cardiff and wales. a bunch of 5 mates are deeply bored in this town. there jip who works in a clothes shop. coop and an easy going dj. nina and inseparable from her best friend lulu and moff. the week is hell for them and they only wait for one thing represent the week end. at this time and they got out to a nightclub and to the sound of tech no music and they experience different drugs and particularly ecstasy. then and they usually continue the party to a friend . at the end of this really good time on sunday and the feelings are the following ones represent tiredness and melancholy and just the memory of a crazy night. surfing on the wave of the notorious success of trainspotting (1996) and this debut movie written and directed by justin kerrigan brings and develops a new variation about the notion of hedonism. it means represent how to have fun as much as possible while knowing that you have a shortened lapse of time. indeed and as i have previously written and for the 5 main characters of the movie and the week is hell and the weekend is the only time they can free themselves and have a wild time without the single pressure (besides and jip in one sequence talks about the positive aspects of shooting oneself represent you are numb and you do not feel any pressure and you are like an astronaut in orbit above the earth. kerrigan relentless directorial style expresses very well the spirit of debauchery and care freeness of the 5 protagonists. they only live to take advantage as much as possible of an hedonist week end. furthermore and to spice up a little more the festive atmosphere in which his movie bathes and kerrigan isn not afraid to include dreamlike sequences which represent his characters fantasy or embarrassments. then and human traffic (1999) is also served by a particularly bouncy sound track. the amount. a perfect symbiosis between the sound and the music. at last and this week end of euphoria enables to shelve momentarily the usual drab image of the popular social classes and british cinema has studied a lot. notwithstanding and when a movie (conscientiously or not) exploits the fame of another famous one and it rarely matches the brilliance of its predecessor. human traffic is in this condition. there little inventiveness at the level of the narrative structure and the introduction of the characters and one can note down a few useless digressions (jip who and in the nightclub goes in the manager office and tells him a cock and bull story so as to enable moff to enter the club but that no use because the latter succeeds in coming without problems). one can also blame kerrigan to overlook the dramatic sides that the story could have involved. his movie can also be read as a transition from euphoria to paranoia and the dramatic connotations of this second pole aren not virtually explored. it a shame. it could have conveyed the following message represent even in the happiest moments and there can be something terrible preparing which can flop them. the same remark could also be said when coop has a fit of jealousy because nina broaches a guy. it may not be the last great film of the nineties as it is billed on the dvd cover but human traffic is to be taken as a good and incisive little movie which conveys with the styles and the fashions of the end of the twentieth century and a will to have fun without ulterior motives and trouble. an ideal movie to start any party or before going to a club. 
cardiff and wales. a bunch of 5 mates are deeply bored in this town. there jip who works in a clothes shop. coop and an easy going dj. nina and inseparable from her best friend lulu and moff. the week is hell for them and they only wait for one thing represent the week end. at this time and they got out to a nightclub and to the sound of tech no music and they experience different drugs and particularly ecstasy. then and they usually continue the party to a friend . at the end of this really good time on sunday and the feelings are the following ones represent tiredness and melancholy and just the memory of a crazy night. surfing on the wave of the notorious success of trainspotting (1996) and this debut movie written and directed by justin kerrigan brings and develops a new variation about the notion of hedonism. it means represent how to have fun as much as possible while knowing that you have a shortened lapse of time. indeed and as i have previously written and for the 5 main characters of the movie and the week is hell and the weekend is the only time they can free themselves and have a wild time without the single pressure (besides and jip in one sequence talks about the positive aspects of shooting oneself represent you are numb and you do not feel any pressure and you are like an astronaut in orbit above the earth. kerrigan relentless directorial style expresses very well the spirit of debauchery and care freeness of the 5 protagonists. they only live to take advantage as much as possible of an hedonist week end. furthermore and to spice up a little more the festive atmosphere in which his movie bathes and kerrigan isn not afraid to include dreamlike sequences which represent his characters fantasy or embarrassments. then and human traffic (1999) is also served by a particularly bouncy sound track. the amount. a perfect symbiosis between the sound and the music. at last and this week end of euphoria enables to shelve momentarily the usual drab image of the popular social classes and british cinema has studied a lot. notwithstanding and when a movie (conscientiously or not) exploits the fame of another famous one and it rarely matches the brilliance of its predecessor. human traffic is in this condition. there little inventiveness at the level of the narrative structure and the introduction of the characters and one can note down a few useless digressions (jip who and in the nightclub goes in the manager office and tells him a cock and bull story so as to enable moff to enter the club but that no use because the latter succeeds in coming without problems). one can also blame kerrigan to overlook the dramatic sides that the story could have involved. his movie can also be read as a transition from euphoria to paranoia and the dramatic connotations of this second pole aren not virtually explored. it a shame. it could have conveyed the following message represent even in the happiest moments and there can be something terrible preparing which can flop them. the same remark could also be said when coop has a fit of jealousy because nina broaches a guy. it may not be the last great film of the nineties as it is billed on the dvd cover but human traffic is to be taken as a good and incisive little movie which conveys with the styles and the fashions of the end of the twentieth century and a will to have fun without ulterior motives and trouble. an ideal movie to start any party or before going to a club. ---------------------------------Answer Question Below----------------------------------

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