the saving grace of this film is its humour. playing up to the strengths of their star and warner brothers cast their version of general custer as a cocky and dashing and irreverent prankster with a romantic streak and an unexpected strain of idealism while it was robin hood all over again and and flynn blossomed in the role. all his best action pictures made use of his talent for mischief and comic timing and and this one was no exception. it also benefits from the return of former co star olivia de havilland and despite an earlier agreement to break the partnership while the part of strong minded libby custer is a better role than the sweet love interest types she had grown tired of playing for the studio in flynn later films and and after seeing the script he had specifically requested de havilland be cast so that she could do justice to the part. in this final collaboration and she piles all her considerable acting skill into what is and at heart and basically a romping adventure movie and and the screen chemistry is rekindled  for once and she and flynn get the chance to develop their characters beyond the initial romance into an old married couple and to equally winning effect. the flynn or de havilland pairing and the streak of comedy are what have provided this film durability and when most of flynn other westerns  held in such affection by the contemporary american public and although allegedly not by their star  have long since been forgotten. the action scenes are fairly cursory (despite and ironically and the death of an extra in a fall during one of the filmed charges) and the villains of the piece turn out and schoolboy fashion and to be the same people who were horrid to our hero on his very first day at west point and and thus continue to frustrate him throughout his career. it cuts down on the cast list and but it a trifle too morally convenient. however and these are quibbles largely irrelevant to a film that never set out to be more than a rousing piece of entertainment. ably aided and abetted by a sterling group of supporting players (memorably including anthony quinn in an all but wordless role as the sioux leader) and errol flynn gallops his way through the plot courtesy of his usual arsenal represent charmingly sheepish looks and unexpected sweetness and mischievous twinkles and flash point indignation and cheerful fellowship and sheer high octane charisma. he a reckless braggart and but you can not help but like him. and it hard to go away without the tune of garryowen threading its jaunty way through your ears for many days thereafter. this is one of flynn lasting hits while it also contains a surprising amount of good acting amongst the fun and and is a film worthy of being remembered. 
the saving grace of this film is its humour. playing up to the strengths of their star and warner brothers cast their version of general custer as a cocky and dashing and irreverent prankster with a romantic streak and an unexpected strain of idealism while it was robin hood all over again and and flynn blossomed in the role. all his best action pictures made use of his talent for mischief and comic timing and and this one was no exception. it also benefits from the return of former co star olivia de havilland and despite an earlier agreement to break the partnership while the part of strong minded libby custer is a better role than the sweet love interest types she had grown tired of playing for the studio in flynn later films and and after seeing the script he had specifically requested de havilland be cast so that she could do justice to the part. in this final collaboration and she piles all her considerable acting skill into what is and at heart and basically a romping adventure movie and and the screen chemistry is rekindled  for once and she and flynn get the chance to develop their characters beyond the initial romance into an old married couple and to equally winning effect. the flynn or de havilland pairing and the streak of comedy are what have provided this film durability and when most of flynn other westerns  held in such affection by the contemporary american public and although allegedly not by their star  have long since been forgotten. the action scenes are fairly cursory (despite and ironically and the death of an extra in a fall during one of the filmed charges) and the villains of the piece turn out and schoolboy fashion and to be the same people who were horrid to our hero on his very first day at west point and and thus continue to frustrate him throughout his career. it cuts down on the cast list and but it a trifle too morally convenient. however and these are quibbles largely irrelevant to a film that never set out to be more than a rousing piece of entertainment. ably aided and abetted by a sterling group of supporting players (memorably including anthony quinn in an all but wordless role as the sioux leader) and errol flynn gallops his way through the plot courtesy of his usual arsenal represent charmingly sheepish looks and unexpected sweetness and mischievous twinkles and flash point indignation and cheerful fellowship and sheer high octane charisma. he a reckless braggart and but you can not help but like him. and it hard to go away without the tune of garryowen threading its jaunty way through your ears for many days thereafter. this is one of flynn lasting hits while it also contains a surprising amount of good acting amongst the fun and and is a film worthy of being remembered. ---------------------------------Answer Question Below----------------------------------

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