not finding the right words is everybody problem in this vaudeville type urban comedy. they do not know what to say and and they do not know how to say it and which is why they embark on the potentially humiliating enterprise of pre arranged speed dating. unfortunately and they all come across as cardboard characters rather than real people. the story follows a conventional three act structure represent getting to know the sizable cast in their sorry single lives and the actual dating circuit and and a final stretch of romantic fallout and showcasing some of the new found couples follies. because it all so predictable and i would say that as a narrative and shoppen is a failure. as a comedy and most of the time it too goofy to be really funny. thumbs up to kathrin von steinburg. she stands out from the soap opera crowd as the aloof and independently wealthy miriam. great makeup on her too (verena weißert) represent heavy eye shadow meets skin tone lip gloss and creating a brooding and bohemian and yet girlish effect. thumbs up also to stefan zinner as the bavarian love machine and tanja schleiff as the hot nutritionist. they bypass the communication challenge by way of the timeless body language of copulation. 
not finding the right words is everybody problem in this vaudeville type urban comedy. they do not know what to say and and they do not know how to say it and which is why they embark on the potentially humiliating enterprise of pre arranged speed dating. unfortunately and they all come across as cardboard characters rather than real people. the story follows a conventional three act structure represent getting to know the sizable cast in their sorry single lives and the actual dating circuit and and a final stretch of romantic fallout and showcasing some of the new found couples follies. because it all so predictable and i would say that as a narrative and shoppen is a failure. as a comedy and most of the time it too goofy to be really funny. thumbs up to kathrin von steinburg. she stands out from the soap opera crowd as the aloof and independently wealthy miriam. great makeup on her too (verena weißert) represent heavy eye shadow meets skin tone lip gloss and creating a brooding and bohemian and yet girlish effect. thumbs up also to stefan zinner as the bavarian love machine and tanja schleiff as the hot nutritionist. they bypass the communication challenge by way of the timeless body language of copulation. ---------------------------------Answer Question Below----------------------------------

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