Structural Images in the Heavenly Sphere of the Fable Nine-Book by I. A. Krylova
The paper considers the dominant values of structural images, according to the definition of M. L. Gasparov, the celestial sphere of the fable nine-book by I. A. Krylov. In the course of the study, typological signs of the structure of the image are formulated, the core characters are analyzed, providing the plot-motive integrity of this sphere, in particular, the crow, nightingale, bee, eagle and gods. This work is part of a large study, the purpose of which is a systematic study of the book-making strategy of the great Russian fabulist and the poetological elements that create the unity of his macro-concept. The basic model for the author and the reader assumes that the positive semantics of the celestial segment is given as spatially close to the carriers of the sacred meanings of the world order. This explains the stability and multiphase fixation in the culture of the meanings behind certain images used in the genres of artistic and didactic orientation as a tool for influencing the reader. This rhetorical and content potential is revealed in this article based on the material of more than fifty texts of the nine-book by I. A. Krylov.