Creative Model of the Performance in the Landscape of Russian Theater Art of Modern Times
The author attempts to identify and distinguish traditional and alternative formats of theatre art established by the beginning of the 1920s in the space of national theater. The article considered formed determinants of the appearance and spread of art practice in national theater art. The author refers them to alternative formats of theater art. The culture of participation (collaboration), producer strategies of postdramatism, digitalization of daily occurrence are presented by the author as fundamental grounds for the appearance of such a non-classical creative model as a site-specific art practice in landscape of the Russian theater art of the 21<sup>st</sup> century. According to the author, a number of reasons clearly presented in the article causes the unstable dynamics of the attractiveness of non-classical creative model in the space of the Russian theater. The accumulated national theatre experience is developing and being realized by the beginning of the 2020s in traditional and alternative formats of theatre art, which simultaneously influence each other. The actualization of site-specific art practice is evaluated by the author as a positive phenomenon that allows to update and to expand the arsenal of producer's strategies, to discover an innovative approach to creating an aesthetic event, to transform audience participation within the framework of the national theater art and culture of participation.