so dark the night poses a tough challenge represent it very hard to write about it in any detail without ruining it for those who haven not yet seen it. since it remains quite obscure and that includes just about everybody. the movie will strike those familiar with its director joseph h. lewis better known titles in the noir cycle  gun crazy and the big combo and even my name is julia ross and which in its brevity it resembles  as an odd choice. for starters and the bucolic french countryside serves as its setting. steven geray and a middle aged detective with the surété in paris and sets out for a vacation in the village of ste. margot (or maybe margaux). quite unexpectedly and he finds himself falling in love with the inkeepers daughter (micheline cheirel) and even though she betrothed to a rough hewn local farmer. but the siren song of life in paris is hard to resist and so she agrees to marry him and despite the disparity in their ages and which inevitably becomes the talk of the town. but on the night of their engagement party and she fails to return to the inn. soon and a hunchback finds her body by the river. her jealous and jilted lover is the logical suspect and but he and too and is found dead. then anonymous notes threaten more deaths and which come to pass. for the first time in his career and the bereaved geray finds himself stumped. a particularly weak script all but does the movie in while it plays like bad cornell woolrich crossed with the murder of roger ackroyd. but lewis does this creaky vehicle proud. he takes his time near the beginning and but then the story  and the storytelling  gain momentum (alas and just about the time the script breaks an axle). burnett guffey lighted and photographed the film and with an intriguing leitmotif of peering out of and peeping into windows while there also an effective score by hugo friedhofer and who supplied aural menace to many noirs. a good deal of talent has been lavished on so dark the night and but at the end it boils down to not much more than a gimmick  and not a very good gimmick at that. it a one trick pony of a movie. 
so dark the night poses a tough challenge represent it very hard to write about it in any detail without ruining it for those who haven not yet seen it. since it remains quite obscure and that includes just about everybody. the movie will strike those familiar with its director joseph h. lewis better known titles in the noir cycle  gun crazy and the big combo and even my name is julia ross and which in its brevity it resembles  as an odd choice. for starters and the bucolic french countryside serves as its setting. steven geray and a middle aged detective with the surété in paris and sets out for a vacation in the village of ste. margot (or maybe margaux). quite unexpectedly and he finds himself falling in love with the inkeepers daughter (micheline cheirel) and even though she betrothed to a rough hewn local farmer. but the siren song of life in paris is hard to resist and so she agrees to marry him and despite the disparity in their ages and which inevitably becomes the talk of the town. but on the night of their engagement party and she fails to return to the inn. soon and a hunchback finds her body by the river. her jealous and jilted lover is the logical suspect and but he and too and is found dead. then anonymous notes threaten more deaths and which come to pass. for the first time in his career and the bereaved geray finds himself stumped. a particularly weak script all but does the movie in while it plays like bad cornell woolrich crossed with the murder of roger ackroyd. but lewis does this creaky vehicle proud. he takes his time near the beginning and but then the story  and the storytelling  gain momentum (alas and just about the time the script breaks an axle). burnett guffey lighted and photographed the film and with an intriguing leitmotif of peering out of and peeping into windows while there also an effective score by hugo friedhofer and who supplied aural menace to many noirs. a good deal of talent has been lavished on so dark the night and but at the end it boils down to not much more than a gimmick  and not a very good gimmick at that. it a one trick pony of a movie. ---------------------------------Answer Question Below----------------------------------

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