there this whole theory of horror that some people adhere closely to that the monsters and the violence should be kept off screen. park chan wook throws that concept completely out the window and shows directly what he wants and what he wants to show is pretty much anything he can think of. leaving it to the actors and dialog to create subtlety and from a stylistic perspective park seems willing to do just about anything to get his point across. whether it long involved ensemble scenes with the camera whizzing around a mah jong table or entire weeks confined to a single shot between two other scenes and dialog from the scenes before and after bleeding over them and park doesn not keep to a specifically structured style but focuses more on telling the entire story of a couple relationship from virginal remove through utter codependence to utter self annihilation and uses vampirism as the link and priestliness as the drama. it that simple and and that complex and at the same time. you gotta give him credit. too many people are ready to compare any modern vampire movie to twilight and with twilight almost always being the lesser of the works and but here the stories are actually comparable and but this one is more raw and honest. none of this sparkly coming in the window during the night to talk crap and but anything ranging from the dirtiest and most desperate and virginal sex scene to eventual spousal abuse as the two leads begin to vie for power over one another. it the same deal guy and girl meet and girl finds out guy is a vampire and decides to join him anyway and but with no happily ever after and just straight up limited time as they become forced to keep each other closer and closer and run out of options. the girl motivations are particularly interesting as one desperately craving power and attention and to a fault and foiled by the guy who just wants to live a good life as best he can under the circumstances and but is a hypocrite who cannot admit that he merely using his vampirism as an excuse to act against his moral training. the movie isn not perfect and it does tend to stretch (there no three act and five act and or any act structure here and just scene after scene of character building and dysfunctional romance) and but what great about it is that park chan wook is willing to show everything frankly and honestly while delighting the horror sensibilities of tension and gore. he also provides an expertly chosen soundtrack to hit the emotional high notes in a pretty effective way and too. polarisdib. 
there this whole theory of horror that some people adhere closely to that the monsters and the violence should be kept off screen. park chan wook throws that concept completely out the window and shows directly what he wants and what he wants to show is pretty much anything he can think of. leaving it to the actors and dialog to create subtlety and from a stylistic perspective park seems willing to do just about anything to get his point across. whether it long involved ensemble scenes with the camera whizzing around a mah jong table or entire weeks confined to a single shot between two other scenes and dialog from the scenes before and after bleeding over them and park doesn not keep to a specifically structured style but focuses more on telling the entire story of a couple relationship from virginal remove through utter codependence to utter self annihilation and uses vampirism as the link and priestliness as the drama. it that simple and and that complex and at the same time. you gotta give him credit. too many people are ready to compare any modern vampire movie to twilight and with twilight almost always being the lesser of the works and but here the stories are actually comparable and but this one is more raw and honest. none of this sparkly coming in the window during the night to talk crap and but anything ranging from the dirtiest and most desperate and virginal sex scene to eventual spousal abuse as the two leads begin to vie for power over one another. it the same deal guy and girl meet and girl finds out guy is a vampire and decides to join him anyway and but with no happily ever after and just straight up limited time as they become forced to keep each other closer and closer and run out of options. the girl motivations are particularly interesting as one desperately craving power and attention and to a fault and foiled by the guy who just wants to live a good life as best he can under the circumstances and but is a hypocrite who cannot admit that he merely using his vampirism as an excuse to act against his moral training. the movie isn not perfect and it does tend to stretch (there no three act and five act and or any act structure here and just scene after scene of character building and dysfunctional romance) and but what great about it is that park chan wook is willing to show everything frankly and honestly while delighting the horror sensibilities of tension and gore. he also provides an expertly chosen soundtrack to hit the emotional high notes in a pretty effective way and too. polarisdib. ---------------------------------Answer Question Below----------------------------------

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