Novel-truth by Eva Kanturkova: ideological and aesthetic features of artistic thinking
We consider the problems and poetics, images of the «novel-truth» «Friends of the house of sorrow» of the famous Czech writer, publicist, screenwriter and dissident Eva Kanturkova within the creative evolution. Conclusions of belonging to the style of the novel literature of fact. Attention is paid to the psychological component in the novel, the way the Czech writer outlines the prospects for their domestic inmates as understands the characters and draws deeply truthful portraits of people who are on the fringes of society. E. Kanturkova draws analogies between their situations and lives in a totalitarian society. Vectors are outlined possible analysis works in the context of Czech literature of the second half of the XX century. It is proposed to be considered in the framework of the novel phenomenon of the prison camp and Czech literature, to compare the works of Karel Pecka, Jan Beneš, Jiří Mucha, and the Russian novel of Alexander Solzhenitsyn's «One Day in the Life of Ivan Denisovich». Provided in the autobiographical work. It is characterized by the style and language of the novel in general literature, but with the use of vulgarisms and quotes the words of those women who became the heroine of the book.