Representation of inexpressible in lingua-creative activity
The representation of the functional and semantic category of the inexpressible in lingua-creative activity is described in the article, the zone of intersection of the semantic of inexpressible and the semantic of the sacral in the space of the language creative, the creative strategies of the semantics of inexpressible (apophatics and orientation to indefinite nominations) are revealed; the idea that the creative strategies of tabooization and euphemization in the sacred sphere find application in the representation of semantics of inexpressible, is justified, since the latter is a paradoxi cal verbal way of expressing inexpressible, hidden meanings. It is shown that the most significant results of lingua creative activity in the representation of the meaning of inexpressible are presented in the art speech, in the genre of parody, humorous texts, in the literary direction of postmodernism, beginning with the origins of this trend, leaving in the works of A. Chekhov, his use of literary allusions, ending with modern literature entertainment. The article analyzes the means of transferring the semantics of inexpressible modern period - emoticons; it is determined that these graphical means of expressing inexpressible as constituents of the subfield, the semiotic inexpressibility of the field of inexpressible in the Russian language, not only convey emotions and feelings, but also implement the game strategy of homo ludens in Internet communications.