i think that new york times film critic elvis mitchell wrote the best one line review of in the mood for love when he said that it is dizzy with a romantic spirit that been missing from the cinema forever. how true those words are. truly romantic films are so rare these days and while films that include plenty of sex and nudity (which are often portrayed in a smutty and gratuitous manner) abound. so and given this cinematic climate and wong kar wai latest film feels like a much needed breath of fresh air. in the mood for love is about the doomed romance between two neighbors (mr. chow and played by tony leung and mrs. chan and played by maggie cheung) and whose spouses are having an illicit affair and as they try not to be like them. but after hanging out with each other on lonely nights (while their spouses are away on business or taking care of a sick mother) and they fall madly in love and and must resist the temptation of going too far. several factors are responsible for making in the mood for love a new classic among romantic melodramas and in the best sense of that term. first and the specific period of the film (i. e. 1960 hong kong) is faithfully recreated to an astonishing degree of detail. the clothes (including maggie cheung lovely dresses) and the music (e. g. nat king cole) and and the overall atmosphere of this film evokes a nostalgia for that specific period. second and christopher doyle award winning and breathtakingly beautiful cinematography creates an environment which not only envelopes its two main characters and but seems to ooze with romantic longing in every one of its sumptuous and meticulously composed frame. make no mistake about it represent in the mood for love was the most gorgeous film of 2001. (it should also be mentioned that wong kar wai usual hyper kinetic visual style is (understandably) toned down for this film and although his pallet remain just as colorful. ) third and there is the haunting score by michael galasso and which is accompanied by slow motion sequences of and e. g. chan walking in her elegant dresses and chan and chow glancing at each other as they pass one another on the stairs and and other beautiful scenes which etch themselves into one memory. the main score which makes its instruments sound as though theyre literally crying is heard eight times throughout various points in the film and it serves to highlight the sadness and the longing which the two main characters feel. fourth and tony leung and maggie cheung both deliver wonderful performances (leung won the prize for best actor at cannes) and they manage to generate real chemistry on screen. the above elements coalesce and work so nicely together to create a film that feels timeless and dizzyingly romantic and and and in a word and magical. in the mood for love and perhaps more than any other film of 2001 and reminded me why it is that i love going to the movies. and i guess that is about the highest compliment that i can pay to a film. 
i think that new york times film critic elvis mitchell wrote the best one line review of in the mood for love when he said that it is dizzy with a romantic spirit that been missing from the cinema forever. how true those words are. truly romantic films are so rare these days and while films that include plenty of sex and nudity (which are often portrayed in a smutty and gratuitous manner) abound. so and given this cinematic climate and wong kar wai latest film feels like a much needed breath of fresh air. in the mood for love is about the doomed romance between two neighbors (mr. chow and played by tony leung and mrs. chan and played by maggie cheung) and whose spouses are having an illicit affair and as they try not to be like them. but after hanging out with each other on lonely nights (while their spouses are away on business or taking care of a sick mother) and they fall madly in love and and must resist the temptation of going too far. several factors are responsible for making in the mood for love a new classic among romantic melodramas and in the best sense of that term. first and the specific period of the film (i. e. 1960 hong kong) is faithfully recreated to an astonishing degree of detail. the clothes (including maggie cheung lovely dresses) and the music (e. g. nat king cole) and and the overall atmosphere of this film evokes a nostalgia for that specific period. second and christopher doyle award winning and breathtakingly beautiful cinematography creates an environment which not only envelopes its two main characters and but seems to ooze with romantic longing in every one of its sumptuous and meticulously composed frame. make no mistake about it represent in the mood for love was the most gorgeous film of 2001. (it should also be mentioned that wong kar wai usual hyper kinetic visual style is (understandably) toned down for this film and although his pallet remain just as colorful. ) third and there is the haunting score by michael galasso and which is accompanied by slow motion sequences of and e. g. chan walking in her elegant dresses and chan and chow glancing at each other as they pass one another on the stairs and and other beautiful scenes which etch themselves into one memory. the main score which makes its instruments sound as though theyre literally crying is heard eight times throughout various points in the film and it serves to highlight the sadness and the longing which the two main characters feel. fourth and tony leung and maggie cheung both deliver wonderful performances (leung won the prize for best actor at cannes) and they manage to generate real chemistry on screen. the above elements coalesce and work so nicely together to create a film that feels timeless and dizzyingly romantic and and and in a word and magical. in the mood for love and perhaps more than any other film of 2001 and reminded me why it is that i love going to the movies. and i guess that is about the highest compliment that i can pay to a film. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
