in august days or dies dagost marc recha has given us a sun saturated catalan documentary style road movie that mostly a meandering improvised meditation on brotherhood and reclaiming the dead. the beautiful sometimes large scale and richly atmospheric 35 mm. landscape images and nice soundtrack and catalan language narration are enchanting as a mood piece and if one is content with a trajectory that hasn not much momentum and doesn not lead anywhere in particular. filmmaker marc recha and his non identical twin david are the stars and the narrative is voiced by their younger sister. marc had been researching the life of ramon barnils (1940 2001) and a socialist editor who had been a family friend. he felt he was saturated with information and had to take a break. the break turned into making this film and which seeks to capture the mood of the interviews with barnils associates and thoughts about the spanish civil war and the drought season they were experiencing and the rugged landscape and the recha brothers affection for each other and swims and suntanned nudity and whatever characters or stories they ran into as they camped out of their van. this leads to pursuit of a giant catfish and the temporary disappearance of one of the brothers. in the end david has to go back to barcelona to be with his daughter and marc has to return to his project and and there it ends. i found it fascinating to listen to an extended narration in the catalan language with its blend of spanish and french sounding words (perhaps linked with provençal. ). this isn not a major film but it commands attention and makes sense as a film festival choice with its clean visual and auditory beauty and its way of playing around with genres and blending autobiography with fiction and documentary in a fresh and thought provoking way. an official selection of the 2006 new york film festival at lincoln center. 
in august days or dies dagost marc recha has given us a sun saturated catalan documentary style road movie that mostly a meandering improvised meditation on brotherhood and reclaiming the dead. the beautiful sometimes large scale and richly atmospheric 35 mm. landscape images and nice soundtrack and catalan language narration are enchanting as a mood piece and if one is content with a trajectory that hasn not much momentum and doesn not lead anywhere in particular. filmmaker marc recha and his non identical twin david are the stars and the narrative is voiced by their younger sister. marc had been researching the life of ramon barnils (1940 2001) and a socialist editor who had been a family friend. he felt he was saturated with information and had to take a break. the break turned into making this film and which seeks to capture the mood of the interviews with barnils associates and thoughts about the spanish civil war and the drought season they were experiencing and the rugged landscape and the recha brothers affection for each other and swims and suntanned nudity and whatever characters or stories they ran into as they camped out of their van. this leads to pursuit of a giant catfish and the temporary disappearance of one of the brothers. in the end david has to go back to barcelona to be with his daughter and marc has to return to his project and and there it ends. i found it fascinating to listen to an extended narration in the catalan language with its blend of spanish and french sounding words (perhaps linked with provençal. ). this isn not a major film but it commands attention and makes sense as a film festival choice with its clean visual and auditory beauty and its way of playing around with genres and blending autobiography with fiction and documentary in a fresh and thought provoking way. an official selection of the 2006 new york film festival at lincoln center. ---------------------------------Answer Question Below----------------------------------

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