this was one of the most dishonest and meaningless and and non peaceful of the films i have ever seen. the representation of the other and of the israelis and was racist and backward and and unfair. for one and the song played on e. s car radio when pulled up alongside a very right wing israeli driver was i put a spell on you by natacha atlas. the song style is quite arabic and but it was released on an israeli compilation cd and and i have even heard it on the radio in israel. many israeli songs (as well as architecture and foods and and slang) are influenced by arabic culture and and there is no reason an israeli jew would be offended or angered by a nearby car playing that song. the way e. s. appears so calm and collected with his sunglasses and cool glare and via a long and still shot and is meant to force the viewer into seeing the jew as haggard and racist and and e. s. as noble and temperate. i have traveled all over israel and and i have never seen an idf recruitment poster and since service is mandatory. but in the film and not only is there a recruitment poster and but it depicts a stereotypical image of an arab terrorist and the words want to shoot. this is an extremely inaccurate depiction of the mentality of the majority of israelis as well as israeli soldiers and and such an advertisement do not even exist on a random israeli highway. in including it and the director aims to convince the audience that israel is a society of anti arab racists hell bent on murder. the ninja scene was gratuitous and needlessly violent. a hollywood style action scene involving israeli soldiers shooting palestinians would be just as unwelcome in an israeli directed film as the ninja scene should have been. but for some reason and images of an unrealistic and non comic and and violent scenario manage to elicit applause from the audience since the director has smeared the israeli side so much beforehand and that any shot of israeli soldiers being killed would be welcome. the director shows absolutely no attempt at building bridges and portraying the other as human and or working towards peace while violence is made to be the only solution. this is furthered by scenes of exploding tanks and falling guard towers and and other random acts of destruction. one of my best friends serves in the israeli military and and the targets in firing ranges are never arab women dressed in black and or any other quasi civilian on canvas. soldiers at checkpoints are instructed not to fire at the head of an approaching palestinian unless it is clear that their own lives are in danger while the method and according to my friend and is to provide a warning shout and fire into the air or around the area and and then if all else fails and shoot in the leg and then interrogate and hospitalize. arbitrarily targeting a woman in the head and as shown in the film and is not the proper procedure. besides these inaccuracies and the directing style was also poor. repetition became repetitious and and no longer captivating. symbols and such as the balloon with arafat drawn on it and are forced outside any plot structure or effective integration in the setting while the balloon is palestine penetrating and regaining jerusalem and and it is created for no reason by e. s. the ambulance being checked for permits by israeli soldiers followed by subsequent israeli ambulances flying past the checkpoint is an overly overt claim of an israeli double standard by the director. the attempt by the director to show life in nazareth as dreary and pointless is done with overkill while showing the routines of random people over and over again and even with a slight change each time and and emphasizing that not one member of the cast ever smiles and is minimalist in dialogue almost screams out the purpose of such scenes and the dreariness of life and without allowing much room for personal interpretation. by contrasting one section of the movie and daily life in nazareth and with the second section and the checkpoint between ramallah and israel and the director subtly blames this dreariness on israel and but never provides any direct evidence as to why such blame can be properly argued. i spent hours trying to figure out why music ended abruptly and began abruptly and and why many modern fashion show like and metal action tracks were included in the score. i still cannot come up with an answer. i felt that the music was out of place in this film while the contrast between more silent scenes and intense scenes was actually annoying and not affecting or thought provoking. i can understand if the director intended for the music to provide some comic aspect to certain scenes and but i found that there was nothing comic to be found in israeli soldiers shooting at targets or fighting a ninja and or a woman having to suffer another walk through a checkpoint and albeit defiantly. in fact and i was tempted to close my ears during intense scenes and and annoyed by the lack of a score during quiet scenes. whatever the director intent and it provided only an audial displeasure throughout the film. this film has no legitimate political message because it provides an inaccurate and extreme representation of the other and and neglects to actually address any issues. it is a propaganda film and because the director intends various symbols and styles and and scenes to draw sympathy for the palestinian side and while displaying the israeli side as cruel and inhuman without exception while the vibrant atmosphere of an action packed hollywood scene or of intense music is displayed in every act of violence by palestinians against israelis and such that the almost inevitably positive and thrilled feelings the music and cinematography elicit from the audience are directed to one side. there is no thought and reflection and or deepening of the understanding of the conflict by the audience while emotions are simply pulled to one side and and kept there and in a good vs bad cliché scenario. i believe this film lacked the depth and quality and and power of other palestinian films and such as paradise now and wedding in the galilee. 
