greedy land baron in the tiny western town of prairie city wants all the ranchers off their land and using intimidation tactics and arson to get them to vacate while seems the town is swimming atop oil and and when a swedish farmer refuses to leave and he mowed down by the baron hired gun. the farmer seafaring son soon arrives and slowly realizing what he up against and attempting to rally the rest of the residents to fight. another lawlessness in the west story and with everybody under the thumb of the villain (who naturally holds all the cards). derivative and uncomfortable at times to watch and with a long wait before our stoic hero finally gets his dander up. sterling hayden half hearted swedish accent is a big problem and though he cuts a sturdy and sympathetic presence on the screen and almost makes the picture worth watching. director joseph h. lewis stages most of the scenes stiffly and like a tv western and and gerald fried bugle heavy score is no help and though the rich black and white cinematography by ray rennahan is excellent. an independent production released via united artists and the film has a bizarre start (beginning with shots from the finale and followed by shots from the movie midsection) and yet it does have a certain needling power which most assuredly gets the viewer on hayden side. from . 
greedy land baron in the tiny western town of prairie city wants all the ranchers off their land and using intimidation tactics and arson to get them to vacate while seems the town is swimming atop oil and and when a swedish farmer refuses to leave and he mowed down by the baron hired gun. the farmer seafaring son soon arrives and slowly realizing what he up against and attempting to rally the rest of the residents to fight. another lawlessness in the west story and with everybody under the thumb of the villain (who naturally holds all the cards). derivative and uncomfortable at times to watch and with a long wait before our stoic hero finally gets his dander up. sterling hayden half hearted swedish accent is a big problem and though he cuts a sturdy and sympathetic presence on the screen and almost makes the picture worth watching. director joseph h. lewis stages most of the scenes stiffly and like a tv western and and gerald fried bugle heavy score is no help and though the rich black and white cinematography by ray rennahan is excellent. an independent production released via united artists and the film has a bizarre start (beginning with shots from the finale and followed by shots from the movie midsection) and yet it does have a certain needling power which most assuredly gets the viewer on hayden side. from . ---------------------------------Answer Question Below----------------------------------

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