RESEARCH IN THE CONDITIONS OF ARTISTIC ACTIVITY
The article is devoted to the methodical presentation of research and the function of its product in the conditions of artistic activity. To implement this, it is necessary to determine the specifics of the artistic activity itself, which in turn causes the need to update the issue of the possibility of a non-conceptual definition of the ontology of art. The relevance of this work is associated with an existing confusion among authors (artists, curators) and even cultural and art researchers of such concepts as applied and academic research, as well as everyday and scientific cognition. The obtained methodical and methodological constructions can be used, firstly, as a basis for understanding by the subjects of artistic activity the nature and specifics of one of its possible stages, and, secondly, as a tool for disciplinary propaedeutics of applied research deployed in the conditions of artistic activity.