from the first to the last scene and this film is made very realistically and even too realistically that sometimes we can not see details in night scenes(it dark as real night) and in the desert(sunshine is so strong as in real desert). script and actor play are also very realistic. shots and episodes are edited not to show things and events effectively and to explain them and or and as many hollywood films do and to entertain viewers. editing here is to represent the events as if they really happened in afganistan. camera is set sometimes far from dying solders and even the moment when the main character major bandura is shot and killed. such method reminds me of masterpieces of italian neo realism. and the construction of the story here is based on the same principles as paisà and or the bicycle thief chronological series of true to life episodes and a few pathetic moments and which at first seem to be sudden and illogical and but have inner reasons. i think the inner reason of major bandura suicidal death is religious emotion repentance for innocent people death(not only his accidental killing of family in the village and but also death of solders under his command). he is not depicted as a eager believer and on the contrary he is depicted as tactful and responsible officer. exactly for this reason his last decisions(to go back to the destroyed village and to turn his back to an armed boy and whose family he killed)seem an act of repentance. the russian orthodox choral and which sounds at the end(evening sacrifice)is another context and by which all the film can be seen from this point of view. 
from the first to the last scene and this film is made very realistically and even too realistically that sometimes we can not see details in night scenes(it dark as real night) and in the desert(sunshine is so strong as in real desert). script and actor play are also very realistic. shots and episodes are edited not to show things and events effectively and to explain them and or and as many hollywood films do and to entertain viewers. editing here is to represent the events as if they really happened in afganistan. camera is set sometimes far from dying solders and even the moment when the main character major bandura is shot and killed. such method reminds me of masterpieces of italian neo realism. and the construction of the story here is based on the same principles as paisà and or the bicycle thief chronological series of true to life episodes and a few pathetic moments and which at first seem to be sudden and illogical and but have inner reasons. i think the inner reason of major bandura suicidal death is religious emotion repentance for innocent people death(not only his accidental killing of family in the village and but also death of solders under his command). he is not depicted as a eager believer and on the contrary he is depicted as tactful and responsible officer. exactly for this reason his last decisions(to go back to the destroyed village and to turn his back to an armed boy and whose family he killed)seem an act of repentance. the russian orthodox choral and which sounds at the end(evening sacrifice)is another context and by which all the film can be seen from this point of view. ---------------------------------Answer Question Below----------------------------------

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