200l represent a space odyssey is a supremely intriguing space travel journey with a profound look at mankind future. it is one of the very few great films of our times. it gives us something to think and talk and argue. it wonders about our importance in the universe and ignites our imagination and curiosity. it inspires us to dig for insights. as a science fiction fantasy and it is one of the most original films ever made. kubrick camera dances to the blue danube with planets floating exuberantly through the light years. it an experience in the poetry of motion and a rich statement to the power of cinema. but 2001 reveals that it not really a science fiction film after all. it  and instead and a philosophical enigma and a magnificent meditation on man place in the grand scheme of things and and a quest to understand ourselves by knowing all else. 2001 is a unique film about man evolution told in almost subliminal terms. the people in this classic science fiction epic hardly matter. kubrick relates a chronology in images of thingsthe mountains and the desert and the technology and the space capsule and the computer named hal (who is more interesting than the humans) and and the time warp. the final landing scene is the very hallmark of cinematic genius. as a terror story and too and it is a towering achievement (not on the same scream inducing level as hitchcock psycho) and but in an innocent and far more haunting way. the film uses invisible but powerful forces to manipulate the plot but perhaps the most overwhelming one is the picture vision of man. in kubrick fantasy and the golden age of man was a neglected instant between a man ape exaltation at discovering the first weapon and a nuclear powered spaceship floating in a graceful orbit around the earth. man has indeed evolved. as a spectacle 2001 assaults the mind and eye and ear and with stimulating images and suggestions. we are surrounded by a totally believable futuristic environment. the film is filled with brilliant sequences and extraordinary moments represent the first interesting minutes in which the story of the apes is told visually and without a single line of dialog while the zero gravity toilet with its great list of instructions while the stewardess defying gravity by walking the walls calmly upside down while the frightening moment when we realize that hal is reading the astronauts lips while the magical alignments of sun and moon and and earth while the starchild returning home to charm the orb. 2001 is filled with poetic imagery represent the view of the sun rising over the earth while the tossing of the bone into the air in slow motion while the slow images of the giant spaceship revolving in a cosmic ballet. 2001 is also a work of great visual acuity. it allows us to view more than the mystery of existence and destiny implicit in every man. its end troubles many viewers as they demand clarity where there can only be mystery. they insist upon an answer where there can only be a question. every viewer had a different explanation of the mysterious end of kubrick film but for those who can accept mysticism and the climax is deeply moving. 
200l represent a space odyssey is a supremely intriguing space travel journey with a profound look at mankind future. it is one of the very few great films of our times. it gives us something to think and talk and argue. it wonders about our importance in the universe and ignites our imagination and curiosity. it inspires us to dig for insights. as a science fiction fantasy and it is one of the most original films ever made. kubrick camera dances to the blue danube with planets floating exuberantly through the light years. it an experience in the poetry of motion and a rich statement to the power of cinema. but 2001 reveals that it not really a science fiction film after all. it  and instead and a philosophical enigma and a magnificent meditation on man place in the grand scheme of things and and a quest to understand ourselves by knowing all else. 2001 is a unique film about man evolution told in almost subliminal terms. the people in this classic science fiction epic hardly matter. kubrick relates a chronology in images of thingsthe mountains and the desert and the technology and the space capsule and the computer named hal (who is more interesting than the humans) and and the time warp. the final landing scene is the very hallmark of cinematic genius. as a terror story and too and it is a towering achievement (not on the same scream inducing level as hitchcock psycho) and but in an innocent and far more haunting way. the film uses invisible but powerful forces to manipulate the plot but perhaps the most overwhelming one is the picture vision of man. in kubrick fantasy and the golden age of man was a neglected instant between a man ape exaltation at discovering the first weapon and a nuclear powered spaceship floating in a graceful orbit around the earth. man has indeed evolved. as a spectacle 2001 assaults the mind and eye and ear and with stimulating images and suggestions. we are surrounded by a totally believable futuristic environment. the film is filled with brilliant sequences and extraordinary moments represent the first interesting minutes in which the story of the apes is told visually and without a single line of dialog while the zero gravity toilet with its great list of instructions while the stewardess defying gravity by walking the walls calmly upside down while the frightening moment when we realize that hal is reading the astronauts lips while the magical alignments of sun and moon and and earth while the starchild returning home to charm the orb. 2001 is filled with poetic imagery represent the view of the sun rising over the earth while the tossing of the bone into the air in slow motion while the slow images of the giant spaceship revolving in a cosmic ballet. 2001 is also a work of great visual acuity. it allows us to view more than the mystery of existence and destiny implicit in every man. its end troubles many viewers as they demand clarity where there can only be mystery. they insist upon an answer where there can only be a question. every viewer had a different explanation of the mysterious end of kubrick film but for those who can accept mysticism and the climax is deeply moving. ---------------------------------Answer Question Below----------------------------------

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