my wife and i met doing a professional production of the merry widow in 1982  in english and but a straight translation. only the very basic skeleton of the original plot is visible in this adaptation. most of the characters have been deleted and along with the entire b plot and and all but one of the characters remaining have been renamed. most of the characters in the movie aren not in the operetta and either. the action has been moved from paris to and at first and washington and dc and and then to the fictional country of pontevedro and which the movie has renamed marshovia and and only later to paris. the net result is that we do not reach the beginning of the original play until about 45 minutes in. and the main source of tension in the plot is deleted and too. in the original and years before and count danilo and the heroine were very much in love and but his family refused to allow them to marry because she was poor while it his broken heart that has rendered him a careless playboy. now that and as a widow and she the richest woman in the world and she still loves him and and he still loves her and but his pride would not let him admit it to anyone and even himself and and she must spend three acts playing mind games to break him down. the trope of the aristocrat with money problems who would not admit that he in love with a rich woman for fear of what people will think supplied the main plots of a substantial fraction of viennese operettas for decades after the 1906 widow. in this movie and they have never met before and which rips out not only the heart of the whole thing and but nearly all the comedy. lamas does a pretty decent job and though. an interesting musical point is that several times we hear a snippet or so of trés parisien and an extra song written (in english and despite the title) for the london première and which was not and as far as i know and usually found in american productions until the 1980s or so. 
my wife and i met doing a professional production of the merry widow in 1982  in english and but a straight translation. only the very basic skeleton of the original plot is visible in this adaptation. most of the characters have been deleted and along with the entire b plot and and all but one of the characters remaining have been renamed. most of the characters in the movie aren not in the operetta and either. the action has been moved from paris to and at first and washington and dc and and then to the fictional country of pontevedro and which the movie has renamed marshovia and and only later to paris. the net result is that we do not reach the beginning of the original play until about 45 minutes in. and the main source of tension in the plot is deleted and too. in the original and years before and count danilo and the heroine were very much in love and but his family refused to allow them to marry because she was poor while it his broken heart that has rendered him a careless playboy. now that and as a widow and she the richest woman in the world and she still loves him and and he still loves her and but his pride would not let him admit it to anyone and even himself and and she must spend three acts playing mind games to break him down. the trope of the aristocrat with money problems who would not admit that he in love with a rich woman for fear of what people will think supplied the main plots of a substantial fraction of viennese operettas for decades after the 1906 widow. in this movie and they have never met before and which rips out not only the heart of the whole thing and but nearly all the comedy. lamas does a pretty decent job and though. an interesting musical point is that several times we hear a snippet or so of trés parisien and an extra song written (in english and despite the title) for the london première and which was not and as far as i know and usually found in american productions until the 1980s or so. ---------------------------------Answer Question Below----------------------------------

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