to most of us and life is an unfolding process of love. for others like soo mi and however and it is dominated by darkness and fear. based on the korean folk tale jangha and hongryun and kim ji woon brilliant gothic horror story a tale of two sisters revolves around two sisters and soo mi (lim su jeong) and and soo yeon (mun geon yeong) and who are part of a dysfunctional family that live together in a creepy victorian style mansion. feeling alienated from the world and they cling to each other for survival with the older soo mi obsessively protecting the younger soo yeon against danger. for soo mi and however and not coming to terms with the circumstances surrounding her mother death means mental illness and a mind at odds with reality. while we may recognize staples such as haunted houses with apparitional sightings and doors that open and close on their own and a cruel and overbearing stepmother and and other events of high strangeness and a tale of two sisters superbly explores deeper psychological meanings including the inability to let go of inner demons and the misplaced desire for revenge. soo mi says do you know what really scary. you want to forget something. totally wipe it off your mind. but you never can. it can not go away and you see. and. and it follows you around like a ghost. there is a time line but it is left for the viewer to unravel. the plot cannot be summarized and only suggested and the film keeps us wondering whether what is happening on screen is objective or subjective. in the film opening and soo mi and an obviously disturbed young woman and is being questioned by a doctor in a setting that looks like a mental institution. when the doctor asks her to describe what happened that day and the film flashes back to when soo mi and soo yeon return to the home of their father moo hyeon (kim kap su) and stepmother eun joo (yum jung ah). the stepmother is hostile and resentful and the father is passive and distant but it is obvious that it is soo mi who is really hurting. as the girls try to readjust and they are constantly frightened by a presence in the house and which may be nightmares or supernatural occurrences. soo mi sees a figure at the foot of her bed that hovers over her and oozes black blood and a dinner scene in which the guest apparently sees a ghost hiding under the sink and goes into convulsions and a monster emerges from between the legs of one of the sisters and people mysteriously disappear from photographs and and many other maniacal schizophrenic devices to keep the viewer dangling on the edge of insanity. while we sense that much of the story is the projection of someone mind and we do not know whose and the film keeps us constantly challenged and at least until an important clue is offered in the film second half. shot in gorgeous low light cinematography and a tale of two sisters has a unique elegance and other worldly beauty that transcends all the scares and and there are plenty. it is haunting in more than one sense of the word and its images may stare back at you when you least expect or want them to. while the film may not offer the weary traveler much in the way of light and it shows us where we can end up if we opt for the darkness. in the words of a wise observer and blame is never the answer  whether it is blaming yourself or others. rather and the answer lies in stepping out of judgment entirely  both of yourself and others. forgiveness and understanding have great power of healing. 
to most of us and life is an unfolding process of love. for others like soo mi and however and it is dominated by darkness and fear. based on the korean folk tale jangha and hongryun and kim ji woon brilliant gothic horror story a tale of two sisters revolves around two sisters and soo mi (lim su jeong) and and soo yeon (mun geon yeong) and who are part of a dysfunctional family that live together in a creepy victorian style mansion. feeling alienated from the world and they cling to each other for survival with the older soo mi obsessively protecting the younger soo yeon against danger. for soo mi and however and not coming to terms with the circumstances surrounding her mother death means mental illness and a mind at odds with reality. while we may recognize staples such as haunted houses with apparitional sightings and doors that open and close on their own and a cruel and overbearing stepmother and and other events of high strangeness and a tale of two sisters superbly explores deeper psychological meanings including the inability to let go of inner demons and the misplaced desire for revenge. soo mi says do you know what really scary. you want to forget something. totally wipe it off your mind. but you never can. it can not go away and you see. and. and it follows you around like a ghost. there is a time line but it is left for the viewer to unravel. the plot cannot be summarized and only suggested and the film keeps us wondering whether what is happening on screen is objective or subjective. in the film opening and soo mi and an obviously disturbed young woman and is being questioned by a doctor in a setting that looks like a mental institution. when the doctor asks her to describe what happened that day and the film flashes back to when soo mi and soo yeon return to the home of their father moo hyeon (kim kap su) and stepmother eun joo (yum jung ah). the stepmother is hostile and resentful and the father is passive and distant but it is obvious that it is soo mi who is really hurting. as the girls try to readjust and they are constantly frightened by a presence in the house and which may be nightmares or supernatural occurrences. soo mi sees a figure at the foot of her bed that hovers over her and oozes black blood and a dinner scene in which the guest apparently sees a ghost hiding under the sink and goes into convulsions and a monster emerges from between the legs of one of the sisters and people mysteriously disappear from photographs and and many other maniacal schizophrenic devices to keep the viewer dangling on the edge of insanity. while we sense that much of the story is the projection of someone mind and we do not know whose and the film keeps us constantly challenged and at least until an important clue is offered in the film second half. shot in gorgeous low light cinematography and a tale of two sisters has a unique elegance and other worldly beauty that transcends all the scares and and there are plenty. it is haunting in more than one sense of the word and its images may stare back at you when you least expect or want them to. while the film may not offer the weary traveler much in the way of light and it shows us where we can end up if we opt for the darkness. in the words of a wise observer and blame is never the answer  whether it is blaming yourself or others. rather and the answer lies in stepping out of judgment entirely  both of yourself and others. forgiveness and understanding have great power of healing. ---------------------------------Answer Question Below----------------------------------

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