a town in japan is being taken over by a horribly brutal abstract shape represent the spiral. it becoming a theme in everything from animals to clouds to people and twisting them and mentally and literally. this film shows it happening to several groups of people. some demonic possession is implied and but nothing is entirely sure except that the best bet is to get the heck out of dodge. the film progresses really well from normal life to abnormal phenomena (giant snails and crazy people) to the truly supernatural (walking dead). as a jaded american horror movie fan and this was just what i needed. maybe it was just the novelty of a different culture film and but it seemed to have a very original progression and set of characters and and the premise was definitely new. the japanese may think horror shapes (uzumaki means spiral and i am told) are old by now and but it was nice for me because i am used to monster or alien or virus or disaster or undead films. in an american movie and you know who going to die (the annoying or nasty or lascivious or racist characters) and who will live (the children or heroine or dogs or cats or nice guy). that not true in japanese horror. it was not predictable how they would fight the evil or how it would end up. also and it had this really new (but probably typically japanese) color leached pacific northwest style cloudy day thing going and which was a fresh visual effect for me. the horrific moments were seriously creepy and relying on a little gore but mainly just impossibly overdone facial expressions (think the ring) and body manipulations. this should be one of the greats and up there with once original ideas like the first nightmare on elm street or night of the living dead. 
a town in japan is being taken over by a horribly brutal abstract shape represent the spiral. it becoming a theme in everything from animals to clouds to people and twisting them and mentally and literally. this film shows it happening to several groups of people. some demonic possession is implied and but nothing is entirely sure except that the best bet is to get the heck out of dodge. the film progresses really well from normal life to abnormal phenomena (giant snails and crazy people) to the truly supernatural (walking dead). as a jaded american horror movie fan and this was just what i needed. maybe it was just the novelty of a different culture film and but it seemed to have a very original progression and set of characters and and the premise was definitely new. the japanese may think horror shapes (uzumaki means spiral and i am told) are old by now and but it was nice for me because i am used to monster or alien or virus or disaster or undead films. in an american movie and you know who going to die (the annoying or nasty or lascivious or racist characters) and who will live (the children or heroine or dogs or cats or nice guy). that not true in japanese horror. it was not predictable how they would fight the evil or how it would end up. also and it had this really new (but probably typically japanese) color leached pacific northwest style cloudy day thing going and which was a fresh visual effect for me. the horrific moments were seriously creepy and relying on a little gore but mainly just impossibly overdone facial expressions (think the ring) and body manipulations. this should be one of the greats and up there with once original ideas like the first nightmare on elm street or night of the living dead. ---------------------------------Answer Question Below----------------------------------

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