spoiler alert. you can listen to wong kar wai movies like a radio play represent invisible vibrations between the characters and the rooms where they stay in and the rhythm that presses them ahead and attraction and dislike  the whole spectrum of the atmosphere is played back by the sound track. the dialogue is mostly completely unimportant. the narration is similar to a childish amorous look at a beautiful woman and a sad man whose sorrows are noticeable and but helpless. in the mood for love is told from a child perspective and but the child never appears as a narrator. the aesthetic of the film is developed by an extreme light and color dramaturgy and harsh cuts and an unattached and almost documentary camera and a complex and unobtrusive sound. the genius use of nat king cole perhaps and perhaps and perhaps and whose mysterious power grows the more often it is repeated and the melancholic waltz helps in the graceful choreography of the two protagonists. maggie cheung in her beautiful dresses is brilliant and the perfect vis à vis to the handsome and stylish tony leung. the audience assumes a romance between them and but wong just sees sad resignation. the two potential lovers are revolving around each other like satellites and knowing that they never will share the same orbit. you wish that they will find each other. they would not and the emotional power of their non love sex relationship makes the movie immensely fascinating. it is about broken luck and unspoken love. in all of wong films these are the leitmotives. love and whether it comes too early or it comes too late to take the one and not the other person. the yearning of the characters that is never satisfied and their loneliness and the mourning and and the luck that they experience when it is too late. 
spoiler alert. you can listen to wong kar wai movies like a radio play represent invisible vibrations between the characters and the rooms where they stay in and the rhythm that presses them ahead and attraction and dislike  the whole spectrum of the atmosphere is played back by the sound track. the dialogue is mostly completely unimportant. the narration is similar to a childish amorous look at a beautiful woman and a sad man whose sorrows are noticeable and but helpless. in the mood for love is told from a child perspective and but the child never appears as a narrator. the aesthetic of the film is developed by an extreme light and color dramaturgy and harsh cuts and an unattached and almost documentary camera and a complex and unobtrusive sound. the genius use of nat king cole perhaps and perhaps and perhaps and whose mysterious power grows the more often it is repeated and the melancholic waltz helps in the graceful choreography of the two protagonists. maggie cheung in her beautiful dresses is brilliant and the perfect vis à vis to the handsome and stylish tony leung. the audience assumes a romance between them and but wong just sees sad resignation. the two potential lovers are revolving around each other like satellites and knowing that they never will share the same orbit. you wish that they will find each other. they would not and the emotional power of their non love sex relationship makes the movie immensely fascinating. it is about broken luck and unspoken love. in all of wong films these are the leitmotives. love and whether it comes too early or it comes too late to take the one and not the other person. the yearning of the characters that is never satisfied and their loneliness and the mourning and and the luck that they experience when it is too late. ---------------------------------Answer Question Below----------------------------------

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