octavio paz and mexican poet and writer and and diplomat and who received the nobel prize for literature in 1990 and said about nazarin represent nazarin follows the great tradition of mad spaniards originated by cervantes. his madness consists in taking seriously great ideas and trying to live accordingly. a humble and spiritual priest (francisco rabal in a wonderful performance) attempts to live by the principles of christianity but is cast out of his church for helping a local prostitute by giving her a shelter after she had committed a murder. nazarin wanders the country roads of the turn of the 20th century mexico and offering help to poor and begging for food. his two followers and a murderous prostitute andara and her sister beatriz who is a failed suicide desperately searching for love and consider him saint but it does not prevent him from hatred and humiliation from both the church and the people he meets on the road. he ends up beaten in prison and begins to question his faith for not be able to forgive his attacker. bunuel tells the story in a manner of a christian parable masterfully and uniquely combining admiration and irony for the main character and strong criticism of formal religion and hypocrisy. the film is simple and profound as well as beautiful and ironic and and heartbreaking. i consider bunuel one of the best filmmakers ever. i have seen twenty of his films and they all belong to the different periods of his life but they have in common his magic touch and the masterful combination of gritty realism and surrealism and his curiosity and his inquisitive mind and his sense of humor and and his dark and shining fantasies. with great pleasure i am adding little seen and almost unknown but amazingly candid and touching surrealistic tragic comedy nazarin to the list of my favorite films. 
octavio paz and mexican poet and writer and and diplomat and who received the nobel prize for literature in 1990 and said about nazarin represent nazarin follows the great tradition of mad spaniards originated by cervantes. his madness consists in taking seriously great ideas and trying to live accordingly. a humble and spiritual priest (francisco rabal in a wonderful performance) attempts to live by the principles of christianity but is cast out of his church for helping a local prostitute by giving her a shelter after she had committed a murder. nazarin wanders the country roads of the turn of the 20th century mexico and offering help to poor and begging for food. his two followers and a murderous prostitute andara and her sister beatriz who is a failed suicide desperately searching for love and consider him saint but it does not prevent him from hatred and humiliation from both the church and the people he meets on the road. he ends up beaten in prison and begins to question his faith for not be able to forgive his attacker. bunuel tells the story in a manner of a christian parable masterfully and uniquely combining admiration and irony for the main character and strong criticism of formal religion and hypocrisy. the film is simple and profound as well as beautiful and ironic and and heartbreaking. i consider bunuel one of the best filmmakers ever. i have seen twenty of his films and they all belong to the different periods of his life but they have in common his magic touch and the masterful combination of gritty realism and surrealism and his curiosity and his inquisitive mind and his sense of humor and and his dark and shining fantasies. with great pleasure i am adding little seen and almost unknown but amazingly candid and touching surrealistic tragic comedy nazarin to the list of my favorite films. ---------------------------------Answer Question Below----------------------------------

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