one night at mccools or (2001) (out of four)by blake french represent	according to harald zwart and the director of one night at mccool  and this film is a dark comedy about the power of women over men and and how a group of people can all perceive different realities. it the same story told from three different points of view and and each time we tell the story and we try to reveal a little bit more about what actually happened and which nobody really knows. 	one night at mccool marks the feature film directorial debut of zwart and an award winning commercial and music video director who began making short films when he was eight years old. i always get nervous when a director of commercials and music videos turns to filmmaking. we have seen so many examples of how these guys think they are making another advertisement or music video for tv with their productions. zwart resists that tendency. he captures a specific humorous truth in one night at mccool  and from an inventive and complex screenplay by the late stan seidel and even if it is often somewhat perplexing. 	one night at mccool features three men who share their separate experiences about a particularly beautiful young woman. in some ways and this movie is the comedy version of american beauty and but in others and it is a world apart. 	it all started one night at mccool explains each of the three men to their various listeners. there is randy (matt dillon) and a tender at the local bar and and his cousin and a lawyer named carl (paul reiser) and who stays until the place closes. detective dehling (john goodman) and arrives when the saloon becomes the crime scene of the dead boyfriend of a female fatal appropriately named jewel (liv tyler). randy is the first to see her and as an individual treats her unkindly. he stands up for her and and before you can say sexy and they are having vigorous sex and she moves in with him. at first and randy is reluctant represent the sex and the violence and all in one night  it a little much. but who could turn a jewel like jewel away.	jewel changes the lives of each of the three men. for detective dehling and she pulls him out of a hole of grief since his wife died. for carl and she makes him forget his loving family and nice little suburban household. for randy and she lights a few fires and both positive and negative and the later persuading him to contact a bingo playing hit man named burmeister (michael douglas) to put an end to her deceptive ways. it is interesting how the movie perceives the three different chronicles even the costuming of jewel is relative to the man telling the story. dehling sees jewel as a beautiful and mesmerizing gift from god. carl sees jewel as two sexy legs and lots of cleavage. randy is unsure what to make of her and an awakening to his otherwise boring and road to nowhere life. the most intriguing element of this movie is jewel herself and however and deliciously played by the always delightful liv tyler (armageddon). she is not really interested in the men and but what they can offer her. her motives are all too simple and not truthfully diabolical or evil while she is simply a young lady who has learned at an early age that she can get what she wants out of life through her beauty. 	the film has a lot of fun with its material. from the enthusiastically entertaining cast and to its violently hilarious showdown and one night at mccool takes advantage of most of its humorous ideas. what makes the movie even funnier is how the three men points of view differ. the actors have a lot of fun with their characters and too. goodman is curiously whimsical while reiser fits his kinky and squirmy part quite well while douglas is sly and mysterious in one of the movie funniest performances while dillon gives his character arrogant personality and even though randy is a lackluster nobody while liv tyler is dazzling. she injects jewel with the perfect amount of boastful charisma and tantalizing wit. she reminds us of mena suvari intimate performance in american beauty.	one night at mccool is the first film to come from michael douglas new production company and furthur films. it is a creative and genuine and and sexy production. along the way we often become caught up in the twisty structure and but that is a natural response to a movie that intentionally interweaves several angles to a single story. the movie ends on a note that is both black and comedic. this is another one of those comedies in which serious events take place in a humorous way while i. e. and the black comedy. many films of this genre come across as either too black or too lackadaisical. one night at mccool is one of the few that actually work. . 
one night at mccools or (2001) (out of four)by blake french represent	according to harald zwart and the director of one night at mccool  and this film is a dark comedy about the power of women over men and and how a group of people can all perceive different realities. it the same story told from three different points of view and and each time we tell the story and we try to reveal a little bit more about what actually happened and which nobody really knows. 	one night at mccool marks the feature film directorial debut of zwart and an award winning commercial and music video director who began making short films when he was eight years old. i always get nervous when a director of commercials and music videos turns to filmmaking. we have seen so many examples of how these guys think they are making another advertisement or music video for tv with their productions. zwart resists that tendency. he captures a specific humorous truth in one night at mccool  and from an inventive and complex screenplay by the late stan seidel and even if it is often somewhat perplexing. 	one night at mccool features three men who share their separate experiences about a particularly beautiful young woman. in some ways and this movie is the comedy version of american beauty and but in others and it is a world apart. 	it all started one night at mccool explains each of the three men to their various listeners. there is randy (matt dillon) and a tender at the local bar and and his cousin and a lawyer named carl (paul reiser) and who stays until the place closes. detective dehling (john goodman) and arrives when the saloon becomes the crime scene of the dead boyfriend of a female fatal appropriately named jewel (liv tyler). randy is the first to see her and as an individual treats her unkindly. he stands up for her and and before you can say sexy and they are having vigorous sex and she moves in with him. at first and randy is reluctant represent the sex and the violence and all in one night  it a little much. but who could turn a jewel like jewel away.	jewel changes the lives of each of the three men. for detective dehling and she pulls him out of a hole of grief since his wife died. for carl and she makes him forget his loving family and nice little suburban household. for randy and she lights a few fires and both positive and negative and the later persuading him to contact a bingo playing hit man named burmeister (michael douglas) to put an end to her deceptive ways. it is interesting how the movie perceives the three different chronicles even the costuming of jewel is relative to the man telling the story. dehling sees jewel as a beautiful and mesmerizing gift from god. carl sees jewel as two sexy legs and lots of cleavage. randy is unsure what to make of her and an awakening to his otherwise boring and road to nowhere life. the most intriguing element of this movie is jewel herself and however and deliciously played by the always delightful liv tyler (armageddon). she is not really interested in the men and but what they can offer her. her motives are all too simple and not truthfully diabolical or evil while she is simply a young lady who has learned at an early age that she can get what she wants out of life through her beauty. 	the film has a lot of fun with its material. from the enthusiastically entertaining cast and to its violently hilarious showdown and one night at mccool takes advantage of most of its humorous ideas. what makes the movie even funnier is how the three men points of view differ. the actors have a lot of fun with their characters and too. goodman is curiously whimsical while reiser fits his kinky and squirmy part quite well while douglas is sly and mysterious in one of the movie funniest performances while dillon gives his character arrogant personality and even though randy is a lackluster nobody while liv tyler is dazzling. she injects jewel with the perfect amount of boastful charisma and tantalizing wit. she reminds us of mena suvari intimate performance in american beauty.	one night at mccool is the first film to come from michael douglas new production company and furthur films. it is a creative and genuine and and sexy production. along the way we often become caught up in the twisty structure and but that is a natural response to a movie that intentionally interweaves several angles to a single story. the movie ends on a note that is both black and comedic. this is another one of those comedies in which serious events take place in a humorous way while i. e. and the black comedy. many films of this genre come across as either too black or too lackadaisical. one night at mccool is one of the few that actually work. . ---------------------------------Answer Question Below----------------------------------

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