MODIFICATION OF ENLIGHTENING CONCEPTIONS "NATURE" AND "NATURAL MAN" IN DRAMA OF N. KOLYADA
The author considers the transformations of classical “enlightening” categories of “Nature” and “Natural man”, which are produced in N. Kolyada's synthetic dramatic poetics identified within the framework of new sentimentalism, and reveals the reduction of enlightening Nature-Universe to its living and sentient component (people and animals) by a modern playwright and the psychoanalytic implementation of “natural man” conception.