THE USEFULNESS OF LANGUAGE AND STYLE IN THE TRANSLATION OF BORIS MAZIKHOV'S STORY "THE FACE OF GOD"
In the previous work, we noted that «the translator must be fl uent in the original language (native language), as he is in constant contact with the language of a stranger, and at every step he is tempted to calcify the forms of this language» [1, 8-9]. Historically, there is often a perception and assimilation of foreign language forms. This applies to many translations of prose from Russian into Kabardino-Circassian. «But the invasion of alien forms, occurring in a period of constant relationship with another language, as a rule, entails the distortion and disappearance of the natural forms of the native language» [1, 44]. It happens that, forgetting about the richness and multicolour of the native language, the translator for accurate transmission of thought refers to a foreign language and at the same time complains about the lack of appropriate means of expression in the native language. Some researchers believe that the invasion of foreign language elements develops and enriches the language, and prove that the penetration of new ideas and concepts is accompanied by the introduction of these new elements. This is certainly the case. But we should not forget that the development of language is due to the internal capabilities inherent in the language itself, by identifying their own forms and their skills, and not by copying or calculating other people's forms. The task of the author is to identify: what is the unit of translation in this case: the spirit of the work or its lexical and semantic series, depending on the theoretical approach to that.