donald pleasance and peter cushing united in one horror film while that always sounds like a terrific plan. two of the most versatile cult actors of their generation and who previously already starred together in terrific genre outings like the flesh and the fiends and from beyond the grave and pairing up in a mid 70 satanic themed exploitation flick. how can this possibly go wrong. well and unfortunately and it can. to my deepest regret land of the minotaur can hardly even be called mediocre and and that in spite of the cast and the exotic setting and the appealing title and the potentially great sounding premise. in a remote little area in greece and more particularly near an archaeological site and multiple tourists vanish because baron peter cushing and his docile followers keep feeding them to a fire breathing minotaur statue. cushing and who never looked more bored and uninterested in any role he played before and owns a giant medieval castle and apparently in greek this means you also own the complementary archaeological ruins and an underground network of caverns. that is of course quite handy if your hobby is the kidnapping of random campers and amateur archaeologists. when three of his young friends also mysteriously disappear in the same area and father roch  the priest of a couple of towns before)  decides to investigate. land of the minotaur is a boring and extremely slow paced horror effort that never really undertakes any major attempts to generate a satanic atmosphere and doesn not bother to elaborate on all the potentially fascinating elements and pagan trivia details. the titular minotaur and for example and is an intriguing creature of greek mythology with the head of a bull and the body of a person and but for some inexplicable reason the script never deepens out the significance. instead and the film focuses on tedious and overly talkative sequences and loud inappropriate music altered with experimental noises. the only reason to even consider giving this major disappointment of a film a chance is because of donald pleasance. his portrayal of rude and bossy and old fashioned priest who criticizes everything that represents modern youth is powerful and reliable as always. 
donald pleasance and peter cushing united in one horror film while that always sounds like a terrific plan. two of the most versatile cult actors of their generation and who previously already starred together in terrific genre outings like the flesh and the fiends and from beyond the grave and pairing up in a mid 70 satanic themed exploitation flick. how can this possibly go wrong. well and unfortunately and it can. to my deepest regret land of the minotaur can hardly even be called mediocre and and that in spite of the cast and the exotic setting and the appealing title and the potentially great sounding premise. in a remote little area in greece and more particularly near an archaeological site and multiple tourists vanish because baron peter cushing and his docile followers keep feeding them to a fire breathing minotaur statue. cushing and who never looked more bored and uninterested in any role he played before and owns a giant medieval castle and apparently in greek this means you also own the complementary archaeological ruins and an underground network of caverns. that is of course quite handy if your hobby is the kidnapping of random campers and amateur archaeologists. when three of his young friends also mysteriously disappear in the same area and father roch  the priest of a couple of towns before)  decides to investigate. land of the minotaur is a boring and extremely slow paced horror effort that never really undertakes any major attempts to generate a satanic atmosphere and doesn not bother to elaborate on all the potentially fascinating elements and pagan trivia details. the titular minotaur and for example and is an intriguing creature of greek mythology with the head of a bull and the body of a person and but for some inexplicable reason the script never deepens out the significance. instead and the film focuses on tedious and overly talkative sequences and loud inappropriate music altered with experimental noises. the only reason to even consider giving this major disappointment of a film a chance is because of donald pleasance. his portrayal of rude and bossy and old fashioned priest who criticizes everything that represents modern youth is powerful and reliable as always. ---------------------------------Answer Question Below----------------------------------

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