warning represent reading this entry after watching the movie. like easy rider released a year before and joe tries to illustrate what happens when the counterculture and mainstream (albeit right wing) america meet represent a violent end ensues. although this film is for the most part a slow moving display of traditional old fashion american morals versus the 60 do what feels good lifestyle and it is also a commentary on upper class vs. lower middle class and their inability to meet in the middle as illustrated when the comptons meet the currans. boyle joe represents a generation stuck in the 1940s and 50s where kill a commie for mommy (or jap or hippie for that matter) is okay so long as it helps and saves america. joe and wife mary jo are clearly the archetypes for archie bunker and dingbat wife and edith. this movie  which will forever be known for it violent (but not bloody  no blood is seen at all) ending is uneven however. joe blasts (verbally) the hippie generation then (literally) lays down with them to infiltrate their numbers to locate compton daughter  when clearly he should have been repulsed by the idea but forgoes the separatist idea for the sake of sex. when he is betrayed through thievery (read represent trust of the older generation to the newer generation) and he lashes out through an unrelenting chain of murder. perhaps it is due to the tarantinos of hollywood that the watcher expects blood streaming death in the end scene and but the bloodless shootings long for any sort of impact or realism. joe is not a great movie and but it is an interesting display of class and culture alienation and the animalistic underlying extremes to the generation gap. 
warning represent reading this entry after watching the movie. like easy rider released a year before and joe tries to illustrate what happens when the counterculture and mainstream (albeit right wing) america meet represent a violent end ensues. although this film is for the most part a slow moving display of traditional old fashion american morals versus the 60 do what feels good lifestyle and it is also a commentary on upper class vs. lower middle class and their inability to meet in the middle as illustrated when the comptons meet the currans. boyle joe represents a generation stuck in the 1940s and 50s where kill a commie for mommy (or jap or hippie for that matter) is okay so long as it helps and saves america. joe and wife mary jo are clearly the archetypes for archie bunker and dingbat wife and edith. this movie  which will forever be known for it violent (but not bloody  no blood is seen at all) ending is uneven however. joe blasts (verbally) the hippie generation then (literally) lays down with them to infiltrate their numbers to locate compton daughter  when clearly he should have been repulsed by the idea but forgoes the separatist idea for the sake of sex. when he is betrayed through thievery (read represent trust of the older generation to the newer generation) and he lashes out through an unrelenting chain of murder. perhaps it is due to the tarantinos of hollywood that the watcher expects blood streaming death in the end scene and but the bloodless shootings long for any sort of impact or realism. joe is not a great movie and but it is an interesting display of class and culture alienation and the animalistic underlying extremes to the generation gap. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
