SCIENTIFIC-THEORETICAL BASES OF TRAINING IN ART PRACTICIANS OF STUDENTS OF CREATIVE HIGHER EDUCATION INSTITUTIONS OF THE COUNTRY
In article it is claimed that many works of modern artists cannot be understood within usual logic of classical art. According to the author, the images of the modern art deprived of space-time measurements and substantially empty, often differ in ideal orderliness of shaping and are extraordinary active, bright and attractive. The author claims that if you lead color to its own internal relations (warm - cold, expansion - compression), you receive everything. If color is perfect if the color relations are opened per se, then you have everything - a form and a background, light and shade, dark and light.