warning. slight plot spoilers ahead. the italian job is not the best movie you will see all year and or probably even this summer. but it is a worthwhile two hours because it colors within the lines and knowing its limits and not attempting to exceed them. what carries the movie is the work of the cast. in a movie about a crew of thieves and the individuals must have a good rapport with each other. without that cohesive feel and the audience doesn not believe in the characters collectively or individually and and the movie never has a chance. but from the first scenes and in which the men joke around and rag on each other while infiltrating a venetian palace and the proper chemistry is in place. the characters themselves aren not anything novel while theyre your basic gang of criminals and containing about half a dozen players and each with a specific and defining skill. but each actor brings the proper goods to the table for his or her part. mark wahlberg understated acting and humor fits well with his part as the mastermind planner. edward norton provides attitude and twirls his mustache well in his dark role. donald sutherland is the father figure of the crew and and he looks the part of the suave and old fashioned thief and who is still mentally spry. jason statham and seth green and and mos def do not do much beyond their character abilities and but they each nail those parts. statham as the smooth operating driver while green as the tech whiz geek with a chip on his shoulder while and def as the demolitions man. charlize theron slides in well in a part that doesn not ask too much of her. she is primarily asked to to drive fast and look good. that she does. none of the characters are that deep or three dimensional and but in this familiar sort of movie and two dimensions are all that is required. as the title implies and the movie has a european feel to it and a la the bourne identity and in part because it was shot on location in venice and along with philadelphia and los angeles. also contributing to the euro flair is the rhythmic and bouncy music and which adds to the upbeat nature of the flick and complements the rapport of the cast. the look of the movie is also a perfect match. the bright colors of all locales enhance the mood and add to the attitude. the minis not only provide a fun variation on the car chase and but also work as a necessary plot device. the plot is more or less straight forward. there are a few surprises and but they are more of the swift and smooth turn variety and as opposed to the drop your jaw hairpin curve. even with those and the movie speeds along. once the foundation is laid by the first act and everything continuously progresses. thankfully there are no breaks in the action for a romance and something the movie wisely avoided. there aren not even any breaks for real life. the story has its purpose and runs that course without distractions. the lack of character depth prevents the italian job from being more than a good popcorn movie and but with all the complex details of the heist planning and such superfluities would have dragged down the pace and quality of the flick. there are a number of implausibilities that i thought of both during and after viewing. but the movie is so enjoyable that i do not and do not care. in the real world and most of the movie probably couldn not have gone off that cleanly. but the italian job doesn not take place in the real world. it occurs in a stylish and light hearted criminal world that appeals to the rebel in all of us. the italian job is a movie and in the true sense of the word. it has no pretenses of oscar and contains no deep moral message. it provides pure escapism entertainment and does so quite well. bottom line represent maybe the best popcorn movie of the year so far. positive . 
warning. slight plot spoilers ahead. the italian job is not the best movie you will see all year and or probably even this summer. but it is a worthwhile two hours because it colors within the lines and knowing its limits and not attempting to exceed them. what carries the movie is the work of the cast. in a movie about a crew of thieves and the individuals must have a good rapport with each other. without that cohesive feel and the audience doesn not believe in the characters collectively or individually and and the movie never has a chance. but from the first scenes and in which the men joke around and rag on each other while infiltrating a venetian palace and the proper chemistry is in place. the characters themselves aren not anything novel while theyre your basic gang of criminals and containing about half a dozen players and each with a specific and defining skill. but each actor brings the proper goods to the table for his or her part. mark wahlberg understated acting and humor fits well with his part as the mastermind planner. edward norton provides attitude and twirls his mustache well in his dark role. donald sutherland is the father figure of the crew and and he looks the part of the suave and old fashioned thief and who is still mentally spry. jason statham and seth green and and mos def do not do much beyond their character abilities and but they each nail those parts. statham as the smooth operating driver while green as the tech whiz geek with a chip on his shoulder while and def as the demolitions man. charlize theron slides in well in a part that doesn not ask too much of her. she is primarily asked to to drive fast and look good. that she does. none of the characters are that deep or three dimensional and but in this familiar sort of movie and two dimensions are all that is required. as the title implies and the movie has a european feel to it and a la the bourne identity and in part because it was shot on location in venice and along with philadelphia and los angeles. also contributing to the euro flair is the rhythmic and bouncy music and which adds to the upbeat nature of the flick and complements the rapport of the cast. the look of the movie is also a perfect match. the bright colors of all locales enhance the mood and add to the attitude. the minis not only provide a fun variation on the car chase and but also work as a necessary plot device. the plot is more or less straight forward. there are a few surprises and but they are more of the swift and smooth turn variety and as opposed to the drop your jaw hairpin curve. even with those and the movie speeds along. once the foundation is laid by the first act and everything continuously progresses. thankfully there are no breaks in the action for a romance and something the movie wisely avoided. there aren not even any breaks for real life. the story has its purpose and runs that course without distractions. the lack of character depth prevents the italian job from being more than a good popcorn movie and but with all the complex details of the heist planning and such superfluities would have dragged down the pace and quality of the flick. there are a number of implausibilities that i thought of both during and after viewing. but the movie is so enjoyable that i do not and do not care. in the real world and most of the movie probably couldn not have gone off that cleanly. but the italian job doesn not take place in the real world. it occurs in a stylish and light hearted criminal world that appeals to the rebel in all of us. the italian job is a movie and in the true sense of the word. it has no pretenses of oscar and contains no deep moral message. it provides pure escapism entertainment and does so quite well. bottom line represent maybe the best popcorn movie of the year so far. positive . ---------------------------------Answer Question Below----------------------------------

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