as a kid i loved the song never smile at a crocodile and and if i found myself in this state of affairs and which is actually inspired by true events. smiling would be the last thing on my mind. from the opening set up and i have never been so entrenched and caught up and finally exhausted like i was when watching this limited budget independent australian horror film and about three people in northern territory trapped in a mangrove swamp with a very conniving crocodile waiting in the water below them. what really brought the film alive and was how realistic it managed to be in transporting the fear and uncertainty of the characters situation to the audience. semi documentary camera work with a disquietingly eerie backdrop and authentic performances effectively take you out of your comfort zone. what we get is a patient survival tale than just a bloody and all out creature feature onslaught. think of open water (2003) and where its budget and time restraint made sure it would stay low key and but this minimal barrier enhanced the experience. the slow grinding story might be black and white and but it never seemed to become disposable and or succumb to formulaic patterns. well not largely and and the connection between the characters were emotionally engaging even with a bare and straight forward script. although you can say less is more and with the actions and expressions illuminating the lingering thoughts plaguing their minds. the ordeal is utterly terrifying and because the threat is very alive and never seems to loosen up. this is what drives the film chaotic adrenaline and and in which it lasts (even when its kept buried) through to the very end. writers or directors andrew traucki and david nerlich economical guidance alienates and smartly strings along the viewer with its taut pacing and harrowing psychological traits. in certain patches the notch goes up and with pressure induced suspense and startling images. the way the night sequence is executed is immensely chilling and pulsating. the menacing crocodile manipulative toys with its fresh meat in a distressingly suspenseful approach. sure some moments felt unlikely and but never does it get in the way or distract. sound fx is the key and and at times the lack of any just eats away at you. rafeal may musical score is unassuming and doesn not really enter the mixture much and but when it does it builds an organic sounding quality. the cinematography of john biggins is beautifully devised and and rapidly aggressive when the mood changes. it was always on the move and claustrophobic and but none of this jerky movements. the editing was sharply handled and and the effects were professionally catered by superbly combing live crocodile footage. something like this production would also have to rely on its cast to sell to the story in a believable manner and they do it. diana glenn and andy rodoreda and especially maeve dermody are persuasively good. a lot of the responsibility falls on dermody and and she strongly delivers with an inspired turn. now this item might cop some comparisons with another killer crocodile film rogue (2007) and but the two couldn not be any different in what they want to be and how they end up. if i had to pick though and i am leaning more towards this outing for its sheer involvement to snap at you. a remarkable effort on all fronts and with everyone involved showing potential to really look out for. 
as a kid i loved the song never smile at a crocodile and and if i found myself in this state of affairs and which is actually inspired by true events. smiling would be the last thing on my mind. from the opening set up and i have never been so entrenched and caught up and finally exhausted like i was when watching this limited budget independent australian horror film and about three people in northern territory trapped in a mangrove swamp with a very conniving crocodile waiting in the water below them. what really brought the film alive and was how realistic it managed to be in transporting the fear and uncertainty of the characters situation to the audience. semi documentary camera work with a disquietingly eerie backdrop and authentic performances effectively take you out of your comfort zone. what we get is a patient survival tale than just a bloody and all out creature feature onslaught. think of open water (2003) and where its budget and time restraint made sure it would stay low key and but this minimal barrier enhanced the experience. the slow grinding story might be black and white and but it never seemed to become disposable and or succumb to formulaic patterns. well not largely and and the connection between the characters were emotionally engaging even with a bare and straight forward script. although you can say less is more and with the actions and expressions illuminating the lingering thoughts plaguing their minds. the ordeal is utterly terrifying and because the threat is very alive and never seems to loosen up. this is what drives the film chaotic adrenaline and and in which it lasts (even when its kept buried) through to the very end. writers or directors andrew traucki and david nerlich economical guidance alienates and smartly strings along the viewer with its taut pacing and harrowing psychological traits. in certain patches the notch goes up and with pressure induced suspense and startling images. the way the night sequence is executed is immensely chilling and pulsating. the menacing crocodile manipulative toys with its fresh meat in a distressingly suspenseful approach. sure some moments felt unlikely and but never does it get in the way or distract. sound fx is the key and and at times the lack of any just eats away at you. rafeal may musical score is unassuming and doesn not really enter the mixture much and but when it does it builds an organic sounding quality. the cinematography of john biggins is beautifully devised and and rapidly aggressive when the mood changes. it was always on the move and claustrophobic and but none of this jerky movements. the editing was sharply handled and and the effects were professionally catered by superbly combing live crocodile footage. something like this production would also have to rely on its cast to sell to the story in a believable manner and they do it. diana glenn and andy rodoreda and especially maeve dermody are persuasively good. a lot of the responsibility falls on dermody and and she strongly delivers with an inspired turn. now this item might cop some comparisons with another killer crocodile film rogue (2007) and but the two couldn not be any different in what they want to be and how they end up. if i had to pick though and i am leaning more towards this outing for its sheer involvement to snap at you. a remarkable effort on all fronts and with everyone involved showing potential to really look out for. ---------------------------------Answer Question Below----------------------------------

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