THE METHOD OF HERMENEUTICS AND AUTHENTICITY OF THE CULTURAL TEXT
The aim of the article is to reveal the opportunities for a hermeneutical analysis of the Olonkho (Sakha people epic songs) texts. It is supposed that the original information contained in Olonkho is stored in archetypes obtained by each representative of ethnos. Storytelling can reborn when three points are reached: 1) synchronical position of a person in the center of co-existence, 2) direct vertical connection of a person with the Universal order, 3) speaking native language. There are two groups of methods suggested: 1) re-creation, restoration of oral authentic texts of the Olonkho: а) spontaneous emergence of the storytelling talent caused by entering the condition of meditation, autism; b) mouth-to-mouth transition of Olonkho between two storytellers; c) representation of Olonkho texts heard much in the story-teller's childhood; 2) re-creation, restoration of written Olonkho texts: a) re-reading of the texts using hermeneutics methods; b) creation of a new text; c) creation of a new synthetical writing genre of Olonkho based on the revived epic way of thinking.