beauty in trouble (kráska v nesnázích) is not a great title. all the descriptions of this film fail to capture what it really is  an adult fairy tale. a poor girl is wooed by a prince. the girl and marcela and played by the stunning anna geislerová and has an isabelle huppert beauty and with a red hair and face and figure that are beguiling and sexual and and endlessly fascinating. she has a louse of a husband and but they have great sex. the kids listen to the lovemaking through walls. it rough and passionate and as the sex of the working class seems to often be portrayed in film. but it also for us to recognize that this is the thing that binds them together in an otherwise incompatible marriage. the husband and a professional car thief and is eventually caught and thrown in jail. how she got into this marriage we do not know and but she is not exactly a high class herself. but she beautiful and intelligent (we assume) and loves her gorgeous and resilient kids. she deserves more. and she may get the life she deserves  eventually. (no spoiler. ) she is forced to move back with mom after her husband is sent to jail. mom has a hideous second husband (read ugly stepfather). he is a real horror show. he borders on being a child abuser to the kids. he obsessive about cleanliness and but ungraciously farts at the table and all the while demanding manners and decorum from the kids. he real low class socially handicapped wretch. mom puts up with him and like marcella husband and at least he lusty  hideous but horny. the ambivalent and confusing and layered characterizations are what make the film so powerful and interesting. these characters have flaws and some seemed driven by class and some by innate character. these flaws and details of character are charming one minute and contemptible the next. the audience really has to negotiate conflicting feeling of class and sexuality and ambition and commitment and and the role of a woman as mother and wife through the quickly changing terrain of the story. at the bottom line and as with many films like the wonderful icelandic movie thicker than water (blóðbönd) and the children can be the victims. what right in the end may be what best for the children  who are our salvation and our future. it a theme played out these days in films ranging from pan labyrinth to children of men. foreign. cinema is recognizing in intricate morality tales that life is confusing and brutal and unfair and and as adults and we must get our act together in order to pass something worthwhile to the next generation. if we give in to our baser instincts and we may lose ourselves and the world in the process. the extraordinary and complex and colorful characters in kráska v nesnázích speak to the qualities of what makes a man and what drives a women and what embodies hope and what is class  is it economic status of the fabric of one character. the film is richly human as embodied by the very last 2 shots and which moved me incredibly and unexpectedly. the director choices are so subtle and intelligent that to compare this to an american film seems unfair. americans sometimes seem to lack the desire to consider that paradoxes in human nature do not offer set resolutions. but here and perilously couched in ostensible fairy tale for adults and are interesting moral questions. don not be fooled by the simple story while this is a great movie. 
beauty in trouble (kráska v nesnázích) is not a great title. all the descriptions of this film fail to capture what it really is  an adult fairy tale. a poor girl is wooed by a prince. the girl and marcela and played by the stunning anna geislerová and has an isabelle huppert beauty and with a red hair and face and figure that are beguiling and sexual and and endlessly fascinating. she has a louse of a husband and but they have great sex. the kids listen to the lovemaking through walls. it rough and passionate and as the sex of the working class seems to often be portrayed in film. but it also for us to recognize that this is the thing that binds them together in an otherwise incompatible marriage. the husband and a professional car thief and is eventually caught and thrown in jail. how she got into this marriage we do not know and but she is not exactly a high class herself. but she beautiful and intelligent (we assume) and loves her gorgeous and resilient kids. she deserves more. and she may get the life she deserves  eventually. (no spoiler. ) she is forced to move back with mom after her husband is sent to jail. mom has a hideous second husband (read ugly stepfather). he is a real horror show. he borders on being a child abuser to the kids. he obsessive about cleanliness and but ungraciously farts at the table and all the while demanding manners and decorum from the kids. he real low class socially handicapped wretch. mom puts up with him and like marcella husband and at least he lusty  hideous but horny. the ambivalent and confusing and layered characterizations are what make the film so powerful and interesting. these characters have flaws and some seemed driven by class and some by innate character. these flaws and details of character are charming one minute and contemptible the next. the audience really has to negotiate conflicting feeling of class and sexuality and ambition and commitment and and the role of a woman as mother and wife through the quickly changing terrain of the story. at the bottom line and as with many films like the wonderful icelandic movie thicker than water (blóðbönd) and the children can be the victims. what right in the end may be what best for the children  who are our salvation and our future. it a theme played out these days in films ranging from pan labyrinth to children of men. foreign. cinema is recognizing in intricate morality tales that life is confusing and brutal and unfair and and as adults and we must get our act together in order to pass something worthwhile to the next generation. if we give in to our baser instincts and we may lose ourselves and the world in the process. the extraordinary and complex and colorful characters in kráska v nesnázích speak to the qualities of what makes a man and what drives a women and what embodies hope and what is class  is it economic status of the fabric of one character. the film is richly human as embodied by the very last 2 shots and which moved me incredibly and unexpectedly. the director choices are so subtle and intelligent that to compare this to an american film seems unfair. americans sometimes seem to lack the desire to consider that paradoxes in human nature do not offer set resolutions. but here and perilously couched in ostensible fairy tale for adults and are interesting moral questions. don not be fooled by the simple story while this is a great movie. ---------------------------------Answer Question Below----------------------------------

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