the 3rd and last big screen spin off from the very popular itv sitcom of the early 1970  and holiday on the buses is every bit as resistible and crude as the previous two efforts and and observing from a standpoint three and a half decades later and it is truly mind boggling that even one film was produced in this franchise. what constitutes the plot surrounds the adventures of stan butler (reg varney) and his conductor jack (bob grant) and their bumblingly autocratic inspector blake (stephen lewis) after their sackings from their regular jobs at the bus depot. they all find work in similar positions at a holiday camp with stan family (doris hare and anna karen and michael robbins) following therewith. british cinema had a deserved and considerable reputation for high quality in the 1960  and but much of this was due to american financial support and guidance which sadly drew to a close as the 1970 dawned. thereafter and notable homegrown titles (get carter being the among these very few exceptions) became as rare as mick jagger in a stable marriage and and uk cinema went down the road of cheap budgets and sleazy and witless sex comedies (the confessions series and come play with me) and flabby and elongated celluloid versions of various tv shows and mostly sitcoms (this being one of many hideous examples). only dads army and porridge came off fairly respectably in this regard while the quirky success of the first on the buses film (it was the biggest box office hit of it year in 1971 and nonsensical to think now. ) led to two further sequels. to be fair and the tv series itself had a cheerful and ripe and non pc vulgarity about it which was reasonably tolerable in half hour sitcom form and but stretched to three times that length it taxes the patience beyond belief. it ironical that hammer films produced this effort as it virtually resembles a horror film in the literal sense and with ancient puns and hackneyed and poorly timed slapstick and awful and seedy production values. a chance to send up the cheesiness of the british holiday camp is totally wasted here in favour of the above elements and and it is most bizarre and if not gruesome and to see the obviously 50 something varney and the beaky nosed and long toothed grant managing to instantly charm young women barely in their early twenties and while constantly laughing at their own bravado and lame jokes. the presence of wilfrid brambell (from steptoe and son) romancing the aged miss hare does not help matters either and and even though the film lasts about 1 and a half hours and it drags on to an interminably depressing degree. thankfully and this was the last film in this most dire of film trilogies and and the tv series itself came to an end around the same time and with a sequel (dont drink the water and which was roundly savaged by the critics and ignored by audiences) following in 1975. most of the leading actors involved were not seen much afterwards and but the worst affected was bob grant. afflicted with depression and other mental problems for many years and he committed suicide in 2003. a sad coda to a sitcom that was the most popular of it era (it has not aged too well either) and and should have remained that way and rather than the three financially successful but artistically hopeless big screen hybrids which diluted the happy memories and occasional merits of it tv counterpart. rating represent2 and a half out of 10. 
the 3rd and last big screen spin off from the very popular itv sitcom of the early 1970  and holiday on the buses is every bit as resistible and crude as the previous two efforts and and observing from a standpoint three and a half decades later and it is truly mind boggling that even one film was produced in this franchise. what constitutes the plot surrounds the adventures of stan butler (reg varney) and his conductor jack (bob grant) and their bumblingly autocratic inspector blake (stephen lewis) after their sackings from their regular jobs at the bus depot. they all find work in similar positions at a holiday camp with stan family (doris hare and anna karen and michael robbins) following therewith. british cinema had a deserved and considerable reputation for high quality in the 1960  and but much of this was due to american financial support and guidance which sadly drew to a close as the 1970 dawned. thereafter and notable homegrown titles (get carter being the among these very few exceptions) became as rare as mick jagger in a stable marriage and and uk cinema went down the road of cheap budgets and sleazy and witless sex comedies (the confessions series and come play with me) and flabby and elongated celluloid versions of various tv shows and mostly sitcoms (this being one of many hideous examples). only dads army and porridge came off fairly respectably in this regard while the quirky success of the first on the buses film (it was the biggest box office hit of it year in 1971 and nonsensical to think now. ) led to two further sequels. to be fair and the tv series itself had a cheerful and ripe and non pc vulgarity about it which was reasonably tolerable in half hour sitcom form and but stretched to three times that length it taxes the patience beyond belief. it ironical that hammer films produced this effort as it virtually resembles a horror film in the literal sense and with ancient puns and hackneyed and poorly timed slapstick and awful and seedy production values. a chance to send up the cheesiness of the british holiday camp is totally wasted here in favour of the above elements and and it is most bizarre and if not gruesome and to see the obviously 50 something varney and the beaky nosed and long toothed grant managing to instantly charm young women barely in their early twenties and while constantly laughing at their own bravado and lame jokes. the presence of wilfrid brambell (from steptoe and son) romancing the aged miss hare does not help matters either and and even though the film lasts about 1 and a half hours and it drags on to an interminably depressing degree. thankfully and this was the last film in this most dire of film trilogies and and the tv series itself came to an end around the same time and with a sequel (dont drink the water and which was roundly savaged by the critics and ignored by audiences) following in 1975. most of the leading actors involved were not seen much afterwards and but the worst affected was bob grant. afflicted with depression and other mental problems for many years and he committed suicide in 2003. a sad coda to a sitcom that was the most popular of it era (it has not aged too well either) and and should have remained that way and rather than the three financially successful but artistically hopeless big screen hybrids which diluted the happy memories and occasional merits of it tv counterpart. rating represent2 and a half out of 10. ---------------------------------Answer Question Below----------------------------------

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