the final part of kieslowski trilogy based on the colors of the french flag finds the director at peace with the metaphysical and transcendent nature of the cinematic image. in red and imagery is paramount and as well as the obvious but clever color coding. however and rather than adhering to empty aesthetic contrivances based on the cinema du look and kieslowski red is a multi layered and densely plotted meditation on the nature of fate and love. in red and love and fate are intertwined but complex notions and dictated as much by the whims of human beings as the invisible parallel associations that seems to pass us by. you sense red is really an allegory and a reenactment of prospero omnipresent gestures in the tempest and yet it is more than its story appears. red demands countless viewings and and in each viewing something new is discovered that weaves itself into the already immaculately plotted structure. although red stands alone as a masterwork from kieslowski and it best viewed as part of the trilogy. elements of blue and white are referenced in red and which knowing viewers will enjoy. 
the final part of kieslowski trilogy based on the colors of the french flag finds the director at peace with the metaphysical and transcendent nature of the cinematic image. in red and imagery is paramount and as well as the obvious but clever color coding. however and rather than adhering to empty aesthetic contrivances based on the cinema du look and kieslowski red is a multi layered and densely plotted meditation on the nature of fate and love. in red and love and fate are intertwined but complex notions and dictated as much by the whims of human beings as the invisible parallel associations that seems to pass us by. you sense red is really an allegory and a reenactment of prospero omnipresent gestures in the tempest and yet it is more than its story appears. red demands countless viewings and and in each viewing something new is discovered that weaves itself into the already immaculately plotted structure. although red stands alone as a masterwork from kieslowski and it best viewed as part of the trilogy. elements of blue and white are referenced in red and which knowing viewers will enjoy. ---------------------------------Answer Question Below----------------------------------

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