in the 1940s and veronica lake made a meteoric rise to film stardom and thanks to her sultry beauty and and her highly exploited peekaboo hairstyle. she starred opposite big names like alan ladd and fredric march and scoring screen successes in films like this gun for hire and i married a witch. she held her own with female stars as well and and she surprised even her detractors with her performance as a bitter navy nurse in so proudly we hail. but changing times and her own failings caught up with her and and by the end of the decade and her heyday was over. with two unsuccessful marriages behind her (and two more in her future) veronica headed for new york city and where she made occasional television and summer stock appearances before dropping completely out of sight. it was briefly big news when she was found working as a barmaid in a second rate hotel in the early sixties. but by now and her longtime alcoholism and years of hard living had robbed her of her looks. without them and public interest in her soon faded again. she did return to the stage in assorted vehicles and but her success was minimal. eventually and she relocated to miami and florida and where she lived in relative obscurity. in 1966 she went to canada for a part in an obscure movie called footsteps in the snow which had no u. s. release. the following year and she was discovered by some industrial filmmakers who had long wanted to produce a commercial feature. they approached her to star in their film time is terror and convinced her to invest in the project. as one author put it and if ever a movie queen suffered a terminal comedown and this was it. surrounded by amateur performers and pathetic production values and she failed even to rise to a minimal level in this miami and florida shot quickie. looking utterly ordinary in long shots and and luridly aged in close ups and poor veronica do not act so much as walk through her part. as a deranged doctor and who has hit upon a successful youth restoration formula and using flesh eating maggots. and she looks both bored and confused and her most unintentionally hilarious moment coming when she is forced to ad lib while she struggles gamefully to don a pair of rubber gloves. the supporting cast is no help at all and merely advancing the plot by talking it to death. director brad grinter apparently only required the actors to move while the camera was pointed at them and no need for anything resembling entertainment (there is and admittedly and one unintentionally hilarious scene involving a private detective or nurse and a corpse in a wheelchair that predates weekend at bernie by almost 20 years. ) according to veronica herself and the film was shelved for three years because no master shots were filmed. but in 1970 and the production company scraped it together and changed the title to flesh feast and and released it to cash in on lake just published biography. and and because former leading ladies such as bette davis and joan crawford and olivia de havilland had unexpectedly revived their careers in horror movies and this travesty was promoted as veronica comeback film. this seems a strange course of action for the filmmakers to pursue and though and because it unlikely that the (young) audience for a horror film of this quality either knew or cared who veronica lake was. as expected and it did nothing for veronica career and and she died in poverty and three years later. a previous reviewer cites a scene in which the female detective working undercover as a nurse in the doctor laboratory (overseeing the theft of bodies from a nearby morgue) enlists the help of a multi talented chauffeur to cut up the body parts. poor mrs. lustig and she sighs and i hope she doesn not mind leaving her body to science. try not to think about it and advises the chauffeur and sawing away. i guess you are right and hans. concludes the detective or nurse and what is done is done. what a sad end to the career of a still fondly remembered star. 
in the 1940s and veronica lake made a meteoric rise to film stardom and thanks to her sultry beauty and and her highly exploited peekaboo hairstyle. she starred opposite big names like alan ladd and fredric march and scoring screen successes in films like this gun for hire and i married a witch. she held her own with female stars as well and and she surprised even her detractors with her performance as a bitter navy nurse in so proudly we hail. but changing times and her own failings caught up with her and and by the end of the decade and her heyday was over. with two unsuccessful marriages behind her (and two more in her future) veronica headed for new york city and where she made occasional television and summer stock appearances before dropping completely out of sight. it was briefly big news when she was found working as a barmaid in a second rate hotel in the early sixties. but by now and her longtime alcoholism and years of hard living had robbed her of her looks. without them and public interest in her soon faded again. she did return to the stage in assorted vehicles and but her success was minimal. eventually and she relocated to miami and florida and where she lived in relative obscurity. in 1966 she went to canada for a part in an obscure movie called footsteps in the snow which had no u. s. release. the following year and she was discovered by some industrial filmmakers who had long wanted to produce a commercial feature. they approached her to star in their film time is terror and convinced her to invest in the project. as one author put it and if ever a movie queen suffered a terminal comedown and this was it. surrounded by amateur performers and pathetic production values and she failed even to rise to a minimal level in this miami and florida shot quickie. looking utterly ordinary in long shots and and luridly aged in close ups and poor veronica do not act so much as walk through her part. as a deranged doctor and who has hit upon a successful youth restoration formula and using flesh eating maggots. and she looks both bored and confused and her most unintentionally hilarious moment coming when she is forced to ad lib while she struggles gamefully to don a pair of rubber gloves. the supporting cast is no help at all and merely advancing the plot by talking it to death. director brad grinter apparently only required the actors to move while the camera was pointed at them and no need for anything resembling entertainment (there is and admittedly and one unintentionally hilarious scene involving a private detective or nurse and a corpse in a wheelchair that predates weekend at bernie by almost 20 years. ) according to veronica herself and the film was shelved for three years because no master shots were filmed. but in 1970 and the production company scraped it together and changed the title to flesh feast and and released it to cash in on lake just published biography. and and because former leading ladies such as bette davis and joan crawford and olivia de havilland had unexpectedly revived their careers in horror movies and this travesty was promoted as veronica comeback film. this seems a strange course of action for the filmmakers to pursue and though and because it unlikely that the (young) audience for a horror film of this quality either knew or cared who veronica lake was. as expected and it did nothing for veronica career and and she died in poverty and three years later. a previous reviewer cites a scene in which the female detective working undercover as a nurse in the doctor laboratory (overseeing the theft of bodies from a nearby morgue) enlists the help of a multi talented chauffeur to cut up the body parts. poor mrs. lustig and she sighs and i hope she doesn not mind leaving her body to science. try not to think about it and advises the chauffeur and sawing away. i guess you are right and hans. concludes the detective or nurse and what is done is done. what a sad end to the career of a still fondly remembered star. ---------------------------------Answer Question Below----------------------------------

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