POETICS OF CHEKHOV''S LATEST PROSE: SEMANTIC SHIFT
The article analyzes the poetics of the costume in Chekhov's latest prose. Semantic shifts: «visual» is replaced by «acoustic» and «olfactory», are the reasons for looking for ways of expressing the complexity, ambiguity of human experience. The multilayer polysemantic detail tying all the «knots» of the narrative, holds the key to the author’s game of the text and the subtext.