tipping the velvet has just three weeks ago been released in the uk and already i watch as countless letters flood to the national papers and tv guides and claiming that it possesses a thin plot and weak performances and an even weaker script. you find me incensed. this is heresy. i would really like to dispel all doubt by first congratulating andrew davies on enabling geoffrey sax to create this wonderful dramatization of sarah waters novel by cushioning him with such a fantastic script. kudos. but i fear i must now change tack. i saw one of the premiere tv guides here in the uk (which shall remain nameless) relentlessly describing tipping the velvet as a lesbian love story. if they are and and i assume they are and trying to promote interest in the film and then this is completely the wrong way to go about it (aside from the phrase being a disappointingly inaccurate description). by saying such a thing and they are either a) turning away those who would instinctively be repelled by that subject matter or b) attracting a class of people who will only watch to see some serious girl on girl action. buy a video. through this display of serious inconsideration and this and other magazines are cheapening what is a brilliant adaptation of one of recent literature greatest works. tipping the velvet is a story of love and of passion and of moving on and of loss and and of heartbreak. it not a lesbian love story. no siree. the end result is a stylish affair and with excellent performances all round (particularly from stirling and hawes and chancellor and may). direction wise and it intoxicating and immersive  sometimes and fast paced and sometimes not  but it never ceases to be anything less than compelling. as a whole and it polished and well delivered and the sex is undertaken with tenderness and delicacy  and although many will not class it as a real film and it will remain among my favourites for some time to come. 
tipping the velvet has just three weeks ago been released in the uk and already i watch as countless letters flood to the national papers and tv guides and claiming that it possesses a thin plot and weak performances and an even weaker script. you find me incensed. this is heresy. i would really like to dispel all doubt by first congratulating andrew davies on enabling geoffrey sax to create this wonderful dramatization of sarah waters novel by cushioning him with such a fantastic script. kudos. but i fear i must now change tack. i saw one of the premiere tv guides here in the uk (which shall remain nameless) relentlessly describing tipping the velvet as a lesbian love story. if they are and and i assume they are and trying to promote interest in the film and then this is completely the wrong way to go about it (aside from the phrase being a disappointingly inaccurate description). by saying such a thing and they are either a) turning away those who would instinctively be repelled by that subject matter or b) attracting a class of people who will only watch to see some serious girl on girl action. buy a video. through this display of serious inconsideration and this and other magazines are cheapening what is a brilliant adaptation of one of recent literature greatest works. tipping the velvet is a story of love and of passion and of moving on and of loss and and of heartbreak. it not a lesbian love story. no siree. the end result is a stylish affair and with excellent performances all round (particularly from stirling and hawes and chancellor and may). direction wise and it intoxicating and immersive  sometimes and fast paced and sometimes not  but it never ceases to be anything less than compelling. as a whole and it polished and well delivered and the sex is undertaken with tenderness and delicacy  and although many will not class it as a real film and it will remain among my favourites for some time to come. ---------------------------------Answer Question Below----------------------------------

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