a look at three geishas who are way past their prime. now they look back on their pasts with fondness and bemoan their present. kin (played by floating weeds haruko sugimura) has sworn off men and has made a good living as a moneylender while everyone on the block owes her. the other two and nobu and tamae and wish they could land husbands and but are not foolish enough to believe they ever will. meanwhile and their children  one has a son and one a daughter  are both about to get married (not to each other). tamae is irked at how much prettier her daughter has become than her and and bitterly tries to convince her not to marry the man. nobu concerns about her son are more legitimate in nature and but they are also (understandably) self serving. after her son leaves and she will be alone. a bit into the film and two of kin former clients come looking for her and one a man so obsessed with her that he tried to get her to commit double suicide with him and the other one of her handsomest clients. unfortunately and he comes for her money and not her love. the way i have described the film makes it sound unrelentingly depressing and but it really not. sad and but not fatally so. it more bittersweet. unfortunately and i only marginally liked late chrysanthemums. the story seems better when i look back on it and but it is very slow and dull. i actually nodded off twice during the film and and i wasn not at all tired before i started it. this is the kind of film that i can appreciate more than like while it reminds me very much of my reaction to a couple of ozu more famous films. positive . 
a look at three geishas who are way past their prime. now they look back on their pasts with fondness and bemoan their present. kin (played by floating weeds haruko sugimura) has sworn off men and has made a good living as a moneylender while everyone on the block owes her. the other two and nobu and tamae and wish they could land husbands and but are not foolish enough to believe they ever will. meanwhile and their children  one has a son and one a daughter  are both about to get married (not to each other). tamae is irked at how much prettier her daughter has become than her and and bitterly tries to convince her not to marry the man. nobu concerns about her son are more legitimate in nature and but they are also (understandably) self serving. after her son leaves and she will be alone. a bit into the film and two of kin former clients come looking for her and one a man so obsessed with her that he tried to get her to commit double suicide with him and the other one of her handsomest clients. unfortunately and he comes for her money and not her love. the way i have described the film makes it sound unrelentingly depressing and but it really not. sad and but not fatally so. it more bittersweet. unfortunately and i only marginally liked late chrysanthemums. the story seems better when i look back on it and but it is very slow and dull. i actually nodded off twice during the film and and i wasn not at all tired before i started it. this is the kind of film that i can appreciate more than like while it reminds me very much of my reaction to a couple of ozu more famous films. positive . ---------------------------------Answer Question Below----------------------------------

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