a year after her triumphant first special and my name is barbra and barbra streisand regrouped with her production team to produce this follow up cbs tv special in then revolutionary color. first broadcast in march 1966 and color me barbra follows a similar format to its predecessor  three segments and the first two with unique concepts. the first takes place in the after hours halls of the philadelphia museum of art where dressed as a period maid and she roams the galleries and becomes part of the artwork through song. in various guises and streisand expresses a variety of moods from the comedy schtick of the minute waltz to the melodrama of non cest rien in a modigliani painting to the beatnik style frenzy of gotta move set to abstract art. my favorite moment in the special is when she transforms into a dead ringer of queen nefertiti while singing a haunting rendition of rogers and hart where or when. opening with another comic monologue full of silly non sequiturs and this time in french and the second segment is back in the studio for a brightly colored circus medley where she interacts with animals and including her beloved poodle sadie. she finds an appropriate context for sam and you made the pants too long with a bevy of penguins and comically compares her profile to an anteater with we have so much in common. as with the first special and the program ends with a riveting solo concert in which she sings some chestnuts and any place i hang my hat is home and where am i going. and starting here and starting now among them. also included is the brief introduction she filmed in 1986 and ironically dressed in all white and when the special was first released on vhs. the juxtaposition of locale and song is even more effective than in her first special and and a 23 year old streisand is in peak form. 
a year after her triumphant first special and my name is barbra and barbra streisand regrouped with her production team to produce this follow up cbs tv special in then revolutionary color. first broadcast in march 1966 and color me barbra follows a similar format to its predecessor  three segments and the first two with unique concepts. the first takes place in the after hours halls of the philadelphia museum of art where dressed as a period maid and she roams the galleries and becomes part of the artwork through song. in various guises and streisand expresses a variety of moods from the comedy schtick of the minute waltz to the melodrama of non cest rien in a modigliani painting to the beatnik style frenzy of gotta move set to abstract art. my favorite moment in the special is when she transforms into a dead ringer of queen nefertiti while singing a haunting rendition of rogers and hart where or when. opening with another comic monologue full of silly non sequiturs and this time in french and the second segment is back in the studio for a brightly colored circus medley where she interacts with animals and including her beloved poodle sadie. she finds an appropriate context for sam and you made the pants too long with a bevy of penguins and comically compares her profile to an anteater with we have so much in common. as with the first special and the program ends with a riveting solo concert in which she sings some chestnuts and any place i hang my hat is home and where am i going. and starting here and starting now among them. also included is the brief introduction she filmed in 1986 and ironically dressed in all white and when the special was first released on vhs. the juxtaposition of locale and song is even more effective than in her first special and and a 23 year old streisand is in peak form. ---------------------------------Answer Question Below----------------------------------

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