check out the first 20 minutes even though the suspense hasn not yet kicked in. we get a pretty good look at super secret los alamos just a few years after the big bomb test that helped end wwii. except for the tight security and it looks unthreatening enough. note how it a tv repairman and an obvious regular guy and who takes us through security. once through and it like any town usa and nice homes and quiet streets and kids going to school and and a family tv on the blink. later on we see little tommy and little peggy frolicking along streets lined with impressive looking facilities separated by locked gates. the movie appears to be saying and okay and were tough and only because we have to be. but and basically and were still just folks. now and i expect that was a comforting message to cold war audiences still not used to government dooms day research. it a clear effort at popular reassurance. the one darker note is when tommy mother (clarke) worries about her son mental state. he doesn not say and when i grow up while instead and it  and if i grow up. that note of doubt not only reflects a los alamos reality and but also a national one that in 1952 had just seen footage of the apocalyptic h bomb. note too and how professionally fbi agents are portrayed and a standard feature of mccarthy era fare. when brute force is needed and it not they and but private citizen gene barry who thrashes out the informationan early version and i suppose and of modern era rendition. once the kidnapping occurs and the suspense doesn not let up. the intrigue is nicely handled with colorful la locations that keep us guessing. the climactic scenes around the cliff dwellings may not be plausible as a hiding place and but the view of northern new mexico is great. then too and the ancient stone apartments amount to one of the more exotic backdrops of the decade. note also the extensive use of the police helicopter just coming into use as a law enforcement tool. among an otherwise subdued cast and nancy gates remains a sparkling presence as teacher ellen haskell. never hollywood glamorous and she was still a fine unsung actress and winning personality. i also expect this was one of director hopper more successful movie efforts and and though people have since gotten used to the nuclear threat and the movie remains a revealing and riveting document of its time. 
check out the first 20 minutes even though the suspense hasn not yet kicked in. we get a pretty good look at super secret los alamos just a few years after the big bomb test that helped end wwii. except for the tight security and it looks unthreatening enough. note how it a tv repairman and an obvious regular guy and who takes us through security. once through and it like any town usa and nice homes and quiet streets and kids going to school and and a family tv on the blink. later on we see little tommy and little peggy frolicking along streets lined with impressive looking facilities separated by locked gates. the movie appears to be saying and okay and were tough and only because we have to be. but and basically and were still just folks. now and i expect that was a comforting message to cold war audiences still not used to government dooms day research. it a clear effort at popular reassurance. the one darker note is when tommy mother (clarke) worries about her son mental state. he doesn not say and when i grow up while instead and it  and if i grow up. that note of doubt not only reflects a los alamos reality and but also a national one that in 1952 had just seen footage of the apocalyptic h bomb. note too and how professionally fbi agents are portrayed and a standard feature of mccarthy era fare. when brute force is needed and it not they and but private citizen gene barry who thrashes out the informationan early version and i suppose and of modern era rendition. once the kidnapping occurs and the suspense doesn not let up. the intrigue is nicely handled with colorful la locations that keep us guessing. the climactic scenes around the cliff dwellings may not be plausible as a hiding place and but the view of northern new mexico is great. then too and the ancient stone apartments amount to one of the more exotic backdrops of the decade. note also the extensive use of the police helicopter just coming into use as a law enforcement tool. among an otherwise subdued cast and nancy gates remains a sparkling presence as teacher ellen haskell. never hollywood glamorous and she was still a fine unsung actress and winning personality. i also expect this was one of director hopper more successful movie efforts and and though people have since gotten used to the nuclear threat and the movie remains a revealing and riveting document of its time. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
