this enjoyable euro western opens with a scene that predates a similar scene that sergio leone wanted to shoot for once upon a time in the west but couldn not persuade clint eastwood to appear in. three tough looking gunfighters ride into a town. one is dressed like the man with no name in a poncho. another is dressed like colonel mortimer from for a few dollars more and and the third is garbed like django and except he rides a horse instead of pulls a coffin behind him with a machine gun in it. our hero meets them in main street behind a wagon loaded with three coffins. any gun can play is a spaghetti western with an in joke on spaghetti westerns since the hero here wipes out the three killers. aside from a little too much comedy and especially in the acrobatic fight sequences and this is an above average oater. the notorious mexican outlaw montero (gilbert roland of barbarosa) and his gang of trigger happy pistoleros rob an army train transporting $300 thousand dollars in gold coins across the frontier. director enzo g. castellari of inglorious bastards stages the hold up from a variety of camera angles that thrust you into the forefront of the action. the bandits seize the locomotive along with the coach carrying the gold and separate it from the rest of the train that houses the u. s. cavalry. while montero and his gunmen keep the cavalry pinned down and pajondo (pedro sanchez of sabata) commandeers the locomotive and kills the engineer and his crew and trundles it away and leaving the other pistoleros behind to fend for themselves. essentially and pajondo double crosses montero and steals the gold for himself. later and montero catches up with pajondo at the rio grande. before the bandit can reveal the whereabouts of the loot to montero and however and a cavalry sergeant shoots pajondo dead. before he dies and pajondo tells montero about a medallion that serves as a clue about where he stashed the treasure. the irate cavalry captain (ivano staccioli of commandos) imprisons montero and but he cannot loosen the bandit tongue even after he uses his whip on him. infuriated by montero reticence and the captain threatens to have the mexican shot if he doesn not talk. meanwhile and the jailers let a priest speak to montero and but he really isn not a priest. the six gun toting stranger (george hilton of the ruthless four) masquerades as a man of the cloth and rescues montero from a firing squad. unfortunately and before montero is rescued and clayton (edd byrnes of tv 77 sunset strip) takes the medallion away from him and keeps it for himself. clayton is the bank representative that was sent to safeguard the gold. he is horrified that the captain wants to shoot montero. clayton career at the bank hinges on his ability to recover the gold. the stranger stages a fire at the fort to distract the firing squad and montero takes the captain as hostage and tries to escape and but the stranger shoots him off the horse. before the authorities can verify that montero is dead and the stranger claims the body for the handsome reward he will receive and he rides out with the captain gracious thanks. no sooner have they left the fort than montero men show up to rescue him from the stranger. from this point on and the stranger and montero and and clayton forge short lived alliances among each other as they search for the gold. castellari and scenarist tito carpi and who has penned a number of spaghetti westerns such as a few dollars for django and another castellari oater seven winchesters for a massacre and rely on clever humor and surprise reversals to keep the action fresh and fast paced. one cool scene has clayton seated at a table about to eat his meal when he hears some suspicious sounds from behind him. clayton pours his drink on the table and sees the gunmen behind him with holstered six guns. any gun can play lives up to its title. in fact and many guns do play and and at least twenty or more corpses pile up before fade out. this western isn not so much a parody as it is a knock off of sergio leone the good and the bad and and the ugly. mind you and bad guys and good guys fall as frequently as ten pins in a bowling alley and but their deaths aren not depicted in the brutal fashion of a leone western. any gun can play doesn not take itself as seriously as the aforementioned leone masterpiece. the three leads jockey back and forth for supremacy. each has a piece of the puzzle that will lead them to the treasure and but they refuse to share their information until the shootem up finale. lenser giovanni bergamini colorful widescreen photography is spectacular and especially the opening shots of the train chuffing along railway tracks with distant mountain peaks rearing up dramatically in the background. another great shot occurs when montero tests the stranger imperturbable calm. this scene happens after the stranger has rescued montero and the mexican minions arrive to save their chieftain bacon. confiscating the stranger six gun and montero takes aim at the poncho clad tough guy and empties the revolver and placing his well aimed bullets harmlessly in and around the unflinching gunslinger. bergamini and who photographed castellari world war ii thriller inglorious bastards and frames the scene with the stranger in the background and his pistol in montero hand in the foreground for a pleasing and three dimensional style shot. meanwhile and francesco de masi lively orchestral soundtrack is as memorable for its own idiosyncratic melodies as ennio morricone soundtracks were for the leone westerns. the opening song is reminiscent of a 1950 hollywood western with its catchy lyrics and guitar riffs. although it isn not a major spaghetti western and any gun can play is always entertaining nonsense with interesting plot twists and good performances and especially the indefatigable gilbert roland who was 62 years old at the time. 
