On functioning of personal names in the art text
The paper discusses functioning of personal proper names in the art text. It is shown that studying anthroponyms as the units of the language promotes comprehension of a deep meaning of work, allows the reader to get into author's laboratory and reveal onomastic space of work. It is noted that the anthroponym dictionary of a work has dual motivation: on the one hand, motivational relations correspond to a real onomastic dictionary, on the other, the anthroponymic system is realized as an artificial system motivated with associative relations in a context of the work content.