The image of the native land in the chamber and vocal works of the Chinese composers
This article is devoted to the study of music content and identifies features of embodiments of the Chinese performing chamber vocal lyric specificity shaped sphere which is directly related to national culture and identity of national expression. Development of the Chinese chamber-vocal lyricism is inextricably linked with the development achievements of world vocal art. Using his experience, Chinese composers have always sought to national identity of his work, with the establishment of a national vocal music happening is inseparable from the process of adaptation to European genres: romance, poem, ballad, poem with music, vocal cycles. Circle images vocal works is quite extensive and covers the philosophical, landscape, love poems of different poets. Among the numerous examples of chamber vocal art image of the native land has become a symbol, embodying the essence of the mentality of the Chinese people. Universal values of the image of the native land lies in the spiritual connection of man with his native land, traditions, culture, memories of childhood, and so on. For example, in the works of composers Tao Syao Shi Guannan, Ao Chantsyun, Liu Jing and others reflects the enthusiasm of passionate love to their homeland. In the composer’s vocal lyrics of Zheng Tsu Feng also found a vivid expression images of his native land. In the song