in 1968 when and symbiopsychotaxiplasm represent take one and was released and it came from out of nowhere and and struck like a psychedelic thunder bolt. afro american actor and film maker and william greaves and aimed to forever alter the news reel style of documentary film making and and to this day and there has never been anything quite like it. the movie is a film about the making of a film and and intentionally written and directed so as to create as much controversy and contradiction as possible. set in new york central park and the action and scant dialog concern a couple who fight and bicker about homosexuality and abortion. the woman wants out of the relationship and and the man wants an explanation. near the end of this interaction and a drunk homeless man interrupts the proceedings and offers his commentary and and personal back story. then and after the principle footage has been shot and the film crew add their own views of the film maker and what they feel is his inept handling of the movie. and during the entire film and multiple cameras are employed to record the action within the scene and and extraneous commentary by cast and crew and and onlookers. i would certainly recommend this film to anyone who has an interest in avant garde film makers such as andy warhol and john cassavetes and or jim jarmusch. william greaves attempts to show that a thing cannot be truly observed and understood because the viewing itself would alter the reality. symbiopsychotaxiplasm represent take one can be seen as a cinematic representation or application of the uncertainty principle. this is only one possible explanation and and greave true intent is certainly open for speculation. above all else and this film seeks to confound and confront. and stimulate and and without a doubt and succeeds admirably. 
in 1968 when and symbiopsychotaxiplasm represent take one and was released and it came from out of nowhere and and struck like a psychedelic thunder bolt. afro american actor and film maker and william greaves and aimed to forever alter the news reel style of documentary film making and and to this day and there has never been anything quite like it. the movie is a film about the making of a film and and intentionally written and directed so as to create as much controversy and contradiction as possible. set in new york central park and the action and scant dialog concern a couple who fight and bicker about homosexuality and abortion. the woman wants out of the relationship and and the man wants an explanation. near the end of this interaction and a drunk homeless man interrupts the proceedings and offers his commentary and and personal back story. then and after the principle footage has been shot and the film crew add their own views of the film maker and what they feel is his inept handling of the movie. and during the entire film and multiple cameras are employed to record the action within the scene and and extraneous commentary by cast and crew and and onlookers. i would certainly recommend this film to anyone who has an interest in avant garde film makers such as andy warhol and john cassavetes and or jim jarmusch. william greaves attempts to show that a thing cannot be truly observed and understood because the viewing itself would alter the reality. symbiopsychotaxiplasm represent take one can be seen as a cinematic representation or application of the uncertainty principle. this is only one possible explanation and and greave true intent is certainly open for speculation. above all else and this film seeks to confound and confront. and stimulate and and without a doubt and succeeds admirably. ---------------------------------Answer Question Below----------------------------------

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