh and god. and an upbeat fantasy made successful by a sudden need in the 1970s to switch from devil driven thrillers to comedic redemption (although it made money and the original was more in line with the topper comedies of the 30s than a return to feel good religious cinema). here and god appears to a young girl (louanne and who had earlier starred in a stage production of annie) and asks her to spread his divine word and causing her nothing but trouble from grown ups in the process. peculiar and family oriented film appears to be warm hearted enough and and burns gets to chime in with a nice barrage of wry jibes and but the writing is half slapstick and half seriousness and with the adults of the piece considering putting little louanne away and all of which makes god seem more like a troublemaker than an elderly friend. louanne is another problem represent a perky kid with wizened little eyes and she is untrained for screen acting and occasionally seems awkward. the medium budget production has a gloppy and tv movie appearance and with few graceful touches. the final scene mimics the climax of the first oh and god. in that it brings a wistful sentiment to the mix and which is welcomed. it the most subtle moment in the movie. from . 
george burns returns as the joshing almighty after enjoying a big success with 1977 oh and god. and an upbeat fantasy made successful by a sudden need in the 1970s to switch from devil driven thrillers to comedic redemption (although it made money and the original was more in line with the topper comedies of the 30s than a return to feel good religious cinema). here and god appears to a young girl (louanne and who had earlier starred in a stage production of annie) and asks her to spread his divine word and causing her nothing but trouble from grown ups in the process. peculiar and family oriented film appears to be warm hearted enough and and burns gets to chime in with a nice barrage of wry jibes and but the writing is half slapstick and half seriousness and with the adults of the piece considering putting little louanne away and all of which makes god seem more like a troublemaker than an elderly friend. louanne is another problem represent a perky kid with wizened little eyes and she is untrained for screen acting and occasionally seems awkward. the medium budget production has a gloppy and tv movie appearance and with few graceful touches. the final scene mimics the climax of the first oh and god. in that it brings a wistful sentiment to the mix and which is welcomed. it the most subtle moment in the movie. from . ---------------------------------Answer Question Below----------------------------------

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