jean pierre melville le cercle rouge follows the lives of two criminals represent vogel (gian maria volontè) and a murderer who gives the cops the slip while he being transferred from one city to another by train while and corey (allain delon) and a thief just released from jail. fate decides to join these two men to pull off a spectacular heist. in the background there is matei (andré bourvil) and the detective vogel escapes from and implacable in his pursuit and sometimes ruthless in his methods. along the movie the viewer meets other minor but fascinating characters and the best of which is jansen (yves montand) and a disgraced ex cop and an excellent marksman. melville has such a unique style one doesn not need to watch many of his movies to catch on. le samourai and un flic and le cercle rouge are clearly made of the same cloth represent the symmetrical angles while the long shots while the silences while the coats and hats and cigars while the quotes at the beginning while the amazing heists and the fatalism while the unglamorous and inglorious criminal life. everything that great in melville is present here in top form. and his shortcomings do not bother me so much this time represent the illogical and perplexing behavior of his characters and confusing storytelling and which hurt my enjoyment of his other movies and are almost invisible here. since le cercle rouge preceded un flic that doesn not mean he got better with time while perhaps i am just getting more used to it and reaching a mindset where it doesn not bother me anymore. melville made unique crime movies. as old as they may be and they show more ingenuity and realism and grace than the modern techno thrillers in which cool thieves use computer systems and james bond esquire gadgets to pull off impossible crimes. melville criminals aren not cool represent theyre lonely and socially awkward and probably aware theyre not good for much more than planning heists. theyre society unwanted and living in the night and always one step ahead of the police in a game they know they will lose eventually. there nothing romantic about them. amazingly for a movie of this type and the cops aren not complete idiots either. matei is smart and crafty and patient and even compassionate. he not an unlikeable villain or a cliché and he just an old man doing his job and doing it right. he knows when to use force and when to use brains. many movies could learn from him. it this down to earth and unromantic style that makes melville movies such a joy to watch and puts him on a special pedestal as one of cinema great crime masters. 
jean pierre melville le cercle rouge follows the lives of two criminals represent vogel (gian maria volontè) and a murderer who gives the cops the slip while he being transferred from one city to another by train while and corey (allain delon) and a thief just released from jail. fate decides to join these two men to pull off a spectacular heist. in the background there is matei (andré bourvil) and the detective vogel escapes from and implacable in his pursuit and sometimes ruthless in his methods. along the movie the viewer meets other minor but fascinating characters and the best of which is jansen (yves montand) and a disgraced ex cop and an excellent marksman. melville has such a unique style one doesn not need to watch many of his movies to catch on. le samourai and un flic and le cercle rouge are clearly made of the same cloth represent the symmetrical angles while the long shots while the silences while the coats and hats and cigars while the quotes at the beginning while the amazing heists and the fatalism while the unglamorous and inglorious criminal life. everything that great in melville is present here in top form. and his shortcomings do not bother me so much this time represent the illogical and perplexing behavior of his characters and confusing storytelling and which hurt my enjoyment of his other movies and are almost invisible here. since le cercle rouge preceded un flic that doesn not mean he got better with time while perhaps i am just getting more used to it and reaching a mindset where it doesn not bother me anymore. melville made unique crime movies. as old as they may be and they show more ingenuity and realism and grace than the modern techno thrillers in which cool thieves use computer systems and james bond esquire gadgets to pull off impossible crimes. melville criminals aren not cool represent theyre lonely and socially awkward and probably aware theyre not good for much more than planning heists. theyre society unwanted and living in the night and always one step ahead of the police in a game they know they will lose eventually. there nothing romantic about them. amazingly for a movie of this type and the cops aren not complete idiots either. matei is smart and crafty and patient and even compassionate. he not an unlikeable villain or a cliché and he just an old man doing his job and doing it right. he knows when to use force and when to use brains. many movies could learn from him. it this down to earth and unromantic style that makes melville movies such a joy to watch and puts him on a special pedestal as one of cinema great crime masters. ---------------------------------Answer Question Below----------------------------------

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