jean dujardin gets connery mannerisms down pat represent the adjusting the cuff links when entering a club as all the women turn to admire him and the nonchalant straightening and smoothing down of the tie and the swaggering and steely gait. it uncanny and and you come to realise just how much of bond in the sixties was connery creation and not really ian fleming character. the cinematography is a nod to those early films and the movie takes off from russia with love and thunderball mainly. the main joke is how chauvinistic the hero is and not just in terms of sexism but nationalism and colonialism and and how he puts noses out of joint when he is sent to egypt. it not perfect  about 20 mins in it seems a one joke movie and bits of it remind one of spoofs of the day and of which there were plenty. morcecambe and wise the intelligence men had suspect looking men in fez following their heroes around too and and that going back a bit. unlike sellers clouseau or baron cohen borat and dujardin doesn not give his character that layer of realness or genuine pathos  he is too busy perfecting his connery mannerisms. it doesn not do enough with the credits or a big song and and there no funny or serious villain and like mike myers dr evil or ricardo montalban naked gun nemesis and for the hero to go up against. but the scene where oss117 wakes up in cairo one morning had me laughing out loud in the three quarters empty cinema and and the whole thing looks wonderful and plus you will never get a chance to see operation kid brother on the screen and and the women are ace crumpet and really hot. it a bond spoof without falling into the mad scientist or ken adam sets or funny gadgets routine. throughly recommended. 
jean dujardin gets connery mannerisms down pat represent the adjusting the cuff links when entering a club as all the women turn to admire him and the nonchalant straightening and smoothing down of the tie and the swaggering and steely gait. it uncanny and and you come to realise just how much of bond in the sixties was connery creation and not really ian fleming character. the cinematography is a nod to those early films and the movie takes off from russia with love and thunderball mainly. the main joke is how chauvinistic the hero is and not just in terms of sexism but nationalism and colonialism and and how he puts noses out of joint when he is sent to egypt. it not perfect  about 20 mins in it seems a one joke movie and bits of it remind one of spoofs of the day and of which there were plenty. morcecambe and wise the intelligence men had suspect looking men in fez following their heroes around too and and that going back a bit. unlike sellers clouseau or baron cohen borat and dujardin doesn not give his character that layer of realness or genuine pathos  he is too busy perfecting his connery mannerisms. it doesn not do enough with the credits or a big song and and there no funny or serious villain and like mike myers dr evil or ricardo montalban naked gun nemesis and for the hero to go up against. but the scene where oss117 wakes up in cairo one morning had me laughing out loud in the three quarters empty cinema and and the whole thing looks wonderful and plus you will never get a chance to see operation kid brother on the screen and and the women are ace crumpet and really hot. it a bond spoof without falling into the mad scientist or ken adam sets or funny gadgets routine. throughly recommended. ---------------------------------Answer Question Below----------------------------------

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