The Logic of sense by Gilles Deleuze in a musical composition by Helmut Lachenmann: an experience of the comparative analysis of the first series of paradoxes.
The article focuses on the comparative analysis of The Logic of sense by Gilles Deleuze and some features of musical composition of the 20th century represented by works by German composer Helmut Lachenmann. The interdisciplinary approach to the analysis of a musical composition of the 20th century is of current interest. The analysis of Lewis Carrolls paradoxical way of thinking reflected in his book <i>Alices Adventures in Wonderland </i>and comprising the first series of Deleuzes paradoxes is compared with similar ideas in Helmut Lachenmanns music. Such analysis helps to explain the German composers esthetic views on art and their reflection in music by means of modern musical techniques.