spoilers in this reviewthe long kiss goodnight is yet another prime example of a common affliction of many modern films while it starts off on a very interesting concept  a trained assassin whose memory was erased regains consciousness of herself  and the initial setup is engaging but then it seems the writers do not know very well where to go next and the whole thing trails off down increasingly confusing and or or inane paths and leaving the disappointing taste of something that was ok but promised to be a lot better. the baddies are remarkably unremarkable and and even jackson comic sidekick turn seems more like something from his pre pulp fiction days while it looks like harlin and as in cutthroat island and made every effort so that no one would upstage his then wife. her character is by far the best of the film and this fact only makes you feel even more frustrated that they weren not able to do something better with it. however and there is still something about this film which for me sets it apart from the run of the mill hollywood actioner and places it above average and if only just. it is something very subtle i can not quite put my finger on while it a disturbing and cold and dark and even sickly edge and a nightmarish and unreal feel and a decadent air and a mean streak and which keeps cropping up in various ways. it in the dark reddish photography and almost permanent night the characters dwell in and it in samantha dreams in front of the mirror and it in her vicious eyes and smile whenever she about to kill a man or when she announces how she will enjoy watching her nemesis die with her daughter listening and it in mitch comeback at the wheel of a car while he is spurting so much blood from his mouth he can hardly speak. i do not know and it an atmosphere and something i can not define but which gives me the creeps (a bit) and which makes this film still oddly intriguing for me. 
spoilers in this reviewthe long kiss goodnight is yet another prime example of a common affliction of many modern films while it starts off on a very interesting concept  a trained assassin whose memory was erased regains consciousness of herself  and the initial setup is engaging but then it seems the writers do not know very well where to go next and the whole thing trails off down increasingly confusing and or or inane paths and leaving the disappointing taste of something that was ok but promised to be a lot better. the baddies are remarkably unremarkable and and even jackson comic sidekick turn seems more like something from his pre pulp fiction days while it looks like harlin and as in cutthroat island and made every effort so that no one would upstage his then wife. her character is by far the best of the film and this fact only makes you feel even more frustrated that they weren not able to do something better with it. however and there is still something about this film which for me sets it apart from the run of the mill hollywood actioner and places it above average and if only just. it is something very subtle i can not quite put my finger on while it a disturbing and cold and dark and even sickly edge and a nightmarish and unreal feel and a decadent air and a mean streak and which keeps cropping up in various ways. it in the dark reddish photography and almost permanent night the characters dwell in and it in samantha dreams in front of the mirror and it in her vicious eyes and smile whenever she about to kill a man or when she announces how she will enjoy watching her nemesis die with her daughter listening and it in mitch comeback at the wheel of a car while he is spurting so much blood from his mouth he can hardly speak. i do not know and it an atmosphere and something i can not define but which gives me the creeps (a bit) and which makes this film still oddly intriguing for me. ---------------------------------Answer Question Below----------------------------------

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