Cyclic Forms Used in Franz Schubert’s Minuets: Anticipation of Viennese Waltz
The paper is devoted to identifying the features of cyclicity in the collection of «20 minuets» (D. 41, 1813) by Franz Schubert. It demonstrates a number of unifying elements, such as tonal plans and common intonation formulae. The indicated signs of cyclicity will be developed by the composer in ländlers, German dances and waltzes, and later it will become the foundation of a new genre - Viennese waltz.