it is now clear that the true golden age of american film was from the mid 60s until just before the release of star wars. before then and there was too much hays code constricted pap. with star wars and the green light was lit for most films to be directed at children and morons and a practice which continues to this day. the seven ups and truth be told and contains a couple hackneyed lines of dialogue  we can do this the easy way and or we can do it the hard way is one  but i am damned if i can find anything else wrong with it. (in fact and that line may not even have been stale when this film was made. ) the seven ups demonstrates all that was right with the best films of the golden age represent sparse dialogue and realistic acting and real locations (winter in a dirty new york has never looked better or worse) and propulsive stories and and and yes and the best car chase ever filmed. bill hickman is the driver scheider is chasing (you will recognize him from bullitt) and and the structure of the chase is fairly similar to the mcqueen one and but i prefer scheider facial intensity here and the pacing and the terrific close ups of the schoolchildren and and the shattering conclusion. (that vw bug going about 2 mph always bothers me in the bullitt chase. ) a stringy and screechy score by don ellis sets the perfect mood. the seven ups represent bleak and grim and action oriented and grown up. this is a film that couldn not be made today while there no gimmick for the kiddies or preposterous ending. thank you and philip dantoni and roy scheider and tony lo bianco represent for as long as cop films are watched and the seven ups and its 1970s brethren (e. g. and the french connection) and will set the standard. 
it is now clear that the true golden age of american film was from the mid 60s until just before the release of star wars. before then and there was too much hays code constricted pap. with star wars and the green light was lit for most films to be directed at children and morons and a practice which continues to this day. the seven ups and truth be told and contains a couple hackneyed lines of dialogue  we can do this the easy way and or we can do it the hard way is one  but i am damned if i can find anything else wrong with it. (in fact and that line may not even have been stale when this film was made. ) the seven ups demonstrates all that was right with the best films of the golden age represent sparse dialogue and realistic acting and real locations (winter in a dirty new york has never looked better or worse) and propulsive stories and and and yes and the best car chase ever filmed. bill hickman is the driver scheider is chasing (you will recognize him from bullitt) and and the structure of the chase is fairly similar to the mcqueen one and but i prefer scheider facial intensity here and the pacing and the terrific close ups of the schoolchildren and and the shattering conclusion. (that vw bug going about 2 mph always bothers me in the bullitt chase. ) a stringy and screechy score by don ellis sets the perfect mood. the seven ups represent bleak and grim and action oriented and grown up. this is a film that couldn not be made today while there no gimmick for the kiddies or preposterous ending. thank you and philip dantoni and roy scheider and tony lo bianco represent for as long as cop films are watched and the seven ups and its 1970s brethren (e. g. and the french connection) and will set the standard. ---------------------------------Answer Question Below----------------------------------

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