Theater as a Way of Anthropological Thinking: Man, Structure, World
The article centers round the study of contemporary art thinking as an analogue of scientific thinking. International theater festivals make it possible to analyze formal features of a piece of art, the features, which in the XX th century art turned into main ones out of the supplementary, or into the sence building ones. The theatrical language itself in contemporary art has become principally dominant in an artistic utterance. In the structure itself one can find not just the reason for visual image of the performance, it contains hidden sense of the show. The world has become more complicated, following it the artistic language has also become more complicated. It is no longer possible to find grounds on the surface and on the verbal level of the text, only depths of the subconscious turn out to be storages of the most important sense reasons of the world, the real and the artistic one. Performances shown at different festivals of «MoldFestRampa.Ru» are analyzed in the article as compositionally complicated structures. Semantic analysis makes it possible to understand topical ways of conveying modern senses of theatrical performances. Complicated art structures make it possible to understand the complicated character of the inner world of the contemporary man.