FEATURES OF THE FUNCTIONING OF DERIVATIVES PREPOSITIONS IN THE ARTISTIC SPEECH OF F.M. DOSTOEVSKY (ON THE EXAMPLE OF THE NOVEL "CRIME AND PUNISHMENT")
The article is devoted to the study of the functional potential of derivative prepositions in the artistic speech of F.M. Dostoevsky, the identification of a wide range of their textual and figurative-expressive functions in the novel «Crime and Punishment». Derived prepositions are considered as a separate group of Russian prepositions that have not completely lost lexico-grammatical and semantic connections with significant parts of speech from which they are formed, which determines the presence of certain functional and semantic possibilities in artistic discourse, where almost every unit of language obeys the task of maximally revealing the idea and problem of the text, reflects the peculiarities of the linguistic personality, the idiosyncrasy of the author, participates in the implementation of his communicative intentions. As a result of the study, the most common derivative prepositions in the communicative space of F.M. Dostoevsky's novel «Crime and Punishment» were identified, the correlation of their semantic categories in relation to the artistic originality of the narrative is determined, their functions in the work are revealed.