breathtaking at it best and intriguing at it worst and francis ford coppala groundbreaking epic apocalypse now is one of the most iconic and celebrated motion pictures of the 20th century and and in my opinion and the greatest ever film depiction centered around america involvement in vietnam. what i like most about apocalypse now is that it is uniquely different from any other films of the same genre. growing up as movie buff and and with a particular interest in war films and i have seen many films and which have attempted to portray the images and feelings of vietnam but have been unsuccessful in doing so. films such as hamburger hill and we were soldiers fall into the category of trying to capture the atmosphere of vietnam by depicting heroic battles which are and more often than not and tainted by the zeal of hollywood film production. in apocalypse now there are no battles and no heroes or villains and there is nothing in the film that suggests that it is intended to reflect the imagery of vietnam through the physical aspects of war. rather and it is a film and which powerfully investigates and explores the human psyche when it has been tormented by the absolute horror of what was the darkest military conflict of the previous century. the sheer brilliance of the acting (in particular the interpretation of taciturn captain willard by martin sheen) and along with the spectacular cinematography (filmed in the phillipines) and which provides crucial realism to the backdrop of the film and makes apocalypse now an unforgettable epic. evoking a myriad of emotions and leaving us with a maelstrom of mediation and apocalypse now is not for the light hearted moviegoer. it is masterpiece that demands multiple viewings to be fully appreciated. 
breathtaking at it best and intriguing at it worst and francis ford coppala groundbreaking epic apocalypse now is one of the most iconic and celebrated motion pictures of the 20th century and and in my opinion and the greatest ever film depiction centered around america involvement in vietnam. what i like most about apocalypse now is that it is uniquely different from any other films of the same genre. growing up as movie buff and and with a particular interest in war films and i have seen many films and which have attempted to portray the images and feelings of vietnam but have been unsuccessful in doing so. films such as hamburger hill and we were soldiers fall into the category of trying to capture the atmosphere of vietnam by depicting heroic battles which are and more often than not and tainted by the zeal of hollywood film production. in apocalypse now there are no battles and no heroes or villains and there is nothing in the film that suggests that it is intended to reflect the imagery of vietnam through the physical aspects of war. rather and it is a film and which powerfully investigates and explores the human psyche when it has been tormented by the absolute horror of what was the darkest military conflict of the previous century. the sheer brilliance of the acting (in particular the interpretation of taciturn captain willard by martin sheen) and along with the spectacular cinematography (filmed in the phillipines) and which provides crucial realism to the backdrop of the film and makes apocalypse now an unforgettable epic. evoking a myriad of emotions and leaving us with a maelstrom of mediation and apocalypse now is not for the light hearted moviegoer. it is masterpiece that demands multiple viewings to be fully appreciated. ---------------------------------Answer Question Below----------------------------------

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