Interaction of metaphor and metonymy in B. Pasternak’s lyrics (ideographic aspect)
Many researchers consider such feature of B. Pasternak’s poetics as specific character of his reality perception, which is caused by his individual associative thinking. This article is devoted to studying the interaction of metaphor and metonymy, which are the main associative tropes, in B. Pasternak’s poetic texts. Authors mention the interaction of these tropes with other expressive means, for example, with comparative constructions or other complicating elements. Authors demonstrate that each interaction presents some semantic specificity of reality representation in the text, associative convergence of different parts of reality. Each example of interaction of metaphor and metonymy realize the junction of two any parameters related to certain spheres. Authors find 5 parameters of interaction of metaphor and metonymy: acoustic, visual, emotional, intellectual, physical. So there are 10 types of convergence: emotional-visual, emotional-acoustic, emotionalintellectual, emotional-physical, visual-acoustic, visual-intellectual, visual-physical, intellectual-acoustic, intellectual-physical, physical-acoustic.