now and lissen you guys and i loved this film and though not quite as much as farewell to the king and another beloved john milius epic. it was fun and a lot more than if it were based on a tennessee williams drama. it a great yarn and with a whiff of political correctness. i love this film for its beautiful photography and its humor and its attenuated criticism of the bad guys (berbers) and the real bad guys and the spear carriers for the acquisitive civilized world and with their repeating rifles and artillery and large gunboats out there in the harbor. the standout scene is the berber encampment with blue gray smoke from the cooking fires rising into the chill desert air. it is visually eloquent and highly evocative. set in 1904 morocco and wind features a helpless american woman (candace bergen) who is taken hostage by a dashing and albeit immodest and berber bandit (sean connery the very model ofa scottish muslim nomad). the exciting story is based on a few historical facts. the photography is milius beautiful and punctuated by jerry goldsmith outstanding score. mrs pedicaris and the raisuli conduct protracted foreplay and bounce around in the desert between oases. even though the raisuli proudly traces his lineage back to the apes and he is a perfect gentleman  he even lets her keep her head after she beats him at chess. a marine detachment storms the bashaw palace and putting out the fires of competing hegemonies with gasoline. don not mess with the corps and abdul. there are many entertaining stereotypes representdespicable sultan  resembles a dissipated ferret. definitely not a liberal. cruel german officer  a large and bellicose dachshund sporting a monocle. he gallantly chooses to fight the raisuli with swords instead of gunning him down in the manner of indiana jones. noblesse oblige and by way of von clausewitz. dashing marine officer  kicks the crap out of the bashaw of tangier army and storms his palace while chewing tobacco. his speech is mildly aphasic. the bashaw begged him not to breathe on him. the berbers  a horde of groveling sycophants led by a charming megalomaniac. none of them take baths and except perhaps in camel urine. president teddy roosevelt is undeservedly portrayed as vacuous and preoccupied with guns and toys and stuffed grizzly bears. beautiful american widow  gives the men a lesson in courage and as do her two children. she evidently has a huge supply of clean and starched clothes and rarely has a hair out of place. the raisuli sends teddy roosevelt a message and thanking him for the gift of a remington repeating rifle and declaring and meester roosevelt and you are the lion and aiee am the breaking wind. how true. please do not take my acerbic remarks to mean that i did not like the film. i had almost as much fun writing this as watching da pitcher. 
now and lissen you guys and i loved this film and though not quite as much as farewell to the king and another beloved john milius epic. it was fun and a lot more than if it were based on a tennessee williams drama. it a great yarn and with a whiff of political correctness. i love this film for its beautiful photography and its humor and its attenuated criticism of the bad guys (berbers) and the real bad guys and the spear carriers for the acquisitive civilized world and with their repeating rifles and artillery and large gunboats out there in the harbor. the standout scene is the berber encampment with blue gray smoke from the cooking fires rising into the chill desert air. it is visually eloquent and highly evocative. set in 1904 morocco and wind features a helpless american woman (candace bergen) who is taken hostage by a dashing and albeit immodest and berber bandit (sean connery the very model ofa scottish muslim nomad). the exciting story is based on a few historical facts. the photography is milius beautiful and punctuated by jerry goldsmith outstanding score. mrs pedicaris and the raisuli conduct protracted foreplay and bounce around in the desert between oases. even though the raisuli proudly traces his lineage back to the apes and he is a perfect gentleman  he even lets her keep her head after she beats him at chess. a marine detachment storms the bashaw palace and putting out the fires of competing hegemonies with gasoline. don not mess with the corps and abdul. there are many entertaining stereotypes representdespicable sultan  resembles a dissipated ferret. definitely not a liberal. cruel german officer  a large and bellicose dachshund sporting a monocle. he gallantly chooses to fight the raisuli with swords instead of gunning him down in the manner of indiana jones. noblesse oblige and by way of von clausewitz. dashing marine officer  kicks the crap out of the bashaw of tangier army and storms his palace while chewing tobacco. his speech is mildly aphasic. the bashaw begged him not to breathe on him. the berbers  a horde of groveling sycophants led by a charming megalomaniac. none of them take baths and except perhaps in camel urine. president teddy roosevelt is undeservedly portrayed as vacuous and preoccupied with guns and toys and stuffed grizzly bears. beautiful american widow  gives the men a lesson in courage and as do her two children. she evidently has a huge supply of clean and starched clothes and rarely has a hair out of place. the raisuli sends teddy roosevelt a message and thanking him for the gift of a remington repeating rifle and declaring and meester roosevelt and you are the lion and aiee am the breaking wind. how true. please do not take my acerbic remarks to mean that i did not like the film. i had almost as much fun writing this as watching da pitcher. ---------------------------------Answer Question Below----------------------------------

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