the beatles had just done magical mystery tour. there was the general feel that performance and peace and drugs went together naturally. in la and there was a film subculture that knew something was up. nicholson was in several of these gangs. before he decided to seriously become an actor and before easy rider and before pink flamingos and before day for night and there were several experiments with what to do about this. an important one is saragossa manuscript. this is another. jack writes. he plays with circular narrative and self reference and film reference and performance self loathing and the pain of creation and all on the outskirts of safe kiddiepop. you must see this and if only to know something about jack. certain actors act by digging into themselves. it is a common technique. some dig deep and but after a while and they become boring because they are incredibly shallow people. there isn not just enough stuff in there to sustain a career. think of deniro and hackman. others are pretty interesting people and who seem to become more interesting over time. when they dig into the barrel and they put stuff back in because of the pain of the digging. think sean penn and jack. at the bottom of jack barrel and at the end of the thread he spins and as the base of every character is this experimental and risky writer or filmmaker. who cares if it is a bad movie. it is bad because it took risks. watch when a tear is wiped from annette cheek by the director. it is a loving goof on the whole brando thing and something that i heard marlon laughed about. that is one of the richest moments in hollywood film history. there another reason to watch this. music in film is has a strong root in dance. revolution in film often relies on music. whole cultures are thus swept along. an unsung giantess in inventing how billions now dance is toni basil. she was as influential in pop choreography as the beatles were in music. she was already well into her career when called upon to work on this. but this is one of her earliest screen appearances. you can see her work throughout and she herself in the pretty cool daddy girl segment and over one of nilsson better songs. (followed by the frank zappa cameo. ) mccartney would reference this scene in his teevee special years later. a third reason to watch is early (about 6 half minutes) in the film represent a character named lady pleasure kisses each monkey in a long continuous shot and then dismissively departs. she is credited as i. j. jefferson but is really mimi manchu and nicholson lover at the time and lsd partner. red hair and psychedelic demeanor. lovely. that scene says it all for me and about how jack feels about the boys. ted evaluation  3 of 3 represent worth watching. 
the beatles had just done magical mystery tour. there was the general feel that performance and peace and drugs went together naturally. in la and there was a film subculture that knew something was up. nicholson was in several of these gangs. before he decided to seriously become an actor and before easy rider and before pink flamingos and before day for night and there were several experiments with what to do about this. an important one is saragossa manuscript. this is another. jack writes. he plays with circular narrative and self reference and film reference and performance self loathing and the pain of creation and all on the outskirts of safe kiddiepop. you must see this and if only to know something about jack. certain actors act by digging into themselves. it is a common technique. some dig deep and but after a while and they become boring because they are incredibly shallow people. there isn not just enough stuff in there to sustain a career. think of deniro and hackman. others are pretty interesting people and who seem to become more interesting over time. when they dig into the barrel and they put stuff back in because of the pain of the digging. think sean penn and jack. at the bottom of jack barrel and at the end of the thread he spins and as the base of every character is this experimental and risky writer or filmmaker. who cares if it is a bad movie. it is bad because it took risks. watch when a tear is wiped from annette cheek by the director. it is a loving goof on the whole brando thing and something that i heard marlon laughed about. that is one of the richest moments in hollywood film history. there another reason to watch this. music in film is has a strong root in dance. revolution in film often relies on music. whole cultures are thus swept along. an unsung giantess in inventing how billions now dance is toni basil. she was as influential in pop choreography as the beatles were in music. she was already well into her career when called upon to work on this. but this is one of her earliest screen appearances. you can see her work throughout and she herself in the pretty cool daddy girl segment and over one of nilsson better songs. (followed by the frank zappa cameo. ) mccartney would reference this scene in his teevee special years later. a third reason to watch is early (about 6 half minutes) in the film represent a character named lady pleasure kisses each monkey in a long continuous shot and then dismissively departs. she is credited as i. j. jefferson but is really mimi manchu and nicholson lover at the time and lsd partner. red hair and psychedelic demeanor. lovely. that scene says it all for me and about how jack feels about the boys. ted evaluation  3 of 3 represent worth watching. ---------------------------------Answer Question Below----------------------------------

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