being warner brothers second historical drama featuring civil war and battle of the little big horn and general george armstrong custer and they died with their boots on (warner brothers and 1941) was the far more accurate of the two while especially when contrasted with santa fe trail (warner brothers and 1940) and which really do not set the bar very high. although both pictures were starring vehicles for errol flynn and there was a change in the casting the part of general custer. whereas it was dutch and himself and ronald reagan portraying the flamboyant and egomaniacal cavalryman in the earlier picture and with mr. flynn playing virginian and later confederate hero general and j. e. b. (or jeb) stuart while errol took on the custer part for they died with their boots on. once again and the warner brothers propensity for using a large number of reliable character actors from the warner repertory company are employed in giving the film a sort of authenticity and and all is really happening right before our very own eyes. major roles are taken by some better known actors and actresses and such as represent elizabeth bacon or mrs. custer (co star olivia de havilland) and ned sharpe (arthur kennedy) and samuel bacon (gene lockhart) and chief crazy horse (anthony quinn) and californy (charlie grapwin) and major taipe (stanley ridges) and general phillip sheridan (john litel) and callie (the bacon maid and hattie mcdaniel). the rest of the cast is just chock full of uncredited and though skilled players such as represent joe sawyer and eleanor parker and minor watson and tod andrews and irving bacon and roy barcroft and lane chandler and spencer charters and frank ferguson and francis ford and william forrest and george eldridge and russell hicks and william hopper and hoppity hooper and eddie keane and fred kelsey and sam mcdaniel and patrick mcvey and frank orth and eddie parker and addison richards and ray teal and jim thorpe (all american and himself) and minerva urecal and dick wessel and gig young and many and many more. the film moves very quickly and particularly in the early goings while then sort of slows down out of necessity as the story moves along to the post civil war years and the assignment of custer as a colonel in the 7th cavalry and the ultimate destiny at the little big horn and in montana. under the guidance of director and griffith veteran and raoul walsh and the film hits a greatly varied array of emotions while from the very serious and exciting battle scenes and convincing historical scenes while looking as if they were matthew brady civil war photos. as with most any of mr. walsh films and he punctuates and expedites the end of many a scene with a little humor while but not going overboard and thus risking the chance of turning the film into a comedy (farce and actually). as previously mentioned and this is much more factual than its predecessor and santa fe trail (last time we will mention it and honest schultz and scout honor. ). however and that is not to say that it wasn not without a few little bits of artistic and literary license while as indeed and just about any biopic will have. it would be impossible to make any similar type of film if indeed every fact and incident were to be tried to be included in the screenplay. perhaps the most erroneous inclusion as well as the most obvious invocation of literary license is that business about custer being accidentally promoted to the rank of brigadier general. it just do not happen that way and yet the gag both helped the film to move along while while it underscored the whole light and carefree feeling that permeated the early part of the film. director walsh and mr. flynn collaborated in giving us what would seem to be a characterization of this legendary civil war hero that was very close to the real life man. and they did this on top of the recreation of an incident and being the massacre by the lakota sioux and the cheyenne and the fukowi of custer and his 7th cavalry at the little big horn. at the time of its occurrence and june 25 and 1876 and custer last stand was as big an incident and shock to the americans national psyche as were the japanese attack on pearl harbor (december 7 and 1941) or the atrocities perpetrated by the islamic fascists to new york twin trade towers and the united states armed forces headquarters in the pentagon and arlington and virginia on september 11 and 2002. just as so many films of that period of world war ii (and the years immediately before) and there were so many incidents in it that were and if not intentionally done and were demonstrations of virtues that would be needed in time of another global conflict and such as we were in by the time of they died with their boots on was finishing up its original theatrical release period. poodle schnitz. 
being warner brothers second historical drama featuring civil war and battle of the little big horn and general george armstrong custer and they died with their boots on (warner brothers and 1941) was the far more accurate of the two while especially when contrasted with santa fe trail (warner brothers and 1940) and which really do not set the bar very high. although both pictures were starring vehicles for errol flynn and there was a change in the casting the part of general custer. whereas it was dutch and himself and ronald reagan portraying the flamboyant and egomaniacal cavalryman in the earlier picture and with mr. flynn playing virginian and later confederate hero general and j. e. b. (or jeb) stuart while errol took on the custer part for they died with their boots on. once again and the warner brothers propensity for using a large number of reliable character actors from the warner repertory company are employed in giving the film a sort of authenticity and and all is really happening right before our very own eyes. major roles are taken by some better known actors and actresses and such as represent elizabeth bacon or mrs. custer (co star olivia de havilland) and ned sharpe (arthur kennedy) and samuel bacon (gene lockhart) and chief crazy horse (anthony quinn) and californy (charlie grapwin) and major taipe (stanley ridges) and general phillip sheridan (john litel) and callie (the bacon maid and hattie mcdaniel). the rest of the cast is just chock full of uncredited and though skilled players such as represent joe sawyer and eleanor parker and minor watson and tod andrews and irving bacon and roy barcroft and lane chandler and spencer charters and frank ferguson and francis ford and william forrest and george eldridge and russell hicks and william hopper and hoppity hooper and eddie keane and fred kelsey and sam mcdaniel and patrick mcvey and frank orth and eddie parker and addison richards and ray teal and jim thorpe (all american and himself) and minerva urecal and dick wessel and gig young and many and many more. the film moves very quickly and particularly in the early goings while then sort of slows down out of necessity as the story moves along to the post civil war years and the assignment of custer as a colonel in the 7th cavalry and the ultimate destiny at the little big horn and in montana. under the guidance of director and griffith veteran and raoul walsh and the film hits a greatly varied array of emotions while from the very serious and exciting battle scenes and convincing historical scenes while looking as if they were matthew brady civil war photos. as with most any of mr. walsh films and he punctuates and expedites the end of many a scene with a little humor while but not going overboard and thus risking the chance of turning the film into a comedy (farce and actually). as previously mentioned and this is much more factual than its predecessor and santa fe trail (last time we will mention it and honest schultz and scout honor. ). however and that is not to say that it wasn not without a few little bits of artistic and literary license while as indeed and just about any biopic will have. it would be impossible to make any similar type of film if indeed every fact and incident were to be tried to be included in the screenplay. perhaps the most erroneous inclusion as well as the most obvious invocation of literary license is that business about custer being accidentally promoted to the rank of brigadier general. it just do not happen that way and yet the gag both helped the film to move along while while it underscored the whole light and carefree feeling that permeated the early part of the film. director walsh and mr. flynn collaborated in giving us what would seem to be a characterization of this legendary civil war hero that was very close to the real life man. and they did this on top of the recreation of an incident and being the massacre by the lakota sioux and the cheyenne and the fukowi of custer and his 7th cavalry at the little big horn. at the time of its occurrence and june 25 and 1876 and custer last stand was as big an incident and shock to the americans national psyche as were the japanese attack on pearl harbor (december 7 and 1941) or the atrocities perpetrated by the islamic fascists to new york twin trade towers and the united states armed forces headquarters in the pentagon and arlington and virginia on september 11 and 2002. just as so many films of that period of world war ii (and the years immediately before) and there were so many incidents in it that were and if not intentionally done and were demonstrations of virtues that would be needed in time of another global conflict and such as we were in by the time of they died with their boots on was finishing up its original theatrical release period. poodle schnitz. ---------------------------------Answer Question Below----------------------------------

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