i have to agree with all the previous commenter  this is simply the best of all frothy comedies and with bardot as sexy as marilyn monroe ever was and and definitely with a prettier face (maybe there less mystique and but look how marilyn paid for that. ) i do not think i have ever seen such a succulent looking female on screen and so perfect that even a gay man like me got excited by it and not just for purely aesthetic reasons (if the idiot evangelicals really want to do their convert a queer number and they are really going to need to up their standards and as no church mice need apply here. )her breasts and the rest of her figure and her adorable voice and the hilarious way she shakes as she walks across a room. only to arrive in front of a man and breasts literally pointed as if in exquisite confrontation. i think boyer is one of the greatest leading men in all of film history. no one played opposite more great female stars than did he represent garbo and dietrich and k. hepburn and colbert and and here bardot and among many others. and he was also in fanny with leslie caron and and had small parts in how to steal a million with a. hepburn and as well as being in the deneuve movie the april fools (although not opposite her. ) the only thing i could disagree with in remarks is that even the loud and obnoxious music over the opening credits is appropriate i mean and bardot is not meant to be subtle on top of everything else and and her essential loudness (i do not mean her voice) is part of her irresistible and and one might even say and exemplary charm. vidal is thoroughly handsome and even if pouty brigitte says toward the beginning i do not know why i am in love with you and youre not even handsome. dear and dear bardot. truly one of the wonders of the 20th century and not to mention the joy that she is still with us and when so many of the truly characterful are passing away so fast and in all her eccentric glory. 
i have to agree with all the previous commenter  this is simply the best of all frothy comedies and with bardot as sexy as marilyn monroe ever was and and definitely with a prettier face (maybe there less mystique and but look how marilyn paid for that. ) i do not think i have ever seen such a succulent looking female on screen and so perfect that even a gay man like me got excited by it and not just for purely aesthetic reasons (if the idiot evangelicals really want to do their convert a queer number and they are really going to need to up their standards and as no church mice need apply here. )her breasts and the rest of her figure and her adorable voice and the hilarious way she shakes as she walks across a room. only to arrive in front of a man and breasts literally pointed as if in exquisite confrontation. i think boyer is one of the greatest leading men in all of film history. no one played opposite more great female stars than did he represent garbo and dietrich and k. hepburn and colbert and and here bardot and among many others. and he was also in fanny with leslie caron and and had small parts in how to steal a million with a. hepburn and as well as being in the deneuve movie the april fools (although not opposite her. ) the only thing i could disagree with in remarks is that even the loud and obnoxious music over the opening credits is appropriate i mean and bardot is not meant to be subtle on top of everything else and and her essential loudness (i do not mean her voice) is part of her irresistible and and one might even say and exemplary charm. vidal is thoroughly handsome and even if pouty brigitte says toward the beginning i do not know why i am in love with you and youre not even handsome. dear and dear bardot. truly one of the wonders of the 20th century and not to mention the joy that she is still with us and when so many of the truly characterful are passing away so fast and in all her eccentric glory. ---------------------------------Answer Question Below----------------------------------

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