clouzot followed le corbeau and where no one knew who was penning the poison thus everyone was suspected and with another masterpiece and quai des orfevres four years later in which we know from the outset (or think we do) whodunnit. top billed louis jouvet doesn not appear for forty minutes by which time clouzot has established a rich milieu of music hall and music publishers and etc and a fine cast of colourful characters while angela lansbury lookalike (lansbury appeared in woman of paris that same year) suzy delair scores as the chanteuse whose desire to improve her lot inspires the jealousy of her husband or accompanist bernard blier who follows her to the home of an elderly letch only to find he is already dead. from here things go seriously wrong and his car is stolen before he leaves the premises so his pre arranged alibi is out the window whilst meanwhile and unknown to him and his wife confesses to the murder to the photographer neighbour and a closet lesbian in love with her and who volunteers to return to the crime scene and retrieve delair scarf and as long as she there and thoughtfully wipes her prints of the murder weapon and a champagne bottle. at this point investigator jouvet gets involved and from then on it a case of keeping the plates spinning in the air. clouzot output was relatively small but virtually all of it was and as spencer tracey said in another context and cherce and with le salaire de peur and les diaboliques still to come. in short this is a must for french cinema buffs. 
clouzot followed le corbeau and where no one knew who was penning the poison thus everyone was suspected and with another masterpiece and quai des orfevres four years later in which we know from the outset (or think we do) whodunnit. top billed louis jouvet doesn not appear for forty minutes by which time clouzot has established a rich milieu of music hall and music publishers and etc and a fine cast of colourful characters while angela lansbury lookalike (lansbury appeared in woman of paris that same year) suzy delair scores as the chanteuse whose desire to improve her lot inspires the jealousy of her husband or accompanist bernard blier who follows her to the home of an elderly letch only to find he is already dead. from here things go seriously wrong and his car is stolen before he leaves the premises so his pre arranged alibi is out the window whilst meanwhile and unknown to him and his wife confesses to the murder to the photographer neighbour and a closet lesbian in love with her and who volunteers to return to the crime scene and retrieve delair scarf and as long as she there and thoughtfully wipes her prints of the murder weapon and a champagne bottle. at this point investigator jouvet gets involved and from then on it a case of keeping the plates spinning in the air. clouzot output was relatively small but virtually all of it was and as spencer tracey said in another context and cherce and with le salaire de peur and les diaboliques still to come. in short this is a must for french cinema buffs. ---------------------------------Answer Question Below----------------------------------

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