it came before the ten commandments land of the pharaohs ben hur and it overlooked today. how unfair. based on mika waltari mammoth novel  and it doesn not cheapen it. waltari novel was so huge only a miniseries could have done it justice (i hope it will be done some day). waltari and whose message is essentially christian remains intact(another of his books the secret of the kingdom (first part) takes place after christ death in the holy land). the egyptian is the rising of a monotheism close to christianism long before christ representthe pharaoh(wilding) is some kind of messiah who sacrifices his life because he knows that the true kingdom is not in the material world representhe asks to return good for evil. and he has disciples  and who will eventually turn into martyrs (the scene when simmons and the other worshippers of the sun god are slain is visually stunning and looking like some pagan ballet). for the priests  and on the other hand and this new religion would mean the end of their influence on the populace and and that why they look for a strong man (mature)who can lead the army against the hittites as well as against their dangerous compatriots. another religion and or non religion should we say and is sinouhé (purdom)who during two hours believes in nothing (the sequence of the grain of sands is absolutely sensational and rises the whole movie well above the average peplum . )there another fascinating side representthe movie looks like a flamboyant melodrama. not only for the screenplay (notably pharoah sister (tierney)final revelation which predates the ten commandments by two years) and but also the splendor of the cinematography representviviani  and in his book about curtiz and talks about a baudelairian atmosphere  and blue and gold and notably in the scenes which involve the prostitute (darvi)who contemplates her reflection in the water of her bath and supreme narcissism. around the hero and all the characters appear and disappear and appear again and but when they reappear  and they have followed their way and all the subplots come together with consummate skill. besides and as such is often the case in modern melodramas  and the story is a long flashback and framed by two short sequences showing sinouhé an old man who remembering. this is a wonderful sword and sandals and that had a strong influence and not only in america but also in europa and notably in poland where jerzy kawalerowicz directed a spellbinding faraon (1966) which owed a lot to curtiz. 
it came before the ten commandments land of the pharaohs ben hur and it overlooked today. how unfair. based on mika waltari mammoth novel  and it doesn not cheapen it. waltari novel was so huge only a miniseries could have done it justice (i hope it will be done some day). waltari and whose message is essentially christian remains intact(another of his books the secret of the kingdom (first part) takes place after christ death in the holy land). the egyptian is the rising of a monotheism close to christianism long before christ representthe pharaoh(wilding) is some kind of messiah who sacrifices his life because he knows that the true kingdom is not in the material world representhe asks to return good for evil. and he has disciples  and who will eventually turn into martyrs (the scene when simmons and the other worshippers of the sun god are slain is visually stunning and looking like some pagan ballet). for the priests  and on the other hand and this new religion would mean the end of their influence on the populace and and that why they look for a strong man (mature)who can lead the army against the hittites as well as against their dangerous compatriots. another religion and or non religion should we say and is sinouhé (purdom)who during two hours believes in nothing (the sequence of the grain of sands is absolutely sensational and rises the whole movie well above the average peplum . )there another fascinating side representthe movie looks like a flamboyant melodrama. not only for the screenplay (notably pharoah sister (tierney)final revelation which predates the ten commandments by two years) and but also the splendor of the cinematography representviviani  and in his book about curtiz and talks about a baudelairian atmosphere  and blue and gold and notably in the scenes which involve the prostitute (darvi)who contemplates her reflection in the water of her bath and supreme narcissism. around the hero and all the characters appear and disappear and appear again and but when they reappear  and they have followed their way and all the subplots come together with consummate skill. besides and as such is often the case in modern melodramas  and the story is a long flashback and framed by two short sequences showing sinouhé an old man who remembering. this is a wonderful sword and sandals and that had a strong influence and not only in america but also in europa and notably in poland where jerzy kawalerowicz directed a spellbinding faraon (1966) which owed a lot to curtiz. ---------------------------------Answer Question Below----------------------------------

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