la antena (esteban sapir  argentina 2005). a completely unique take on silent cinema in this fairy tale like story by esteban sapir and beautifully shot in black and white and practically without dialog and la antena is a feast for the eye and a must for lovers of german expressionist cinema and with most of the nods to the works of fritz lang and friedrich murnau. the city without a voice and la ciudad sin voz and is ruled by mr. tv. he has taken the inhabitants voices and is in total control of all spoken words and images and forcing everyone to eat his own brand of tv food. mr tv is not just a monopolist and he is the personification of evil and totalitarianism and even the swastika appears as a symbol a number of times. he secretly works on a hypnotizing device to control all the citizens minds through his television broadcasts. for this purpose and he kidnaps the only one left with the voice and a beautiful singer and but a tv repairman witnesses the kidnapping and flees to an old tv antenna in the mountains in order to halt mr. tv evil plans. the production design is stunning with beautiful sets and imagery. although shot primarily with the basic language of silent cinema and esteban sapir also adds a number of fresh techniques of his own and like a combination of typographic and animation techniques. everyone talks with each other through text balloons (usually floating near their mouths) and the louder they talk and the larger the characters. the texts themselves can be pushed away or crushed. in the opening sequence and we see a book and titled la antena and that opens and a city of paper rises from the pages. there are hardly any references to argentina. it constantly snowing and which gives the film a very un argeninian feel and while the surreal setting suggests any large city in the northen hemisphere and with only some of the songs revealing the film argentinian background. the pace is swift and there is so much happening on screen and it hard to keep track of the film surreal narrative. not only breathtakingly beautiful to look at and were also given a few messages about media monopolies and corruption and totalitarianism and but they are breezily packaged. one of the most original films i have seen in years. a delight. the film was shown as the opening film at the iff rotterdam 2007. camera obscura   positive . 
la antena (esteban sapir  argentina 2005). a completely unique take on silent cinema in this fairy tale like story by esteban sapir and beautifully shot in black and white and practically without dialog and la antena is a feast for the eye and a must for lovers of german expressionist cinema and with most of the nods to the works of fritz lang and friedrich murnau. the city without a voice and la ciudad sin voz and is ruled by mr. tv. he has taken the inhabitants voices and is in total control of all spoken words and images and forcing everyone to eat his own brand of tv food. mr tv is not just a monopolist and he is the personification of evil and totalitarianism and even the swastika appears as a symbol a number of times. he secretly works on a hypnotizing device to control all the citizens minds through his television broadcasts. for this purpose and he kidnaps the only one left with the voice and a beautiful singer and but a tv repairman witnesses the kidnapping and flees to an old tv antenna in the mountains in order to halt mr. tv evil plans. the production design is stunning with beautiful sets and imagery. although shot primarily with the basic language of silent cinema and esteban sapir also adds a number of fresh techniques of his own and like a combination of typographic and animation techniques. everyone talks with each other through text balloons (usually floating near their mouths) and the louder they talk and the larger the characters. the texts themselves can be pushed away or crushed. in the opening sequence and we see a book and titled la antena and that opens and a city of paper rises from the pages. there are hardly any references to argentina. it constantly snowing and which gives the film a very un argeninian feel and while the surreal setting suggests any large city in the northen hemisphere and with only some of the songs revealing the film argentinian background. the pace is swift and there is so much happening on screen and it hard to keep track of the film surreal narrative. not only breathtakingly beautiful to look at and were also given a few messages about media monopolies and corruption and totalitarianism and but they are breezily packaged. one of the most original films i have seen in years. a delight. the film was shown as the opening film at the iff rotterdam 2007. camera obscura   positive . ---------------------------------Answer Question Below----------------------------------

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