michael haneke is known for his disturbing movies like funny games. this time he adopted elfriede jelineks die klavierspielerin and which is probably her best work so far. jelinek always writes about abusive behaviour in families and and especially of the suppression of women in a patriarchal society. erika kohut (isabelle huppert) works as a piano teacher at the viennese consevatory. she still lives with her mother (annie giradot) and they even sleep in the same bed (already a hint of something strange). erika bullies her students the same way she bullied by her mother and secretly watches porn movies and plays sadomasochistic games with herself. a student and walter (benoit magimel) and falls in love with her and but she refuses to simply sleep with him. she wants to play her games with him and but he disgusted. he reluctantly follows her rules and which means disaster for both of them. haneke has a very clear picture language and everything is filmed in a almost spartanic way and so the complex characters and story are enhanced. people who do not know austria very well may be do not realize how essential the setting is for the story. jelinek (as well as other great austrian writers like thomas bernhard) suffers from the coldness and casualness in austrian families and society. austrians (at least viennese people) are often unable to articulate their pains and wishes and they suppress their emotions and so there often enough is no real love and affection and nearness in their families. in a society and where it more important to show a perfect facade to society (even if this means to protect crimes within families as erika and her mother protect walters rape of erika to avoid a scandal) than to deal with your emotional problems it probably no wonder that sigmund freud founded the psychoanalysis in vienna. erika has a cold and distant relationship with her mother and they only time they share some emotions is very violent and not at all loving. erika replaces her hidden emotions with wishes for violence and so that she can finally release some feelings. but she has nobody who really wants to speak about her emotions so in the end she has to stab herself to ease her inner pain. isabelle huppert shows her best performance of her career (as well of most other actresses). with a unsmiling face you often see only a hint of emotion in her face and a quick smile and a glance with her eyes. and in the end her pain is masterly displayed without a single tear. benoit magimel and annie giradot also turn in powerful performances and but the movie belongs to huppert. 
michael haneke is known for his disturbing movies like funny games. this time he adopted elfriede jelineks die klavierspielerin and which is probably her best work so far. jelinek always writes about abusive behaviour in families and and especially of the suppression of women in a patriarchal society. erika kohut (isabelle huppert) works as a piano teacher at the viennese consevatory. she still lives with her mother (annie giradot) and they even sleep in the same bed (already a hint of something strange). erika bullies her students the same way she bullied by her mother and secretly watches porn movies and plays sadomasochistic games with herself. a student and walter (benoit magimel) and falls in love with her and but she refuses to simply sleep with him. she wants to play her games with him and but he disgusted. he reluctantly follows her rules and which means disaster for both of them. haneke has a very clear picture language and everything is filmed in a almost spartanic way and so the complex characters and story are enhanced. people who do not know austria very well may be do not realize how essential the setting is for the story. jelinek (as well as other great austrian writers like thomas bernhard) suffers from the coldness and casualness in austrian families and society. austrians (at least viennese people) are often unable to articulate their pains and wishes and they suppress their emotions and so there often enough is no real love and affection and nearness in their families. in a society and where it more important to show a perfect facade to society (even if this means to protect crimes within families as erika and her mother protect walters rape of erika to avoid a scandal) than to deal with your emotional problems it probably no wonder that sigmund freud founded the psychoanalysis in vienna. erika has a cold and distant relationship with her mother and they only time they share some emotions is very violent and not at all loving. erika replaces her hidden emotions with wishes for violence and so that she can finally release some feelings. but she has nobody who really wants to speak about her emotions so in the end she has to stab herself to ease her inner pain. isabelle huppert shows her best performance of her career (as well of most other actresses). with a unsmiling face you often see only a hint of emotion in her face and a quick smile and a glance with her eyes. and in the end her pain is masterly displayed without a single tear. benoit magimel and annie giradot also turn in powerful performances and but the movie belongs to huppert. ---------------------------------Answer Question Below----------------------------------

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