THE CONCEPT OF DIALOGUE IN THE WORKS OF M. BAKHTIN AND V. BIBLER
This article is a theoretical analysis of the phenomenon of cultural dialogue and dialogic relying on conceptual positions M.M. Bakhtin and V.S. Bibler. The most common interpretation of the dialogue of cultures is the phenomenon as a process of interaction, the influence of different historical and contemporary cultures and certain forms of coexistence. Therefore, the dialogue of cultures is originally first mode of culture, the basis for its further growth. V.S. Bibler and M.M. Bakhtin believes that it is through dialogue with other cultures and create personal and public arsenal of knowledge, skills and understanding of codes and symbols that reflect the historical significance of each phenomenon. The concept of "other" (Interlocutor, opposed itself) becomes a key to the philosophy of Bakhtin, as a person becomes a person, and knows itself as such only in relation to other. The concept is complemented by significant dialogue Bakhtin appeal to the main part of communication - text. Text that carries the meaning of cultures of different layers of time, always dialogical, directed both personal and social; Another idea is the best embodied in the cultural text. The concept of cultural dialogue realizes itself in the humanities, in the process of interpretation and understanding of others and oneself; the subject can be not only the individual but also the community, deducing on the basis of external dialogue own intellectual paradigm further understanding and research. The leading role in the conception and creation of the concept of cultural dialogue once again belongs to the sense, as a response to the spiritual needs of the individual and as the possibility of a new interpretive turn in the space of the text. In this situation, creativity becomes a unifying force and an indicator measuring the sense objects of the world, characteristic of the personal spiritual level, research and intellectual activity.