ICONOLOGICAL PROGRAM OF QUARENGHI’S CONSTRUCTIONS IN TSARSKOE SELO AND PUSHKIN’S TRANSLATION WORK
The article considers the iconological program of two closely related buildings of G. Quarenghi in Tsarskoe Selo. It is proved that these constructions belonged to the new mythology of the gallant age. Pushkin was impressed by these constructions, reading his translations in the context of Quarenghi’s iconology and analysis of his work with mythological and plastic images, his imagination about the imagination, allows to clarify Quarenghi’s contribution to the original Russian culture.