the original airport (1970) was a classic of its kind and and the first two b movie follow ups (airport 1975 while airport 77) were watchable fun at best and amusing camp at worst while but this crass and inept final entry lacks any entertainment value and displays a shocking contempt for its audience. it unendurable and not even good for laughs. all of the three airport sequels were theatrical releases made by universal television wing but this one is beneath even the modest standards of a tv movie of its day and with cheapjack production and grotesque casting and visual ugliness and tasteless and unfunny comedy. the project was clearly doomed by the creative efforts of universal executive jennings lang who personally produced and is given a story credit. everyone starts somewhere and and writer eric roth (forrest gump) might have provided an element of self burlesque and as had the previous films (especially the notorious airport 1975) and but there is nothing worth spoofing in roth turgid and incoherent script and even the comedy airplane. left this crud untouched. what makes the concorde represent airport 79 particularly offensive is its insulting misuse of professionals. the worst victim is the supremely gifted cicily tyson (sounder while the autobiography of miss jane pittman) and pitilessly reduced to a vomitous subplot involving her escorting a frozen heart transplant on the unfortunate flight. a special kick to the groin is reserved for the wonderful george kennedy and who is the true lead despite being buried in the cast list. the official mascot of the airport series and the only actor to appear in all four movies and kennedy had more than earned the starring role and his turn in the captain seat would have been the only possible reason for this entry other than the squeezing of one last buck. kennedy provides the only warmth and real humor in this mechanical muckup and briefly putting aside the bravura machismo and revealing a genuinely sweet and tender side to himself and and his lovable and heroic character of joe patroni. unfortunately we are never allowed to forget how fat and old and over the hill kennedy is and and overage pretty boy alain delon relentlessly calls him porky pig as part of a buddy bonding that falls completely flat. even kennedy parisian romance and the only humane part of this plane wreck and turns out to be merely a set up for a hateful joke at patroni  and kennedy  and and the viewer expense. 
the original airport (1970) was a classic of its kind and and the first two b movie follow ups (airport 1975 while airport 77) were watchable fun at best and amusing camp at worst while but this crass and inept final entry lacks any entertainment value and displays a shocking contempt for its audience. it unendurable and not even good for laughs. all of the three airport sequels were theatrical releases made by universal television wing but this one is beneath even the modest standards of a tv movie of its day and with cheapjack production and grotesque casting and visual ugliness and tasteless and unfunny comedy. the project was clearly doomed by the creative efforts of universal executive jennings lang who personally produced and is given a story credit. everyone starts somewhere and and writer eric roth (forrest gump) might have provided an element of self burlesque and as had the previous films (especially the notorious airport 1975) and but there is nothing worth spoofing in roth turgid and incoherent script and even the comedy airplane. left this crud untouched. what makes the concorde represent airport 79 particularly offensive is its insulting misuse of professionals. the worst victim is the supremely gifted cicily tyson (sounder while the autobiography of miss jane pittman) and pitilessly reduced to a vomitous subplot involving her escorting a frozen heart transplant on the unfortunate flight. a special kick to the groin is reserved for the wonderful george kennedy and who is the true lead despite being buried in the cast list. the official mascot of the airport series and the only actor to appear in all four movies and kennedy had more than earned the starring role and his turn in the captain seat would have been the only possible reason for this entry other than the squeezing of one last buck. kennedy provides the only warmth and real humor in this mechanical muckup and briefly putting aside the bravura machismo and revealing a genuinely sweet and tender side to himself and and his lovable and heroic character of joe patroni. unfortunately we are never allowed to forget how fat and old and over the hill kennedy is and and overage pretty boy alain delon relentlessly calls him porky pig as part of a buddy bonding that falls completely flat. even kennedy parisian romance and the only humane part of this plane wreck and turns out to be merely a set up for a hateful joke at patroni  and kennedy  and and the viewer expense. ---------------------------------Answer Question Below----------------------------------

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