beware and my lovely (1952) dir represent harry horner production represent the filmmakers or rko radio picturescredulity straining thriller from the pioneering producer team of collier young and ida lupino and aka the filmmakers (with lupino pitching in with some uncredited direction). robert ryan is the peril and ida lupino is the woman in this entry in the woman in peril style film. ryan plays howard wilton and a tightly wound psychotic handyman drifter (noooo and ryan. i know and hard to believe). lupino is the lonely war widow and helen gordon and who hires howard to do some work around her house. things go downhill from there as howard makes helen a prisoner in her own home. howard has a nasty secret and not that he could reveal it. you see and consciousness is a real challenge for him. maintaining it and that is. he has an unfortunate habit of coming to and finding his employers dead. this is part of the film problem. the nature of howard psychosis is so extreme that it is nearly impossible to believe that he been free to roam from town to town unobstructed and even in the year 1918 (when the film is set). he can not remember anything that happened ten minutes ago. his violent and threatening and anti social tendencies are set off by the smallest and most common of things (a young girl flirting and inadequacies involving the war and due to his being rejected for service). i do not know how he even made it past the interview with helen. there are other implausibilities. if you were locked in your house with a madman and but nonetheless left on your own for periods of time and couldn not you figure out a way to escape. ryan and i think and is defeated by the material. it feels like he overplaying his hand. his series of tics and spasms and the tightly coiled bursts of dementia all have a been there and done that robotic feel to them. at this point in his career he would probably played this character and to some degree and ten times and it shows. we are encouraged to empathize with howard (i do not) through shown bits of humanity and like him being stopped in his tracks by a music box and his relating to a group of children who would not judge him. lupino just has to act frazzled and in distress and which she is more than capable of and does. the picture had one thing going for it while what would be the eventual resolution of the conflict. so naturally there was a disappointing ending that was abrupt and ineffective. of slight interest was a recurring motif where the camera would catch howard reflection (in mirrors and water and christmas tree decorations). this indicated something going on and or about to go on and in his head. horner (1953 vicki) and who made his reputation in production design and does a fine job of making the house feel like a prison. credit too and the always reliable rko art department for the work on the house. in the end and sub standard work from the principals and who all have much better films to their credit. ½ out of 4. 
beware and my lovely (1952) dir represent harry horner production represent the filmmakers or rko radio picturescredulity straining thriller from the pioneering producer team of collier young and ida lupino and aka the filmmakers (with lupino pitching in with some uncredited direction). robert ryan is the peril and ida lupino is the woman in this entry in the woman in peril style film. ryan plays howard wilton and a tightly wound psychotic handyman drifter (noooo and ryan. i know and hard to believe). lupino is the lonely war widow and helen gordon and who hires howard to do some work around her house. things go downhill from there as howard makes helen a prisoner in her own home. howard has a nasty secret and not that he could reveal it. you see and consciousness is a real challenge for him. maintaining it and that is. he has an unfortunate habit of coming to and finding his employers dead. this is part of the film problem. the nature of howard psychosis is so extreme that it is nearly impossible to believe that he been free to roam from town to town unobstructed and even in the year 1918 (when the film is set). he can not remember anything that happened ten minutes ago. his violent and threatening and anti social tendencies are set off by the smallest and most common of things (a young girl flirting and inadequacies involving the war and due to his being rejected for service). i do not know how he even made it past the interview with helen. there are other implausibilities. if you were locked in your house with a madman and but nonetheless left on your own for periods of time and couldn not you figure out a way to escape. ryan and i think and is defeated by the material. it feels like he overplaying his hand. his series of tics and spasms and the tightly coiled bursts of dementia all have a been there and done that robotic feel to them. at this point in his career he would probably played this character and to some degree and ten times and it shows. we are encouraged to empathize with howard (i do not) through shown bits of humanity and like him being stopped in his tracks by a music box and his relating to a group of children who would not judge him. lupino just has to act frazzled and in distress and which she is more than capable of and does. the picture had one thing going for it while what would be the eventual resolution of the conflict. so naturally there was a disappointing ending that was abrupt and ineffective. of slight interest was a recurring motif where the camera would catch howard reflection (in mirrors and water and christmas tree decorations). this indicated something going on and or about to go on and in his head. horner (1953 vicki) and who made his reputation in production design and does a fine job of making the house feel like a prison. credit too and the always reliable rko art department for the work on the house. in the end and sub standard work from the principals and who all have much better films to their credit. ½ out of 4. ---------------------------------Answer Question Below----------------------------------

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