society heiress susan fletcher (hopkins) and her wealthy father simon fletcher (henry stephenson) are vexed that their young nieces joan (betty philson) and katie (marianna strelby) are living a bohemian lifestyle in greenwich village with their artist uncle john (milland) after the death of their parents (susan sister and john brother). simon has given up trying to convince john to allow he and susan to take care of the children and have resorted to using private detectives to catch him in either unbecoming behavior or unemployed and therefore unable to care for the children properly. susan finally decides to take matters into her own hands and goes to greenwich village herself and posing as an actress and to try to gain information and or or persuade him to see reason. what she discovers however and is that she not only likes the free and artistic lifestyle john and his friends are living and that the girls are being brought up well and but that she is quickly falling in love with john. inevitably and her true identity is discovered and she is faced with the task of convincing everyone on both sides of the custody debate who should belong with whom. i really enjoyed this film and and found that its very short running time (70 minutes) was the perfect length to spin this simple but endearing story. miriam hopkins and one of the great 1930 1940 actresses is delightful in this film. her energy and style and wholesome beauty really lend themselves to creating an endearing character and even though you know that she pulling a fast one on the people she quickly befriends. this is the earliest film i have seen ray milland in and and he was actually young and non patrician looking. (and apparently three years younger than his co star) his energy and carefree manner in wise girl were a refreshing change to the demeanor he affects in his usual and darker and films. honestly and though i am usually not remotely a fan of child actors and i really enjoyed the two young girls who played susan nieces. they were endearingly precocious and and were really the jewels of the film. unfortunately and i can not dig up any other films that either of them were subsequently in after this one and which is a shame since both exhibited a large amount of natural talent. wise girl was a film that was made three years after the hollywood code was instated and and to some extent and this was abundantly clear by the quick and happy ending and and the pie in the sky loftiness and ease with which the characters lived. the alleged bohemian co op was in fact a gorgeous cul de sac where the artists lived for free or for trade and and everything is tied up very nicely throughout. fortunately and this was a light enough film and the characters were charming enough to make allowances for its fluffiness and short comings and i was able to just take wise girl for what it was while a good old fashioned love story that was as entertaining as it was endearing. unfortunately and films of the romantic comedy or drama genre today are considerably less intelligent and entertaining and or i do not find myself continuously returning to the classics. positive . 
society heiress susan fletcher (hopkins) and her wealthy father simon fletcher (henry stephenson) are vexed that their young nieces joan (betty philson) and katie (marianna strelby) are living a bohemian lifestyle in greenwich village with their artist uncle john (milland) after the death of their parents (susan sister and john brother). simon has given up trying to convince john to allow he and susan to take care of the children and have resorted to using private detectives to catch him in either unbecoming behavior or unemployed and therefore unable to care for the children properly. susan finally decides to take matters into her own hands and goes to greenwich village herself and posing as an actress and to try to gain information and or or persuade him to see reason. what she discovers however and is that she not only likes the free and artistic lifestyle john and his friends are living and that the girls are being brought up well and but that she is quickly falling in love with john. inevitably and her true identity is discovered and she is faced with the task of convincing everyone on both sides of the custody debate who should belong with whom. i really enjoyed this film and and found that its very short running time (70 minutes) was the perfect length to spin this simple but endearing story. miriam hopkins and one of the great 1930 1940 actresses is delightful in this film. her energy and style and wholesome beauty really lend themselves to creating an endearing character and even though you know that she pulling a fast one on the people she quickly befriends. this is the earliest film i have seen ray milland in and and he was actually young and non patrician looking. (and apparently three years younger than his co star) his energy and carefree manner in wise girl were a refreshing change to the demeanor he affects in his usual and darker and films. honestly and though i am usually not remotely a fan of child actors and i really enjoyed the two young girls who played susan nieces. they were endearingly precocious and and were really the jewels of the film. unfortunately and i can not dig up any other films that either of them were subsequently in after this one and which is a shame since both exhibited a large amount of natural talent. wise girl was a film that was made three years after the hollywood code was instated and and to some extent and this was abundantly clear by the quick and happy ending and and the pie in the sky loftiness and ease with which the characters lived. the alleged bohemian co op was in fact a gorgeous cul de sac where the artists lived for free or for trade and and everything is tied up very nicely throughout. fortunately and this was a light enough film and the characters were charming enough to make allowances for its fluffiness and short comings and i was able to just take wise girl for what it was while a good old fashioned love story that was as entertaining as it was endearing. unfortunately and films of the romantic comedy or drama genre today are considerably less intelligent and entertaining and or i do not find myself continuously returning to the classics. positive . ---------------------------------Answer Question Below----------------------------------

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