young writers and young auteur and young cast and busload of producers and what could go wrong. everything. even lame is too good a description and that suggests that three of four legs were functioning and when actually and none of them were. barely enough recycled plotline for a 48 and a half minute television hour and gratingly stretched to ninety minutes. the audience was talking back to the screen and so bad was the story. dirty cops steal drugs from the evidence locker. how many thousands of times has this been done on television. bad cops frame good cops. again and how many times. there was not an original shred in this entire concoction. giovanni ribisi made a valiant effort to prop up the lack of script and drawing the only laughs of the entire movie. and the thought of he and claire danes working from a real script with a grown up director and photographed by an actual cinematographer intrigues me. note to screenwriters represent buy one of those story generators. it can not possibly be as bad as ripping off bad television. note to auteur represent there are shots available to you other than closeups. even the lovely and interesting face of claire danes eventually grows tiresome in closeup. note to cinematographer represent apprentice yourself to a professional for a few years you have much to learn. note to color timer at the lab represent at least try to persuade the auteur and the cinematographer that they do not know what theyre talking about. note to claire represent i hope this paid for your new condo. it time to get some professional management and start actually reading the scripts before signing on. 
young writers and young auteur and young cast and busload of producers and what could go wrong. everything. even lame is too good a description and that suggests that three of four legs were functioning and when actually and none of them were. barely enough recycled plotline for a 48 and a half minute television hour and gratingly stretched to ninety minutes. the audience was talking back to the screen and so bad was the story. dirty cops steal drugs from the evidence locker. how many thousands of times has this been done on television. bad cops frame good cops. again and how many times. there was not an original shred in this entire concoction. giovanni ribisi made a valiant effort to prop up the lack of script and drawing the only laughs of the entire movie. and the thought of he and claire danes working from a real script with a grown up director and photographed by an actual cinematographer intrigues me. note to screenwriters represent buy one of those story generators. it can not possibly be as bad as ripping off bad television. note to auteur represent there are shots available to you other than closeups. even the lovely and interesting face of claire danes eventually grows tiresome in closeup. note to cinematographer represent apprentice yourself to a professional for a few years you have much to learn. note to color timer at the lab represent at least try to persuade the auteur and the cinematographer that they do not know what theyre talking about. note to claire represent i hope this paid for your new condo. it time to get some professional management and start actually reading the scripts before signing on. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
