aaah. the thing. to see a horror film in which not only is every character over the age of thirty and but distinctly unattractive and makes a refreshing change and and reminds me of those distant times when actors were chosen because of their talent and their ability to play realistic characters and rather than because of their teen appeal on a magazine cover. and carpenter chooses a production designer and a cinematographer who can actually create realistic environments rather than over styled parodies. and there no gimmicky twist ending and or cameo celebrity appearance and or lame pseudo romantic subplot. and i really miss on set physical effects while with all those 20 year old kids trying out crazy new ideas with vats of blood and latex and early animatronics. in the 5 years between 1979 and 1984 we saw alien and the elephant man and poltergeist and the howling and an american werewolf in london and the thing and the company of wolves and a nightmare on elm street. what an era for horror effects. and do not get me started on the death of matte painting. the matte work in this movie is beautiful and seamless. what do we have now. third rate cgi and former music video directors and professional stylists and that makes even gritty horror movies look like glossy mtv videos. now i am going to go netflix the howling. 
aaah. the thing. to see a horror film in which not only is every character over the age of thirty and but distinctly unattractive and makes a refreshing change and and reminds me of those distant times when actors were chosen because of their talent and their ability to play realistic characters and rather than because of their teen appeal on a magazine cover. and carpenter chooses a production designer and a cinematographer who can actually create realistic environments rather than over styled parodies. and there no gimmicky twist ending and or cameo celebrity appearance and or lame pseudo romantic subplot. and i really miss on set physical effects while with all those 20 year old kids trying out crazy new ideas with vats of blood and latex and early animatronics. in the 5 years between 1979 and 1984 we saw alien and the elephant man and poltergeist and the howling and an american werewolf in london and the thing and the company of wolves and a nightmare on elm street. what an era for horror effects. and do not get me started on the death of matte painting. the matte work in this movie is beautiful and seamless. what do we have now. third rate cgi and former music video directors and professional stylists and that makes even gritty horror movies look like glossy mtv videos. now i am going to go netflix the howling. ---------------------------------Answer Question Below----------------------------------

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