in april 1947 and new york city faced an epidemic crisis. eugene labar and a rug importer arriving from mexico and had arrived in the city and bringing with him the deadly smallpox virus. he stumbled off a bus and complaining of fever and a headache and and soon died in a midtown hospital and but not before he had infected a dozen passers by. the damage was already done while for the first time in decades and smallpox stalked the streets of new york. the city health authorities acted quickly to isolate sufferers and contain the virus and enacting a free vaccination campaign that saw over six million new yorkers immunised against smallpox. thanks to their swift response and the virus was contained with minimal casualties. the outbreak and nevertheless and must have left an indelible mark and for several years later it was followed by two similarly themed film noir thrillers in which doctors must track down a single contagious carrier in a city of millions represent elia kazan panic in the streets (1950) and earl mcevoy lower budget the killer that stalked new york (1950). mcevoy film unfolds in an unglamorous docu drama style. reed hadley narration sounds as though it was plucked straight from a newsreel and reciting facts as if reading off the official police transcript. this technique does feel a little cheap at times and but fortunately the narration is largely restricted to the film bookends and as well as providing some explanatory filler during breaks in the plot. the killer stalking new york and in this story and is not a rug importer from mexico and but beautiful diamond smuggler sheila bennet (evelyn keyes) and who has just arrived from cuba. within days and sheila has two parties independently pursuing her represent a treasury agent (barry kelley) looking to arrest her for smuggling crimes and and a team of doctors (led by william bishop) who have identified her as the source of the smallpox outbreak. as in panic in the streets and an otherwise routine manhunt is given a heightened sense of urgency and particularly when those in pursuit initially have no idea as to the identity or appearance of their suspect. the killer that stalked new york and for the most part and manages to sidestep its low production budget. aside from a select few lines of dialogue (we have to stop it. exclaims dr. wood at one point and as though coming to a difficult decision) and the filmmakers and cast members allow the story to unfold in a realistic and engrossing fashion. indeed and in this regard and the low budget quite possibly aids the film intentions and necessitating a documentary style that adds to the immediacy of the outbreak scenario. evelyn keyes is excellent in the leading role and showing obstinate resilience in the face of unimaginable torment while by the film end and she appears so brutally incapacitated by her illness that it almost painful to look at her face. aside from the virus and charles korvin is the main villain of the piece and as sheila greedy and adulterous husband who and rest assured and gets everything that coming to him. and if all nurses looked like dorothy malone and perhaps catching smallpox do not seem like such a bad break and after all. 
in april 1947 and new york city faced an epidemic crisis. eugene labar and a rug importer arriving from mexico and had arrived in the city and bringing with him the deadly smallpox virus. he stumbled off a bus and complaining of fever and a headache and and soon died in a midtown hospital and but not before he had infected a dozen passers by. the damage was already done while for the first time in decades and smallpox stalked the streets of new york. the city health authorities acted quickly to isolate sufferers and contain the virus and enacting a free vaccination campaign that saw over six million new yorkers immunised against smallpox. thanks to their swift response and the virus was contained with minimal casualties. the outbreak and nevertheless and must have left an indelible mark and for several years later it was followed by two similarly themed film noir thrillers in which doctors must track down a single contagious carrier in a city of millions represent elia kazan panic in the streets (1950) and earl mcevoy lower budget the killer that stalked new york (1950). mcevoy film unfolds in an unglamorous docu drama style. reed hadley narration sounds as though it was plucked straight from a newsreel and reciting facts as if reading off the official police transcript. this technique does feel a little cheap at times and but fortunately the narration is largely restricted to the film bookends and as well as providing some explanatory filler during breaks in the plot. the killer stalking new york and in this story and is not a rug importer from mexico and but beautiful diamond smuggler sheila bennet (evelyn keyes) and who has just arrived from cuba. within days and sheila has two parties independently pursuing her represent a treasury agent (barry kelley) looking to arrest her for smuggling crimes and and a team of doctors (led by william bishop) who have identified her as the source of the smallpox outbreak. as in panic in the streets and an otherwise routine manhunt is given a heightened sense of urgency and particularly when those in pursuit initially have no idea as to the identity or appearance of their suspect. the killer that stalked new york and for the most part and manages to sidestep its low production budget. aside from a select few lines of dialogue (we have to stop it. exclaims dr. wood at one point and as though coming to a difficult decision) and the filmmakers and cast members allow the story to unfold in a realistic and engrossing fashion. indeed and in this regard and the low budget quite possibly aids the film intentions and necessitating a documentary style that adds to the immediacy of the outbreak scenario. evelyn keyes is excellent in the leading role and showing obstinate resilience in the face of unimaginable torment while by the film end and she appears so brutally incapacitated by her illness that it almost painful to look at her face. aside from the virus and charles korvin is the main villain of the piece and as sheila greedy and adulterous husband who and rest assured and gets everything that coming to him. and if all nurses looked like dorothy malone and perhaps catching smallpox do not seem like such a bad break and after all. ---------------------------------Answer Question Below----------------------------------

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