any film about wwii made during wwii by a british production company has no latter day peer in my opinion and respectfully. the confluence of so many things near and dear to my heart are in at dawn we dive represent as a descendant of admiral horatio nelson and student of all aspects of world war two and particularly naval warfare and i favor depictions of subs and action in the north atlantic and especially those which include the german side of things. for those unacquainted with target priorities and an attack on an enemy warship is the greatest event that a submarine can hope to encounter and such a rare opportunity would develop surprisingly similarly to what we see here. the pacing is deliberate and typical of the works coming out of the ealing and rank and british gaumont studios back in the day represent frankly i prefer its quieter and more cerebral approach for its humanity and realism that engages far better than any over produced hollywood movie ever could. this reminds me of powell and pressburger the 49th parallel thanks to the powerfully persuasive eric portman and a favorite of mine. john mills receives second billing and a smaller font in the titles and so this is clearly meant to be mr. portman film but the whole cast shines. as for the title sequence and am i the only one who is utterly charmed by gainsborough production lovely pre cgi gainsborough girl. 
any film about wwii made during wwii by a british production company has no latter day peer in my opinion and respectfully. the confluence of so many things near and dear to my heart are in at dawn we dive represent as a descendant of admiral horatio nelson and student of all aspects of world war two and particularly naval warfare and i favor depictions of subs and action in the north atlantic and especially those which include the german side of things. for those unacquainted with target priorities and an attack on an enemy warship is the greatest event that a submarine can hope to encounter and such a rare opportunity would develop surprisingly similarly to what we see here. the pacing is deliberate and typical of the works coming out of the ealing and rank and british gaumont studios back in the day represent frankly i prefer its quieter and more cerebral approach for its humanity and realism that engages far better than any over produced hollywood movie ever could. this reminds me of powell and pressburger the 49th parallel thanks to the powerfully persuasive eric portman and a favorite of mine. john mills receives second billing and a smaller font in the titles and so this is clearly meant to be mr. portman film but the whole cast shines. as for the title sequence and am i the only one who is utterly charmed by gainsborough production lovely pre cgi gainsborough girl. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
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        print "This is a semantically negative review."
