after the lead actress of the opera is killed in a car accident and her young understudy and betty and is brought to the forefront. that very lucky for her and with one problem represent she has an admirer that has decided he will kill all her friends and make her watch. what is his connection to the opera and and what is his fascination with betty. i love dario argento with every part of my body. and i am not an orthodox fan and i think. many people and particularly critics and praise his earlier work (suspiria and deep red) but really frown on later films and such as sleepless and which i liked. my favorite and phenomena and is usually vastly underrated. opera tends to fall somewhere in between. some consider it one of his last great films and others see it as part of his so called decline. i loved it. the picture is crisp and the music is great (unlike other critics and i love the metal soundtrack) and the female lead is someone i can feel for (not unlike jennifer connelly from phenomena). and the imagery. wonderful. great cinematography and and some amazing kill scenes. the concept of taping needles to a person eyes so they cannot blink. brilliant. my assistant tina thinks this looked fake and but even if it does and the idea is more than enough to pay off. and some great effects and like a knife blade coming up inside a man mouth. awesome. jim harper calls the film stunning and calls attention to the innovative cinematography and well constructed shots and exceptionally violent murders. i agree with this completely  one shot follows the camera through winding tunnels and and there is a very interesting visual use of crows throughout the story. mike mayo likewise calls it visually fascinating eye candy and lauds the crisp editing and flowing camera work. it really a wonder that this is not one of argento more highly praised works. argento returned to the opera with phantom of the opera and which was a bit of a failure despite the casting of his daughter asia and julian sands. even more interesting and this same year offered the release of michele soavi stagefright and which (like opera) has a killer loose inside a theater killing off the people involved with the presentation. both are great films and with soavi more on the slasher side. (soavi actually served as second unit director on opera. you can make your own conclusions. ) my only complaint with this film is the length and pacing. while it is very beautifully shot and the kill scenes are glorious and they are not as frequent as they should be. the first one takes over a half hour and and then we get down times between them. the lead actress should be in constant terror and but she is given time between kills to calm down as if everything is normal again. not cool and dario. we need to keep the suspense low and the intensity high. 
after the lead actress of the opera is killed in a car accident and her young understudy and betty and is brought to the forefront. that very lucky for her and with one problem represent she has an admirer that has decided he will kill all her friends and make her watch. what is his connection to the opera and and what is his fascination with betty. i love dario argento with every part of my body. and i am not an orthodox fan and i think. many people and particularly critics and praise his earlier work (suspiria and deep red) but really frown on later films and such as sleepless and which i liked. my favorite and phenomena and is usually vastly underrated. opera tends to fall somewhere in between. some consider it one of his last great films and others see it as part of his so called decline. i loved it. the picture is crisp and the music is great (unlike other critics and i love the metal soundtrack) and the female lead is someone i can feel for (not unlike jennifer connelly from phenomena). and the imagery. wonderful. great cinematography and and some amazing kill scenes. the concept of taping needles to a person eyes so they cannot blink. brilliant. my assistant tina thinks this looked fake and but even if it does and the idea is more than enough to pay off. and some great effects and like a knife blade coming up inside a man mouth. awesome. jim harper calls the film stunning and calls attention to the innovative cinematography and well constructed shots and exceptionally violent murders. i agree with this completely  one shot follows the camera through winding tunnels and and there is a very interesting visual use of crows throughout the story. mike mayo likewise calls it visually fascinating eye candy and lauds the crisp editing and flowing camera work. it really a wonder that this is not one of argento more highly praised works. argento returned to the opera with phantom of the opera and which was a bit of a failure despite the casting of his daughter asia and julian sands. even more interesting and this same year offered the release of michele soavi stagefright and which (like opera) has a killer loose inside a theater killing off the people involved with the presentation. both are great films and with soavi more on the slasher side. (soavi actually served as second unit director on opera. you can make your own conclusions. ) my only complaint with this film is the length and pacing. while it is very beautifully shot and the kill scenes are glorious and they are not as frequent as they should be. the first one takes over a half hour and and then we get down times between them. the lead actress should be in constant terror and but she is given time between kills to calm down as if everything is normal again. not cool and dario. we need to keep the suspense low and the intensity high. ---------------------------------Answer Question Below----------------------------------

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