buster keaton was arguably at his most enjoyable when he did short 20 minute films and and they do not come more rib ticklingly funny than this gem. the dead pan comic gets involved in a photographic mix up with a wanted felon. this leads to his elaborate evasion of several street cops and fellow passengers who recognise the his face from the wanted signs. the goat is choc a bloc with brilliant site gags and from the opening scene at the bread queue and right up to the wonderful elevator chase at the end. a keaton film never feels as though its silence is lacking and as sound is never something you needed with him. his movies explain themselves through the wonderful (yet incredibly dangerous) things he did to himself. it isn not hard to see just how influential he really was  the man is every bit as thoroughly amazing today as he was in 1921. 
buster keaton was arguably at his most enjoyable when he did short 20 minute films and and they do not come more rib ticklingly funny than this gem. the dead pan comic gets involved in a photographic mix up with a wanted felon. this leads to his elaborate evasion of several street cops and fellow passengers who recognise the his face from the wanted signs. the goat is choc a bloc with brilliant site gags and from the opening scene at the bread queue and right up to the wonderful elevator chase at the end. a keaton film never feels as though its silence is lacking and as sound is never something you needed with him. his movies explain themselves through the wonderful (yet incredibly dangerous) things he did to himself. it isn not hard to see just how influential he really was  the man is every bit as thoroughly amazing today as he was in 1921. ---------------------------------Answer Question Below----------------------------------

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