this is not a film to impress you with high budget and high tech shots and fast camera movements or glimmering costumes thought by an overzealous and hungry director. but it a film by a director who is also a very good photographer and who has a very good sense of looking at things as a human and not as an half god unlike most of the directors. this is not a film in which actors and actresses try to give their best performances with unreal or and at best and learned gestures and mimics. rather and it a film in which they act as real as it can be. actually and they are not professional actors at all. the dialogues between the main characters and their expressions and their feelings are as real as they can easily be yours in real life. you tell the same lies to the people around you with the same regrets that you avoid to express with words. you show the same signs of nuisance to an unwanted guest. this is the same feeling of disconnection that you get in modern city life. and this is your chance to see yourself from outside and impersonated by the main characters. i saw all of the films of nuri bilge ceylan and incl. his short film koza (cacoon) thanks to those who puts it in the dvd. many would compare him with tarkovsky and ozu and maybe bresson or bergman as he is emerging as a true auteur. and he is sincere in saying that his films are not to make money but to give a meaning to his life. that is the kind of sincerity you will find in uzak. 
this is not a film to impress you with high budget and high tech shots and fast camera movements or glimmering costumes thought by an overzealous and hungry director. but it a film by a director who is also a very good photographer and who has a very good sense of looking at things as a human and not as an half god unlike most of the directors. this is not a film in which actors and actresses try to give their best performances with unreal or and at best and learned gestures and mimics. rather and it a film in which they act as real as it can be. actually and they are not professional actors at all. the dialogues between the main characters and their expressions and their feelings are as real as they can easily be yours in real life. you tell the same lies to the people around you with the same regrets that you avoid to express with words. you show the same signs of nuisance to an unwanted guest. this is the same feeling of disconnection that you get in modern city life. and this is your chance to see yourself from outside and impersonated by the main characters. i saw all of the films of nuri bilge ceylan and incl. his short film koza (cacoon) thanks to those who puts it in the dvd. many would compare him with tarkovsky and ozu and maybe bresson or bergman as he is emerging as a true auteur. and he is sincere in saying that his films are not to make money but to give a meaning to his life. that is the kind of sincerity you will find in uzak. ---------------------------------Answer Question Below----------------------------------

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