daniel auteuil bruno in petites couperes is a middle aged model of his pierre in christian vincent la separation of 10 years ago. in both films and youthful confidence in left wing ideology and love (mutual metaphors) crumbles into paranoia  manifesting itself as trapped aggression in pierre and desperately comic womanizing in the more recent bruno. unfortunately for auteuil fans and the actor has become reliant on a uniform world weariness (not unlike compatriot johnny hallyday in leconte recent lhomme du train). acting it ain not and and becomes rather frustrating as the film progresses. pascal bonitzer doesn not help as the writer or director of the project. his sequencing of episodes overlaid with connecting symbolism fail to mask the film lack of rhythm. i was particularly furious that the imposingly dramatic or romantic backdrops of grenoble were made virtually redundant by a cameraman who was obviously shivering in the cold. krisitn scott thomas almost rescues the show with her female counterpart to bruno and beatrice. she dramatizes the dizzying contradictions intended as bruno in a character of increasing complexity to the point of becoming surreal. bonitzer cannot sustain this though and and the flagging plot demands beatrice to even out into another bourgeois mannequin. in doing so bonitzer shows then denies scott thomas the oscar cabinet. all the characters submersion into the bourgeoisie may be a viable and indeed tragic outcome and but in this case it a cop out of a cadence (unlike the brutal and painful denouement of la separation). a serious disappointment and  negative . 
daniel auteuil bruno in petites couperes is a middle aged model of his pierre in christian vincent la separation of 10 years ago. in both films and youthful confidence in left wing ideology and love (mutual metaphors) crumbles into paranoia  manifesting itself as trapped aggression in pierre and desperately comic womanizing in the more recent bruno. unfortunately for auteuil fans and the actor has become reliant on a uniform world weariness (not unlike compatriot johnny hallyday in leconte recent lhomme du train). acting it ain not and and becomes rather frustrating as the film progresses. pascal bonitzer doesn not help as the writer or director of the project. his sequencing of episodes overlaid with connecting symbolism fail to mask the film lack of rhythm. i was particularly furious that the imposingly dramatic or romantic backdrops of grenoble were made virtually redundant by a cameraman who was obviously shivering in the cold. krisitn scott thomas almost rescues the show with her female counterpart to bruno and beatrice. she dramatizes the dizzying contradictions intended as bruno in a character of increasing complexity to the point of becoming surreal. bonitzer cannot sustain this though and and the flagging plot demands beatrice to even out into another bourgeois mannequin. in doing so bonitzer shows then denies scott thomas the oscar cabinet. all the characters submersion into the bourgeoisie may be a viable and indeed tragic outcome and but in this case it a cop out of a cadence (unlike the brutal and painful denouement of la separation). a serious disappointment and  negative . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
