"NEW DRAMA": SEARCH FOR LITERARY OPTICS FOR META-THEATRICAL EXPERIMENTS DESCRIPTION
The author raises the problem of traditional literary terminology use for the description of the phenomena, observed in modern domestic dramaturgy, by the example of the competition of the terms theater in theater and meta-theatricality, which have different bases: structural and phenomenological ones, and proves that phenomenological basis is much more productive than structural one for the description of the specificity of the Russian drama of the past few years.