Implementation of Fyodor I. Tyutchev''s poem "People''s tears"in a cappella part-songs
The article deals with the problems connected with the analysis of F.I. Tuytchev's poem called "People's tears" and its interpretation in a capella part-songs created by composers of different schools (M.V. Koval', A.N. Aleksandrov). Soviet approach of poetry analysis is not effective for understanding the inner nature of the poet’s creative heritage because they do not take the peculiarities of his Christian thought into account. Therefore, finding a connection between a literary phenomenon and its first principle becomes one of the main issues. Semantic potencies of Tyutchev's poetry may be revealed against the background of his Christian worldview. In intermedia arts, event line is usually followed by a vertical structure - the interconnection of semiotic systems. The connection between lyrics and music is a part of the fundamental issue of art synthesis. The analysis of musical and poetical text interaction on the level of form, rhythm, dynamics, and tone gives an opportunity to define the profoundness of composer's and poet's outlook. Composer's interpretation defines a peculiar nature of his personal touch. Choir music contexture combines all possible types of junction: fusion, finding of independence, contradiction or even conflict. It helps a conductor to take interpretation peculiarities into account upon choral piece rendition.