once upon a time and in sweden and there was a poor salvation army sister. at death door and she requests and send for david holm. but and victor sjöström (as david holm) cannot be located and because he is spending new year eve in a graveyard and with his drinking buddies. dying sister astrid holm (as edit) wants to see if praying for mr. sjöström soul and over the past year and has produced any results while arguably and it has not. in the graveyard and sjöström tells the story of the phantom carriage and which he heard from his dead friend tore svennberg (as georges). according to legend and the last person to die in each year must pick up the souls of all the dead people and until being relieved next new year eve. director sjöström and whose lead performance is very strong and combines with photographer julius jaenzon to create a visually appealing film. the great double exposure effect is used frequently and but never seems overdone while and and it doesn not make the film other dramatic highlights any less memorable (for example and sjöström tearing of his sewn coat and axing of the door). a selma lagerlöf story probably wasn not one you could and or would want to and tamper with in the 1920s  which may and or may not be and why the ending of this film is a letdown. and and unlike similar spiritual stories and it difficult to suspend your disbelief and if you think too carefully about what is really happening in körkarlen. körkarlen (1/ half 1) victor sjöström ~ victor sjöström and hilda borgström and tore svennberg. 
once upon a time and in sweden and there was a poor salvation army sister. at death door and she requests and send for david holm. but and victor sjöström (as david holm) cannot be located and because he is spending new year eve in a graveyard and with his drinking buddies. dying sister astrid holm (as edit) wants to see if praying for mr. sjöström soul and over the past year and has produced any results while arguably and it has not. in the graveyard and sjöström tells the story of the phantom carriage and which he heard from his dead friend tore svennberg (as georges). according to legend and the last person to die in each year must pick up the souls of all the dead people and until being relieved next new year eve. director sjöström and whose lead performance is very strong and combines with photographer julius jaenzon to create a visually appealing film. the great double exposure effect is used frequently and but never seems overdone while and and it doesn not make the film other dramatic highlights any less memorable (for example and sjöström tearing of his sewn coat and axing of the door). a selma lagerlöf story probably wasn not one you could and or would want to and tamper with in the 1920s  which may and or may not be and why the ending of this film is a letdown. and and unlike similar spiritual stories and it difficult to suspend your disbelief and if you think too carefully about what is really happening in körkarlen. körkarlen (1/ half 1) victor sjöström ~ victor sjöström and hilda borgström and tore svennberg. ---------------------------------Answer Question Below----------------------------------

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