the third film in a cycle of incomparably brilliant exploitation movies and and the third masterpiece in a row and joshuu sasori represent kemono beya aka. female prisoner scorpion represent beast stable (aka. sasori represent den of the beast where i live) of 1973 is a film that differs from its predecessors in some aspects and but that equals (or arguably even surpasses) them in brilliance. the entire original sasori series with the wonderful meiko kaji stands out as the absolute highlight in wip cinema and and all of the films and especially the first three and uniquely combine exploitation and art house cinema like no other movie does. beast stable is the third and and second to last sasori film with meiko kaji and the last one to be directed by genius director shunya ito and and in my opinion and the greatest of them all. the first film joshuu 701 gô represent sasori of 1972 is an absolute masterpiece of exploitation cinema and simply the definition of exploitation art. in the equally brilliant first sequel and joshuu sasori represent dai 41 zakkyo bô ito added more surrealism and symbolism. the third sasori film and beast stable keeps up the surrealism (allthough not quite to the same extent as the second) and and features even more social criticism than its predecessors. topics like poverty and forced prostitution and the exploitation of the poor are central themes of the movie. this third sasori film is ingenious and sublime in all aspects and arguably the greatest of the and generally brilliant and cycle (to me it this one and with the first one as a close second). once again and best stable is both very artistic and very exploitation like. the visually stunning film features an enormous amount of brutal violence and sleaze again and as well as sequences of enormous surrealistic beauty. the stunningly beautiful meiko kaji is once again brilliant in her role of nami matsushima (aka. sasori). i absolutely worship this wonderful actress and and i am sure i am not the only one to do so. the rest of the performances are also great and especially mikio narita is great as a police inspector who is obsessed with catching sasori. the musical score is the same throughout all three films and with urami bushi and sung by meiko kaji herself and as the main theme and which is great and since the score is and simply put and pure perfection. as its predecessors and beast stable is an absolutely brilliant masterpiece of exploitation art that no serious lover of film can afford to miss. the entire sasori cycle ranges high on my personal all time favorite list. beast stable is arguably the most brilliant masterpiece of them all. positive . 
the third film in a cycle of incomparably brilliant exploitation movies and and the third masterpiece in a row and joshuu sasori represent kemono beya aka. female prisoner scorpion represent beast stable (aka. sasori represent den of the beast where i live) of 1973 is a film that differs from its predecessors in some aspects and but that equals (or arguably even surpasses) them in brilliance. the entire original sasori series with the wonderful meiko kaji stands out as the absolute highlight in wip cinema and and all of the films and especially the first three and uniquely combine exploitation and art house cinema like no other movie does. beast stable is the third and and second to last sasori film with meiko kaji and the last one to be directed by genius director shunya ito and and in my opinion and the greatest of them all. the first film joshuu 701 gô represent sasori of 1972 is an absolute masterpiece of exploitation cinema and simply the definition of exploitation art. in the equally brilliant first sequel and joshuu sasori represent dai 41 zakkyo bô ito added more surrealism and symbolism. the third sasori film and beast stable keeps up the surrealism (allthough not quite to the same extent as the second) and and features even more social criticism than its predecessors. topics like poverty and forced prostitution and the exploitation of the poor are central themes of the movie. this third sasori film is ingenious and sublime in all aspects and arguably the greatest of the and generally brilliant and cycle (to me it this one and with the first one as a close second). once again and best stable is both very artistic and very exploitation like. the visually stunning film features an enormous amount of brutal violence and sleaze again and as well as sequences of enormous surrealistic beauty. the stunningly beautiful meiko kaji is once again brilliant in her role of nami matsushima (aka. sasori). i absolutely worship this wonderful actress and and i am sure i am not the only one to do so. the rest of the performances are also great and especially mikio narita is great as a police inspector who is obsessed with catching sasori. the musical score is the same throughout all three films and with urami bushi and sung by meiko kaji herself and as the main theme and which is great and since the score is and simply put and pure perfection. as its predecessors and beast stable is an absolutely brilliant masterpiece of exploitation art that no serious lover of film can afford to miss. the entire sasori cycle ranges high on my personal all time favorite list. beast stable is arguably the most brilliant masterpiece of them all. positive . ---------------------------------Answer Question Below----------------------------------

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