even if youre a fan of jean rollin idiosyncratic body of work and you will be caught off guard by this exceptional foray into science fiction territory. for once and there not a single diaphanously gowned vampire girl in sight . true to tradition and the budget proved way too tight to realize the director vision entirely. yet this is largely compensated by his obvious love of genre cinema and dedication to his craft and sheer ingenuity. jean claude couty atmospheric cinematography makes the most of the foreboding locations and philippe bréjean (a or k or a gary sandeur) contributes a startling soundtrack that fortunately doesn not resemble any of the sappy stuff he composed for hardcore. shot in and around a paris office block before and after working hours and the film was largely cast with porn regulars rollin was already quite familiar with from his michel gentil cash gathering xxx efforts and most notably french fck film royalty brigitte lahaie in the demanding lead. playing elisabeth (rather well and i might add) and she picked up wandering a nearby highway one night by robert (vincent gardère) and driving home at the end of a long work day. barely able to piece together the string of events that got her there and elisabeth seems to lose her memories mere moments after events occur and even forgetting robert name and heroic savior role before their night flight comes to an end at his apartment. prior to making love and she rightfully describes herself as a virgin (further credit to brigitte thespian skills that she can handle the line so convincingly and being after all one of the more active adult actresses of the 70s) because she cannot recall a single touch preceding his. because of this nifty bit of context and the relatively long sex scene that follows totally eschews the gratuity of other commercial interludes rollin has had to include in other works to assure funding. when robert leaves for work and he inevitably erased from elisabeth feeble mind. a mysterious doctor (comedian bernard papineau effectively cast against type) and his menacing assistant solange (striking porn starlet rachel mhas) move in on her during her protector absence and take her back to the place she turns out to have escaped from. here we get one of the movie strongest scenes as she re introduced to her roommate catherine (the late cathérine greiner a or k or a hardcore performer cathy stewart in a quietly devastating turn) and both girls desperately supplying fictitious shared memories for one another in a bid to outrun their inevitable fate. that deterioration is not solely limited to the mind becomes painfully clear when they are served lunch and catherine unable to control her movements in trying to eat a spoonful of soup. it also catherine who gets to voice the filmmaker compromise with the demands of commerce as she urges elisabeth to get naked and hold her because sex is all they have left now that both mind and physical faculties have deserted them. several rather explicit  if not quite hardcore  sex scenes make up the movie mid section and french porn aficionados should recognize the likes of alain plumey (a or k or a cyril val) and jacques gateau and elodie delage and along with a blink and miss bit from future porno princess marilyn jess whose rape at the hands and mouth and member of plumey was only present in the film rarely screened xxx version filles traquees. the pivotal part of véronique and a girl elisabeth almost seems to remember and whom she seeks to escape anew with and is beautifully handled by the exquisite dominique journet  in her unforgettable debut  who would go on to play a sizable supporting role in franco zeffirelli la traviata. the six feet under ending reveals the deteriorating condition to be the result of a nuclear spill and the quarantined patients ultimately leaving a barely breathing empty shell and unceremoniously disposed off in a fiery furnace. the final shot offers a particularly heartbreaking variation on that of chaplin modern times as elisabeth and approaching complete meltdown by now and and a wounded robert stumble along the railroad bridge and clumsily clasping each other outstretched hands. 
even if youre a fan of jean rollin idiosyncratic body of work and you will be caught off guard by this exceptional foray into science fiction territory. for once and there not a single diaphanously gowned vampire girl in sight . true to tradition and the budget proved way too tight to realize the director vision entirely. yet this is largely compensated by his obvious love of genre cinema and dedication to his craft and sheer ingenuity. jean claude couty atmospheric cinematography makes the most of the foreboding locations and philippe bréjean (a or k or a gary sandeur) contributes a startling soundtrack that fortunately doesn not resemble any of the sappy stuff he composed for hardcore. shot in and around a paris office block before and after working hours and the film was largely cast with porn regulars rollin was already quite familiar with from his michel gentil cash gathering xxx efforts and most notably french fck film royalty brigitte lahaie in the demanding lead. playing elisabeth (rather well and i might add) and she picked up wandering a nearby highway one night by robert (vincent gardère) and driving home at the end of a long work day. barely able to piece together the string of events that got her there and elisabeth seems to lose her memories mere moments after events occur and even forgetting robert name and heroic savior role before their night flight comes to an end at his apartment. prior to making love and she rightfully describes herself as a virgin (further credit to brigitte thespian skills that she can handle the line so convincingly and being after all one of the more active adult actresses of the 70s) because she cannot recall a single touch preceding his. because of this nifty bit of context and the relatively long sex scene that follows totally eschews the gratuity of other commercial interludes rollin has had to include in other works to assure funding. when robert leaves for work and he inevitably erased from elisabeth feeble mind. a mysterious doctor (comedian bernard papineau effectively cast against type) and his menacing assistant solange (striking porn starlet rachel mhas) move in on her during her protector absence and take her back to the place she turns out to have escaped from. here we get one of the movie strongest scenes as she re introduced to her roommate catherine (the late cathérine greiner a or k or a hardcore performer cathy stewart in a quietly devastating turn) and both girls desperately supplying fictitious shared memories for one another in a bid to outrun their inevitable fate. that deterioration is not solely limited to the mind becomes painfully clear when they are served lunch and catherine unable to control her movements in trying to eat a spoonful of soup. it also catherine who gets to voice the filmmaker compromise with the demands of commerce as she urges elisabeth to get naked and hold her because sex is all they have left now that both mind and physical faculties have deserted them. several rather explicit  if not quite hardcore  sex scenes make up the movie mid section and french porn aficionados should recognize the likes of alain plumey (a or k or a cyril val) and jacques gateau and elodie delage and along with a blink and miss bit from future porno princess marilyn jess whose rape at the hands and mouth and member of plumey was only present in the film rarely screened xxx version filles traquees. the pivotal part of véronique and a girl elisabeth almost seems to remember and whom she seeks to escape anew with and is beautifully handled by the exquisite dominique journet  in her unforgettable debut  who would go on to play a sizable supporting role in franco zeffirelli la traviata. the six feet under ending reveals the deteriorating condition to be the result of a nuclear spill and the quarantined patients ultimately leaving a barely breathing empty shell and unceremoniously disposed off in a fiery furnace. the final shot offers a particularly heartbreaking variation on that of chaplin modern times as elisabeth and approaching complete meltdown by now and and a wounded robert stumble along the railroad bridge and clumsily clasping each other outstretched hands. ---------------------------------Answer Question Below----------------------------------

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