it wartime drama  wwii and with french and jews and germans and but this one is somehow fun and earnestly so. director jean paul rappeneau co wrote the script to his well received film bon voyage (2003). unlike director bertrand tavernier safe conduct aka laissez passer (2002) and w d rolf schubel gloomy sunday (1999) and or w d claude berri lucie aubrac (1997) and bon voyage is as chipper as its title sounds  cest la vie (whatever)  and we have the beautiful talented isabelle adjani to thank for. it is her delightful performance throughout as the center of attraction (and attention) and the cause and effect of it all and that made the film so enjoyable as it is. hell and what another derailment of her plan and expectations  will worry about that another time. the backbone of the story does revolve around a pair of young enthusiasts represent grégori derangère as frédéric and virginie ledoyen (from francois ozon 8 women) as camille. the incomparable gérard depardieu and the witty yvan attal (of my wife is an actress) and versatile peter coyote (juggling french and english and german here) are some of the stellar cast involved. there are many characters coming and going in this plot of a movie and and how it all juggled is a skilful knack that requires no analysis  rappeneau is simply a genius. the story just builds upon itself and one episode after another and or even with overlapping events and but never confusing  that the delight of it all and somehow every detail turns out right on the screen and we just lap it all up like a tastily presented french dessert and literally so. there thrills and trills and tender hesitant moments and taut ominous escapes and all playing out in front of our eyes. from reading the director note on the sony pictures classics bon voyage official site and rappeneau indicated this is his most personal and successful work ever. depicting bordeaux 1940 from memories of his childhood years is very much close to his heart and he had worked and reworked the script for almost 3 years. this film is a labor of love all round and the cast and crew complementing the director passion and a formidable script by collaborative writers along with the director and his son julien  adaptation efforts by gilles marchand and patrick modiano and and jérôme tonnerre. music by gabriel yared (varied in tone from his previous film scores like the english patient or talented mr. ripley) and who provided a befitting theme that kept the pace and rhythm of the plot going  almost like a train going non stop and reflecting adjani viviane vivacious energy (even when she tired) and keeping her going as she meets whatever comes and walking on with head held high and stylish attire always and no looking back and let alone time for regrets. ah and mustn not forget the wonderfully translated and skilful subtitles by ian burley and who also did subtitles for films in italian represent bread and tulips (2000) aka pane e tulipani and the last kiss (2001) aka lultimo bacio and and tom tykwer heaven (2002). if you find this much too light a wartime relationship drama and try w d mäx fäberböck aimée and jaguar (1999 and in german and based on a true story) with brilliant performances from juliane köhler as aimée and maria schrader as jaguar. 
it wartime drama  wwii and with french and jews and germans and but this one is somehow fun and earnestly so. director jean paul rappeneau co wrote the script to his well received film bon voyage (2003). unlike director bertrand tavernier safe conduct aka laissez passer (2002) and w d rolf schubel gloomy sunday (1999) and or w d claude berri lucie aubrac (1997) and bon voyage is as chipper as its title sounds  cest la vie (whatever)  and we have the beautiful talented isabelle adjani to thank for. it is her delightful performance throughout as the center of attraction (and attention) and the cause and effect of it all and that made the film so enjoyable as it is. hell and what another derailment of her plan and expectations  will worry about that another time. the backbone of the story does revolve around a pair of young enthusiasts represent grégori derangère as frédéric and virginie ledoyen (from francois ozon 8 women) as camille. the incomparable gérard depardieu and the witty yvan attal (of my wife is an actress) and versatile peter coyote (juggling french and english and german here) are some of the stellar cast involved. there are many characters coming and going in this plot of a movie and and how it all juggled is a skilful knack that requires no analysis  rappeneau is simply a genius. the story just builds upon itself and one episode after another and or even with overlapping events and but never confusing  that the delight of it all and somehow every detail turns out right on the screen and we just lap it all up like a tastily presented french dessert and literally so. there thrills and trills and tender hesitant moments and taut ominous escapes and all playing out in front of our eyes. from reading the director note on the sony pictures classics bon voyage official site and rappeneau indicated this is his most personal and successful work ever. depicting bordeaux 1940 from memories of his childhood years is very much close to his heart and he had worked and reworked the script for almost 3 years. this film is a labor of love all round and the cast and crew complementing the director passion and a formidable script by collaborative writers along with the director and his son julien  adaptation efforts by gilles marchand and patrick modiano and and jérôme tonnerre. music by gabriel yared (varied in tone from his previous film scores like the english patient or talented mr. ripley) and who provided a befitting theme that kept the pace and rhythm of the plot going  almost like a train going non stop and reflecting adjani viviane vivacious energy (even when she tired) and keeping her going as she meets whatever comes and walking on with head held high and stylish attire always and no looking back and let alone time for regrets. ah and mustn not forget the wonderfully translated and skilful subtitles by ian burley and who also did subtitles for films in italian represent bread and tulips (2000) aka pane e tulipani and the last kiss (2001) aka lultimo bacio and and tom tykwer heaven (2002). if you find this much too light a wartime relationship drama and try w d mäx fäberböck aimée and jaguar (1999 and in german and based on a true story) with brilliant performances from juliane köhler as aimée and maria schrader as jaguar. ---------------------------------Answer Question Below----------------------------------

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