flesh is hard to describe with a solid summary because and well and there basically isn not a plot. the film pretty much just shows the day in the life of a hustler named joe (joe dallesandro and who is in the underrated louis malle picture black moon) as he makes his rounds and sleeping and modeling around to cash in the bucks to pay for his wife lover abortion. not much and and since the film is quite a lengthy eighty nine minutes and you would think that flesh would be a slow moving and boring hour and a half. you think wrong. the film is made up of improv and no screenplay and the angles of the film are pretty on the spot as well and yet there is some kind of truth beneath every frame that gives the film its dementedly entertaining vibrancy. everything makes sense and serves purpose in what happens to joe in this one day. he meets a regular john that is obviously lying when saying he wants to see joe again and a photographer who talks so much that it bores joe to tears and two drag queens who read out of tabloid magazines as joe receives head from a mousy voiced addict who mumbles on later about how she wants to get a breast lift and an old friend of joe who reads male on male rape stories to him and and then a final scene with his wife and her lover that eerily echoes the scene at the start of the film (one of the best openings to a film i have seen in quite some time)  and tells completely what the film is overall philosophically about. it astounding how the film messages and styles feel almost timeless and even though it set in 1960s new york city and in real time and in real place and and is filmed like an obvious independent flick from that era. it certainly not a film that could be made today and which adds on to its delicious mystique. fueled by unexpected jump cuts while and absent of a score to advance its images  flesh is about as raw and gritty as a film about male prostitution in the 60s can get. 
flesh is hard to describe with a solid summary because and well and there basically isn not a plot. the film pretty much just shows the day in the life of a hustler named joe (joe dallesandro and who is in the underrated louis malle picture black moon) as he makes his rounds and sleeping and modeling around to cash in the bucks to pay for his wife lover abortion. not much and and since the film is quite a lengthy eighty nine minutes and you would think that flesh would be a slow moving and boring hour and a half. you think wrong. the film is made up of improv and no screenplay and the angles of the film are pretty on the spot as well and yet there is some kind of truth beneath every frame that gives the film its dementedly entertaining vibrancy. everything makes sense and serves purpose in what happens to joe in this one day. he meets a regular john that is obviously lying when saying he wants to see joe again and a photographer who talks so much that it bores joe to tears and two drag queens who read out of tabloid magazines as joe receives head from a mousy voiced addict who mumbles on later about how she wants to get a breast lift and an old friend of joe who reads male on male rape stories to him and and then a final scene with his wife and her lover that eerily echoes the scene at the start of the film (one of the best openings to a film i have seen in quite some time)  and tells completely what the film is overall philosophically about. it astounding how the film messages and styles feel almost timeless and even though it set in 1960s new york city and in real time and in real place and and is filmed like an obvious independent flick from that era. it certainly not a film that could be made today and which adds on to its delicious mystique. fueled by unexpected jump cuts while and absent of a score to advance its images  flesh is about as raw and gritty as a film about male prostitution in the 60s can get. ---------------------------------Answer Question Below----------------------------------

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