francis ford coppola masterpiece was a great ending for a golden decade of american cinema. in the 1970s there was an atmosphere of tolerance and open mindness and and progressiveness among the studios that allowed the making of major films by a few of the best directors that the united states has ever had. i am not a historian and but all the events that preceded the decade (a few being the violent deaths of major figures of the american political and cultural scenes and the racial struggles and the emergence of the 1960s counter culture and the increase of violence and death in the streets. ) seemed to influence the vision of filmmakers who were willing to dare and be different and and create entertaining and intelligent motion pictures. coppola film is a strange blend of humanistic thinking and skillful film making and following the parameters of war and adventure films and and at the same time subverting them with its flowing reflections on the value of life and the reason of death and or the ethics of war. it is also a passionate work and made against all odds and chronicled in the 1991 documentary hearts of darkness represent a filmmaker apocalypse while a motion picture that went beyond any previous reflection on the vietnam war ever to reach the screen. this may not be the definite vietnam motion picture and but dealing with it coppola defied the formula of classic melodrama found in two vietnam movies made simultaneously and the deer hunter and coming home and or in latter ones as platoon and casualties of war and before vietnam became the starting point to make products of any genre and as horror in jacob ladder and or comedies as good morning and vietnam and among the more respectable. coppola had the courage to take that economic and political conflict as the background of a search for answers to questions faced by any man every day of his life and without betraying the dramatic consequences of that war. 
francis ford coppola masterpiece was a great ending for a golden decade of american cinema. in the 1970s there was an atmosphere of tolerance and open mindness and and progressiveness among the studios that allowed the making of major films by a few of the best directors that the united states has ever had. i am not a historian and but all the events that preceded the decade (a few being the violent deaths of major figures of the american political and cultural scenes and the racial struggles and the emergence of the 1960s counter culture and the increase of violence and death in the streets. ) seemed to influence the vision of filmmakers who were willing to dare and be different and and create entertaining and intelligent motion pictures. coppola film is a strange blend of humanistic thinking and skillful film making and following the parameters of war and adventure films and and at the same time subverting them with its flowing reflections on the value of life and the reason of death and or the ethics of war. it is also a passionate work and made against all odds and chronicled in the 1991 documentary hearts of darkness represent a filmmaker apocalypse while a motion picture that went beyond any previous reflection on the vietnam war ever to reach the screen. this may not be the definite vietnam motion picture and but dealing with it coppola defied the formula of classic melodrama found in two vietnam movies made simultaneously and the deer hunter and coming home and or in latter ones as platoon and casualties of war and before vietnam became the starting point to make products of any genre and as horror in jacob ladder and or comedies as good morning and vietnam and among the more respectable. coppola had the courage to take that economic and political conflict as the background of a search for answers to questions faced by any man every day of his life and without betraying the dramatic consequences of that war. ---------------------------------Answer Question Below----------------------------------

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