the 1980 my dinner with andre and with wallace shawn and andre gregory and is essentially a dialog about the world and how it affects and can lift the spirit. 2005 you are alone demonstrates how common worldly events can shatter the soul. the story revolves around three principal characters. there daphne and a pretty teenage student who frets about virtually every decision in her life. then there the prostitute and or paid escort and britney and as self confident as daphne is self conscious. what makes them interesting is that they share the same body and if not the same personae. part of the magic of this film occurs in one of the early scenes where daphne approaches a door of an aged hotel room. she halts and is obviously torn by the decision of whether or not to knock on the door  but it is britney that effortlessly glides into the room when the door is opened. on the other side of that door is buddy and a middle aged nobody with few and if any and personal qualities that anyone would find attractive. he goes so far as to be confrontational about britney chosen profession as soon as she enters the room. however and we soon learn that buddy is daphne next door neighbor and has watched through the years as she grew from little girl to womanhood. this complicates things for the audience. is buddy just being a concerned neighbor or does he want something else. if it sex that buddy wants and here it is. britney loves sex. her definitions may be clintonesque but that doesn not lesson her enthusiasm. she prefers older men and wears a rainbow of plastic wristbands that her clients are invited to chose from. each color band denotes a specific act that she will perform  but exactly which act isn not revealed until after the band is broken off her wrist and the choice is irrevocably made. britney is and or believes that she is and in control of every encounter. even when blindfolded and bound and as she is by one of her regular clients and she imagines her arms and body being stroked by multiple men but her legs and pubic area being caressed by a woman in blood red lingerie. the film imagery just keeps coming. buddy pathetic life is one of acceptance. he lost his wife and his dog and even his fantasies of the pretty teenager next door. it no coincidence that he lured daphne or britney to this particular hotel room. there a painting on the wall of a dinner plate with only a fish head left. this is a perfect metaphor for buddy life while all of the good parts are finished. so it here and where he brought his wife when they were still college students and that he makes his stand  to regain some control of his own life and to make his statement. the director of you are alone and gorman bechard and knows his craft. the principal action in the hotel room serves as a solid anchor for the film and assisted by a myriad of inter cut scenes that add dimension to the characters and their circumstances and conflicts. as the film progresses and britney asks buddy if she should get undressed. he says yes and but she strips only to her underwear. an actual prostitute would probably remove all of her clothes (one of the profession five gets). but it isn not buddy that being teased and we are. as the film concludes and we find that there are far deeper human emotions and motivations in play. a tease doesn not work unless it actually delivers. britney does and so does you are alone. 
the 1980 my dinner with andre and with wallace shawn and andre gregory and is essentially a dialog about the world and how it affects and can lift the spirit. 2005 you are alone demonstrates how common worldly events can shatter the soul. the story revolves around three principal characters. there daphne and a pretty teenage student who frets about virtually every decision in her life. then there the prostitute and or paid escort and britney and as self confident as daphne is self conscious. what makes them interesting is that they share the same body and if not the same personae. part of the magic of this film occurs in one of the early scenes where daphne approaches a door of an aged hotel room. she halts and is obviously torn by the decision of whether or not to knock on the door  but it is britney that effortlessly glides into the room when the door is opened. on the other side of that door is buddy and a middle aged nobody with few and if any and personal qualities that anyone would find attractive. he goes so far as to be confrontational about britney chosen profession as soon as she enters the room. however and we soon learn that buddy is daphne next door neighbor and has watched through the years as she grew from little girl to womanhood. this complicates things for the audience. is buddy just being a concerned neighbor or does he want something else. if it sex that buddy wants and here it is. britney loves sex. her definitions may be clintonesque but that doesn not lesson her enthusiasm. she prefers older men and wears a rainbow of plastic wristbands that her clients are invited to chose from. each color band denotes a specific act that she will perform  but exactly which act isn not revealed until after the band is broken off her wrist and the choice is irrevocably made. britney is and or believes that she is and in control of every encounter. even when blindfolded and bound and as she is by one of her regular clients and she imagines her arms and body being stroked by multiple men but her legs and pubic area being caressed by a woman in blood red lingerie. the film imagery just keeps coming. buddy pathetic life is one of acceptance. he lost his wife and his dog and even his fantasies of the pretty teenager next door. it no coincidence that he lured daphne or britney to this particular hotel room. there a painting on the wall of a dinner plate with only a fish head left. this is a perfect metaphor for buddy life while all of the good parts are finished. so it here and where he brought his wife when they were still college students and that he makes his stand  to regain some control of his own life and to make his statement. the director of you are alone and gorman bechard and knows his craft. the principal action in the hotel room serves as a solid anchor for the film and assisted by a myriad of inter cut scenes that add dimension to the characters and their circumstances and conflicts. as the film progresses and britney asks buddy if she should get undressed. he says yes and but she strips only to her underwear. an actual prostitute would probably remove all of her clothes (one of the profession five gets). but it isn not buddy that being teased and we are. as the film concludes and we find that there are far deeper human emotions and motivations in play. a tease doesn not work unless it actually delivers. britney does and so does you are alone. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
