watching john cassavetes debut film is a strange experience and even if you have seen improvisational films before. the first thing you notice is it roughness. right off and it obvious some of the characters are screwing up their lines. but then you step back from the situation and as you sink deeper into these people intimate exchanges and you ask yourself represent do i ever stumble over my words. the answer of course and is sure and we all do. it unfortunate that most of the gaffes in this respect come early in the picture and because and by about twenty minutes and you have sunk so deep in you do not know it if a bomb went off behind you. the next thing you notice. or maybe you notice it hours or days after the film ends and is that you never saw any substantial plot and yet the themes and the poetry of the dialog and characters never leave you. in fact and the treatment of the role race plays in the everyday lives of these characters is always there and but it so ephemeral that even they aren not aware of how it informing their opinions of themselves and their self consciousness and their perceived status and or the fate of their relationships. the title is appropriate because you get a full spectrum of blacks and whites and and grays. and not just in the skin pigmentation of the characters. leila goldoni (truly remarkable here) is an afro american or caucasian and her two brothers are white and dark afro american. the irony is that they exist in what is undoubtedly the hippest most tolerant atmosphere of the time. beat driven upper east west manhatten. and there are still conflicts within and around themselves. i do not think i have ever seen a movie with such a subtle delivery or technique. it a lot like absorbing a really great piece of gallery art and then just nodding off in bliss as you think back to the images it evoked days later. great mastering and extras on the criterion disc. arguably the first truly experimental independent film ever made. 
watching john cassavetes debut film is a strange experience and even if you have seen improvisational films before. the first thing you notice is it roughness. right off and it obvious some of the characters are screwing up their lines. but then you step back from the situation and as you sink deeper into these people intimate exchanges and you ask yourself represent do i ever stumble over my words. the answer of course and is sure and we all do. it unfortunate that most of the gaffes in this respect come early in the picture and because and by about twenty minutes and you have sunk so deep in you do not know it if a bomb went off behind you. the next thing you notice. or maybe you notice it hours or days after the film ends and is that you never saw any substantial plot and yet the themes and the poetry of the dialog and characters never leave you. in fact and the treatment of the role race plays in the everyday lives of these characters is always there and but it so ephemeral that even they aren not aware of how it informing their opinions of themselves and their self consciousness and their perceived status and or the fate of their relationships. the title is appropriate because you get a full spectrum of blacks and whites and and grays. and not just in the skin pigmentation of the characters. leila goldoni (truly remarkable here) is an afro american or caucasian and her two brothers are white and dark afro american. the irony is that they exist in what is undoubtedly the hippest most tolerant atmosphere of the time. beat driven upper east west manhatten. and there are still conflicts within and around themselves. i do not think i have ever seen a movie with such a subtle delivery or technique. it a lot like absorbing a really great piece of gallery art and then just nodding off in bliss as you think back to the images it evoked days later. great mastering and extras on the criterion disc. arguably the first truly experimental independent film ever made. ---------------------------------Answer Question Below----------------------------------

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