PARADOXES OF LITERARY GEOGRAPHY IN STENDHAL’S NOVEL "THE CHARTERHOUSE OF PARMA"
The article is devoted to the specifics of Stendhal’s manner of writing, for instance, to the way he organised the fictional reality in his novel “The Charterhouse of Parma”. The author of the article, with respect to the researches of the leading French specialists of the 20th century, provides a profound analysis of the text of the abovementioned novel, aiming to discover the main peculiarities of the Stendhal’s creative method.