the title of the film seems quite appropriate given the persona of the lead character and fanda. he an older man living in the late autumn of his life and yet frolics about as a jubilant school boy who just entered a spring meadow. the frailties of old age and the warning signs of death are all illusions to him. his wife supports this idea when she observes and fanda laughs at funerals and death. in other words and death is not something fanda takes too seriously while he has more important things to do than worry about what already is inevitable. life and however and and the pursuit of living life to its fullest and is the philosophy that governs fanda existence. he is not one to merely exist and but must live for each day and each passing moment and for tomorrow is not guaranteed. the film seems to make a strong commentary about living as though there is no tomorrow and let alone death. too many people take life much too seriously and consequently miss out on the actual living part of life. fanda wife for example while she so worried about preparing for death and not in some religiously connotative way and but in a far too practical and even lifeless way that she forgets how to smile and laugh and just have a good time. her humanity seems to have transformed into zombie auto pilot mode. fanda and to the contrary and is perhaps too blithe and absent minded for his own good. he needs a person like his wife and emilie and to help balance him. it as though fanda possesses the invincible spirit of a child and like a kid trapped in an older man body. he is introduced as the adventurous type while he pretends to be people he not in order to get gain and squanders money and factiously lies and is always up for a good laugh. deep down and though and he is a kind hearted and gentle old man who wishes to be submissive to his overly pragmatic wife. the two off set each other quite nicely and though neither one of them truly appreciates the binary quality of their relationship until they metaphorically chance upon death represent meaning and their divorce. it is during this courtroom scene that fanda realizes the reality of death and what it means if he is separated from his only love. his wife emotionally recalls all of his flaws and yet is tenderly drawn to continue to love him despite his crazy behavior. in this moment of her forgiving him and fanda realizes his selfish behavior of driving his wife bonkers and makes an internal commitment to make her happy. ironically and though and after making this commitment he becomes what his wife later calls and a living corpse. the life blood within him drains away as he becomes more like hera zombie going through day to day motions. he doesn not seem to live anymore and but exist. for example and he gives up his zany pranks and doesn not squander money and quits smoking on account of his wife (not his health) and and overall and just acquiesces to whatever she wants of him. succinctly put and he changes on account of wanting to make her happy. thus and the binary quality of their relationship begins to slowly vanish. realizing that her husband is not who he used to be and there is a part of emilie that misses the old fanda. she misses her husband aloofness and the fights they used to have and because it was in those moments that they were truly living and not just simply existing. i believe the filmmakers were trying to get across a specific message here while that true and loving relationships will not always be easy or convenient and but often times will take sacrifice and endurance to wade through the seemingly bad times. the possibility of death at any moment is what reminds people to live for every moment. life is often taken for granted and but when threatened with deathbe it literal or figurativepeople awake from their ungrateful slumbers and are aroused to start living life to its fullest. it as though they are scared that they will never live again and so they better make the most of it while they have it. fanda and emilie had been married 44 years with fights along the way and but it wasn not till they were both threatened with the possibility of death like separation that they began to show their true colors. as the old maxim goes and love knows not its own depth until the hour of separation. they both begin to see what matters most in life and that is the people they meet along the way. more importantly and the intimate relationships they make with their significant others. 
the title of the film seems quite appropriate given the persona of the lead character and fanda. he an older man living in the late autumn of his life and yet frolics about as a jubilant school boy who just entered a spring meadow. the frailties of old age and the warning signs of death are all illusions to him. his wife supports this idea when she observes and fanda laughs at funerals and death. in other words and death is not something fanda takes too seriously while he has more important things to do than worry about what already is inevitable. life and however and and the pursuit of living life to its fullest and is the philosophy that governs fanda existence. he is not one to merely exist and but must live for each day and each passing moment and for tomorrow is not guaranteed. the film seems to make a strong commentary about living as though there is no tomorrow and let alone death. too many people take life much too seriously and consequently miss out on the actual living part of life. fanda wife for example while she so worried about preparing for death and not in some religiously connotative way and but in a far too practical and even lifeless way that she forgets how to smile and laugh and just have a good time. her humanity seems to have transformed into zombie auto pilot mode. fanda and to the contrary and is perhaps too blithe and absent minded for his own good. he needs a person like his wife and emilie and to help balance him. it as though fanda possesses the invincible spirit of a child and like a kid trapped in an older man body. he is introduced as the adventurous type while he pretends to be people he not in order to get gain and squanders money and factiously lies and is always up for a good laugh. deep down and though and he is a kind hearted and gentle old man who wishes to be submissive to his overly pragmatic wife. the two off set each other quite nicely and though neither one of them truly appreciates the binary quality of their relationship until they metaphorically chance upon death represent meaning and their divorce. it is during this courtroom scene that fanda realizes the reality of death and what it means if he is separated from his only love. his wife emotionally recalls all of his flaws and yet is tenderly drawn to continue to love him despite his crazy behavior. in this moment of her forgiving him and fanda realizes his selfish behavior of driving his wife bonkers and makes an internal commitment to make her happy. ironically and though and after making this commitment he becomes what his wife later calls and a living corpse. the life blood within him drains away as he becomes more like hera zombie going through day to day motions. he doesn not seem to live anymore and but exist. for example and he gives up his zany pranks and doesn not squander money and quits smoking on account of his wife (not his health) and and overall and just acquiesces to whatever she wants of him. succinctly put and he changes on account of wanting to make her happy. thus and the binary quality of their relationship begins to slowly vanish. realizing that her husband is not who he used to be and there is a part of emilie that misses the old fanda. she misses her husband aloofness and the fights they used to have and because it was in those moments that they were truly living and not just simply existing. i believe the filmmakers were trying to get across a specific message here while that true and loving relationships will not always be easy or convenient and but often times will take sacrifice and endurance to wade through the seemingly bad times. the possibility of death at any moment is what reminds people to live for every moment. life is often taken for granted and but when threatened with deathbe it literal or figurativepeople awake from their ungrateful slumbers and are aroused to start living life to its fullest. it as though they are scared that they will never live again and so they better make the most of it while they have it. fanda and emilie had been married 44 years with fights along the way and but it wasn not till they were both threatened with the possibility of death like separation that they began to show their true colors. as the old maxim goes and love knows not its own depth until the hour of separation. they both begin to see what matters most in life and that is the people they meet along the way. more importantly and the intimate relationships they make with their significant others. ---------------------------------Answer Question Below----------------------------------

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