BIOGRAPHICAL, LITERARY AND CREATIVE aroundtext OF A ARTWORK (BY THE EXAMPLE OF "FLORENTINE NIGHTS" BY M.I. TSVETAEVA)
The study is a practical illustration of the theory of literary aroundtext. Аroundtext is understood as versatile information that complements the textual semantics of language units. This information includes information about the historical era of the creation of a work of art and the linguistic dynamics of this era, as well as biographical information from the authorʼs life associated with this text, his allusive connections with other works of world literature, and the artistic context of the writerʼs work. «Florentine nights» by M.I. Tsvetaeva are closely connected with the Berlin realities of her life in the summer of 1922, with other texts of her collection «Craft» and the cycle «Youth». German parallels, reflecting mainly the orientation towards the work of the same name by Heinrich Heine, are able to reveal, on the one hand, the semantic (mainly emotional) similarity of the texts, on the other hand, the originality of the creative approaches of M.I. Tsvetaeva. The large literary context of the «Florentine nights» connects them with the Old Testament parts of the Bible, which is manifested in the abundance of precedent names and prototypical situations. The latter, in turn, refer to the biographical details of the poetʼs life. The textual topography of the work includes Berlin, Moscow, Crimea. Details of the plot and composition are semantically related to the relationship between Tsvetaeva and three major figures of Russian culture in the first quarter of the 20th century: A.G. Vishnyak, E.L. Mindlin, I.G. Ehrenburg.