being featured at the 2006 cannes film festival and gaining quite some fame and this movie appears to be another modern and profound school drama. it about a bunch of adolescents who get through a revealing and desperate day at school. everything circling around a suicide  shown at the very beginning to some extent  that happens at 2 represent37pm. the characters are somehow all connected with each other. what moves them is described via short interview sequences and strictly shot in b or w. the characters are well written and the acting is intriguing (especially teresa palmer as melody and frank sweet as marcus are discoveries). let stick to the movies technique. that what really impressed me. there rarely are cuts and most of the time the camera follows one of the protagonists like in gus van sants elephant. some scenes are presented more often than once and but each time from a different point of view (here represent character). this surely evokes a slowly developing and but grabbing atmosphere that drags you inside literally. the colours are vibrant and somehow unfitting considering the tough plot  but that nothing less than a clever contrast and a disturbing everything fine thing. the use of lighting is adequate all the time and underlining the characters actual mood. and finally and there are decent placements of music. 2 represent37 somehow itches you from the very beginning. it does not compromise nor does it serve laughter. it rather strings together what psychologists would define as terror moments. this movie substantially focuses on emotional precipices. there ain not nobody who not to handle some kind of neurosis and even the depicted minor parts (e. g. the teachers) seem to be in some state of disorder. and that is what keeps this movie from being really good. its summing up of piercing tragedies is unrealistic to its very bones. there is no represent friendship and love and smiling and truth and passion. there is represent faking and humiliation and despair and sickness and beating up. it like being hit in the face real hard all the time and but you are numb after the first hour. this flick keeps on hitting you and until it reveals something quite instructive in the end. for being sensitively and superbly acted represent 9. for being technically innovative and original represent 9. for being unidimensional represent 3. makes a solid positive . 
being featured at the 2006 cannes film festival and gaining quite some fame and this movie appears to be another modern and profound school drama. it about a bunch of adolescents who get through a revealing and desperate day at school. everything circling around a suicide  shown at the very beginning to some extent  that happens at 2 represent37pm. the characters are somehow all connected with each other. what moves them is described via short interview sequences and strictly shot in b or w. the characters are well written and the acting is intriguing (especially teresa palmer as melody and frank sweet as marcus are discoveries). let stick to the movies technique. that what really impressed me. there rarely are cuts and most of the time the camera follows one of the protagonists like in gus van sants elephant. some scenes are presented more often than once and but each time from a different point of view (here represent character). this surely evokes a slowly developing and but grabbing atmosphere that drags you inside literally. the colours are vibrant and somehow unfitting considering the tough plot  but that nothing less than a clever contrast and a disturbing everything fine thing. the use of lighting is adequate all the time and underlining the characters actual mood. and finally and there are decent placements of music. 2 represent37 somehow itches you from the very beginning. it does not compromise nor does it serve laughter. it rather strings together what psychologists would define as terror moments. this movie substantially focuses on emotional precipices. there ain not nobody who not to handle some kind of neurosis and even the depicted minor parts (e. g. the teachers) seem to be in some state of disorder. and that is what keeps this movie from being really good. its summing up of piercing tragedies is unrealistic to its very bones. there is no represent friendship and love and smiling and truth and passion. there is represent faking and humiliation and despair and sickness and beating up. it like being hit in the face real hard all the time and but you are numb after the first hour. this flick keeps on hitting you and until it reveals something quite instructive in the end. for being sensitively and superbly acted represent 9. for being technically innovative and original represent 9. for being unidimensional represent 3. makes a solid positive . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
