how unfortunate and yet also fortunate and that two films about pot holing the cave and the descent  should arrive at much the same time. sadly for the descent its release in the uk on 7th of july coincided with the very day of the london underground tube or metro terrorist atrocity that killed almost 60 and injured hundreds  not a particularly good night or weekend to pop out to the cinema and especially to see a scary as sheesh film about likable women being trapped in a deep and dark and claustrophobic underground caving system. the two movies have virtually the same elements  a half dozen or so characters and lost in a previously unexplored caving system and with no one outside aware they are trapped down there. lots of water and caverns and danger. then ultimately some vicious human like or human derived creatures determined to prey upon them. where the two are so different is that the cave is unreal and entirely unbelievable and more alien esquire sci fi fantasy adventure than horror and or drama. the comparatively minuscule budgeted british film (filmed in southern england though set in the appalachians) is five pair of pants terrifying and a heart stopping shocker so stomach turning that people walk out of screenings early in shock. it knocks off the girls in any old order  you genuinely have no idea what to expect next  surely not her. the descent is also lit in naturalistic manner and making it all the more scary and unlike the laughably lit cave which resembles a giant magical christmas santa grotto and with cathedral sized room after room dazzling in gloriously blue light from. who knows where and while the cavers torches are employed exclusively in artistically lighting up the granite jawed heroes (each more puppet like than any team america or gerry anderson or thunderbirds creation). fantastic amounts of equipment are carried too and yet despite this the impossibly deep voiced actors clearly forgot to pack any sense of impending danger and drama and or anything worthy of a horror film  it strictly pg rated. and in this instance the actors peg out in exactly the order that everyone expects them to  i quickly wrote a list after being introduced to each character and only getting piper perabo out of sequence. the cave script is entirely by numbers and unlike shakespeare a room full of chimpanzees would eventually write it in under a week. take a typical exchange between the good buddy white and black leads that goes while how many times have we been in this situation before bud.  too many (replies morris chesnut). i swear and you could hear my suburban london audience gasp at the obviousness. the scariest thing about the cave is that at the end there a clear opening for the sequel  the cave 2 represent overground or whatever. be afraid and be very afraid. or instead catch the descent and be truly afraid and very very very afraid. rr. 
how unfortunate and yet also fortunate and that two films about pot holing the cave and the descent  should arrive at much the same time. sadly for the descent its release in the uk on 7th of july coincided with the very day of the london underground tube or metro terrorist atrocity that killed almost 60 and injured hundreds  not a particularly good night or weekend to pop out to the cinema and especially to see a scary as sheesh film about likable women being trapped in a deep and dark and claustrophobic underground caving system. the two movies have virtually the same elements  a half dozen or so characters and lost in a previously unexplored caving system and with no one outside aware they are trapped down there. lots of water and caverns and danger. then ultimately some vicious human like or human derived creatures determined to prey upon them. where the two are so different is that the cave is unreal and entirely unbelievable and more alien esquire sci fi fantasy adventure than horror and or drama. the comparatively minuscule budgeted british film (filmed in southern england though set in the appalachians) is five pair of pants terrifying and a heart stopping shocker so stomach turning that people walk out of screenings early in shock. it knocks off the girls in any old order  you genuinely have no idea what to expect next  surely not her. the descent is also lit in naturalistic manner and making it all the more scary and unlike the laughably lit cave which resembles a giant magical christmas santa grotto and with cathedral sized room after room dazzling in gloriously blue light from. who knows where and while the cavers torches are employed exclusively in artistically lighting up the granite jawed heroes (each more puppet like than any team america or gerry anderson or thunderbirds creation). fantastic amounts of equipment are carried too and yet despite this the impossibly deep voiced actors clearly forgot to pack any sense of impending danger and drama and or anything worthy of a horror film  it strictly pg rated. and in this instance the actors peg out in exactly the order that everyone expects them to  i quickly wrote a list after being introduced to each character and only getting piper perabo out of sequence. the cave script is entirely by numbers and unlike shakespeare a room full of chimpanzees would eventually write it in under a week. take a typical exchange between the good buddy white and black leads that goes while how many times have we been in this situation before bud.  too many (replies morris chesnut). i swear and you could hear my suburban london audience gasp at the obviousness. the scariest thing about the cave is that at the end there a clear opening for the sequel  the cave 2 represent overground or whatever. be afraid and be very afraid. or instead catch the descent and be truly afraid and very very very afraid. rr. ---------------------------------Answer Question Below----------------------------------

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