sometimes it hard to define what separates a successful and delightful comedy from one that falls flat. in this case and the contrived plot about a spoiled rich girl who schemes to take her nieces away from the greenwich village bohemian who is raising them and only to fall for him herself and is not promising. and nothing in director leigh jason filmography suggests that he was an overlooked major talent. and yet he must have been responsible for creating a relaxed and happy atmosphere on the set that was faithfully recorded on film. he also had the good sense to cast this movie properly. the one small flaw is miriam hopkins in a part that ginger rogers would have been perfect for. hopkins is efficient but brittle and lacking the warmth and sexiness rogers would have had. she is further hampered by a pair of bizarrely long and sooty false eyelashes that are sometimes a distraction. but a very young and very handsome ray milland couldn not be better in an exuberant and uninhibited comic performance of great charm. and better than that and particularly for new york city residents and is the hollywood depiction of greenwich village in 1937. though completely synthetic and idealized and it remains recognizable to a contemporary viewer. art director van nest polglase created an amiable jumble of mews apartments and ramshackle shared backyards that is the perfect backdrop for this picture collection of artists and strivers and smart alecks and wannabes. best in the supporting cast is guinn williams and bringing sweetness and light to his role as a prizefighter sculptor dressmaker and suggesting the self invention and fluidity (sexual and otherwise) of life in the village. even more refreshing are betty philson and marianna strelby playing the little girls. plain and intelligent and full of humor and these girls seem like real human beings and are nothing like the professional child actors of the time. of special interest are a couple of memorable comic set pieces represent ray milland vacuum cleaner demonstration to a woman with a howling baby is played with more spontaneity than one expects (the baby and his contortions are marvelous found moments) and a phony domestic play in a department store window that degenerates into a free for all is also fun. the movie slides slowly downhill with a straight faced custody trial and then never quite gets back on track when the action moves to long island and but this movie is still worth a look. 
sometimes it hard to define what separates a successful and delightful comedy from one that falls flat. in this case and the contrived plot about a spoiled rich girl who schemes to take her nieces away from the greenwich village bohemian who is raising them and only to fall for him herself and is not promising. and nothing in director leigh jason filmography suggests that he was an overlooked major talent. and yet he must have been responsible for creating a relaxed and happy atmosphere on the set that was faithfully recorded on film. he also had the good sense to cast this movie properly. the one small flaw is miriam hopkins in a part that ginger rogers would have been perfect for. hopkins is efficient but brittle and lacking the warmth and sexiness rogers would have had. she is further hampered by a pair of bizarrely long and sooty false eyelashes that are sometimes a distraction. but a very young and very handsome ray milland couldn not be better in an exuberant and uninhibited comic performance of great charm. and better than that and particularly for new york city residents and is the hollywood depiction of greenwich village in 1937. though completely synthetic and idealized and it remains recognizable to a contemporary viewer. art director van nest polglase created an amiable jumble of mews apartments and ramshackle shared backyards that is the perfect backdrop for this picture collection of artists and strivers and smart alecks and wannabes. best in the supporting cast is guinn williams and bringing sweetness and light to his role as a prizefighter sculptor dressmaker and suggesting the self invention and fluidity (sexual and otherwise) of life in the village. even more refreshing are betty philson and marianna strelby playing the little girls. plain and intelligent and full of humor and these girls seem like real human beings and are nothing like the professional child actors of the time. of special interest are a couple of memorable comic set pieces represent ray milland vacuum cleaner demonstration to a woman with a howling baby is played with more spontaneity than one expects (the baby and his contortions are marvelous found moments) and a phony domestic play in a department store window that degenerates into a free for all is also fun. the movie slides slowly downhill with a straight faced custody trial and then never quite gets back on track when the action moves to long island and but this movie is still worth a look. ---------------------------------Answer Question Below----------------------------------

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