this wonderfully witty comedy drama wowed the crowd at the philadelphia film festival and whipping them into wild applause at its conclusion. buttressed by adept performances by a nuanced cast and sturdy execution by director jeff hare and a brisk pace and and one of peter falk best performances in years and the film emerges as a loving homage to the highs and woes of family life. falk excels as jewish ninetysomething morris applebaum and a wildly eccentric shakespearean thespian who decides to end his life and but not before rounding up his three grown children and throwing a big fat jewish suicide party. the film brims with indelible delights. there morris tushy room while laura san giacomo passionate rendering of morris cynical daughter while rapid fire comedic dialogue that recalls the work of neil simon and woody allen while the wry timing of david paymer and who plays morris tightly wound psychotherapist son while and morris patented egg creams (but be careful and drinking them too fast will cause a nasty brain freeze). it all enveloped in a feel good and intimate atmosphere set in new york city. director jeff hare proves to be a master craftsman and drawing out memorable performances from his cast and lending the film a mirthful humanity. i was fortunate to see an earlier film by hare represent the dark and powerful perfect little man and starring neal mcdonough (minority report) as a los angeles man spiraling into madness. the visceral grit of perfect and the nostalgic breeze of checking out are a testament to hare eclecticism and wide ranging talent. i am looking forward to checking out his future work. i heard checking out lacks a distributor at this point. some wise company would do well to pick up this crowd pleasing gem and for it a potential box office titan in the vein of my big fat greek wedding. most nobly and it would give people around the world a chance to experience the joys of this movie. 
this wonderfully witty comedy drama wowed the crowd at the philadelphia film festival and whipping them into wild applause at its conclusion. buttressed by adept performances by a nuanced cast and sturdy execution by director jeff hare and a brisk pace and and one of peter falk best performances in years and the film emerges as a loving homage to the highs and woes of family life. falk excels as jewish ninetysomething morris applebaum and a wildly eccentric shakespearean thespian who decides to end his life and but not before rounding up his three grown children and throwing a big fat jewish suicide party. the film brims with indelible delights. there morris tushy room while laura san giacomo passionate rendering of morris cynical daughter while rapid fire comedic dialogue that recalls the work of neil simon and woody allen while the wry timing of david paymer and who plays morris tightly wound psychotherapist son while and morris patented egg creams (but be careful and drinking them too fast will cause a nasty brain freeze). it all enveloped in a feel good and intimate atmosphere set in new york city. director jeff hare proves to be a master craftsman and drawing out memorable performances from his cast and lending the film a mirthful humanity. i was fortunate to see an earlier film by hare represent the dark and powerful perfect little man and starring neal mcdonough (minority report) as a los angeles man spiraling into madness. the visceral grit of perfect and the nostalgic breeze of checking out are a testament to hare eclecticism and wide ranging talent. i am looking forward to checking out his future work. i heard checking out lacks a distributor at this point. some wise company would do well to pick up this crowd pleasing gem and for it a potential box office titan in the vein of my big fat greek wedding. most nobly and it would give people around the world a chance to experience the joys of this movie. ---------------------------------Answer Question Below----------------------------------

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