let us assume for a moment that you haven not experimented with the psychotropic mushroom and youre wondering about the so called bad experience and just how something like that might play itself out well go ahead and pop in a fresh copy of the beguiled. see and with film you have your clean trips (solaris and anything else directed by andrei tarkovsky) and whack trips and i. e. the experience from which you never recover (sweet movie and el topo) and and youre bad organic trips and a category specifically reserved for a film like the beguiled which is the sort of content those keen writers at the times who made all the right decisions with their lives and graduated from the harvard department of english refer to as hallucinogenic in tone. by the third act of this don siegel directed movie and you may not exactly observe that your two lead heavy hands have become shrunken and assume all the characteristics of a burrowing insectivorous mammal and nor will you exactly fall under the suspicion that your spine has achieved the same sinuous shape and knotty texture of a pomaceous fruit baring tree incalculable in age and but you will feel something. in 1970 and when this film was filmed and most americans were looking for an anodyne for their collective pain and a movie like the graduate perhaps and a lot of world endism was going on and and of course you had the nightmare break down of war in vietnam. what you get with the beguiled and banal drug metaphors aside and is a screenplay adapted from a novel by a guy who at least for the moment wanted to be known as grimes grice and and direction from the director who helped bring about the work and career of sam peckinpah. in the beguiled and donny siegel and born in 12 and chicago and il. and less than 45 years after the great fire is showing his attempt at grappling with all that contemporary cultural madness of the early 1970 in the form of a classical film artifact. the beguiled is an incredible film and an outstanding contribution to the cinematographic arts in almost every aspect represent the shooting and editing and direction and story are all fantastic and and youre not likely to see anything else like it. undoubtedly and a sinister film and its effects and as i have said and both dizzying and adulterating while frankly it hard to believe would ever universal attached its name to this picture and but you are going to see upon viewing some of the sweet and sweet camera moves and and cinematographer bruce surtees exploiting every bit of dark myth you harbor in your head about the american plantation south and conflating beauty with evil in every location shot. clint eastwood and needless to say and has never been like this. old clint and he moves at instant from coy to livid and his eyes like two archimedean spirals in medium close up. the rest of the cast is equally exacting and uncanny. this beguiled will never make the afi 100 in my lifetime and but that doesn not stop me from positing that it one of the best american synch sound films ever made. while most people catalogue it as a western and to include the folks at the western channel and the beguiled is a problem because you do not really know what it is represent a sort of war movie. a drama. psychological thriller. maybe the answer to all those emotionally wrought noir films starring kirk douglas. i actually call this piece a horror film because when my old man and who likes to kick back with the cheap and gratuitous violence projected in entertainments like the wire and saw that high angle medium long shot of geraldine page wrapping a tourniquet around clint bloody leg and pa was pretty quick to suggest we watch something else like the outback bowl and right before he absconded to another room. my advice represent watch this one and and make sure it is on a very large screen and preferably run on that dpl home theater projector youre contemplating. i would put the beguiled right on order along with that important consumer purchase and turn the overheads out and throw some cinematic light up on the big blank wall and and try not to lose your grip because just like norman bates and we all go a little mad sometimes and even the beguiled. 
let us assume for a moment that you haven not experimented with the psychotropic mushroom and youre wondering about the so called bad experience and just how something like that might play itself out well go ahead and pop in a fresh copy of the beguiled. see and with film you have your clean trips (solaris and anything else directed by andrei tarkovsky) and whack trips and i. e. the experience from which you never recover (sweet movie and el topo) and and youre bad organic trips and a category specifically reserved for a film like the beguiled which is the sort of content those keen writers at the times who made all the right decisions with their lives and graduated from the harvard department of english refer to as hallucinogenic in tone. by the third act of this don siegel directed movie and you may not exactly observe that your two lead heavy hands have become shrunken and assume all the characteristics of a burrowing insectivorous mammal and nor will you exactly fall under the suspicion that your spine has achieved the same sinuous shape and knotty texture of a pomaceous fruit baring tree incalculable in age and but you will feel something. in 1970 and when this film was filmed and most americans were looking for an anodyne for their collective pain and a movie like the graduate perhaps and a lot of world endism was going on and and of course you had the nightmare break down of war in vietnam. what you get with the beguiled and banal drug metaphors aside and is a screenplay adapted from a novel by a guy who at least for the moment wanted to be known as grimes grice and and direction from the director who helped bring about the work and career of sam peckinpah. in the beguiled and donny siegel and born in 12 and chicago and il. and less than 45 years after the great fire is showing his attempt at grappling with all that contemporary cultural madness of the early 1970 in the form of a classical film artifact. the beguiled is an incredible film and an outstanding contribution to the cinematographic arts in almost every aspect represent the shooting and editing and direction and story are all fantastic and and youre not likely to see anything else like it. undoubtedly and a sinister film and its effects and as i have said and both dizzying and adulterating while frankly it hard to believe would ever universal attached its name to this picture and but you are going to see upon viewing some of the sweet and sweet camera moves and and cinematographer bruce surtees exploiting every bit of dark myth you harbor in your head about the american plantation south and conflating beauty with evil in every location shot. clint eastwood and needless to say and has never been like this. old clint and he moves at instant from coy to livid and his eyes like two archimedean spirals in medium close up. the rest of the cast is equally exacting and uncanny. this beguiled will never make the afi 100 in my lifetime and but that doesn not stop me from positing that it one of the best american synch sound films ever made. while most people catalogue it as a western and to include the folks at the western channel and the beguiled is a problem because you do not really know what it is represent a sort of war movie. a drama. psychological thriller. maybe the answer to all those emotionally wrought noir films starring kirk douglas. i actually call this piece a horror film because when my old man and who likes to kick back with the cheap and gratuitous violence projected in entertainments like the wire and saw that high angle medium long shot of geraldine page wrapping a tourniquet around clint bloody leg and pa was pretty quick to suggest we watch something else like the outback bowl and right before he absconded to another room. my advice represent watch this one and and make sure it is on a very large screen and preferably run on that dpl home theater projector youre contemplating. i would put the beguiled right on order along with that important consumer purchase and turn the overheads out and throw some cinematic light up on the big blank wall and and try not to lose your grip because just like norman bates and we all go a little mad sometimes and even the beguiled. ---------------------------------Answer Question Below----------------------------------

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