while the design and locations and photography are strong assets in this film while it is a turgid and melodramatic affair which demonstrates the limits of cinema to convey truth. the case is the use of the soundtrack music represent a mix of gustav mahler and andrew lloyd webber that plays constantly and loudly and and would have made max steiner grimace at its over use as it instructs the audience how difficult while how ecstatic while how tortured it is to be an artist. and then it really counts the story elides the details at the end. this heightened and kitsch exploitation of emotions was once well ridiculed by peter ackroyd about a yukio mishima book represent this is not writing and this is barbara cartland. precisely the same critique can be made of this film represent a deceptive and mawkish vanity project. 
while the design and locations and photography are strong assets in this film while it is a turgid and melodramatic affair which demonstrates the limits of cinema to convey truth. the case is the use of the soundtrack music represent a mix of gustav mahler and andrew lloyd webber that plays constantly and loudly and and would have made max steiner grimace at its over use as it instructs the audience how difficult while how ecstatic while how tortured it is to be an artist. and then it really counts the story elides the details at the end. this heightened and kitsch exploitation of emotions was once well ridiculed by peter ackroyd about a yukio mishima book represent this is not writing and this is barbara cartland. precisely the same critique can be made of this film represent a deceptive and mawkish vanity project. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
