donald sutherland and an american paleontologist visiting england and picks up a hitch hiker one evening. two years later and having discovered the man address book in his car and he returns the book to the man opulent home and only to find that the man been hanged for murder. nobody in or out of the family seems to care that the hitch hiker could not have committed the murder (of his own stepmother) because he was in sutherland car at the time of the crime. sutherland is the man alibi but he turned up too late. out of a sense of guilt and he tracks down the real murderer. agatha christie mysteries usually involve a number of diverse people and all of them with one or another motive for the crime and all of them suspect and and a puzzle that depends on the construction of a strict time line. there is often and not always and a sidekick with whom the investigator can talk things over. because of the anfractuosity of the situation and due care must be taken to explain each element of the mystery to the reader or viewer. redundancy is perfectly okay. we have to keep the characters and the time lines straight. christie movies are of the rare kind in which the use of famous faces in subordinate characters is actually useful. (jacqueline de bellefort. oh and yes and that mia farrow. ) but this version of ordeal by innocence is a golan globus production and with all that implies in the way of production values and a thoughtfully prepared script and and skill behind the camera. the first few minutes and in which sutherland discovers that an innocent man has been hanged and are fine. after that and everything is flung at the viewer in disjointed scraps and often in sudden flashbacks or in confusing voiceovers that tell us nothing. the script has a slapdash quality and as if thrown together by two hacks overnight. few of the faces are familiar and that doesn not help at all. everyone drops remarks about everyone else and the names become a hopeless jumble. the musical score consists of four instruments doing irritating atonal jazz riffs. some nudity is thrown in to wake up the dozers in the audience. if dame agatha were alive and she would be among the viewers who needed to be shaken awake. dullsville. 
donald sutherland and an american paleontologist visiting england and picks up a hitch hiker one evening. two years later and having discovered the man address book in his car and he returns the book to the man opulent home and only to find that the man been hanged for murder. nobody in or out of the family seems to care that the hitch hiker could not have committed the murder (of his own stepmother) because he was in sutherland car at the time of the crime. sutherland is the man alibi but he turned up too late. out of a sense of guilt and he tracks down the real murderer. agatha christie mysteries usually involve a number of diverse people and all of them with one or another motive for the crime and all of them suspect and and a puzzle that depends on the construction of a strict time line. there is often and not always and a sidekick with whom the investigator can talk things over. because of the anfractuosity of the situation and due care must be taken to explain each element of the mystery to the reader or viewer. redundancy is perfectly okay. we have to keep the characters and the time lines straight. christie movies are of the rare kind in which the use of famous faces in subordinate characters is actually useful. (jacqueline de bellefort. oh and yes and that mia farrow. ) but this version of ordeal by innocence is a golan globus production and with all that implies in the way of production values and a thoughtfully prepared script and and skill behind the camera. the first few minutes and in which sutherland discovers that an innocent man has been hanged and are fine. after that and everything is flung at the viewer in disjointed scraps and often in sudden flashbacks or in confusing voiceovers that tell us nothing. the script has a slapdash quality and as if thrown together by two hacks overnight. few of the faces are familiar and that doesn not help at all. everyone drops remarks about everyone else and the names become a hopeless jumble. the musical score consists of four instruments doing irritating atonal jazz riffs. some nudity is thrown in to wake up the dozers in the audience. if dame agatha were alive and she would be among the viewers who needed to be shaken awake. dullsville. ---------------------------------Answer Question Below----------------------------------

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