man and is this lousy. it doesn not deserve much in the way of comment so and keeping it brief and rebecca demornay is a highly disciplined police psychiatrist who falls for latin lover antonio banderas in a wine store and he of the ponytail and jail house tats. when she cuts loose and she really cuts loose. other than this torrid affair she having (and we must admit the affair has its speed bumps) she a pretty cold fish. her broke and ailing father shows up for the first time in years and she boots him out. she also adept at keeping her horny upstairs neighbor (dennis miller) at bay. and there prisoner harry dean stanton who trying to maneuver her into giving him a diagnosis of multiple personality disorder so he would not have his privates nailed to the wall for the serial murders he committed. all these people and and perhaps more and are immediately suspect when strange things begin happening to her. somebody sends her dead flowers. somebody does unspeakable things to her pet cat. (the next time i see a household pet turn up in a parcel or strung up in the closet or boiled in a pot and i am going to puke. ) so who doing it. guess. no power on earth could force me to reveal the ending and but maybe a hint will help represent childhood abuse. the abuse excuse is an interesting business in itself and far more interesting than the movie. what does childhood abuse mean. do we mean sexual abuse. physical. both. how about whacking a kid over the back with a wooden cooking spoon and hard enough to break it. that what happened to me and my brother when we were kids and just as similar things happened to all the other errant boys in the neighborhood. sexual abuse. that never happened to any of us and as far as i know and although i am not sure it would have been rejected with any degree of animation. in the samoan village i studied for two years and there was one case of an adolescent boy found playing sexually with a much younger girl. the girl family beat hell out of him. the boy own family sent him to live with another branch of the family in another village and an exile that lasted two years. by the time he returned the incident was forgotten by everyone and including the child. (by the way and the little girl we see here is under five so it unlikely that she would remember dad night time visits in any case since long term memory isn not really established until about that time. ) demornay experience leading to her mental disorder can be called the social construction of trauma. it not there unless we put it there. enough of the psychiatric lecture. that will be fifteen cents. you want trauma. i will give you trauma. the film absolutely forces us to identify with rebecca demornay character and right from the beginning. then and when she has her first tryst with antonio banderas and and pio donnagio score is pounding the eroticism into our heads and the camera gives us a shot from over her shoulder of the bare torsoed antonio crawling over us with his hairy chest. now thats traumatic. it makes any male viewer feel as if he on the floor of the laundry room at the california men colony in san luis obispo. don not get me wrong. i do not dislike antonio banderas. it just that i am not in love with him. there aren not enough nude shots of rebecca demornay elfin body in the entire universe to compensate for that kind of anxiety. here an engaging way of surviving this movie. instead of just sitting there puling and try picking out the scenes that were filmed in toronto and separating them from the ones shot in budapest. it a challenge and really and and may and for all we know and preserve your sanity. 
man and is this lousy. it doesn not deserve much in the way of comment so and keeping it brief and rebecca demornay is a highly disciplined police psychiatrist who falls for latin lover antonio banderas in a wine store and he of the ponytail and jail house tats. when she cuts loose and she really cuts loose. other than this torrid affair she having (and we must admit the affair has its speed bumps) she a pretty cold fish. her broke and ailing father shows up for the first time in years and she boots him out. she also adept at keeping her horny upstairs neighbor (dennis miller) at bay. and there prisoner harry dean stanton who trying to maneuver her into giving him a diagnosis of multiple personality disorder so he would not have his privates nailed to the wall for the serial murders he committed. all these people and and perhaps more and are immediately suspect when strange things begin happening to her. somebody sends her dead flowers. somebody does unspeakable things to her pet cat. (the next time i see a household pet turn up in a parcel or strung up in the closet or boiled in a pot and i am going to puke. ) so who doing it. guess. no power on earth could force me to reveal the ending and but maybe a hint will help represent childhood abuse. the abuse excuse is an interesting business in itself and far more interesting than the movie. what does childhood abuse mean. do we mean sexual abuse. physical. both. how about whacking a kid over the back with a wooden cooking spoon and hard enough to break it. that what happened to me and my brother when we were kids and just as similar things happened to all the other errant boys in the neighborhood. sexual abuse. that never happened to any of us and as far as i know and although i am not sure it would have been rejected with any degree of animation. in the samoan village i studied for two years and there was one case of an adolescent boy found playing sexually with a much younger girl. the girl family beat hell out of him. the boy own family sent him to live with another branch of the family in another village and an exile that lasted two years. by the time he returned the incident was forgotten by everyone and including the child. (by the way and the little girl we see here is under five so it unlikely that she would remember dad night time visits in any case since long term memory isn not really established until about that time. ) demornay experience leading to her mental disorder can be called the social construction of trauma. it not there unless we put it there. enough of the psychiatric lecture. that will be fifteen cents. you want trauma. i will give you trauma. the film absolutely forces us to identify with rebecca demornay character and right from the beginning. then and when she has her first tryst with antonio banderas and and pio donnagio score is pounding the eroticism into our heads and the camera gives us a shot from over her shoulder of the bare torsoed antonio crawling over us with his hairy chest. now thats traumatic. it makes any male viewer feel as if he on the floor of the laundry room at the california men colony in san luis obispo. don not get me wrong. i do not dislike antonio banderas. it just that i am not in love with him. there aren not enough nude shots of rebecca demornay elfin body in the entire universe to compensate for that kind of anxiety. here an engaging way of surviving this movie. instead of just sitting there puling and try picking out the scenes that were filmed in toronto and separating them from the ones shot in budapest. it a challenge and really and and may and for all we know and preserve your sanity. ---------------------------------Answer Question Below----------------------------------

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