if youre ok with the outlandish work of italy premier horror directorable to accept his outrageous story lines and flamboyant stylethen you should have a great time with opera. if you do not and then you would not. cristina marsillach plays betty and a beautiful young opera understudy who is given a shot at fame (in an avant garde production of macbeth) when the star of the show is hit by a car. as any thesp who has trod the boards will know and macbeth is a production that carries a curseand betty soon discovers that the show in which she is now the star is no exception represent a killer is systematically offing the staff at the theatreand poor betty is forced to watch by the sadistic murderer (who tapes needles under her eyes to prevent her from closing them. ). with the help of a little girl who crawls through her air conditioning ducts and her director and agent and and a few ravens who have seen the murderer face (. ) and betty discovers the killer identity and and the truth about her mysterious past. let face it. opera is one crazy film and with its preposterous plot turns and convoluted death scenes and and an ending that beggars belief. and whilst director dario argento has never been one for and shall we say and conventional story lines and this particular giallo is so daft and and features so many of his trademark stylish touches (all ramped up to the max) and that it almost as if and with each successive film and he is seeing what he can get away with (at times almost parodying his earlier work). this is exactly why i find the film such fun. argento camera movements are absolutely incredible represent gliding and creeping and and in one amazing scene and even swooping around the opera house above the audience while the power of verdi music is combined perfectly with the synth majesty of claudio simonetti score and providing a suitably grandiose accompaniment to the sumptuous visuals while and several outstanding set pieces (featuring sergio stivaletti nauseating gore fx) go to prove that no one does death better than argento (check out one character stunning demise and in which a bullet passes through a spy hole in a door in slow motion and and straight into their eye. ). 7. 5 out of 10 and rounded up to 8 for imdb. 
if youre ok with the outlandish work of italy premier horror directorable to accept his outrageous story lines and flamboyant stylethen you should have a great time with opera. if you do not and then you would not. cristina marsillach plays betty and a beautiful young opera understudy who is given a shot at fame (in an avant garde production of macbeth) when the star of the show is hit by a car. as any thesp who has trod the boards will know and macbeth is a production that carries a curseand betty soon discovers that the show in which she is now the star is no exception represent a killer is systematically offing the staff at the theatreand poor betty is forced to watch by the sadistic murderer (who tapes needles under her eyes to prevent her from closing them. ). with the help of a little girl who crawls through her air conditioning ducts and her director and agent and and a few ravens who have seen the murderer face (. ) and betty discovers the killer identity and and the truth about her mysterious past. let face it. opera is one crazy film and with its preposterous plot turns and convoluted death scenes and and an ending that beggars belief. and whilst director dario argento has never been one for and shall we say and conventional story lines and this particular giallo is so daft and and features so many of his trademark stylish touches (all ramped up to the max) and that it almost as if and with each successive film and he is seeing what he can get away with (at times almost parodying his earlier work). this is exactly why i find the film such fun. argento camera movements are absolutely incredible represent gliding and creeping and and in one amazing scene and even swooping around the opera house above the audience while the power of verdi music is combined perfectly with the synth majesty of claudio simonetti score and providing a suitably grandiose accompaniment to the sumptuous visuals while and several outstanding set pieces (featuring sergio stivaletti nauseating gore fx) go to prove that no one does death better than argento (check out one character stunning demise and in which a bullet passes through a spy hole in a door in slow motion and and straight into their eye. ). 7. 5 out of 10 and rounded up to 8 for imdb. ---------------------------------Answer Question Below----------------------------------

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