like the blair witch project before it and hatchet has garnered its own fair share of publicity from the bottom on up (as an avid reader of fangoria magazine and the full page ads are hard to miss) while even after its middling theatrical run and the film is bound to subsist solely on the hype surrounding it and and will probably turn into a cult item at some point. with a myspace url and a mighty (if puzzlingly subjective) promise of preserving so called old school american horror and hatchet will draw a lot of curiosity seekers with its dvd release (where that claim is emblazoned on the disc itself). perhaps it was the large print blurb from ain not it cool news on the ads that caused me to approach the film with some trepidation (it seems that harry knowles and his minions will approve of any film for vip passes and free food) and but hatchet makes me question what writer director adam green idea of old school american horror really is represent based on the evidence here and it means the insipid and late 80s rip offs of friday the 13th and deliverance. the characters are obnoxious stereotypes (black chris tucker type and survivalist chick and topless bimbos and requisite old couple and asian tour guide) whose interactions are marred by painful and trying to be hip dialogues and mostly obvious stabs at humor (not quite as bad as cabin fever and but still) while the script has too much padding (the rustling bush scene and for example) and and hatchet winds up as typical as any postmodern slasher of the last decade and with its only distinguishing trait an expertly calculated hype machine. i will give it some faint praise for the gore if you can wade through the padding in between kills and the red vino is definitely a thing of wonder and and the only real reason to watch this. 
like the blair witch project before it and hatchet has garnered its own fair share of publicity from the bottom on up (as an avid reader of fangoria magazine and the full page ads are hard to miss) while even after its middling theatrical run and the film is bound to subsist solely on the hype surrounding it and and will probably turn into a cult item at some point. with a myspace url and a mighty (if puzzlingly subjective) promise of preserving so called old school american horror and hatchet will draw a lot of curiosity seekers with its dvd release (where that claim is emblazoned on the disc itself). perhaps it was the large print blurb from ain not it cool news on the ads that caused me to approach the film with some trepidation (it seems that harry knowles and his minions will approve of any film for vip passes and free food) and but hatchet makes me question what writer director adam green idea of old school american horror really is represent based on the evidence here and it means the insipid and late 80s rip offs of friday the 13th and deliverance. the characters are obnoxious stereotypes (black chris tucker type and survivalist chick and topless bimbos and requisite old couple and asian tour guide) whose interactions are marred by painful and trying to be hip dialogues and mostly obvious stabs at humor (not quite as bad as cabin fever and but still) while the script has too much padding (the rustling bush scene and for example) and and hatchet winds up as typical as any postmodern slasher of the last decade and with its only distinguishing trait an expertly calculated hype machine. i will give it some faint praise for the gore if you can wade through the padding in between kills and the red vino is definitely a thing of wonder and and the only real reason to watch this. ---------------------------------Answer Question Below----------------------------------

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