a sadly predictable and clichéd story about a woman who was no better than she should have been. sadly and too and the screenplay is by the once great experimental novelist john dos passos and from an original by french exotic potboiler pierre louys. this time marlene dietrich is concha and a manipulative and cold hearted spanish beauty. don pasqual (lionel atwill) raises her from the cigarette factory and but she ditches him. he warns his tall young friend antonio (cesar romero) against her and but to no avail. a duel ensues and concha reproaches pasqualito for trying to kill the only man she ever cared for and so he doesn not represent he points his pistol at the sky and but antonio shoots him. but instead of going off to paris with the young victor and she goes back to the man who would have died for her. with an unexpected bit by edward everett horton as a spanish governor. dietrich plays the part of a spanish woman by moving constantly and twisting at the waist and posturing and then twisting back and flouncing and tossing her head and and so forth. and she makes faces and and has a curl in the middle of her forehead. the photography is strangely crowded represent no outdoor scene can be shot except through a tangle of bare trees and no interior scene can be shot without so much busy detail that it almost impossible to follow people moving across a room and no consecutive scene of dietrich can be shot without a major wardrobe change. the carnival scenes are so full of confetti and streamers it almost like an underwater scene in the sargasso sea. 
a sadly predictable and clichéd story about a woman who was no better than she should have been. sadly and too and the screenplay is by the once great experimental novelist john dos passos and from an original by french exotic potboiler pierre louys. this time marlene dietrich is concha and a manipulative and cold hearted spanish beauty. don pasqual (lionel atwill) raises her from the cigarette factory and but she ditches him. he warns his tall young friend antonio (cesar romero) against her and but to no avail. a duel ensues and concha reproaches pasqualito for trying to kill the only man she ever cared for and so he doesn not represent he points his pistol at the sky and but antonio shoots him. but instead of going off to paris with the young victor and she goes back to the man who would have died for her. with an unexpected bit by edward everett horton as a spanish governor. dietrich plays the part of a spanish woman by moving constantly and twisting at the waist and posturing and then twisting back and flouncing and tossing her head and and so forth. and she makes faces and and has a curl in the middle of her forehead. the photography is strangely crowded represent no outdoor scene can be shot except through a tangle of bare trees and no interior scene can be shot without so much busy detail that it almost impossible to follow people moving across a room and no consecutive scene of dietrich can be shot without a major wardrobe change. the carnival scenes are so full of confetti and streamers it almost like an underwater scene in the sargasso sea. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
