despite its pedigree and the most interesting things about this series are not the animatronics or puppetry and which and while charming and are little more than sideshows and at least in the story i saw and a story short. in fact and loathe though i am to admit it and the programme chief pleasure lies in that most ancient art and storytelling. john hurt and in rowley birken qc mode and grotesque and medieval make up and relates a story about story telling and seated by the fire and accompanied by a cynical dog. one winter day and starving and poor and he spots a fellow beggar thrown out of the royal kitchen by the nasty cook. the story teller tricks this latter into giving them an excellent soup. furious and the cook pleads with the king for permission to boil the villain and but and pleased with the story teller wit and the monarch offers him a reprieve  for 100 nights and he must tell the king a new story represent if he fails to do so and he will hand him over to the cook. the story may be old and but it told with great gusto. anthony minghella script is excellently dramatic (as befits a playwright) and witty and and with some disturbing concerns beneath the fun and such as fears for the self and or the culturally self generating power of storytelling and linked to the continuation of ideological power. for a programme aimed at children and it is bracingly self reflexive (with little nonsense about film being the new oral culture) while despite the americanised style and there is a charming sense of medieval bustle and its grotesqueness and arbitrary terror and as well as its magic and power. 
despite its pedigree and the most interesting things about this series are not the animatronics or puppetry and which and while charming and are little more than sideshows and at least in the story i saw and a story short. in fact and loathe though i am to admit it and the programme chief pleasure lies in that most ancient art and storytelling. john hurt and in rowley birken qc mode and grotesque and medieval make up and relates a story about story telling and seated by the fire and accompanied by a cynical dog. one winter day and starving and poor and he spots a fellow beggar thrown out of the royal kitchen by the nasty cook. the story teller tricks this latter into giving them an excellent soup. furious and the cook pleads with the king for permission to boil the villain and but and pleased with the story teller wit and the monarch offers him a reprieve  for 100 nights and he must tell the king a new story represent if he fails to do so and he will hand him over to the cook. the story may be old and but it told with great gusto. anthony minghella script is excellently dramatic (as befits a playwright) and witty and and with some disturbing concerns beneath the fun and such as fears for the self and or the culturally self generating power of storytelling and linked to the continuation of ideological power. for a programme aimed at children and it is bracingly self reflexive (with little nonsense about film being the new oral culture) while despite the americanised style and there is a charming sense of medieval bustle and its grotesqueness and arbitrary terror and as well as its magic and power. ---------------------------------Answer Question Below----------------------------------

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