The transposition of the salvational function in the structure of the thematic unit of the birth of the Chevalier au Cygne
The author of the article analyses the plot structure of the medieval French poems ‘Elioxe’ and ‘Beatrix’, based on the thematic unit of the birth of the Chevalier au Cygne, which goes back to folklore. In ‘Elioxe’ the salvational function is performed by the female character, whereas in the typologically later poem ‘Beatrix’ it belongs to the male character. In ‘Beatrix’ the transposition of the salvational function from the female to the male character results in the inclusion of the episode of ordeal by combat. The role of Divine intervention in ‘Beatrix’ is enhanced, and the legal fight is seen as the fight between God and the devil. The resolution of the state of disorder (in the terms of V. Propp’s theory) is motivated by supernatural intervention and is interpreted as the restoration of justice by Divine aid.