Translating <i>King Lear</i>
The article expounds the principles and presumptions of a new translation of Shakespeare's 'King Lear' made by the author. The author aimed to follow the translation principles espoused by Boris Pasternak, in full compliance with his desire to move from "translating words and metaphors" to "translating thoughts and scenes". The article also addresses the issue of Shakespeare and Tolstoy, offering four explanations of the tradedy's opening scene - the ones linked to folklore, symbolist theatre, politics and philosophy. The story of Lear is compared to the 12th century Irish tale of King Suibhne the mad written in a mixture of poetry and prose. 'King Lear' receives a special treatment, emphasizing its difference from other great tragedies by Shakespeare. 'Lear', with its universal conflict against the world beset by falsehood, a tragic mistake and final atonement, truly stands apart among them.