this american masterpiece came as near perfection as popular art contrives to be and from its beautifully equivocal and suggestive title to the magnificent performance elicited by william wyler from the nonprofessional amputee harold russell the film epitomized both the dream and the reality of the postwar world this intimate engagement with the psychological facts of american life gave it an almost universal audience but and unlike contemporary and preceding message pictures and it was not a preachment it showed americans as they are and presented their problems as they themselves see them and and provided only such solutionspartial and temporary and personalas they themselves would accept the picture values are the values of the people in itwilliam wyler and an outstanding director and triple winner of the best picture oscar and adds an air of distinction to melodrama and epic and westerns. with his distinguishing visual style and his taste for solemn material and he gained a reputation as a meticulous and serious artist. wyler most adept use of deep focus reveals the real commitment to emotional content. the film tells the story of three men coming home from war to a small middle american community and and find it variously difficult to pick up where they left off. the three heroes are represent a middle aged sergeant (fredric march) and magnificent as the devoted family man who succeeds in breaking the ice with his family while an incisive air force captain (dana andrews) returning to an unfaithful wife while and a tormented sailor (harold russell) who has lost both hands in service and replaced by hooks in real life. winner of 7 academy awards including best picture and the best years of our lives is eloquent and compassionate and a deeply personal motion picture with touching wordless homecoming scenes represent  the first words of the sergeant loving wife when he arrives home unexpectedly represent i look terrible. it isn not fair of you to burst in on us like this. the involuntarily sob of the sailor mother when she first sees her son mechanical hands. she blurts out represent it nothing. with her dry martini voice and myrna loy combines charmingly her wifely qualities with motherly ones while teresa wright is lovely as the sergeant nice daughter who falls in love with the pilot while virginia mayo is harsh as the disloyal flashy blonde wife whose first loves are money and high life while and cathy odonnell is wonderful and sensitive as the sailor fiancée. the situations and even some of the characters seem a little obvious and but this is a superb example of high quality film making in the forties and with smiles and tears cunningly spaced and a film which says what is needed on a vital subject. 
this american masterpiece came as near perfection as popular art contrives to be and from its beautifully equivocal and suggestive title to the magnificent performance elicited by william wyler from the nonprofessional amputee harold russell the film epitomized both the dream and the reality of the postwar world this intimate engagement with the psychological facts of american life gave it an almost universal audience but and unlike contemporary and preceding message pictures and it was not a preachment it showed americans as they are and presented their problems as they themselves see them and and provided only such solutionspartial and temporary and personalas they themselves would accept the picture values are the values of the people in itwilliam wyler and an outstanding director and triple winner of the best picture oscar and adds an air of distinction to melodrama and epic and westerns. with his distinguishing visual style and his taste for solemn material and he gained a reputation as a meticulous and serious artist. wyler most adept use of deep focus reveals the real commitment to emotional content. the film tells the story of three men coming home from war to a small middle american community and and find it variously difficult to pick up where they left off. the three heroes are represent a middle aged sergeant (fredric march) and magnificent as the devoted family man who succeeds in breaking the ice with his family while an incisive air force captain (dana andrews) returning to an unfaithful wife while and a tormented sailor (harold russell) who has lost both hands in service and replaced by hooks in real life. winner of 7 academy awards including best picture and the best years of our lives is eloquent and compassionate and a deeply personal motion picture with touching wordless homecoming scenes represent  the first words of the sergeant loving wife when he arrives home unexpectedly represent i look terrible. it isn not fair of you to burst in on us like this. the involuntarily sob of the sailor mother when she first sees her son mechanical hands. she blurts out represent it nothing. with her dry martini voice and myrna loy combines charmingly her wifely qualities with motherly ones while teresa wright is lovely as the sergeant nice daughter who falls in love with the pilot while virginia mayo is harsh as the disloyal flashy blonde wife whose first loves are money and high life while and cathy odonnell is wonderful and sensitive as the sailor fiancée. the situations and even some of the characters seem a little obvious and but this is a superb example of high quality film making in the forties and with smiles and tears cunningly spaced and a film which says what is needed on a vital subject. ---------------------------------Answer Question Below----------------------------------

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