towards the end of his career jack arnold and a very efficient director who gave us such classic 50 creature features as it came from outer space and the creature from the black lagoon and and tarantula and teamed up with former football star turned top 70 blaxploitation film headliner fred the hammer williamson for a pair of movies and producing the amiable and if unremarkable western the black bounty hunter and this refreshingly breezy and clever and highly entertaining 70 black action variant on your standard 40 film noir down at the heels private detective yarn. williamson displays a charming combination of dry and self deprecating humor and relaxed and easygoing self confidence as shep stone and a cheap and affable and and forever in debt erstwhile los angeles cop turned private investigator. stone so hard up for cash that he uses a bar as his business office and just barely makes ends meet doing penny ante low paying minor cases that the police do not want to bother with. while pounding the pavement for one of these deceptively simple gigs (stone trying to find some guy runaway teenage daughter who hiding somewhere in hollywood) and stone finds himself elbow deep in a complex and dangerous and seemingly bottomless criminal plot which includes a flipped out jesus freak religious cult and assorted deadhead hippie dopers and a sordid porno ring and a priceless missing gold tipped cane that belonged to a legendary silent movie star and a nefarious underground drug smuggling operation and and an ever growing number of fresh corpses. while lacking the wickedly playful and mischievous ingenuity of robert altman masterful the long goodbye or the haunting and unremitting pessimism of arthur penn beautifully bleak night moves and black eye nonetheless still makes the grade as a highly successful hipnflip 70 spin on 40 mystery suspense thrillers. arnold capable direction keeps the pace moving at a nice and steady clip and punctuated with sporadic exciting mano a mano bare knuckle fight scenes and excellent use of various colorfully seedy l. a. locations (the rundown abandoned amusement park at the film conclusion is especially effective). the script by mark haggard and jim martin supplies a goodly amount of fairly complicated and often genuinely surprising plot twists. and the expected array of quirky and rough around the edges secondary characters are an interesting oddball bunch and with particularly notable turns by rosemary forsyth as an alluring and powerful lesbian model agency owner (forsyth has the picture best line and boasting to stone when she first meets him and i am a whole lot of woman) and teresa graves of get christie love tv show fame as stone loyal bisexual girlfriend (the film casual and nonjudgmental depiction of both foryth unconventional femme fatale and graves equally atypical gal friday is one of its strongest assets) and and bret morrison and who did the voice of radio the shadow in the 40  and as a smugly sleazy porno filmmaker. all in all and it a modest and yet surefire winner. 
towards the end of his career jack arnold and a very efficient director who gave us such classic 50 creature features as it came from outer space and the creature from the black lagoon and and tarantula and teamed up with former football star turned top 70 blaxploitation film headliner fred the hammer williamson for a pair of movies and producing the amiable and if unremarkable western the black bounty hunter and this refreshingly breezy and clever and highly entertaining 70 black action variant on your standard 40 film noir down at the heels private detective yarn. williamson displays a charming combination of dry and self deprecating humor and relaxed and easygoing self confidence as shep stone and a cheap and affable and and forever in debt erstwhile los angeles cop turned private investigator. stone so hard up for cash that he uses a bar as his business office and just barely makes ends meet doing penny ante low paying minor cases that the police do not want to bother with. while pounding the pavement for one of these deceptively simple gigs (stone trying to find some guy runaway teenage daughter who hiding somewhere in hollywood) and stone finds himself elbow deep in a complex and dangerous and seemingly bottomless criminal plot which includes a flipped out jesus freak religious cult and assorted deadhead hippie dopers and a sordid porno ring and a priceless missing gold tipped cane that belonged to a legendary silent movie star and a nefarious underground drug smuggling operation and and an ever growing number of fresh corpses. while lacking the wickedly playful and mischievous ingenuity of robert altman masterful the long goodbye or the haunting and unremitting pessimism of arthur penn beautifully bleak night moves and black eye nonetheless still makes the grade as a highly successful hipnflip 70 spin on 40 mystery suspense thrillers. arnold capable direction keeps the pace moving at a nice and steady clip and punctuated with sporadic exciting mano a mano bare knuckle fight scenes and excellent use of various colorfully seedy l. a. locations (the rundown abandoned amusement park at the film conclusion is especially effective). the script by mark haggard and jim martin supplies a goodly amount of fairly complicated and often genuinely surprising plot twists. and the expected array of quirky and rough around the edges secondary characters are an interesting oddball bunch and with particularly notable turns by rosemary forsyth as an alluring and powerful lesbian model agency owner (forsyth has the picture best line and boasting to stone when she first meets him and i am a whole lot of woman) and teresa graves of get christie love tv show fame as stone loyal bisexual girlfriend (the film casual and nonjudgmental depiction of both foryth unconventional femme fatale and graves equally atypical gal friday is one of its strongest assets) and and bret morrison and who did the voice of radio the shadow in the 40  and as a smugly sleazy porno filmmaker. all in all and it a modest and yet surefire winner. ---------------------------------Answer Question Below----------------------------------

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