Color in the Cultural Code System of Omsk Artists as an Image of the Epoch of the 1960s
The period of the second half of the 1950s - 1960s in Siberian art is considered. The main pictorial tendencies in the Omsk art of this period are described on the example of landscape: realistic landscape, landscape of the severe style, landscape in the style of pictonal realism. The vanety of pictonal techniques was associated with the liberalization of social and political life as opposed to the normativity of socialist realism. The artistic features of the work of the painters of the Moscow school are considered and the Omsk pictorial art of the period is analyzed. The coloristic analysis of the works of Omsk artists was carried out on the basis of the author’s methodology. The work of V.V. Kukuitsev, M.B. Bryukhanov, G.A. Shtabnov, R.F. Cherepanov, K.A. Belov, A.N. Liberov is concidered. More than 100 works of authors were analyzed, 5 works of the mentioned authors were considered in more detail from the point of view of color. The use of a graphic editor was made, the paintings were decomposed into color spots, the main compositional colors were identified based on this work, and on the basis of the coloristic analysis of the works, which became the author’s research method. It is concluded that with different styles of works by Omsk artists, color solutions are observed: colors are built on medium-muted shades with a slight contrast in lightness. The study is applicable for a deeper understanding the geographical and sociocultural conditioning of color in a painting. The article presents the main features of the pictorial and graphic coloristic system. The main color palettes used by the artists during the 1950s and 1960s are recorded. The color palette designations for each artist are presented.