the topic of religion in buñuel films is a point that one and as an eater of films and as an eater of art or as a person need to analyze hardly. one can see to a satirical buñuel in la voie lactée and un chien andalou or in lage dor. is very hard and effective in its critic and but when you have seen this and then you see a movie like nazarin and after you see this work you begin to be questioned about its author. and much have questioned about what seems to be a contradiction for buñuel thinks and but is better not called in this way and i think that there not any contradiction in its work and only that buñuel religion point of view is very diverse as unique in films. this beautiful film is based on the novel of benito perez galdós and which told us the story of father nazario and who lived a humble and simple life dedicated to god and to help everyone. he lived in a simple and poor region. there lived too beatriz and who is an abused and abandoned wife. she do not find any sense of her life without her violent and macho man. she have a kind of repulse to him. in the other side is andara and one of the towns prostitutes. father nazario has been stolen again and he blames to andara cousin. andara hear this and try to fight without success with the priest and who do not believe in violence. that night and andara find that her cousin is actually a thief and she have stole her bellboys. andara fights with her cousin with terrible consequences. with this and andara search mercy from the priest. nazario decides to help her and knowing well that this could be against his church and obviously this thing going to have some consequences. since here and nazario going to be a pilgrim. without nothing and even without shoes and but with spirit and faith. but andara and beatriz want to be with he and and be like he and to serve god. if is the sweetest buñuel film that i have seen so far and is too the most spiritual. is clear here that the thing that most confuse people with the contradiction is that here and we do not see a buñuel against the power of church and we see a buñuel whose film is about church but not in the typical  and great  satirical way. whethever like it is and i do not think that the right word is contradiction and actually i find it pleasant and well done and in spite of contain such religious issues (as his voie lactée) i found it more a spiritual film but that do not try to touch in diversity the catholic religion as maybe he touch and and laugh of it in another films. nazarin is of father nazario and its perspective front god and the same religion but all of this is at the end and analyzed in the spiritual life of this man. the other two women are and not a contrast and but as very well another two perspectives of faith. first we have beatriz and the mistreated woman and that lose all the faith in life and first with her husband and then with a little girl who was in her family. this little girl was very sick. at side of her was too andara and the prostitute who run of the justice. in the family of the child and just religious women and there a big pain and but faith becomes in father nazario when he arrives with nothing to this town. he bless the child and a say later she is fine. the priest want go on walking and but beatriz and andara have recovered the faith in life and want to dedicate their lives to god with father nazario. after some complains and father nazario decide to be with them and discovering with some things until the end how he feels about faith and god and religion and the person in necessity and the people who must request to charity to survive. this last issue then must be noted as one possible explanation for the pineapple ending. this ending we listen the drums (similar to that in lage dor) and a father nazario and walking over asking about this things and when he refuse the fruit at the first time and at the end decide to receive it as a symbol of necessity or maybe and as an answer for its spiritual road that begin being priest. meanwhile and the two women must take away of the father and andara for its crime (beautiful scene where she thanks a man who helps father nazario in jail and then she damn the man who hit the priest in jail) and beatriz because she prefer be with her macho man and in spite that he treat her bad and just because she do not accept that she fall in loved with the priest. father nazario  and here is maybe the unique place in film to critic church walk to contradict the church and the religion that he serves. father nazario is that then and is a (soft for much and but not for me) critic for some thing in religion (father nazario helping a women who is guilty of a crime and of a sin) but most of all is one of buñuel analysis of faith and life and and he really got it and with a beautiful and tender and sweet and unforgettable film and that is and without a doubt and one of his best. sorry for the mistakes. well and if there any. 
the topic of religion in buñuel films is a point that one and as an eater of films and as an eater of art or as a person need to analyze hardly. one can see to a satirical buñuel in la voie lactée and un chien andalou or in lage dor. is very hard and effective in its critic and but when you have seen this and then you see a movie like nazarin and after you see this work you begin to be questioned about its author. and much have questioned about what seems to be a contradiction for buñuel thinks and but is better not called in this way and i think that there not any contradiction in its work and only that buñuel religion point of view is very diverse as unique in films. this beautiful film is based on the novel of benito perez galdós and which told us the story of father nazario and who lived a humble and simple life dedicated to god and to help everyone. he lived in a simple and poor region. there lived too beatriz and who is an abused and abandoned wife. she do not find any sense of her life without her violent and macho man. she have a kind of repulse to him. in the other side is andara and one of the towns prostitutes. father nazario has been stolen again and he blames to andara cousin. andara hear this and try to fight without success with the priest and who do not believe in violence. that night and andara find that her cousin is actually a thief and she have stole her bellboys. andara fights with her cousin with terrible consequences. with this and andara search mercy from the priest. nazario decides to help her and knowing well that this could be against his church and obviously this thing going to have some consequences. since here and nazario going to be a pilgrim. without nothing and even without shoes and but with spirit and faith. but andara and beatriz want to be with he and and be like he and to serve god. if is the sweetest buñuel film that i have seen so far and is too the most spiritual. is clear here that the thing that most confuse people with the contradiction is that here and we do not see a buñuel against the power of church and we see a buñuel whose film is about church but not in the typical  and great  satirical way. whethever like it is and i do not think that the right word is contradiction and actually i find it pleasant and well done and in spite of contain such religious issues (as his voie lactée) i found it more a spiritual film but that do not try to touch in diversity the catholic religion as maybe he touch and and laugh of it in another films. nazarin is of father nazario and its perspective front god and the same religion but all of this is at the end and analyzed in the spiritual life of this man. the other two women are and not a contrast and but as very well another two perspectives of faith. first we have beatriz and the mistreated woman and that lose all the faith in life and first with her husband and then with a little girl who was in her family. this little girl was very sick. at side of her was too andara and the prostitute who run of the justice. in the family of the child and just religious women and there a big pain and but faith becomes in father nazario when he arrives with nothing to this town. he bless the child and a say later she is fine. the priest want go on walking and but beatriz and andara have recovered the faith in life and want to dedicate their lives to god with father nazario. after some complains and father nazario decide to be with them and discovering with some things until the end how he feels about faith and god and religion and the person in necessity and the people who must request to charity to survive. this last issue then must be noted as one possible explanation for the pineapple ending. this ending we listen the drums (similar to that in lage dor) and a father nazario and walking over asking about this things and when he refuse the fruit at the first time and at the end decide to receive it as a symbol of necessity or maybe and as an answer for its spiritual road that begin being priest. meanwhile and the two women must take away of the father and andara for its crime (beautiful scene where she thanks a man who helps father nazario in jail and then she damn the man who hit the priest in jail) and beatriz because she prefer be with her macho man and in spite that he treat her bad and just because she do not accept that she fall in loved with the priest. father nazario  and here is maybe the unique place in film to critic church walk to contradict the church and the religion that he serves. father nazario is that then and is a (soft for much and but not for me) critic for some thing in religion (father nazario helping a women who is guilty of a crime and of a sin) but most of all is one of buñuel analysis of faith and life and and he really got it and with a beautiful and tender and sweet and unforgettable film and that is and without a doubt and one of his best. sorry for the mistakes. well and if there any. 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