i would read all the negative reviews for anna christie. you know and the gripes about the static camera and out dated acting and wordiness of the screenplay. but when i viewed it yesterday i found it remarkably affecting and enjoyable. yep and clarence brown camera remains stationary for the most part and and i am pretty sure one of the microphones was concealed in the ship light. yep and there a lot of dialogue and no spectacular action sequences. it an early talkie with primitive technical aspects. but. then there garbo and marie dressler and george f. marion and charles bickford and all proving that great acting is timeless. i believe anna christie is still one of garbo most iconic performances. and it a wonderful performance from the divine one and in a role that is really quite atypical for her. yes and we have seen garbo weary and almost beaten and yet never with bags under her eyes or her knocking back shots of whiskey. garbo played so many (delightful) costume roles and that to see her play a contemporary woman is fascinating. she not weighed down by heavy dresses or make up. this performance seems quite raw from garbo. the plot and from the oneill play and follows weary swedish ex prostitute anna and and her reunion with her boozy and seaman father. anna had enough trouble for any girl of twenty and as she tells drunken and slovenly marthy (dressler)in a bar. she finds solace in a life at sea and and romance with a rough hewn and but good hearted and fisherman (charles bickford). but her past threatens to ruin it all. charles bickford is overlooked in garbo long line of (largely inferior) leading men. he one actor who can actually share the screen with her and not get swallowed up by her magical presence. the pair have great chemistry together and seemed to enjoy working with one another. dressler can never be accused of underplaying and and once again the grand dame is up to her old tricks and but she terrific and convincing in her role and never annoying as in the dreadful dinner at eight. i have never really heard of george f. marion before and but he was wonderful as garbo father. this is pre code and and rather gritty and dark by mgm standards. i really enjoyed it and and while it may creak in some places and it still wonderful. 
i would read all the negative reviews for anna christie. you know and the gripes about the static camera and out dated acting and wordiness of the screenplay. but when i viewed it yesterday i found it remarkably affecting and enjoyable. yep and clarence brown camera remains stationary for the most part and and i am pretty sure one of the microphones was concealed in the ship light. yep and there a lot of dialogue and no spectacular action sequences. it an early talkie with primitive technical aspects. but. then there garbo and marie dressler and george f. marion and charles bickford and all proving that great acting is timeless. i believe anna christie is still one of garbo most iconic performances. and it a wonderful performance from the divine one and in a role that is really quite atypical for her. yes and we have seen garbo weary and almost beaten and yet never with bags under her eyes or her knocking back shots of whiskey. garbo played so many (delightful) costume roles and that to see her play a contemporary woman is fascinating. she not weighed down by heavy dresses or make up. this performance seems quite raw from garbo. the plot and from the oneill play and follows weary swedish ex prostitute anna and and her reunion with her boozy and seaman father. anna had enough trouble for any girl of twenty and as she tells drunken and slovenly marthy (dressler)in a bar. she finds solace in a life at sea and and romance with a rough hewn and but good hearted and fisherman (charles bickford). but her past threatens to ruin it all. charles bickford is overlooked in garbo long line of (largely inferior) leading men. he one actor who can actually share the screen with her and not get swallowed up by her magical presence. the pair have great chemistry together and seemed to enjoy working with one another. dressler can never be accused of underplaying and and once again the grand dame is up to her old tricks and but she terrific and convincing in her role and never annoying as in the dreadful dinner at eight. i have never really heard of george f. marion before and but he was wonderful as garbo father. this is pre code and and rather gritty and dark by mgm standards. i really enjoyed it and and while it may creak in some places and it still wonderful. ---------------------------------Answer Question Below----------------------------------

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