THE CONCEPT OF TRUE AND FALSE IN THE DRAMA ABOUT TEENAGERS AND THE INTERNET (ON THE EXAMPLE OF N. BLOK’S “TOPLESS PHOTO” AND C. RINDERKNECHT’S “LIVIA, 13”)
The urgent task of literary criticism is the study of literary texts from the point of view of the implementation of concepts. The article examines the functioning of the concepts of true and false, which in the postmodern world that strives for getting away from binary oppositions, acquire new meanings, which allows to talk about both the preservation and transformation of traditional meanings of a concept. Modern texts about adolescents and the Internet allow us to consider this issue also in the context of interaction of the virtual space and the real world, which is characterized by a shift in the boundaries of the reliable and unreliable. This process is especially noticeable in drama. The article also examines the issue of the antihero, which is significant for the postmodern world, which logically follows from the analysis of the concepts of truth and false in the plays by C. Rinderknecht “Livia, 13” and N. Blok “Topless Photo”.