what a gas of a movie. film noir has always been one of my favorite genres and but this one stands apart from the rest. only the big sleep and out of the past and murder my sweet and and the killers can come close to this caper classic. i know these four american films i mentioned are not caper movies per se and but rather detective stories with complicated story lines and which still exude a noirean and gritty quality about them and similar to rififi. what is different here is the way jules dassin sets into motion the total ambiance of the film and not only in the gritty realism of the principals and but also in the usage of the streets of paris as a subliminal character and co conspirator unto itself. the movie centers around le stephanois and a dark and moody and complicated ex con getting pulled into one last shot at the hefty payoff. even though he is an unsmiling and hard nosed tough guy and one still senses in him a yearning for some kind of redemption by extricating himself from the demons of his past (hey and he saved little toni. ). dassin picked the right guy (jean servais) for that role. that aside and the rest of the story development kind of falls into place as we journey through the famous silent caper scene to the the eventual demise of the principal perps. only their women survive and except for ida and mario honey. they seemed to best understand the underlying futility of it all. 
what a gas of a movie. film noir has always been one of my favorite genres and but this one stands apart from the rest. only the big sleep and out of the past and murder my sweet and and the killers can come close to this caper classic. i know these four american films i mentioned are not caper movies per se and but rather detective stories with complicated story lines and which still exude a noirean and gritty quality about them and similar to rififi. what is different here is the way jules dassin sets into motion the total ambiance of the film and not only in the gritty realism of the principals and but also in the usage of the streets of paris as a subliminal character and co conspirator unto itself. the movie centers around le stephanois and a dark and moody and complicated ex con getting pulled into one last shot at the hefty payoff. even though he is an unsmiling and hard nosed tough guy and one still senses in him a yearning for some kind of redemption by extricating himself from the demons of his past (hey and he saved little toni. ). dassin picked the right guy (jean servais) for that role. that aside and the rest of the story development kind of falls into place as we journey through the famous silent caper scene to the the eventual demise of the principal perps. only their women survive and except for ida and mario honey. they seemed to best understand the underlying futility of it all. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
