this is one of the most underrated movies of the 1990s. if you allow yourself to identify with the patricia arquette character and you will find it to be a very moving story of a woman regaining a sense of purpose to her life and and finding a new will to live. arquette performance is brave because it is purposefully wooden  it a way of defining her character spiritual death and her complete lack of a desire to be alive. she moves through life like a zombie because her family has been murdered and she can not see the point of living. what is moving is how in the course of the story and she is reawakened  by the burmese landscape and by the beautiful quality of its people and landscapes and and by the primal choices she is forced to confront. boorman supports this visually (and hans zimmer supports it with one of his most gorgeous and haunting scores) with an often static camera and with a propensity to shoot through glass and windows and windshields and etc. we are on the outside looking in and just like arquette. until she finds herself deep in the jungle and is forced to choose whether or not to fight for her life. i recommend the 1954 movie the purple plain as well. it a similar story in a similar setting and and makes for a fascinating comparison. 
this is one of the most underrated movies of the 1990s. if you allow yourself to identify with the patricia arquette character and you will find it to be a very moving story of a woman regaining a sense of purpose to her life and and finding a new will to live. arquette performance is brave because it is purposefully wooden  it a way of defining her character spiritual death and her complete lack of a desire to be alive. she moves through life like a zombie because her family has been murdered and she can not see the point of living. what is moving is how in the course of the story and she is reawakened  by the burmese landscape and by the beautiful quality of its people and landscapes and and by the primal choices she is forced to confront. boorman supports this visually (and hans zimmer supports it with one of his most gorgeous and haunting scores) with an often static camera and with a propensity to shoot through glass and windows and windshields and etc. we are on the outside looking in and just like arquette. until she finds herself deep in the jungle and is forced to choose whether or not to fight for her life. i recommend the 1954 movie the purple plain as well. it a similar story in a similar setting and and makes for a fascinating comparison. ---------------------------------Answer Question Below----------------------------------

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