this is an amazingly well filmed early talkie adaptation of the eugene oneill play. its major drawback is a static camera and and as a result it comes off much of the time as the filmed play it is and which is a pity and for it a good piece of primitive moviemaking and made at a time when sound was posing all kinds of technical problems and and as a result most films were experimental whether or not this was their maker intention. garbo is as mysterious and charismatic as she was in her silent films and and her entrance is still classic. her voice is strangely deep and almost boyish and which only enhances her already seductively eccentric persona. as her boyfriend and charles bickford is appropriately virile and  he was apparently born craggy and a perfect counterpart to the divine garbo. his irish brogue is not bad at all and and he seems always a natural man of the sea and very oneill like in his independent and brooding nature. as garbo (very) confused father and george marion seems truly from another time. he has the sort of face and voice and  open and unmannered and totally without guile that has vanished from the earth. marie dressler is also in the oneill swing of things. her blank expression and intensity around the eyes speaks volumes and as she plays her boozy character as a woman at times bordering on psychosis. poetic license and perhaps and as this is not in the script and but we can forgive miss dressler excesses while she is too good at it not to. the story ends with a movement to the next thing and as distinct from resolution and which isn not the author cup of tea while and those who like their films neatly worked out in the end will be disappointed by the absence of any real surprise. in anna christie we are in oneill country and a place of sea and storms and fog and a feeling of all pervading and damnable uncertainty and which we would now call ambivilance and or anxiety neurosis. rather than analyze this mood the author simply and wisely presents it and as weather and land and ocean and people intertwine and address one another in a unique language we feel priveleged to have heard. 
this is an amazingly well filmed early talkie adaptation of the eugene oneill play. its major drawback is a static camera and and as a result it comes off much of the time as the filmed play it is and which is a pity and for it a good piece of primitive moviemaking and made at a time when sound was posing all kinds of technical problems and and as a result most films were experimental whether or not this was their maker intention. garbo is as mysterious and charismatic as she was in her silent films and and her entrance is still classic. her voice is strangely deep and almost boyish and which only enhances her already seductively eccentric persona. as her boyfriend and charles bickford is appropriately virile and  he was apparently born craggy and a perfect counterpart to the divine garbo. his irish brogue is not bad at all and and he seems always a natural man of the sea and very oneill like in his independent and brooding nature. as garbo (very) confused father and george marion seems truly from another time. he has the sort of face and voice and  open and unmannered and totally without guile that has vanished from the earth. marie dressler is also in the oneill swing of things. her blank expression and intensity around the eyes speaks volumes and as she plays her boozy character as a woman at times bordering on psychosis. poetic license and perhaps and as this is not in the script and but we can forgive miss dressler excesses while she is too good at it not to. the story ends with a movement to the next thing and as distinct from resolution and which isn not the author cup of tea while and those who like their films neatly worked out in the end will be disappointed by the absence of any real surprise. in anna christie we are in oneill country and a place of sea and storms and fog and a feeling of all pervading and damnable uncertainty and which we would now call ambivilance and or anxiety neurosis. rather than analyze this mood the author simply and wisely presents it and as weather and land and ocean and people intertwine and address one another in a unique language we feel priveleged to have heard. ---------------------------------Answer Question Below----------------------------------

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