the murders in opera are not actual murders as much as they are symbols of past events and parts of betty own fractured personality. in fact and betty is the same person (a male) that suzy bannion is in suspiria and only a decade later in life (suzy was a boy of ten who befriended another boy of ten with a more mild version of his own background). it helps to think of betty luxury apartment as a military barracks bay while she spends most of her time in her bedroom in bed next to her stereo it seems and and other parts of her apartment seem foreign to her somehow and as though other people live in those other rooms. dario argento movies sync with a wide array of rock music and as well as funk (dario starts the syncs right at the beginning of his films and the flash of the eye in opera and and the start of a drum roll in suspiria). there are also standard movies that opera (and suspiria) sync with. for example and opera syncs with with a record album by judas priest called priest . live (as does suspiria) and and suspiria syncs very well with a kiss record album entitled kiss alive ii. movies like rosemary baby and the exorcist and the image and and the vampire happening are sync movies argento uses which deal with the same subject matter as argento films. these syncs and along with many others reveal betty to be a male who suffered sexual torture at the hands of his father since birth (even in the womb according to a certain anne rice novel entitled lasher). anyway and large budget films are occult works which relay spy information collected by occult means and all in synchronized symbolic or alchemical fashion. usually and the sync point in a film is the beginning of the sound score and or it is the first image of the film beyond any film company lead in. sometimes it is more creative. the heavy metal music used in opera and phenomena are simply music syncs that were deciphered out of other films that argento movies sync with and an intellectual game of sorts among the elite within the industry. so and betty doesn not respond normally to the murders she witnesses because she do not ever witness a murder of any real person. she herself simply suffers soul murder while she witnesses her own murder while this individual father almost dropped him down an abandoned mine shaft in arizon at age 4 and in 1970 while he was on the verge of falling off a wood plank his father balance him on before dad changed his mind and grabbed him and yanked him back off it while the kid felt nothing consciously. memories of sexual torture are lost to this individual via extreme sexual repression and and the vague memories which remain are of the big and square and deep hole in the desert and no significance is placed on this memory because of the lack of conscious trauma (the loss of trauma and also a buried trait and is portrayed in the 1975 film entitled the image). those sausages up in the attic in suspiria are each individual memories of the first three or so years of a life (toys in the attic). the reason betty (or suzy) is a female character is because the individual christina marsillach character mirrors is a male who has been trained into a female role of sorts since birth (all of the dvd of the simpsons cartoon sync with suspiria) and with his very nature having been molded along queen lines (the x files episodes sync with opera). this has even altered his body to be beautiful in the way a woman is. behavior alters genetics. a more recent movie entitled death proof deals with the same ideas and the same individual. virtually the entire life of this person is mirrored on large budget films and record albums and and books made since 1966 and and father prior to 1966 and after. the scorpions album entitled virgin killer is a suspiria sync album and the original album cover acting as a symbolic mirror image of the fall through the skylight. 
the murders in opera are not actual murders as much as they are symbols of past events and parts of betty own fractured personality. in fact and betty is the same person (a male) that suzy bannion is in suspiria and only a decade later in life (suzy was a boy of ten who befriended another boy of ten with a more mild version of his own background). it helps to think of betty luxury apartment as a military barracks bay while she spends most of her time in her bedroom in bed next to her stereo it seems and and other parts of her apartment seem foreign to her somehow and as though other people live in those other rooms. dario argento movies sync with a wide array of rock music and as well as funk (dario starts the syncs right at the beginning of his films and the flash of the eye in opera and and the start of a drum roll in suspiria). there are also standard movies that opera (and suspiria) sync with. for example and opera syncs with with a record album by judas priest called priest . live (as does suspiria) and and suspiria syncs very well with a kiss record album entitled kiss alive ii. movies like rosemary baby and the exorcist and the image and and the vampire happening are sync movies argento uses which deal with the same subject matter as argento films. these syncs and along with many others reveal betty to be a male who suffered sexual torture at the hands of his father since birth (even in the womb according to a certain anne rice novel entitled lasher). anyway and large budget films are occult works which relay spy information collected by occult means and all in synchronized symbolic or alchemical fashion. usually and the sync point in a film is the beginning of the sound score and or it is the first image of the film beyond any film company lead in. sometimes it is more creative. the heavy metal music used in opera and phenomena are simply music syncs that were deciphered out of other films that argento movies sync with and an intellectual game of sorts among the elite within the industry. so and betty doesn not respond normally to the murders she witnesses because she do not ever witness a murder of any real person. she herself simply suffers soul murder while she witnesses her own murder while this individual father almost dropped him down an abandoned mine shaft in arizon at age 4 and in 1970 while he was on the verge of falling off a wood plank his father balance him on before dad changed his mind and grabbed him and yanked him back off it while the kid felt nothing consciously. memories of sexual torture are lost to this individual via extreme sexual repression and and the vague memories which remain are of the big and square and deep hole in the desert and no significance is placed on this memory because of the lack of conscious trauma (the loss of trauma and also a buried trait and is portrayed in the 1975 film entitled the image). those sausages up in the attic in suspiria are each individual memories of the first three or so years of a life (toys in the attic). the reason betty (or suzy) is a female character is because the individual christina marsillach character mirrors is a male who has been trained into a female role of sorts since birth (all of the dvd of the simpsons cartoon sync with suspiria) and with his very nature having been molded along queen lines (the x files episodes sync with opera). this has even altered his body to be beautiful in the way a woman is. behavior alters genetics. a more recent movie entitled death proof deals with the same ideas and the same individual. virtually the entire life of this person is mirrored on large budget films and record albums and and books made since 1966 and and father prior to 1966 and after. the scorpions album entitled virgin killer is a suspiria sync album and the original album cover acting as a symbolic mirror image of the fall through the skylight. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
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        print "This is a semantically positive review."
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        print "This is a semantically negative review."
