the 1970s opened the door to the largest and most diverse era of film in the history. some films were great (the godfather and the conversation and mean streets and chinatown and the french connection and five easy pieces and jaws and mccabe and mrs. miller) others were not so great (the getaway and the outfit and badge 373 and joe and the taking of pelham one two three and brewster mccloud and castle keep) and others were barely worth the price of admission. yet every one was a fresh breath of air compared to today corporate hollywood. where every film is given a big weekend to recoup its cost. or go straight to hbo and rental. what decade does so well is to relate the sudden and rarely experienced sensation of freedom to be given money to make and direct a film. perhaps personal. perhaps not. sometime with a clutch of extras. sometimes and in the middle of a busy street before the cops show up. long before the corporate overseers and suits and committees and lawyers ever became part of the system. the commentaries are superb. especially julie christie and dennis hopper. though as you listen and you will slowly discover just how many big directors today (coppola and scorsese and ron howard and dennis hopper and peter bogdonovitch) got stated as roger corman commandos. working long hours with short pay. shooting a film in under a month. learning all the steps and tricks of the trade by doing it themselves. turning in product that was on time and under budget. see decade for its message. and for a long and varied list of films to watch made through those wondrously turbulent years. though and i would not complain if ifc decided to devote another documentary solely to that most under rated grand pioneer of film and roger corman. 
the 1970s opened the door to the largest and most diverse era of film in the history. some films were great (the godfather and the conversation and mean streets and chinatown and the french connection and five easy pieces and jaws and mccabe and mrs. miller) others were not so great (the getaway and the outfit and badge 373 and joe and the taking of pelham one two three and brewster mccloud and castle keep) and others were barely worth the price of admission. yet every one was a fresh breath of air compared to today corporate hollywood. where every film is given a big weekend to recoup its cost. or go straight to hbo and rental. what decade does so well is to relate the sudden and rarely experienced sensation of freedom to be given money to make and direct a film. perhaps personal. perhaps not. sometime with a clutch of extras. sometimes and in the middle of a busy street before the cops show up. long before the corporate overseers and suits and committees and lawyers ever became part of the system. the commentaries are superb. especially julie christie and dennis hopper. though as you listen and you will slowly discover just how many big directors today (coppola and scorsese and ron howard and dennis hopper and peter bogdonovitch) got stated as roger corman commandos. working long hours with short pay. shooting a film in under a month. learning all the steps and tricks of the trade by doing it themselves. turning in product that was on time and under budget. see decade for its message. and for a long and varied list of films to watch made through those wondrously turbulent years. though and i would not complain if ifc decided to devote another documentary solely to that most under rated grand pioneer of film and roger corman. ---------------------------------Answer Question Below----------------------------------

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