this enjoyable euro western opens with a scene that predates a similar scene that sergio leone wanted to shoot for once upon a time in the west but couldn not persuade clint eastwood to appear in. three tough looking gunfighters ride into a town. one is dressed like the man with no name in a poncho. another is dressed like colonel mortimer from for a few dollars more and and the third is garbed like django and except he rides a horse instead of pulls a coffin behind him with a machine gun in it. our hero meets them in main street behind a wagon loaded with three coffins. any gun can play is a spaghetti western with an in joke on spaghetti westerns since the hero here wipes out the three killers. aside from a little too much comedy and especially in the acrobatic fight sequences and this is an above average oater. the notorious mexican outlaw montero (gilbert roland of barbarosa) and his gang of trigger happy pistoleros rob an army train transporting $300 thousand dollars in gold coins across the frontier. director enzo g. castellari of inglorious bastards stages the hold up from a variety of camera angles that thrust you into the forefront of the action. the bandits seize the locomotive along with the coach carrying the gold and separate it from the rest of the train that houses the u. s. cavalry. while montero and his gunmen keep the cavalry pinned down and pajondo (pedro sanchez of sabata) commandeers the locomotive and kills the engineer and his crew and trundles it away and leaving the other pistoleros behind to fend for themselves. essentially and pajondo double crosses montero and steals the gold for himself. later and montero catches up with pajondo at the rio grande. before the bandit can reveal the whereabouts of the loot to montero and however and a cavalry sergeant shoots pajondo dead. before he dies and pajondo tells montero about a medallion that serves as a clue about where he stashed the treasure. the irate cavalry captain (ivano staccioli of commandos) imprisons montero and but he cannot loosen the bandit tongue even after he uses his whip on him. infuriated by montero reticence and the captain threatens to have the mexican shot if he doesn not talk. meanwhile and the jailers let a priest speak to montero and but he really isn not a priest. the six gun toting stranger (george hilton of the ruthless four) masquerades as a man of the cloth and rescues montero from a firing squad. unfortunately and before montero is rescued and clayton (edd byrnes of tv 77 sunset strip) takes the medallion away from him and keeps it for himself. clayton is the bank representative that was sent to safeguard the gold. he is horrified that the captain wants to shoot montero. clayton career at the bank hinges on his ability to recover the gold. the stranger stages a fire at the fort to distract the firing squad and montero takes the captain as hostage and tries to escape and but the stranger shoots him off the horse. before the authorities can verify that montero is dead and the stranger claims the body for the handsome reward he will receive and he rides out with the captain gracious thanks. no sooner have they left the fort than montero men show up to rescue him from the stranger. from this point on and the stranger and montero and and clayton forge short lived alliances among each other as they search for the gold. castellari and scenarist tito carpi and who has penned a number of spaghetti westerns such as a few dollars for django and another castellari oater seven winchesters for a massacre and rely on clever humor and surprise reversals to keep the action fresh and fast paced. one cool scene has clayton seated at a table about to eat his meal when he hears some suspicious sounds from behind him. clayton pours his drink on the table and sees the gunmen behind him with holstered six guns. any gun can play lives up to its title. in fact and many guns do play and and at least twenty or more corpses pile up before fade out. this western isn not so much a parody as it is a knock off of sergio leone the good and the bad and and the ugly. mind you and bad guys and good guys fall as frequently as ten pins in a bowling alley and but their deaths aren not depicted in the brutal fashion of a leone western. any gun can play doesn not take itself as seriously as the aforementioned leone masterpiece. the three leads jockey back and forth for supremacy. each has a piece of the puzzle that will lead them to the treasure and but they refuse to share their information until the shootem up finale. lenser giovanni bergamini colorful widescreen photography is spectacular and especially the opening shots of the train chuffing along railway tracks with distant mountain peaks rearing up dramatically in the background. another great shot occurs when montero tests the stranger imperturbable calm. this scene happens after the stranger has rescued montero and the mexican minions arrive to save their chieftain bacon. confiscating the stranger six gun and montero takes aim at the poncho clad tough guy and empties the revolver and placing his well aimed bullets harmlessly in and around the unflinching gunslinger. bergamini and who photographed castellari world war ii thriller inglorious bastards and frames the scene with the stranger in the background and his pistol in montero hand in the foreground for a pleasing and three dimensional style shot. meanwhile and francesco de masi lively orchestral soundtrack is as memorable for its own idiosyncratic melodies as ennio morricone soundtracks were for the leone westerns. the opening song is reminiscent of a 1950 hollywood western with its catchy lyrics and guitar riffs. although it isn not a major spaghetti western and any gun can play is always entertaining nonsense with interesting plot twists and good performances and especially the indefatigable gilbert roland who was 62 years old at the time. ---------------------------------Answer Question 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