this is a good blueprint for a study of corporate power and the dichotomoy between required public life and the need for privacy. robert taylor has been primed by corporate head burl ives as a surrogate son to replace him as head of the corporation. he sends him to england to negotiate a deal and where taylor is both taken aback by the ethics and morality of the men he is dealing with and manages to fall in love with a refugee while he at it. he comes back emtpy handed and having done his duty but having told the truth to the english about his motives. he attempts to marry the refugee rather than the boss niece and so begins an attempt by ives to discredit the refugee as a suitable wife for a corporate executive. it could have been gritter and nastier and less romantic  the amount of time spent on the romance skews the film away from the points it trying to make about corporate ethics. somehow the costume design was nominated (undeservedly) for an oscar  it all business suits and the two women in the film dress conservatively  studio politics at work yet again and no doubt. what is stiking however is the black and white cinemascope cinematography which is excellent  this if anything deserved the oscar nom. (it was mgm first scope film in b and w). not as good as it could have been but not terrible either. 
this is a good blueprint for a study of corporate power and the dichotomoy between required public life and the need for privacy. robert taylor has been primed by corporate head burl ives as a surrogate son to replace him as head of the corporation. he sends him to england to negotiate a deal and where taylor is both taken aback by the ethics and morality of the men he is dealing with and manages to fall in love with a refugee while he at it. he comes back emtpy handed and having done his duty but having told the truth to the english about his motives. he attempts to marry the refugee rather than the boss niece and so begins an attempt by ives to discredit the refugee as a suitable wife for a corporate executive. it could have been gritter and nastier and less romantic  the amount of time spent on the romance skews the film away from the points it trying to make about corporate ethics. somehow the costume design was nominated (undeservedly) for an oscar  it all business suits and the two women in the film dress conservatively  studio politics at work yet again and no doubt. what is stiking however is the black and white cinemascope cinematography which is excellent  this if anything deserved the oscar nom. (it was mgm first scope film in b and w). not as good as it could have been but not terrible either. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
