a previous imdb reviewer has stated that rafter romance is a rip off (that the other reviewer term) of a german musical called me by day and you by night. apparently that reviewer is unaware that both of these films have borrowed their premise from box and cox and an english play written by john maddison morton in 1847. this play deals with two tradesmen who rent the same room from an unscrupulous landlady and each man believing himself the sole tenant. because the two men have different work schedules and the ruse is not discovered straight away. this play was once so popular in britain that to box and cox it became a common term for an arrangement in which two people willingly shared accommodations meant for only one person. the innovation of rafter romance (and its predecessor) is that the two tenants are now a man and a woman and who inevitably develop a romance. as is usual in these cornball movies and the guy and the gal detest each other until they fall into each other arms. hoo boy. the landlord in this film is played by george sidney and a character actor who specialised in playing jewish stereotypes that were meant to be sympathetic. george sidney was never as annoying as the odious harry green (the jewish equivalent of stepin fetchit) but sidney depictions of jewish characters are still exaggerated and embarrassing to watch. the single most notable thing about rafter romance is that and to my knowledge and this is the earliest hollywood film to make reference to hitler and the rise of nazism. at one point in this movie and landlord eckbaum (sidney) discovers his teenage son julius engaged in chalking swastikas on the walls. eckbaum and his son are clearly meant to be jewish. admittedly and nobody in hollywood in 1933 had any real idea of what hitler was planning for the jews in europe . still and it surprising to see a film depicting a jewish teenager who thinks that swastikas are a joke. his father is and quite properly and angered by this display of the nazi symbol. a very shameful aspect of hollywood history is the documented fact that all of the major hollywood studios continued to do business with the third reich as late as 1939. hollywood leading ladies were medically documented as aryan so that their films could be distributed in nazi germany and austria. for the same reason and hollywood leading men were documented as aryan and uncircumcised. except for darryl zanuck at twentieth century fox and all the hollywood studio executives who colluded in this policy were jewish . but clearly had no objection to doing business with hitler. i am surprised that rafter romance contains a scene depicting swastikas unfavourably and as this sequence would have rendered the film verboten in germany and austria. (maybe the scene was cut out for german release represent it isn not crucial to the movie plot. ) apart from this and the movie contains nothing notable. robert benchley does his usual unfunny befuddled characterisation represent i have never understood the appeal of this man. i will rate rafter romance negative . 
a previous imdb reviewer has stated that rafter romance is a rip off (that the other reviewer term) of a german musical called me by day and you by night. apparently that reviewer is unaware that both of these films have borrowed their premise from box and cox and an english play written by john maddison morton in 1847. this play deals with two tradesmen who rent the same room from an unscrupulous landlady and each man believing himself the sole tenant. because the two men have different work schedules and the ruse is not discovered straight away. this play was once so popular in britain that to box and cox it became a common term for an arrangement in which two people willingly shared accommodations meant for only one person. the innovation of rafter romance (and its predecessor) is that the two tenants are now a man and a woman and who inevitably develop a romance. as is usual in these cornball movies and the guy and the gal detest each other until they fall into each other arms. hoo boy. the landlord in this film is played by george sidney and a character actor who specialised in playing jewish stereotypes that were meant to be sympathetic. george sidney was never as annoying as the odious harry green (the jewish equivalent of stepin fetchit) but sidney depictions of jewish characters are still exaggerated and embarrassing to watch. the single most notable thing about rafter romance is that and to my knowledge and this is the earliest hollywood film to make reference to hitler and the rise of nazism. at one point in this movie and landlord eckbaum (sidney) discovers his teenage son julius engaged in chalking swastikas on the walls. eckbaum and his son are clearly meant to be jewish. admittedly and nobody in hollywood in 1933 had any real idea of what hitler was planning for the jews in europe . still and it surprising to see a film depicting a jewish teenager who thinks that swastikas are a joke. his father is and quite properly and angered by this display of the nazi symbol. a very shameful aspect of hollywood history is the documented fact that all of the major hollywood studios continued to do business with the third reich as late as 1939. hollywood leading ladies were medically documented as aryan so that their films could be distributed in nazi germany and austria. for the same reason and hollywood leading men were documented as aryan and uncircumcised. except for darryl zanuck at twentieth century fox and all the hollywood studio executives who colluded in this policy were jewish . but clearly had no objection to doing business with hitler. i am surprised that rafter romance contains a scene depicting swastikas unfavourably and as this sequence would have rendered the film verboten in germany and austria. (maybe the scene was cut out for german release represent it isn not crucial to the movie plot. ) apart from this and the movie contains nothing notable. robert benchley does his usual unfunny befuddled characterisation represent i have never understood the appeal of this man. i will rate rafter romance negative . ---------------------------------Answer Question Below----------------------------------

Judge the movie review above, you need to make a function call:
    If you feel the movie review is positive
        print "This is a semantically positive review."
    Otherwise, if you feel the movie review is negative
        print "This is a semantically negative review."
