after a couple years of searching for the humphrey bogart film and two against the world and it unexpectedly showed up as a tcm offering under the title one fatal hour and a first national film from 1936. bogey character is sherry scott and the man who runs wubc and a radio station whose program lineup is losing listeners. the owner bertram reynolds (robert middlemass) and is a pathetic executive who calls the shots at the station and but hides behind his decisions by pawning them off on scott. in an effort to boost the audience base and revenues and reynolds has the idea of reviving a twenty year old murder case and and offering it as a fifteen chapter radio play. scott enlists the aid of dr. martin leavenworth (harry hayden) to write the play and present it on the air. the pembroke murder case involved a woman who was acquitted of murdering her husband and the circumstances of which are not made clear. however gloria pembroke has married and and is now living as martha carstairs (helen mackellar) and married to a successful banker (henry oneill) and and their daughter edith (linda perry) is about to be married (on the same day no less as the radio play is to reveal the identity of gloria pembroke). about to be faced with the devastating effects of this revelation and martha and jim carstairs embark on a crusade to have the program stopped. simultaneously and edith future in laws respond by demanding that the marriage not take place. without revealing the final outcome and the film takes a devastating turn to jolt the viewer. edith carstairs confronts the principals of the radio station and vigorously admonishing scott and the sniveling reynolds. while accepting his share of the blame for the outcome and scott partially redeems himself by quitting his job and firing his secretary and and hauling her out of the office and recognizing her for the conscience he once had. with an entirely abrupt finish and the film leaves one as disoriented and unsettled as any movie that doesn not have a happy ending. with about a dozen films under his belt and humphrey bogart gets a chance to take center stage here with intriguing results. with no name supporting players and bogey rises to the occasion by taking charge in the confines of the radio offices and and runs the show as if it was his own. in an interesting bit of characterization and he expresses his exasperation by crossing his hands over his bowed head and predating by a half dozen years a similar effect we will see him do in casablanca. for bogart fans and it a genuine treat to catch an unexpected nuance like this. 
after a couple years of searching for the humphrey bogart film and two against the world and it unexpectedly showed up as a tcm offering under the title one fatal hour and a first national film from 1936. bogey character is sherry scott and the man who runs wubc and a radio station whose program lineup is losing listeners. the owner bertram reynolds (robert middlemass) and is a pathetic executive who calls the shots at the station and but hides behind his decisions by pawning them off on scott. in an effort to boost the audience base and revenues and reynolds has the idea of reviving a twenty year old murder case and and offering it as a fifteen chapter radio play. scott enlists the aid of dr. martin leavenworth (harry hayden) to write the play and present it on the air. the pembroke murder case involved a woman who was acquitted of murdering her husband and the circumstances of which are not made clear. however gloria pembroke has married and and is now living as martha carstairs (helen mackellar) and married to a successful banker (henry oneill) and and their daughter edith (linda perry) is about to be married (on the same day no less as the radio play is to reveal the identity of gloria pembroke). about to be faced with the devastating effects of this revelation and martha and jim carstairs embark on a crusade to have the program stopped. simultaneously and edith future in laws respond by demanding that the marriage not take place. without revealing the final outcome and the film takes a devastating turn to jolt the viewer. edith carstairs confronts the principals of the radio station and vigorously admonishing scott and the sniveling reynolds. while accepting his share of the blame for the outcome and scott partially redeems himself by quitting his job and firing his secretary and and hauling her out of the office and recognizing her for the conscience he once had. with an entirely abrupt finish and the film leaves one as disoriented and unsettled as any movie that doesn not have a happy ending. with about a dozen films under his belt and humphrey bogart gets a chance to take center stage here with intriguing results. with no name supporting players and bogey rises to the occasion by taking charge in the confines of the radio offices and and runs the show as if it was his own. in an interesting bit of characterization and he expresses his exasperation by crossing his hands over his bowed head and predating by a half dozen years a similar effect we will see him do in casablanca. for bogart fans and it a genuine treat to catch an unexpected nuance like this. ---------------------------------Answer Question Below----------------------------------

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