A. P. CHEKHOV IN L. ERENBURG AND YU. BUTUSOV''S INTERPRETATION: FACETS AND BORDERS
In the article a comparative analysis of A. P. Chekhov’s play «Three Sisters» is presented in L. Erenburg and Yu. Butusov's interpretation in the aspect of modeling frontier aesthetics. The author notes that the modern theater gravitates to frontier aesthetics, which is implemented at various levels of the play interpretation. The empirical material was productions of the given directors, and also considerable layer of theatrical critics’ works, which allowed us to designate those aspects of the director's interpretation, which caused the greatest resonance. In the research frontier levels are presented, which are found in L. Erenburg and Yu. Butusov's productions, at the same time distinctive and general features of frontier discourse are noted. In the article here are analysed the following levels: contextual, creating historical and cultural discourse of the Chekhov theater; the level of frontier of Chekhov’s text generating a metatext character of the play; the level of frontier of characters (made as binary oppositions or ambivalence); chronotope frontier; facets and borders of symbolics; frontier of the performance end and genre frontier of the play and theatrical action. The author notes the axiological importance of frontier aesthetics in modern Russian theater.