Language experiment in Belarusian philosophical poetry
The article is devoted to analysis of phenomenon of linguistic focus philosophical lyrics on the example of the creativity modern Belarusian poets, A. Ryazanov, M. Boyarin, I. Kulikov. Describes the historical background of the formation of lingvocentrism in philosophical poetry. The features in the organization of the lexical structure of the works are characterized by the peculiarities of the authorʼs word creation. Reveals that the subjective organization of poetry defines the individualization of the language of art works, which makes the desire of the writer to create a separate language. Literature, like philosophy, generates an eventuality of thought, but unlike the latter, it does not use a set of arguments that you can learn from philosophers, and proceeds from the eventuality of the language itself. So the boundaries are blurred between the actual philosophical work, and a work of fiction in the classical sense. In the philosophical poetry of the authors the language itself is the theme of poetic arguments and experiments, which are implemented linguistic concepts of the symbolists, structuralists.