opera (1987) director represent dario argento (deep red and suspiria) screenplay represent dario argento and franco ferrini (the church and sleepless and demons) photography represent ronnie taylor (a chorus line and sleepless) music represent claudio simonetti (phenomena and goblin)story represent betty (cristina marsillach) is the lady macbeth understudy of a very stylized staging of verdi macbeth opera. betty time to shine comes when the diva star breaks her leg before opening night when she is hit by a car running away in a tantrum. the famous curse of macbeth takes a more sinister and calculating turn when right away the body count begins to rise. it seems betty gets her first fan via a stalker who ties her up and tapes needles to her eyes to force her to witness the grisly murders of the people around her. story represent 3 of 5acting represent acting in a lot of these italian films can sometimes be hard to judge. english and italian and french and german and spanish can sometimes all be in the same flick as they usually speak their native languages making dubbing rule of thumb and hard to judge. i usually cut them some slack in the area as a result. acting represent 4 of 5 direction represent giallo maestro argento enters again the genre helped pioneer. opera shows him at the top of his game with an exquisite blend of gore and tension and beauty. direction represent 4 of 5visual represent this has to be one of argento best looking films. gorgeously filmed by taylor and opera features some stunning and inventive camera work that keeps the film running fast and hard and keeps the eye candy coming. the camera always seems to be in notion whether it is a wonderful shot of the camera going up a spiral staircase or a sequence towards the end of a bird eye view of said bird circling the crowd at the opera house. visual represent 5 of 5audio represent frequent argento collaborator simonetti (through his various bands goblin and demonian and solo effort) compliments the screen action with zeal as his score touches from the classical (verdi) to metal musings (with a little help from brian and roger eno and bill wyman) and lends music muscle to the screen bloody gristle. the sound design give you all that you need from stabbings to gunshots and fire to screams and masterfully remastered on the anchor bay disc in glorious 6. 1 for every crunch and caw. audio represent 5 of 5technical represent the editing keeps the film flowing and moving wonderfully. combined with the camera work and the editing help keeps the surreal dreamy imagery flowing. the exquisite opera house is one hell of a location and perfect for staging the horror version of macbeth. one can not end a review of an argento film without having to comment on the kills. argento dispatches characters with glee this time around with a brilliant stabbing sequence and crow eye gouging and the film highlight of a gun blast through a keyhole into the eye and out the back of the head shot that once again sends argento ex wife daria nicolodi to the movie morgue. priceless. technical represent 5 of 5wrap up represent a nearly flawless giallo that suffers from a slightly unnecessary epilogue in switzerland that delivers all the visual thrills that argento fans crave. overall represent 4 of 5. 
opera (1987) director represent dario argento (deep red and suspiria) screenplay represent dario argento and franco ferrini (the church and sleepless and demons) photography represent ronnie taylor (a chorus line and sleepless) music represent claudio simonetti (phenomena and goblin)story represent betty (cristina marsillach) is the lady macbeth understudy of a very stylized staging of verdi macbeth opera. betty time to shine comes when the diva star breaks her leg before opening night when she is hit by a car running away in a tantrum. the famous curse of macbeth takes a more sinister and calculating turn when right away the body count begins to rise. it seems betty gets her first fan via a stalker who ties her up and tapes needles to her eyes to force her to witness the grisly murders of the people around her. story represent 3 of 5acting represent acting in a lot of these italian films can sometimes be hard to judge. english and italian and french and german and spanish can sometimes all be in the same flick as they usually speak their native languages making dubbing rule of thumb and hard to judge. i usually cut them some slack in the area as a result. acting represent 4 of 5 direction represent giallo maestro argento enters again the genre helped pioneer. opera shows him at the top of his game with an exquisite blend of gore and tension and beauty. direction represent 4 of 5visual represent this has to be one of argento best looking films. gorgeously filmed by taylor and opera features some stunning and inventive camera work that keeps the film running fast and hard and keeps the eye candy coming. the camera always seems to be in notion whether it is a wonderful shot of the camera going up a spiral staircase or a sequence towards the end of a bird eye view of said bird circling the crowd at the opera house. visual represent 5 of 5audio represent frequent argento collaborator simonetti (through his various bands goblin and demonian and solo effort) compliments the screen action with zeal as his score touches from the classical (verdi) to metal musings (with a little help from brian and roger eno and bill wyman) and lends music muscle to the screen bloody gristle. the sound design give you all that you need from stabbings to gunshots and fire to screams and masterfully remastered on the anchor bay disc in glorious 6. 1 for every crunch and caw. audio represent 5 of 5technical represent the editing keeps the film flowing and moving wonderfully. combined with the camera work and the editing help keeps the surreal dreamy imagery flowing. the exquisite opera house is one hell of a location and perfect for staging the horror version of macbeth. one can not end a review of an argento film without having to comment on the kills. argento dispatches characters with glee this time around with a brilliant stabbing sequence and crow eye gouging and the film highlight of a gun blast through a keyhole into the eye and out the back of the head shot that once again sends argento ex wife daria nicolodi to the movie morgue. priceless. technical represent 5 of 5wrap up represent a nearly flawless giallo that suffers from a slightly unnecessary epilogue in switzerland that delivers all the visual thrills that argento fans crave. overall represent 4 of 5. ---------------------------------Answer Question Below----------------------------------

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