APOPHATIC REALITY IN THE TALE OF THE GOLDEN COCKEREL BY A. S. PUSHKIN AND THE POEM SHAMAN AND VENUS BY V. KHLEBNIKOV: CULTUROLOGICAL AND ONTOLOGICAL ASPECTS
The object of the article is presented by two works - The Tale of the Golden Cockerel by A. S. Pushkin and the poem Shaman and Venus by V. Khlebnikov. The subject of the article is an apophatic tradition in these works. To identify apophatic reality in the texts, the authors use the analysis of spatiotemporal models, oppositions: morning-evening, male-female, north-east. In this regard, at a typological level, the eastern Sufi tradition, which was most likely familiar to the futurist poet, was also considered. In Sufism, the phenomenon of “illuminated man” is associated with the Black Light, the image of the midnight sun, which is typologically close to the image of the Black Sun from Russian literature - all these images indicate an apophatic tradition.