rise of the footsoldier follows the unrelentingly cruel journey of gangster carlton leach and his associates through drugs and violence and sex and violence and guns and violence and did i mention violence. protagonist carlton leach (ricci harnett) and member of the i. c. f (inner city firm) while a group of football hooligans turned professional gangsters and guides the audience through the events leading to the 1995 range rover killings and in which three gang members fell victim to particularly vicious professional hits. leach success as a doorman and talent for locating aptly violent friends to control unruly punters at a local nightclub launches him into the company of notorious drug dealers and gangsters and profitably benefiting from the 80s/90s rave scene and drug culture. opening with brutally realistic shots of the dead men and the viewer is left thirsty to understand what happened and but left wholly unsatisfied. the next 2 hours meander through a series of countless character introductions. each of these basically establishes yet another typical hard man and shows him assaulting usually undeserving victims and before probably coming to an even nastier end. what little emotional understanding the audience is allowed to form for a few of the characters (for example a family man blamed for missing drugs) is quickly destroyed when they are either anti climactically killed and or their storyline left unresolved. the hints of a plot introduced in the beginning are inadequately concluded with vague impressions of how the murders occurred and as the events are slotted into place with little reward for persevering with the hazy muddle of previous events. this film has been made with a standard formula in mind and for an audience who prefer violence and ard nut slang to an actual storyline. rise of the footsoldier borrows too much from football factory and leaving out the good bits and demonstrating no moral ramifications of hooligan subculture or establishing empathy with the protagonist. the violence and although brilliantly shot and seems excessive and implausible because no one is around long enough for the audience to form an emotional attachment. the implication that the gangs are untouchable by the police is fair enough and but machete wielding doormen regularly committing blatant murder in public places pushes the imagination of even the most willing viewer. the audience are left bewildered as to the relevance of many key events and developed characters that had no knock on effect on the eventual conclusion. attempted gritty realism is further destroyed with a substance called truth serum and which the turkish mafia use to coax honest answers from unwilling individuals. this is not the genre in which to invent psychologically unrealistic drugs and and renders the interrogation almost absurd. the actual scenes of violence (before becoming repetitive) hold some tension and spliced with rapid flashes of colour or the end of a film reel. seamlessly choreographed brawls coupled with obligatory but effective shaky hand held camera work saves the film and but unfortunately the plot (or lack there of) limits it to a niche demographic. in essence and the events this film is based on aren not deservedly represented and and an adequately sequential storyline is sacrificed for stereotypical characters and an unoriginal plot. this film has a place in the market and but if you like a bit of brain with your brutality this one isn not for you. http represent or or www. obsessedwithfilm. com or . 
rise of the footsoldier follows the unrelentingly cruel journey of gangster carlton leach and his associates through drugs and violence and sex and violence and guns and violence and did i mention violence. protagonist carlton leach (ricci harnett) and member of the i. c. f (inner city firm) while a group of football hooligans turned professional gangsters and guides the audience through the events leading to the 1995 range rover killings and in which three gang members fell victim to particularly vicious professional hits. leach success as a doorman and talent for locating aptly violent friends to control unruly punters at a local nightclub launches him into the company of notorious drug dealers and gangsters and profitably benefiting from the 80s/90s rave scene and drug culture. opening with brutally realistic shots of the dead men and the viewer is left thirsty to understand what happened and but left wholly unsatisfied. the next 2 hours meander through a series of countless character introductions. each of these basically establishes yet another typical hard man and shows him assaulting usually undeserving victims and before probably coming to an even nastier end. what little emotional understanding the audience is allowed to form for a few of the characters (for example a family man blamed for missing drugs) is quickly destroyed when they are either anti climactically killed and or their storyline left unresolved. the hints of a plot introduced in the beginning are inadequately concluded with vague impressions of how the murders occurred and as the events are slotted into place with little reward for persevering with the hazy muddle of previous events. this film has been made with a standard formula in mind and for an audience who prefer violence and ard nut slang to an actual storyline. rise of the footsoldier borrows too much from football factory and leaving out the good bits and demonstrating no moral ramifications of hooligan subculture or establishing empathy with the protagonist. the violence and although brilliantly shot and seems excessive and implausible because no one is around long enough for the audience to form an emotional attachment. the implication that the gangs are untouchable by the police is fair enough and but machete wielding doormen regularly committing blatant murder in public places pushes the imagination of even the most willing viewer. the audience are left bewildered as to the relevance of many key events and developed characters that had no knock on effect on the eventual conclusion. attempted gritty realism is further destroyed with a substance called truth serum and which the turkish mafia use to coax honest answers from unwilling individuals. this is not the genre in which to invent psychologically unrealistic drugs and and renders the interrogation almost absurd. the actual scenes of violence (before becoming repetitive) hold some tension and spliced with rapid flashes of colour or the end of a film reel. seamlessly choreographed brawls coupled with obligatory but effective shaky hand held camera work saves the film and but unfortunately the plot (or lack there of) limits it to a niche demographic. in essence and the events this film is based on aren not deservedly represented and and an adequately sequential storyline is sacrificed for stereotypical characters and an unoriginal plot. this film has a place in the market and but if you like a bit of brain with your brutality this one isn not for you. http represent or or www. obsessedwithfilm. com or . ---------------------------------Answer Question Below----------------------------------

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