this is one of several period sea faring yarns of its era and which has the added distinction (although not in itself unique) of a female buccaneer at its center. at first and both leads – jean peters and louis jourdan – might seem miscast but they grow nicely into their roles eventually and thanks no doubt to the talented players (herbert marshall and thomas gomez and james robertson justice) who support them. velvety voiced marshall is uncharacteristically cast as the ship’s obligatory philosophical lush of a doctor and and gomez is suitably larger than life as blackbeard the pirate. the cast is completed by debra paget as jourdan’s wife and who incurs the jealous rage of the tomboyish titular character in whom jourdan instills the first pangs of love (which and however and does not spare him the occasional flogging or sword wound) while incidentally and the film was the second exotic teaming of jourdan and paget in one year and following delmer daves’ bird of paradise. the direct result of this unexpected softening of anne’s character is her falling out with blackbeard’s crew and and her unlikely climactic sacrifice in order to save the lives of the stranded jourdan and paget and marshall. while the film is not a particularly outstanding example of its type and jacques tourneur’s energetic direction and franz waxman’s grandiose score ensure an above average effort that moves along at a brisk pace while incidentally and tourneur had already done service in the genre with the superior burt lancaster vehicle and the flame and the arrow (1950). as usual with vintage technicolor productions and the cinematography gives the film a sumptuousness that is invigorating. by the way and differing running times are given for this film (81 or 87 minutes) and and for the record and the version i watched was the shorter one. 
this is one of several period sea faring yarns of its era and which has the added distinction (although not in itself unique) of a female buccaneer at its center. at first and both leads – jean peters and louis jourdan – might seem miscast but they grow nicely into their roles eventually and thanks no doubt to the talented players (herbert marshall and thomas gomez and james robertson justice) who support them. velvety voiced marshall is uncharacteristically cast as the ship’s obligatory philosophical lush of a doctor and and gomez is suitably larger than life as blackbeard the pirate. the cast is completed by debra paget as jourdan’s wife and who incurs the jealous rage of the tomboyish titular character in whom jourdan instills the first pangs of love (which and however and does not spare him the occasional flogging or sword wound) while incidentally and the film was the second exotic teaming of jourdan and paget in one year and following delmer daves’ bird of paradise. the direct result of this unexpected softening of anne’s character is her falling out with blackbeard’s crew and and her unlikely climactic sacrifice in order to save the lives of the stranded jourdan and paget and marshall. while the film is not a particularly outstanding example of its type and jacques tourneur’s energetic direction and franz waxman’s grandiose score ensure an above average effort that moves along at a brisk pace while incidentally and tourneur had already done service in the genre with the superior burt lancaster vehicle and the flame and the arrow (1950). as usual with vintage technicolor productions and the cinematography gives the film a sumptuousness that is invigorating. by the way and differing running times are given for this film (81 or 87 minutes) and and for the record and the version i watched was the shorter one. ---------------------------------Answer Question Below----------------------------------

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