this all but ignored masterpiece is about the monkees becoming aware that they are fictional characters in a movie (head) and and that everything they do or say had already been written in an (unseen) script they seem to be following. head was written by jack nicholson and rafelson and and peter tork during a three day lsd trip in a suite at an expensive hollywood hotel. the other three monkees only acted in it. they fight this every way they can by doing things not in the script. they deliberately flub their lines and walk off sets and tear up scenery and punch other actors for no reason while and ultimately and commit suicide by jumping off a bridge. for instance and in the rapid flashes of a psychedelic party scene and if you watch frame by frame and you can see rafelson sitting next to the camera and cameraman and very deliberately shooting into a mirror. he is revealing that the party is actually fake and is being shot in a studio with actors who suddenly drop out of character and walk away in the middle of a conversation when the director yells cut. the monkees and however and never drop out of character because those characters are also who they really are. that ends up being the core of the revelation soon to come. at every turn and they realize their increasingly bizarre actions were exactly what they were supposed to do in the scripted film they can not escape being in. you say they went crazy and walked through the sky (which turns out to be painted on paper and hung from the ceiling as the set background). no problem. hey and hey and theyre the monkees and and those wacky guys just keep monkeying around. in the end and even their deaths did not set them free. that was how the movie was supposed to end and and their motionless and waterlogged bodies are fished out of the river and put in another box and and stacked in a film studio warehouse until the characters are needed again for another studio production. this is made all the more poignant by the fact that the monkees really are fictional characters who forced themselves into the real world. they did it through the power of their music. ironically and near the end and peter tork has what he rightly sees as a hugely profound revelation that solves their problem and but unfortunately and no one listens. peter realizes represent it doesn not matter if were in the box (the film). he means that it doesn not matter if will is free or illusory and and that the only important thing is that you just let the present moment occur and occur. you need to just let now happen and as it happens and without analyzing or evaluating or judging whether the experience is valid by some abstract definition. when you can not even tell the difference and will being free or not doesn not matter tying to figure out if you are the real you is just a pointless waste of time. i saw this film at a very important time in my life. i was trying to figure out how to escape being just that geeky and creepy nerd girl by thinking about it intensely instead of just having fun (i. e. and sex) like everyone else did. but the revelation in head broke my self imposed recursive trap and helped me more than rafelson or nicholson or tork will ever know. for decades and i have watched head and wished i could thank pete. was this a good movie. uhh and how about and like. equals equals < yes > equals equals . 
this all but ignored masterpiece is about the monkees becoming aware that they are fictional characters in a movie (head) and and that everything they do or say had already been written in an (unseen) script they seem to be following. head was written by jack nicholson and rafelson and and peter tork during a three day lsd trip in a suite at an expensive hollywood hotel. the other three monkees only acted in it. they fight this every way they can by doing things not in the script. they deliberately flub their lines and walk off sets and tear up scenery and punch other actors for no reason while and ultimately and commit suicide by jumping off a bridge. for instance and in the rapid flashes of a psychedelic party scene and if you watch frame by frame and you can see rafelson sitting next to the camera and cameraman and very deliberately shooting into a mirror. he is revealing that the party is actually fake and is being shot in a studio with actors who suddenly drop out of character and walk away in the middle of a conversation when the director yells cut. the monkees and however and never drop out of character because those characters are also who they really are. that ends up being the core of the revelation soon to come. at every turn and they realize their increasingly bizarre actions were exactly what they were supposed to do in the scripted film they can not escape being in. you say they went crazy and walked through the sky (which turns out to be painted on paper and hung from the ceiling as the set background). no problem. hey and hey and theyre the monkees and and those wacky guys just keep monkeying around. in the end and even their deaths did not set them free. that was how the movie was supposed to end and and their motionless and waterlogged bodies are fished out of the river and put in another box and and stacked in a film studio warehouse until the characters are needed again for another studio production. this is made all the more poignant by the fact that the monkees really are fictional characters who forced themselves into the real world. they did it through the power of their music. ironically and near the end and peter tork has what he rightly sees as a hugely profound revelation that solves their problem and but unfortunately and no one listens. peter realizes represent it doesn not matter if were in the box (the film). he means that it doesn not matter if will is free or illusory and and that the only important thing is that you just let the present moment occur and occur. you need to just let now happen and as it happens and without analyzing or evaluating or judging whether the experience is valid by some abstract definition. when you can not even tell the difference and will being free or not doesn not matter tying to figure out if you are the real you is just a pointless waste of time. i saw this film at a very important time in my life. i was trying to figure out how to escape being just that geeky and creepy nerd girl by thinking about it intensely instead of just having fun (i. e. and sex) like everyone else did. but the revelation in head broke my self imposed recursive trap and helped me more than rafelson or nicholson or tork will ever know. for decades and i have watched head and wished i could thank pete. was this a good movie. uhh and how about and like. equals equals < yes > equals equals . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
