CREATIVE LABORATORY OF A TRANSLATOR (I. F. ANNENSKIY)
The article focuses on the peculiarities of translation manner of I. F. Annenskiy on the base of comparison analysis of the Italian poem «Nevicata» by Ada Negri and its translation - the poem «Under the snow» by I. F. Annenskiy. Following the principles of D. S. Likhachev, who insisted on the strict historical analysis of the text, it was considered necessary to turn to Annensky’s manuscripts from his archives. Being published for the first time the draft of «Nevicata» translation in the following article preserved initial variants, author’s punctuation and strophes partition that allows the reader to see various layers of the text. Moreover, the article has the original poem by Ada Negri and its interlinear translation, done by the article’s author. Philological analysis of I. F. Annenskiy’s text makes it possible to draw conclusions about a specific way of prose rhythmics as semantics finds its embodiment in a complete rhythmic inflection image. «Inaccuracies» and «flaws» in the translation that are essential for a translator according to I. F. Annenskiy can be viewed as an evidence of filling the poem «Under the snow»with a «new psychical content».