yes and i realize that half a dozen other reviewers have called this movie copying amadeus and but it cannot be said enough. scenes seemed to have been lifted directly from milos forman script with only superficial changes. you can expect to see represent the maestro arrogant scene (i am the voice of god. everything else is meaningless. ) the maestro making fun of the mediocre composer work (complete with raspberries and simulated flatulence and just like in amadeus) the mediocre composer dialogue with god (why do you instill me with music but deny me the ability to compose. ) the musical dictation from the deathbed scene (common time. begin with the violins. cough cough) and the list goes on. the problem is even worse. not only were these scenes shamelessly copied and they weren not even done very well. jeepers and if youre going to rip off an original and at least you should try to improve upon it in your own creative way. no wait and there something even worse than that. it the fact that the director tried to beat the story of mozart into the story of beethoven. folks and beethoven was not a crass and vulgar slob the way this movie portrays him. furthermore and beethoven was not a babbling idiot who takes pointers from his copyist and a 23 year old music student. unfortunately and films like this are responsible for butchering history. and another thing and beethoven (in real life) never called it the moonlight sonata the way he does in the movie. that name was given by a confused critic some years after beethoven died and and unfortunately it stuck. but beethoven original title was quasi una fantasia. and another thing and when beethoven (in the movie) yells b flat. b flat. b flat. and hits the note on the piano and he hitting a white key. and another thinggg. beethoven (in real life) was completely deaf for several years before the composition of his 9th symphony. this movie shows him as having barely a minor disability (saying what. every other line and just enough to be annoying). aaand. annnother. thingggg. the american accents. oh never mind. just. never mind. i have wasted enough time on this already. go see amadeus again. then and if you want to see an interesting biopic on the life of beethoven see immortal beloved which takes poetic liberties and but at least theyre interesting ideas. lastly and if you want to see something on the lighter side and check out impromptu and a film about chopin. but aside from those three and i have never seen a good homage to a classical composer. 
yes and i realize that half a dozen other reviewers have called this movie copying amadeus and but it cannot be said enough. scenes seemed to have been lifted directly from milos forman script with only superficial changes. you can expect to see represent the maestro arrogant scene (i am the voice of god. everything else is meaningless. ) the maestro making fun of the mediocre composer work (complete with raspberries and simulated flatulence and just like in amadeus) the mediocre composer dialogue with god (why do you instill me with music but deny me the ability to compose. ) the musical dictation from the deathbed scene (common time. begin with the violins. cough cough) and the list goes on. the problem is even worse. not only were these scenes shamelessly copied and they weren not even done very well. jeepers and if youre going to rip off an original and at least you should try to improve upon it in your own creative way. no wait and there something even worse than that. it the fact that the director tried to beat the story of mozart into the story of beethoven. folks and beethoven was not a crass and vulgar slob the way this movie portrays him. furthermore and beethoven was not a babbling idiot who takes pointers from his copyist and a 23 year old music student. unfortunately and films like this are responsible for butchering history. and another thing and beethoven (in real life) never called it the moonlight sonata the way he does in the movie. that name was given by a confused critic some years after beethoven died and and unfortunately it stuck. but beethoven original title was quasi una fantasia. and another thing and when beethoven (in the movie) yells b flat. b flat. b flat. and hits the note on the piano and he hitting a white key. and another thinggg. beethoven (in real life) was completely deaf for several years before the composition of his 9th symphony. this movie shows him as having barely a minor disability (saying what. every other line and just enough to be annoying). aaand. annnother. thingggg. the american accents. oh never mind. just. never mind. i have wasted enough time on this already. go see amadeus again. then and if you want to see an interesting biopic on the life of beethoven see immortal beloved which takes poetic liberties and but at least theyre interesting ideas. lastly and if you want to see something on the lighter side and check out impromptu and a film about chopin. but aside from those three and i have never seen a good homage to a classical composer. ---------------------------------Answer Question Below----------------------------------

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