this was one of the most dishonest and meaningless and and non peaceful of the films i have ever seen. the representation of the other and of the israelis and was racist and backward and and unfair. for one and the song played on e. s car radio when pulled up alongside a very right wing israeli driver was i put a spell on you by natacha atlas. the song style is quite arabic and but it was released on an israeli compilation cd and and i have even heard it on the radio in israel. many israeli songs (as well as architecture and foods and and slang) are influenced by arabic culture and and there is no reason an israeli jew would be offended or angered by a nearby car playing that song. the way e. s. appears so calm and collected with his sunglasses and cool glare and via a long and still shot and is meant to force the viewer into seeing the jew as haggard and racist and and e. s. as noble and temperate. i have traveled all over israel and and i have never seen an idf recruitment poster and since service is mandatory. but in the film and not only is there a recruitment poster and but it depicts a stereotypical image of an arab terrorist and the words want to shoot. this is an extremely inaccurate depiction of the mentality of the majority of israelis as well as israeli soldiers and and such an advertisement do not even exist on a random israeli highway. in including it and the director aims to convince the audience that israel is a society of anti arab racists hell bent on murder. the ninja scene was gratuitous and needlessly violent. a hollywood style action scene involving israeli soldiers shooting palestinians would be just as unwelcome in an israeli directed film as the ninja scene should have been. but for some reason and images of an unrealistic and non comic and and violent scenario manage to elicit applause from the audience since the director has smeared the israeli side so much beforehand and that any shot of israeli soldiers being killed would be welcome. the director shows absolutely no attempt at building bridges and portraying the other as human and or working towards peace while violence is made to be the only solution. this is furthered by scenes of exploding tanks and falling guard towers and and other random acts of destruction. one of my best friends serves in the israeli military and and the targets in firing ranges are never arab women dressed in black and or any other quasi civilian on canvas. soldiers at checkpoints are instructed not to fire at the head of an approaching palestinian unless it is clear that their own lives are in danger while the method and according to my friend and is to provide a warning shout and fire into the air or around the area and and then if all else fails and shoot in the leg and then interrogate and hospitalize. arbitrarily targeting a woman in the head and as shown in the film and is not the proper procedure. besides these inaccuracies and the directing style was also poor. repetition became repetitious and and no longer captivating. symbols and such as the balloon with arafat drawn on it and are forced outside any plot structure or effective integration in the setting while the balloon is palestine penetrating and regaining jerusalem and and it is created for no reason by e. s. the ambulance being checked for permits by israeli soldiers followed by subsequent israeli ambulances flying past the checkpoint is an overly overt claim of an israeli double standard by the director. the attempt by the director to show life in nazareth as dreary and pointless is done with overkill while showing the routines of random people over and over again and even with a slight change each time and and emphasizing that not one member of the cast ever smiles and is minimalist in dialogue almost screams out the purpose of such scenes and the dreariness of life and without allowing much room for personal interpretation. by contrasting one section of the movie and daily life in nazareth and with the second section and the checkpoint between ramallah and israel and the director subtly blames this dreariness on israel and but never provides any direct evidence as to why such blame can be properly argued. i spent hours trying to figure out why music ended abruptly and began abruptly and and why many modern fashion show like and metal action tracks were included in the score. i still cannot come up with an answer. i felt that the music was out of place in this film while the contrast between more silent scenes and intense scenes was actually annoying and not affecting or thought provoking. i can understand if the director intended for the music to provide some comic aspect to certain scenes and but i found that there was nothing comic to be found in israeli soldiers shooting at targets or fighting a ninja and or a woman having to suffer another walk through a checkpoint and albeit defiantly. in fact and i was tempted to close my ears during intense scenes and and annoyed by the lack of a score during quiet scenes. whatever the director intent and it provided only an audial displeasure throughout the film. this film has no legitimate political message because it provides an inaccurate and extreme representation of the other and and neglects to actually address any issues. it is a propaganda film and because the director intends various symbols and styles and and scenes to draw sympathy for the palestinian side and while displaying the israeli side as cruel and inhuman without exception while the vibrant atmosphere of an action packed hollywood scene or of intense music is displayed in every act of violence by palestinians against israelis and such that the almost inevitably positive and thrilled feelings the music and cinematography elicit from the audience are directed to one side. there is no thought and reflection and or deepening of the understanding of the conflict by the audience while emotions are simply pulled to one side and and kept there and in a good vs bad cliché scenario. i believe this film lacked the depth and quality and and power of other palestinian films and such as paradise now and wedding in the galilee. ---------------------------------Answer Question Below----------------------------------

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