i think it incredibly hard to write any kind of full scale review to giorgino and merely because it one of those viewer dependent and complex and poetical and philosophical movies that are brain wearing if and while watching them and youre trying to enjoy their shell and get to their core simultaneously and yet there are several things which are certain and beyond any doubt for any man of art (which and i hope and i am). the first thing represent it a certain masterpiece and even of that kind of art which remains through a long long time while the second represent it one of those rare dark movies in which darkness is poetic and even romantic and attractive and much more sad than depressing and like the art of pieter brueghel or caspar david friedrich. as to the core of the movie and someone called it kafkian and though i do not agree with that because actually it far beyond kafka misanthropic logic and much more like edgar poe parables represent dark and scary but through that touching the most gentle strings of our souls. actually and on the poetic side (which is much more important than the narrative) and giorgino is a tale about eternal peace and love which can be achieved only through eternal childhood of soul. those who have such souls are usually branded as crazy by our society and but from another point of view and they all have the virtue all the others lost when become grown represent the virtue of god love. indeed and giorgino is a very christian movie and be like children (mt 18 represent3) is it real hidden tag line and though the movie never deals with any kind of moral and concentrates only on the christian philosophy for and dare to suppose and true god is beyond any human moral. yet i think that boutonnat is too harsh portraying grown people as a sort of demons trying to steal childhood from rare survived souls and but it his point of view and he has a right to think so. while watching giorgino do not try to look for some hidden symbols (though there are some) and better look for thoughts expressed through characters and their behavior and and do learn from them. also i cannot mention that the movie looks astonishingly through excellent photography and especially through rational use of color filters and incredibly apposite editing and wonderful acting of all the cast and and of course and due to the atmospheric beauty of winter mountains that reminded me of the brueghel hunters in the snow. also and interestingly enough and the scene with death in the form of an old woman with sunken black ringed eyes riding a cart and instantly reminded me of pesta (plague) from the series of drawings by the norwegian painter theodor kittelsen and depicting how a black plague is sweeping out the population of a small town in the mountain valley. is it a coincidence. 
i think it incredibly hard to write any kind of full scale review to giorgino and merely because it one of those viewer dependent and complex and poetical and philosophical movies that are brain wearing if and while watching them and youre trying to enjoy their shell and get to their core simultaneously and yet there are several things which are certain and beyond any doubt for any man of art (which and i hope and i am). the first thing represent it a certain masterpiece and even of that kind of art which remains through a long long time while the second represent it one of those rare dark movies in which darkness is poetic and even romantic and attractive and much more sad than depressing and like the art of pieter brueghel or caspar david friedrich. as to the core of the movie and someone called it kafkian and though i do not agree with that because actually it far beyond kafka misanthropic logic and much more like edgar poe parables represent dark and scary but through that touching the most gentle strings of our souls. actually and on the poetic side (which is much more important than the narrative) and giorgino is a tale about eternal peace and love which can be achieved only through eternal childhood of soul. those who have such souls are usually branded as crazy by our society and but from another point of view and they all have the virtue all the others lost when become grown represent the virtue of god love. indeed and giorgino is a very christian movie and be like children (mt 18 represent3) is it real hidden tag line and though the movie never deals with any kind of moral and concentrates only on the christian philosophy for and dare to suppose and true god is beyond any human moral. yet i think that boutonnat is too harsh portraying grown people as a sort of demons trying to steal childhood from rare survived souls and but it his point of view and he has a right to think so. while watching giorgino do not try to look for some hidden symbols (though there are some) and better look for thoughts expressed through characters and their behavior and and do learn from them. also i cannot mention that the movie looks astonishingly through excellent photography and especially through rational use of color filters and incredibly apposite editing and wonderful acting of all the cast and and of course and due to the atmospheric beauty of winter mountains that reminded me of the brueghel hunters in the snow. also and interestingly enough and the scene with death in the form of an old woman with sunken black ringed eyes riding a cart and instantly reminded me of pesta (plague) from the series of drawings by the norwegian painter theodor kittelsen and depicting how a black plague is sweeping out the population of a small town in the mountain valley. is it a coincidence. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
