rita hayworth as rusty parker is the cover girl du jour she one of the dancing girls in danny mcguire club and the most special one according to danny (gene kelly) and pretty much anyone who comes across her. take for example and vanity magazine magnate john coudair (otto kruger) represent enchanted by rusty resemblance to her grandmother maribelle (also played by hayworth in flashbacks) and whom he wooed devotedly when he fell in love with her and he tries to relive his youth by fixing what he thinks went wrong between himself and maribelle. he doesn not believe that danny could give rusty happiness and or everything she should be entitled to he even gets danny believing this himself. when rusty shoots to fame as vanity cover girl and danny drives her away into the ready and waiting arms of noel wheaton (lee bowman). so what happens when danny returns to town with his sidekick genius (phil silvers) in tow and only to discover that rusty is marrying wheaton. as a musical and cover girl benefits from the beautiful score and songs written by jerome kern and ira gershwin and including the oscar nominated long ago and far away (possibly one of the most gorgeous ballads ever written and beautifully and sweetly sung as a duet by hayworth and kelly) and maribelle number sure thing (the more lacklustre poor john isn not a kern or gershwin collaboration) and put me to the test. the dancing and of course and is top notch and since gene kelly had more than just a hand in the choreography. it shows in the simplest of dances and for example his dance with hayworth to put me to the test and or the joyfully exuberant make way for tomorrow number (performed by the trio of danny and rusty and genius). which foreshadows the reaction gene character has to the police cop in the title number in singin in the rain. kelly especially scored a technological and artistic coup with the alter ego dance. like its successors in anchors aweigh and an american in paris (jerry the mouse and the 16 minute ballet respectively) and this dance is an example of the incredible innovation and creativity kelly brought to the modern film musical represent wanting to use the film medium to present dances that couldn not be showcased on a stage and and years before cgi and kelly insisted on dancing with the one person who could possibly match him in talent and style himself. the number is hardly five minutes long and but it (and kelly genius) still takes one breath away and even sixty years down the line. this is the reason i watched cover girl and and if nothing else and this dance is truly worth it. you can tell that a great deal of money was lavished onto cover girl and rita hayworth not that she doesn not deserve it. witness the scene when rusty hits broadway the large screen showcasing all the different cover girls gives way to a staggeringly large stage rigged for rusty entrance. hayworth is indeed one of the most effortlessly beautiful girls on show in the film and and she dances with a style and grace that is almost worthy of kelly. (very few of kelly co stars have that honour. ) she is hilarious in some scenes and for example her drunk scene when john and wheaton come to get her from joe . for some reason and however and her performance still lacks the spark of greatness which would help cover girl overcome its general curse of mediocrity. that curse is only lifted whenever gene kelly is on the screen (dancing or no) and or when eve arden as john long suffering secretary stonewall sidles by with another cutting comment or clever observation. since the film and in the end and belongs to hayworth and neither kelly nor arden can save it as a whole. this isn not to say that the film is bad it isn not. it enjoyable and with great songs and cute numbers and lots of pretty girls to look at. but it just not quite a classic. the dancing is classic though so watch cover girl for that and and you would not regret it. 
rita hayworth as rusty parker is the cover girl du jour she one of the dancing girls in danny mcguire club and the most special one according to danny (gene kelly) and pretty much anyone who comes across her. take for example and vanity magazine magnate john coudair (otto kruger) represent enchanted by rusty resemblance to her grandmother maribelle (also played by hayworth in flashbacks) and whom he wooed devotedly when he fell in love with her and he tries to relive his youth by fixing what he thinks went wrong between himself and maribelle. he doesn not believe that danny could give rusty happiness and or everything she should be entitled to he even gets danny believing this himself. when rusty shoots to fame as vanity cover girl and danny drives her away into the ready and waiting arms of noel wheaton (lee bowman). so what happens when danny returns to town with his sidekick genius (phil silvers) in tow and only to discover that rusty is marrying wheaton. as a musical and cover girl benefits from the beautiful score and songs written by jerome kern and ira gershwin and including the oscar nominated long ago and far away (possibly one of the most gorgeous ballads ever written and beautifully and sweetly sung as a duet by hayworth and kelly) and maribelle number sure thing (the more lacklustre poor john isn not a kern or gershwin collaboration) and put me to the test. the dancing and of course and is top notch and since gene kelly had more than just a hand in the choreography. it shows in the simplest of dances and for example his dance with hayworth to put me to the test and or the joyfully exuberant make way for tomorrow number (performed by the trio of danny and rusty and genius). which foreshadows the reaction gene character has to the police cop in the title number in singin in the rain. kelly especially scored a technological and artistic coup with the alter ego dance. like its successors in anchors aweigh and an american in paris (jerry the mouse and the 16 minute ballet respectively) and this dance is an example of the incredible innovation and creativity kelly brought to the modern film musical represent wanting to use the film medium to present dances that couldn not be showcased on a stage and and years before cgi and kelly insisted on dancing with the one person who could possibly match him in talent and style himself. the number is hardly five minutes long and but it (and kelly genius) still takes one breath away and even sixty years down the line. this is the reason i watched cover girl and and if nothing else and this dance is truly worth it. you can tell that a great deal of money was lavished onto cover girl and rita hayworth not that she doesn not deserve it. witness the scene when rusty hits broadway the large screen showcasing all the different cover girls gives way to a staggeringly large stage rigged for rusty entrance. hayworth is indeed one of the most effortlessly beautiful girls on show in the film and and she dances with a style and grace that is almost worthy of kelly. (very few of kelly co stars have that honour. ) she is hilarious in some scenes and for example her drunk scene when john and wheaton come to get her from joe . for some reason and however and her performance still lacks the spark of greatness which would help cover girl overcome its general curse of mediocrity. that curse is only lifted whenever gene kelly is on the screen (dancing or no) and or when eve arden as john long suffering secretary stonewall sidles by with another cutting comment or clever observation. since the film and in the end and belongs to hayworth and neither kelly nor arden can save it as a whole. this isn not to say that the film is bad it isn not. it enjoyable and with great songs and cute numbers and lots of pretty girls to look at. but it just not quite a classic. the dancing is classic though so watch cover girl for that and and you would not regret it. ---------------------------------Answer Question Below----------------------------------

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