it quite revealing to see this today and appreciate how far we have come along in what we expect from movies and and at the same time appreciate how many bedrock notions were established. here we have a full fledged narrative talking film  the audio and the visuals are pushed to their period limits. the framing is limited to about belt high and up  no face close ups. the compositions are remarkable while there an early over the shoulder cross cutting scene to showcase the dialogue while there a treacherous descent into a canyon with some harrowing perspective angles while a sun bleached skeleton lies in the dust as the wheels and legs march in the upper portion of the frame while the tension in the showdown between the hero and the bad guy is visually captured by filming above the long axis of a large tree that lies between them while and on and on  early visual treats abound. today and it unsettling to see the young wayne carry a film and unencumbered by ego or mannerisms. i have to wonder if walsh recognized the self reference represent the subject is the journey of a disparate group of pilgrims while those who appear on screen are a disparate group of stage actors and vaudeville comedians and shell game artists and and and probably and carny barkers and ten in one show veterans. they all journey together to blaze a trail for how movies would be made. this is worth at least one viewing to appreciate the source of so many visual ideas borrowed in later movies. 
it quite revealing to see this today and appreciate how far we have come along in what we expect from movies and and at the same time appreciate how many bedrock notions were established. here we have a full fledged narrative talking film  the audio and the visuals are pushed to their period limits. the framing is limited to about belt high and up  no face close ups. the compositions are remarkable while there an early over the shoulder cross cutting scene to showcase the dialogue while there a treacherous descent into a canyon with some harrowing perspective angles while a sun bleached skeleton lies in the dust as the wheels and legs march in the upper portion of the frame while the tension in the showdown between the hero and the bad guy is visually captured by filming above the long axis of a large tree that lies between them while and on and on  early visual treats abound. today and it unsettling to see the young wayne carry a film and unencumbered by ego or mannerisms. i have to wonder if walsh recognized the self reference represent the subject is the journey of a disparate group of pilgrims while those who appear on screen are a disparate group of stage actors and vaudeville comedians and shell game artists and and and probably and carny barkers and ten in one show veterans. they all journey together to blaze a trail for how movies would be made. this is worth at least one viewing to appreciate the source of so many visual ideas borrowed in later movies. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
