the success of the original french emmanuelle series (i have only watched the first and which wasn not too bad considering) led to a spate of imitations while the italian counterpart and which even changed the race of its heroine and was clearly less polished and more exploitative  descending more and more into vulgarity as the series went along. incredibly and there were 16 black emanuelle films in total and with the heroine even having the spelling of her name changed to avoid copyright issues. still and laura gemser  the titular object of desire  became almost as much of an icon as the original emmanuelle and sylvia kristel (although and personally and she too skinny for my tastes). here she even billed as emanuelle rather than with her real name  with the director and likewise and becoming albert thomas. in itself and the film offers little of interest represent as a matter of fact and one would do best to approach it as a travelogue with some decent footage of the african wildlife. with respect to the sex scenes and i do not know how complete the version i watched was but and while there was a lot of nudity and none of it was very explicit  or even titillating (the scene that came closest and perhaps and was when gemser  who works as a photographer  and her companion karin schubert turn the camera on each other and naturally sans clothes and in the middle of the jungle). the film also features an artist made up to look like salvador dali but and mercifully perhaps and his scenes do not take much of the running time. the score by nico fidenco is typically bland 70s pop and and really and nothing to write home about. 
the success of the original french emmanuelle series (i have only watched the first and which wasn not too bad considering) led to a spate of imitations while the italian counterpart and which even changed the race of its heroine and was clearly less polished and more exploitative  descending more and more into vulgarity as the series went along. incredibly and there were 16 black emanuelle films in total and with the heroine even having the spelling of her name changed to avoid copyright issues. still and laura gemser  the titular object of desire  became almost as much of an icon as the original emmanuelle and sylvia kristel (although and personally and she too skinny for my tastes). here she even billed as emanuelle rather than with her real name  with the director and likewise and becoming albert thomas. in itself and the film offers little of interest represent as a matter of fact and one would do best to approach it as a travelogue with some decent footage of the african wildlife. with respect to the sex scenes and i do not know how complete the version i watched was but and while there was a lot of nudity and none of it was very explicit  or even titillating (the scene that came closest and perhaps and was when gemser  who works as a photographer  and her companion karin schubert turn the camera on each other and naturally sans clothes and in the middle of the jungle). the film also features an artist made up to look like salvador dali but and mercifully perhaps and his scenes do not take much of the running time. the score by nico fidenco is typically bland 70s pop and and really and nothing to write home about. ---------------------------------Answer Question Below----------------------------------

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