Paralinguistic Means in the Contemporary Experimental Poetry of Austria, Russia, Belarus
The contemporary literary process is characterized by the situation when standard universalist interpretations lose their explanatory and prognostic functions. Strategies of writing aimed at experiment and novelty are becoming extremely widespread. The study of the language opportunities conducted in the poetry of vanguard and neo-vanguard writers, the poetconcretist E. Yandl's in particular, results in the transformation of the conventional language of fiction, in the application of the opportunities of the poly-code writing, paralinguistic components. The similar vector of the activity is also found in the works by the contemporary Russian and Belarusian poets (Ry Nikonova and Nasta Grishchuk correspondingly). The purpose of the article is to identify functioning features of paralinguistic means and find out their influence on the content and the form of a poetic utterance in works with complicated semiotic nature by E. Yandl, Ry Nikonova and Nasta Grishchuk. Material and methods. The research material is experimental works by E. Yandl, performances by the Russian poet Ry Nikonova, the work “We Parted” (verbal and paralinguistic) by Nasta Grishchuk from the collection of “Million of Unworthy Sounds”. The research methodological basis is works of Belarusian, Russian and foreign scientists-humanitarists: A. Gugnin, M. Gasparov, O. Poimanova, D. Rosen tal. The study is based on cultural and historic principles, comparative and formal school methods as well as the method of structural analysis. Findings and their discussion. In the contemporary poetic art addressing ways of such a means of creating an artistic image as paralinguisms is one of the decisive literature and aesthetic dominants. The present research points out that strengthening visual, acoustic, paralinguistic motivation of a poetic utterance and the use of game techniques define basic forms and stylistics of the development of European, including contemporary Russian and Belarusian, poetry. Conclusion. The unity of verbal and paralinguistic means in the experimental works by E. Yandl, Ry Nikonova, Nasta Grishchuk makes it possible to render the general contents of the utterance deeper and more accurately, to carry the emotional component more distinctly, to sharpen the brightness, figurativeness and multi-meaningfulness of an artistic image.