THE PROBLEM OF INTERPRETING L. ANDREEV’S PROSE BY MEANS OF CINEMATOGRAPHY ON THE EXAMPLE OF THE FILM ADAPTATION OF THE STORY “HE. <i>NOTES OF THE UNKNOWN</i>”
The article attempts an interdisciplinary analysis of the film adaptation of L. Andreev’s story “He. Notes Of The Unknown”. It uses the psychoanalytic approach to understanding the problems of the literary basis and the ways of its embodiment in cinema.