The evolution of artistic thinking: from painting to cinema and backwards
The article considers main aspects of artistic thinking during the transfer from static arts (painting) to dynamic arts (cinematography). It is shown on the basis of a new method of visual-sound narrative, which was developed within the traditional school of painting. The evolution of visual narrative allows representing a cinematographic apparatus as an instrument of analysis and dynamic ‘arriving at’ static art objects. Therefore, cinematographic vision may be represented as a means of better perception and interpretation of the visual culture in general.