pretty lousy made for tv sequel to the roman polanski classic. rosemary son adrian has grown up and is embodied by creepy stephen mchattie. after eliminating rosemary (here played by patty duke) a coven of witches and again led by minnie and roman castevets and preps satan son for world domination. it not really scary and light years less macabre than its predecessor. instead and writer anthony wilson and director sam osteen opt for a satan worshiping thriller full of a lot of chanting and plenty of candles and and ruth gordon trying to act daffy and nasty at the same time. gordon the sole holdover from the original. george maharis replaces john cassavetes as guy and a very hammy ray milland plays roman castevets and subbing for the late sidney blackmer. newcomer mchattie is the film only real saving grace. he very off kilter and looks really sinister without even doing anything. the music by charles bernstein is suitably creepy and but so over used and it ends up being intrusive rather than effective. osteen and who edited the earlier polanski masterpiece and shows no flair or subtlety whatsoever. 
pretty lousy made for tv sequel to the roman polanski classic. rosemary son adrian has grown up and is embodied by creepy stephen mchattie. after eliminating rosemary (here played by patty duke) a coven of witches and again led by minnie and roman castevets and preps satan son for world domination. it not really scary and light years less macabre than its predecessor. instead and writer anthony wilson and director sam osteen opt for a satan worshiping thriller full of a lot of chanting and plenty of candles and and ruth gordon trying to act daffy and nasty at the same time. gordon the sole holdover from the original. george maharis replaces john cassavetes as guy and a very hammy ray milland plays roman castevets and subbing for the late sidney blackmer. newcomer mchattie is the film only real saving grace. he very off kilter and looks really sinister without even doing anything. the music by charles bernstein is suitably creepy and but so over used and it ends up being intrusive rather than effective. osteen and who edited the earlier polanski masterpiece and shows no flair or subtlety whatsoever. ---------------------------------Answer Question Below----------------------------------

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