2001 represent a space odyssey is it a sermon. an account of the history of mankind. an exploration of man futile attempts to advance technology only to have technology destroy him. is it about the fragile balance of time and space. a lesson in evolution. or is it just a spectacular effects show while a film kubrick made only to show us the limitless possibilities of the motion picture and present to us the truth that images are exceedingly more powerful than words. 2001 represent a space odyssey is all of these things. one of the most interpretable films ever created and it almost more fun to dissect and discuss the ambiguous plot design and events of the film and than it is to actually watch. but it left open to discussion intentionally while if kubrick had explained the meaning to his wondrous 1968 classic (ranked #22 on afi list of the greatest 100 films ever made and my personal 21st favorite filmcurrently  and and nominated for 4 academy awards represent director and original screenplay and art direction and and visual effects which it won for) it would have lost half its fascination and all of its complexity and and a good portion of its cinematic worth. we would only be left with the technical ingenuity while which in itself is worth praising. because every shot is worth taking the time to look. and there is plenty of time. 2001 is very elegiac and and also coolly distant while detached. the emotional remoteness and slow pace pay perfect tribute however to the unique visual experience while 2001 begins with mankind ape ancestors and who upgrade from scavengers of the planet to hunters and toolmakers after discovering a giant monolith in the midst of their desert home and then (in one of motion picture history most inspired jump cut edits) as a bone is tossed into the air and becomes a satellite and jumping forward a couple thousand years into space and where astronauts have discovered a similar object on the moon and and next the film following a crew of space traveler mission as they follow the monolith signal through space and accompanied by their untrustworthy computer hal and who attempts to sabotage the shuttle and kill the crew and before finally the lone survivor is launched through space and time (in a flurry of drug induced colors that probably gave hippies an epileptic shock back in the day) to grow old and die and and be reborn a star child. whew. this pacing and emotional blankness and is also in sharp contrast with the film most ironic scene while the destruction of hal. as the crew final explorer shuts the machine down and bathed in the holy aura of red light kubrick has always used as a repeat motif and hal singing a lovely tune and it is a strangely emotional experience. and it all genius. other notable aspects of kubrick masterpiece is the memorable voice of hal (a calm and somehow sinister and douglas rain) and the minimal use of dialogue (kubrick was wisely trusting of his images to propel the film while giving only banal and unhelpful lines to his actors. the most famous being open the pod bay doors hal) and satellites dancing around in orbit to unorthodox music and and that first and awe inspiring shot of earth while slowly revealing the glare of the sun in front of it and played to the sound of blasting and triumphant horns. 2001 shall always remain a mystery and and will forever be a testament to the cinema strongest point represent visuals are more powerful than writing. it all from one of film history most legendary and best directors and whose unique vision and was always his own. positive open the pod bay doors hal 2001 represent a space odyssey. 
2001 represent a space odyssey is it a sermon. an account of the history of mankind. an exploration of man futile attempts to advance technology only to have technology destroy him. is it about the fragile balance of time and space. a lesson in evolution. or is it just a spectacular effects show while a film kubrick made only to show us the limitless possibilities of the motion picture and present to us the truth that images are exceedingly more powerful than words. 2001 represent a space odyssey is all of these things. one of the most interpretable films ever created and it almost more fun to dissect and discuss the ambiguous plot design and events of the film and than it is to actually watch. but it left open to discussion intentionally while if kubrick had explained the meaning to his wondrous 1968 classic (ranked #22 on afi list of the greatest 100 films ever made and my personal 21st favorite filmcurrently  and and nominated for 4 academy awards represent director and original screenplay and art direction and and visual effects which it won for) it would have lost half its fascination and all of its complexity and and a good portion of its cinematic worth. we would only be left with the technical ingenuity while which in itself is worth praising. because every shot is worth taking the time to look. and there is plenty of time. 2001 is very elegiac and and also coolly distant while detached. the emotional remoteness and slow pace pay perfect tribute however to the unique visual experience while 2001 begins with mankind ape ancestors and who upgrade from scavengers of the planet to hunters and toolmakers after discovering a giant monolith in the midst of their desert home and then (in one of motion picture history most inspired jump cut edits) as a bone is tossed into the air and becomes a satellite and jumping forward a couple thousand years into space and where astronauts have discovered a similar object on the moon and and next the film following a crew of space traveler mission as they follow the monolith signal through space and accompanied by their untrustworthy computer hal and who attempts to sabotage the shuttle and kill the crew and before finally the lone survivor is launched through space and time (in a flurry of drug induced colors that probably gave hippies an epileptic shock back in the day) to grow old and die and and be reborn a star child. whew. this pacing and emotional blankness and is also in sharp contrast with the film most ironic scene while the destruction of hal. as the crew final explorer shuts the machine down and bathed in the holy aura of red light kubrick has always used as a repeat motif and hal singing a lovely tune and it is a strangely emotional experience. and it all genius. other notable aspects of kubrick masterpiece is the memorable voice of hal (a calm and somehow sinister and douglas rain) and the minimal use of dialogue (kubrick was wisely trusting of his images to propel the film while giving only banal and unhelpful lines to his actors. the most famous being open the pod bay doors hal) and satellites dancing around in orbit to unorthodox music and and that first and awe inspiring shot of earth while slowly revealing the glare of the sun in front of it and played to the sound of blasting and triumphant horns. 2001 shall always remain a mystery and and will forever be a testament to the cinema strongest point represent visuals are more powerful than writing. it all from one of film history most legendary and best directors and whose unique vision and was always his own. positive open the pod bay doors hal 2001 represent a space odyssey. ---------------------------------Answer Question Below----------------------------------

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