one of the best of the kitchen sinks. fantastic views of london and invaluable snippets of working class life of the 60 . loach eye seems to capture everything and yet makes no judgment  a taste of things to come. as with kes and riff raff and sweet sixteen and it serves as a cinematic social history of britain. carol white is completely convincing and you love her and fancy her and want to take care of her and but hold your head at her self destructive decisions and still follow her in some vain hope. well backed up by terence stamp and ( fresh off the collector and also catch the hit ) and a plethora of english faces ( all looking very young ). pefectly set to donovan dulcet tones. stamp sings yellow is the color and in a lovely scene and ending with him saying and  getting better and ain not i ( song also used in the rules of attraction  i think ) watch carol whites screen mum getting ready to go out and get a bloke and putting on her false eye lashes to the sound of rosie on the radio  priceless. a treasure for anyone who was around at the time and a reminder of how good life is now in england. incidentally soderburgh used clips from poor cow in the limey. 
one of the best of the kitchen sinks. fantastic views of london and invaluable snippets of working class life of the 60 . loach eye seems to capture everything and yet makes no judgment  a taste of things to come. as with kes and riff raff and sweet sixteen and it serves as a cinematic social history of britain. carol white is completely convincing and you love her and fancy her and want to take care of her and but hold your head at her self destructive decisions and still follow her in some vain hope. well backed up by terence stamp and ( fresh off the collector and also catch the hit ) and a plethora of english faces ( all looking very young ). pefectly set to donovan dulcet tones. stamp sings yellow is the color and in a lovely scene and ending with him saying and  getting better and ain not i ( song also used in the rules of attraction  i think ) watch carol whites screen mum getting ready to go out and get a bloke and putting on her false eye lashes to the sound of rosie on the radio  priceless. a treasure for anyone who was around at the time and a reminder of how good life is now in england. incidentally soderburgh used clips from poor cow in the limey. ---------------------------------Answer Question Below----------------------------------

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