having seen the full length film kieslowski made out of this episode of the decalogue years ago and came back to this viewer as we watched the complete ten vignettes. as with the other films and this one is loosely based on the fifth commandment and or and thou shalt not kill. kryzsztof kieslowski and writing with kryzsztof piesewicz and took a look at the mind of a young man who commits a heinous crime in murdering an innocent person to vent his own frustrations. this installment has a dostoyevskian character that kept reminding us about crime and punishment and or at least some of the qualities of the novel are passed to the aimless youth who apparently has no redeeming qualities. the story shows the young man as he roams the streets of the city without a clear idea of what to do and or where to go. the only tender moment he displays is when he visits the photographer place to ask to have an old picture of his sister restored. kieslowski leaves it up to fate to have the murderer board a taxi with the intention of robbing the driver and but it his anger and frustration that get the best of this youth to kill a man that do not deserve to die. the last moments of this criminal is one of the most gripping sequences in any film and past and or present. the other element in the story is the relationship between the public defendant and the criminal. nothing can prevent the court to condemn to death the young man. the lawyer feels at the end he has failed his client and goes to the judge to see where he went wrong. all he is asked by the young man is to retrieve the picture and send it to his mother. kieslowski account of how he interprets the fifth commandment makes for a surprising film that will stay in the viewer mind long after this episode is forgotten. 
having seen the full length film kieslowski made out of this episode of the decalogue years ago and came back to this viewer as we watched the complete ten vignettes. as with the other films and this one is loosely based on the fifth commandment and or and thou shalt not kill. kryzsztof kieslowski and writing with kryzsztof piesewicz and took a look at the mind of a young man who commits a heinous crime in murdering an innocent person to vent his own frustrations. this installment has a dostoyevskian character that kept reminding us about crime and punishment and or at least some of the qualities of the novel are passed to the aimless youth who apparently has no redeeming qualities. the story shows the young man as he roams the streets of the city without a clear idea of what to do and or where to go. the only tender moment he displays is when he visits the photographer place to ask to have an old picture of his sister restored. kieslowski leaves it up to fate to have the murderer board a taxi with the intention of robbing the driver and but it his anger and frustration that get the best of this youth to kill a man that do not deserve to die. the last moments of this criminal is one of the most gripping sequences in any film and past and or present. the other element in the story is the relationship between the public defendant and the criminal. nothing can prevent the court to condemn to death the young man. the lawyer feels at the end he has failed his client and goes to the judge to see where he went wrong. all he is asked by the young man is to retrieve the picture and send it to his mother. kieslowski account of how he interprets the fifth commandment makes for a surprising film that will stay in the viewer mind long after this episode is forgotten. ---------------------------------Answer Question Below----------------------------------

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