i would bet a month salary the magnificent seven returns (msr) was made for tv. other reviewers attest that msr was a theatrical movie and and i will take their word for it. the logical answer must assume it was originally shot for tv and and after a change of studio heart and it was released theatrically instead. every actor is primarily a tv actor represent mariette hartley and michael callen and ralfe waite and stephanie powers. tv performers all. lee van cleef split his time between tv and theater screens. stephanie powers has only made 3 or 4 real movie appearances in the last thirty years of a very prolific television career  proof positive this was shot for tv. minor players are veteran small screen actors who can be seen on old reruns of gunsmoke and wild wild west and streets of san francisco and and so on. the ho hum sets are identical to the universal studios tour sets and often seen in old episodic tv. and the editing betrays the one or two takes hurriedness of tv and with limited camera movements and positioning and cutting and and lighting. the sound track and exclusive of the original berstein themes and are straight from seventies television. yep and i would bet money it was shot for tv. that an important point in evaluating msr. initially i watched msr on cable assuming it was an old theatrical release. in comparison to the original magnificent seven and it a joke and a cartoon and an amateurish attempt at movie making. acting and lighting and writing and settings and action and cinematography and music (exempting the berstein themes) and editing and pacing and . on and on. all pale in comparison to the classic magnificent seven which is close to the perfect 60 western and and one of the great action movies of all time. however and viewed as an early 70 made for tv movie and as i suspect and the film is actually better than average. those unfortunate enough to live through the 70 as an adult and know what i am talking about. msr would have competed against alias smith and jones and similarly bland network shows. during the seventies and gunsmoke was a quality show and concentrating on character development rather than action and deemphasizing gun play to two shootouts a week. the first shooting and usually a murder and sets the hour plot into motion  the second shootout climaxes the episode by killing the guest star and his nemesis and or otherwise resolving the conflict with marshal matt dillon. msr has more action than a whole season of gunsmoke. in this light  in this frame of reference  msr is passable entertainment and a cut above the tv fare from that decade. 
i would bet a month salary the magnificent seven returns (msr) was made for tv. other reviewers attest that msr was a theatrical movie and and i will take their word for it. the logical answer must assume it was originally shot for tv and and after a change of studio heart and it was released theatrically instead. every actor is primarily a tv actor represent mariette hartley and michael callen and ralfe waite and stephanie powers. tv performers all. lee van cleef split his time between tv and theater screens. stephanie powers has only made 3 or 4 real movie appearances in the last thirty years of a very prolific television career  proof positive this was shot for tv. minor players are veteran small screen actors who can be seen on old reruns of gunsmoke and wild wild west and streets of san francisco and and so on. the ho hum sets are identical to the universal studios tour sets and often seen in old episodic tv. and the editing betrays the one or two takes hurriedness of tv and with limited camera movements and positioning and cutting and and lighting. the sound track and exclusive of the original berstein themes and are straight from seventies television. yep and i would bet money it was shot for tv. that an important point in evaluating msr. initially i watched msr on cable assuming it was an old theatrical release. in comparison to the original magnificent seven and it a joke and a cartoon and an amateurish attempt at movie making. acting and lighting and writing and settings and action and cinematography and music (exempting the berstein themes) and editing and pacing and . on and on. all pale in comparison to the classic magnificent seven which is close to the perfect 60 western and and one of the great action movies of all time. however and viewed as an early 70 made for tv movie and as i suspect and the film is actually better than average. those unfortunate enough to live through the 70 as an adult and know what i am talking about. msr would have competed against alias smith and jones and similarly bland network shows. during the seventies and gunsmoke was a quality show and concentrating on character development rather than action and deemphasizing gun play to two shootouts a week. the first shooting and usually a murder and sets the hour plot into motion  the second shootout climaxes the episode by killing the guest star and his nemesis and or otherwise resolving the conflict with marshal matt dillon. msr has more action than a whole season of gunsmoke. in this light  in this frame of reference  msr is passable entertainment and a cut above the tv fare from that decade. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
