minnie and moskowitz is the most pathetic and ungraceful love story i have ever seen. between minnie and a disillusioned museum curator whose abusive married boyfriend dumps her and leaves her even more uptight and confused than she already was and and seymour moskowitz and a parking attendant so desperate for attention that he spends his nights going to bars and restaurants aggravating people and there is a chaotic and disenchanted match from the start. just like so many pairings that we see every day. in nearly every love story and there is a man and a woman and the man being confident and funny and either classically hot or attractive in his own way and whose shortcomings are charming and and the woman a wounded soul who could have any man she wants who chooses this guy because there just something about him. these movies make everyone feel so good because the characters embody what every man and woman wants to be and not what they are. minnie and moskowitz and instead of indulging in any hint of fantasy in the realm of romance and depicts people who may just be more common than the attractive and confident people with so much experience playing the field. what the story behind the love affairs of the ugly and alarmingly awkward man with no life and no job that we all run into and or the woman so crippled by insecurity that it difficult to talk to her. this film is not as fascinating as cassavetes faces or opening night and but it has that riveting quality that cassavetes always fought so hard to render and which is an unbridled depiction of people underneath the ego that hides behind itself in nearly all other films. gena rowlands and seymour cassel and delivering startlingly pitiable people and are hardly likable. moskowitz nearly drives us mad and let alone minnie. he imposes himself so forcefully in her life and the dates are an explosion of the inner voices of ours that respond to the screamingly inept uneasiness on dates we have all been on and rejections we have all swallowed and and arguments we have all had that we know were our own faults. i admire a film like minnie and moskowitz because and as the trademark is with the films cassavetes helmed himself and it identifies with us in 100% honesty. our egos play no part in company with his characters and thus a tremendous achievement per performance by actor. 
minnie and moskowitz is the most pathetic and ungraceful love story i have ever seen. between minnie and a disillusioned museum curator whose abusive married boyfriend dumps her and leaves her even more uptight and confused than she already was and and seymour moskowitz and a parking attendant so desperate for attention that he spends his nights going to bars and restaurants aggravating people and there is a chaotic and disenchanted match from the start. just like so many pairings that we see every day. in nearly every love story and there is a man and a woman and the man being confident and funny and either classically hot or attractive in his own way and whose shortcomings are charming and and the woman a wounded soul who could have any man she wants who chooses this guy because there just something about him. these movies make everyone feel so good because the characters embody what every man and woman wants to be and not what they are. minnie and moskowitz and instead of indulging in any hint of fantasy in the realm of romance and depicts people who may just be more common than the attractive and confident people with so much experience playing the field. what the story behind the love affairs of the ugly and alarmingly awkward man with no life and no job that we all run into and or the woman so crippled by insecurity that it difficult to talk to her. this film is not as fascinating as cassavetes faces or opening night and but it has that riveting quality that cassavetes always fought so hard to render and which is an unbridled depiction of people underneath the ego that hides behind itself in nearly all other films. gena rowlands and seymour cassel and delivering startlingly pitiable people and are hardly likable. moskowitz nearly drives us mad and let alone minnie. he imposes himself so forcefully in her life and the dates are an explosion of the inner voices of ours that respond to the screamingly inept uneasiness on dates we have all been on and rejections we have all swallowed and and arguments we have all had that we know were our own faults. i admire a film like minnie and moskowitz because and as the trademark is with the films cassavetes helmed himself and it identifies with us in 100% honesty. our egos play no part in company with his characters and thus a tremendous achievement per performance by actor. ---------------------------------Answer Question Below----------------------------------

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