DIALECTICS OF THE MATERIAL AND SEMANTIC IN THE CHRONOTOPE (ON THE EXAMPLE OF THE PECULIARITIES OF THE SPATIAL STRUCTURE OF WARSAW OF THE EIGHTY-NINETEEN YEARS OF THE XX CENTURY IN THE WORKS OF J. CHMIELEWSKA)
The study of the spatial organization of the urban environment of the XX century, which appearance was shaped largely by the development of architectural art, is quite an up-to-date trend in modern humanitarian science. In the philosophical consideration of this problem, the necessary attention must be paid to the ontological correlation of the material and the ideal in the structure of the urban spatial and temporal organization. The scientific novelty and theoretical significance of the research consists in the implementation in its framework of the analysis of the configuration of urban spatial dimension with the help of the concept of the chronotope. The chronotope expresses an ontological structure that includes, in addition to the spatial and temporal dimensions customary for this category, the basic ratio of matter and eidos, opposite in their way of being, but coexisting in dialectical unity. Through an appeal to the literary image of Warsaw, expressed in works of the Polish writer J. Chmielewska, the interrelation between the literary chronotope (Warsaw in the art work) and the semantic structure of being (the sociocultural image of Warsaw) is revealed. With the help of the analysis of the main features of the organization of public and private urban space, the artistic description of which is contained in the Chmielewska's novels, the relationship of the four chronotopical attributes - spatial, temporal, material and semantic - is described. The dialectical interconnection of these attributes forms the integral structure of the urban environment and serves as an existential matrix constituting its organization.