EAST "FOOTPRINT" IN THE BALLET "BOLERO" KRASNODAR MUSICAL THEATRE
The article presents experience of the comprehensive interpretation choreographic scenic composition as one of the possible versions visualization widely known musical work by Maurice Ravel. The author identifies a number of specific features of the play, written to the audio-visual perception, which showed its oriental character. The miforitualny symbols depicted as the ballet were read by the author is multiple-valued that is the prerequisite for polyaspect disclosure of its contents - the feature inherent in ballet art ontologically, by its nature.