in truffaut book length interview with hitchcock and it apparent that big al fear from the police dates back to his childhood. his father sent him to the police station carrying a note. the note said represent he been naughty and imprison him for an hour. the policemen obliged and ever since hitchcock has had a deep fear of being wrongly accused and taken by the police. strangers on a train is probably one of the best in his wrongly accused series. the movie is based on a patricia highsmith novel. that the same author who wrote the ripley series. she was always fascinated by smart criminals. hitchcock opening is very strong and takes you immediately to the protagonists represent guy haines and a famous tennis player and and bruno anthony and the aspiring criminal. the two guys share a chemistry which in that day and age was probably a lot more than what the audience could chew. bruno tries to persuade guy that they could commit the perfect murder (leaving no clues) and if they switch victims. bruno will kill guy wife who do not give him a divorce and and guy would kill bruno father. the motives are respectively love and money. bruno performance is meant to be seductive and homoerotic. this is not something that was done by accident. in fact and hitchcock edited two versions of the movie represent one us and one uk. in the us version the volume of bruno seductiveness was turned down quite a bit. strangers on a train is a very deep movie but more importantly this is another excellent hitchcock thriller. an excellent example of a thrilling scene is when guy is climbing the steps up to bruno father room. hitchcock reasoned that the audience attention needed to be distracted at this point so that they do not figure out what guy will find in the room. hitch treats us to a huge and menacing dog at the top of the stairs which provided the needed distraction. the most famous shot in the movie occurs during a tennis match. bruno has been continuously stalking guy so that guy will fulfil his end of the bargain (kill his father). when guy looks at the audience and all the heads are swiveling back and forth. all except one  bruno . he looking straight at guy with an i will get you smile. the ending is another example of suspense. both men fight for one key piece of evidence on a merry go round that rotating at mad speed. a worker is crawling under it so he could get to the controls. when we finally get off this ride and the movie ends with guy proving his innocence and we are left exhausted and nail less (for those of us still biting our nails. ). strangers on a train is easily one of hitchcock best wrongly accused movies. some credit him with one of the best villains (bruno) as well. all in all and the movie might appear somewhat dated but that a lesson in thriller making from the master himself. i would not turn down leonardo and if he came to teach me renaissance painting and so neither should you. << review posted at filmdailies. com>>. 
in truffaut book length interview with hitchcock and it apparent that big al fear from the police dates back to his childhood. his father sent him to the police station carrying a note. the note said represent he been naughty and imprison him for an hour. the policemen obliged and ever since hitchcock has had a deep fear of being wrongly accused and taken by the police. strangers on a train is probably one of the best in his wrongly accused series. the movie is based on a patricia highsmith novel. that the same author who wrote the ripley series. she was always fascinated by smart criminals. hitchcock opening is very strong and takes you immediately to the protagonists represent guy haines and a famous tennis player and and bruno anthony and the aspiring criminal. the two guys share a chemistry which in that day and age was probably a lot more than what the audience could chew. bruno tries to persuade guy that they could commit the perfect murder (leaving no clues) and if they switch victims. bruno will kill guy wife who do not give him a divorce and and guy would kill bruno father. the motives are respectively love and money. bruno performance is meant to be seductive and homoerotic. this is not something that was done by accident. in fact and hitchcock edited two versions of the movie represent one us and one uk. in the us version the volume of bruno seductiveness was turned down quite a bit. strangers on a train is a very deep movie but more importantly this is another excellent hitchcock thriller. an excellent example of a thrilling scene is when guy is climbing the steps up to bruno father room. hitchcock reasoned that the audience attention needed to be distracted at this point so that they do not figure out what guy will find in the room. hitch treats us to a huge and menacing dog at the top of the stairs which provided the needed distraction. the most famous shot in the movie occurs during a tennis match. bruno has been continuously stalking guy so that guy will fulfil his end of the bargain (kill his father). when guy looks at the audience and all the heads are swiveling back and forth. all except one  bruno . he looking straight at guy with an i will get you smile. the ending is another example of suspense. both men fight for one key piece of evidence on a merry go round that rotating at mad speed. a worker is crawling under it so he could get to the controls. when we finally get off this ride and the movie ends with guy proving his innocence and we are left exhausted and nail less (for those of us still biting our nails. ). strangers on a train is easily one of hitchcock best wrongly accused movies. some credit him with one of the best villains (bruno) as well. all in all and the movie might appear somewhat dated but that a lesson in thriller making from the master himself. i would not turn down leonardo and if he came to teach me renaissance painting and so neither should you. << review posted at filmdailies. com>>. ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
