POETICS OF PARADOX IN THE SYSTEM OF LITERARY EXPERIMENTS BY IGOR GUBERMAN
The article is devoted to the consideration of the poetics of the paradox in the literary and ironic experiments by Igor Guberman. Obviously, such an attitude towards using the effect of disharmony, provocation, false and imaginary resolution of poetic conflict determines the author's style and artistic manner. The lyrics by Igor Guberman becomes a marker of social and historical changes in the second half of the twentieth century. The article identifies the typology of the variant use of the paradox technique, notes the role of irony in the formation of the aesthetic construct. The basis of the analysis is the “Moscow Diary”, which has been practically not studied in the mass of critical sources. The conclusion contains the idea that the poetics of the paradox, the invariant of irony are characteristic of most lyrical forms by Igor Guberman.