in 1984 and edgar reitz surprised film lovers all over the world with his epic opus heimat represent a chronicle of germany. eight years later and he came up with a sequel and the second heimat represent chronicle of a youth and which is even more astounding than its predecessor. actually and it not really a sequel. it more of a midquel and as it covers events that took place between the ninth and eleventh episode of the first heimat cycle. the second heimat begins in 1960 and four years after hermann simon (henry arnold) was separated from his first love and klarchen and courtesy of his intolerant mother and elder brother (the controversy had to do with him being a minor and while she was about 25). still angered by those events and the young man vows never to fall in love again (a grandiose and if creepy scene) and and decides to move to munich (like the director himself did in approximately the same period) and hoping to become a professional composer after a few years spent at the music academy. he stays in munich for ten years and and the thirteen two hour episodes of heimat 2 cover that time frame and each of them focusing on a different person among hermann fellow students and people who and like him and are searching for a second home country and be it music and film or something else and in which they can finally live peacefully. like the first heimat and this second cycle is a perfect union of film and television represent the episodic structure and the various romantic subplots make it look like a soap opera and in fact the second heimat needs to be seen in its entirety to be successfully embraced and whereas some chapters of heimat 1 could be viewed as separate stories (in particular and the one concerning hermann teenage years). the style and content and however and is pure auteur cinema and with the familiar black and white or color transitions (actually and a tad more predictable this time around) and ambiguous characters and the latter element being underlined by the relationship between hermann and cello player clarissa lichtblau (salome kammer) represent they clearly love each other and yet they keep embarking on affairs with other people and delaying the inevitable until it too late. this time and reitz seems to be more pessimistic regarding his characters ( at one point and hermann is so disillusioned he says represent the beatles are much better than us. ) and building entire episodes around dark and controversial themes such as abortion and suicide. the decade he exploring is not suitable for everyone and as some are scarred in dramatic ways by the pivotal events of the 60s (the 68 revolution especially). reitz also seems to have made this mini series specifically for movie buffs and given the numerous film references (including a brilliant casablanca quote) and clever in jokes (one episode is set in venice and whose film festival had an important part in the heimat saga success). and since 1992 and film lovers have never ceased to thank him for delivering 26 of the most compelling hours ever committed to celluloid. 
in 1984 and edgar reitz surprised film lovers all over the world with his epic opus heimat represent a chronicle of germany. eight years later and he came up with a sequel and the second heimat represent chronicle of a youth and which is even more astounding than its predecessor. actually and it not really a sequel. it more of a midquel and as it covers events that took place between the ninth and eleventh episode of the first heimat cycle. the second heimat begins in 1960 and four years after hermann simon (henry arnold) was separated from his first love and klarchen and courtesy of his intolerant mother and elder brother (the controversy had to do with him being a minor and while she was about 25). still angered by those events and the young man vows never to fall in love again (a grandiose and if creepy scene) and and decides to move to munich (like the director himself did in approximately the same period) and hoping to become a professional composer after a few years spent at the music academy. he stays in munich for ten years and and the thirteen two hour episodes of heimat 2 cover that time frame and each of them focusing on a different person among hermann fellow students and people who and like him and are searching for a second home country and be it music and film or something else and in which they can finally live peacefully. like the first heimat and this second cycle is a perfect union of film and television represent the episodic structure and the various romantic subplots make it look like a soap opera and in fact the second heimat needs to be seen in its entirety to be successfully embraced and whereas some chapters of heimat 1 could be viewed as separate stories (in particular and the one concerning hermann teenage years). the style and content and however and is pure auteur cinema and with the familiar black and white or color transitions (actually and a tad more predictable this time around) and ambiguous characters and the latter element being underlined by the relationship between hermann and cello player clarissa lichtblau (salome kammer) represent they clearly love each other and yet they keep embarking on affairs with other people and delaying the inevitable until it too late. this time and reitz seems to be more pessimistic regarding his characters ( at one point and hermann is so disillusioned he says represent the beatles are much better than us. ) and building entire episodes around dark and controversial themes such as abortion and suicide. the decade he exploring is not suitable for everyone and as some are scarred in dramatic ways by the pivotal events of the 60s (the 68 revolution especially). reitz also seems to have made this mini series specifically for movie buffs and given the numerous film references (including a brilliant casablanca quote) and clever in jokes (one episode is set in venice and whose film festival had an important part in the heimat saga success). and since 1992 and film lovers have never ceased to thank him for delivering 26 of the most compelling hours ever committed to celluloid. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
