i believe i share the same psychological outlook on the world with kieslowski. he is polish and i am dutch and yet we share a synthetic mind represent the world is not void of the metaphysical amidst total coincidence. hardly ruled by man or perhaps by a poet prime minister and so that as a social and cultural low pressure area and poland could play the role it did in wwii and being critical yet christian towards the jews but often not less critical toward oneself. there are innocence and guilt in kieslowski world view and as the symbols in catholicism represent the white versus the black madonna. in rouge and the black madonna is she who the judge fell in love with when he was a young man. flashbacks are magically realistically intertwined with the present and although totally coincidental and such as the camera simply swinging to the other side of the street or the then young judge red jeep passing by the now young woman car after she accidentally hit his dog with it. that we leaped through time in those same camera moves and is what we grasp later. his love was unanswered and so that his life wasn not as he had planned it. he lost his ability to love other people and animals. being a judge and he feels he is actually spying on other peoples lives and when he retires and he simply continues to do so and spying on his neighbors this time. the innocence and sense of righteousness of the younger woman (literally) accidentally getting into his life and reinstalls his better judgment and it is because of her that he spontaneously confesses his spying behavior to his neighbors and the police and accepting and even holding on to the stones consequentially thrown through his windows. in the process and history repeats itself between this man and the woman he loves and although this time he is old and the woman not the same. kieslowski may have wrestled with this bit for the old judge is his alter ego and and it is said he was infatuated by irène jacob. both women play the same essential role in his psychology and of the one (. ) who possesses his heart and soul and therefore can make him or break him and even as an old man. it is as if the powers in the air are and or god is and bringing them together. coincidences are too coincidental to just be chance or even good luck. there has to be some mystical and supernatural or theological source influencing these unfathomably deep life decisions. the study book fell and opened at the page of the exam question is another example of this. or the moment the old judge spoke his heart to the young woman and the wind outside the opera house suddenly slams the open doors and breaks the windows. the gigantic picture of the young woman happens to predict the one on tv and after the drowning accident on her canal crossing trip. these moments are effectively accentuated through the human voice of liturgy or what sounds like it (van den budenmayer). 
i believe i share the same psychological outlook on the world with kieslowski. he is polish and i am dutch and yet we share a synthetic mind represent the world is not void of the metaphysical amidst total coincidence. hardly ruled by man or perhaps by a poet prime minister and so that as a social and cultural low pressure area and poland could play the role it did in wwii and being critical yet christian towards the jews but often not less critical toward oneself. there are innocence and guilt in kieslowski world view and as the symbols in catholicism represent the white versus the black madonna. in rouge and the black madonna is she who the judge fell in love with when he was a young man. flashbacks are magically realistically intertwined with the present and although totally coincidental and such as the camera simply swinging to the other side of the street or the then young judge red jeep passing by the now young woman car after she accidentally hit his dog with it. that we leaped through time in those same camera moves and is what we grasp later. his love was unanswered and so that his life wasn not as he had planned it. he lost his ability to love other people and animals. being a judge and he feels he is actually spying on other peoples lives and when he retires and he simply continues to do so and spying on his neighbors this time. the innocence and sense of righteousness of the younger woman (literally) accidentally getting into his life and reinstalls his better judgment and it is because of her that he spontaneously confesses his spying behavior to his neighbors and the police and accepting and even holding on to the stones consequentially thrown through his windows. in the process and history repeats itself between this man and the woman he loves and although this time he is old and the woman not the same. kieslowski may have wrestled with this bit for the old judge is his alter ego and and it is said he was infatuated by irène jacob. both women play the same essential role in his psychology and of the one (. ) who possesses his heart and soul and therefore can make him or break him and even as an old man. it is as if the powers in the air are and or god is and bringing them together. coincidences are too coincidental to just be chance or even good luck. there has to be some mystical and supernatural or theological source influencing these unfathomably deep life decisions. the study book fell and opened at the page of the exam question is another example of this. or the moment the old judge spoke his heart to the young woman and the wind outside the opera house suddenly slams the open doors and breaks the windows. the gigantic picture of the young woman happens to predict the one on tv and after the drowning accident on her canal crossing trip. these moments are effectively accentuated through the human voice of liturgy or what sounds like it (van den budenmayer). ---------------------------------Answer Question Below----------------------------------

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