The Basic Tendencies of Violin Concerto Genre Evolution in the Creative Work of Chinese Composers of the 1940-1980s
The paper aims to identify the specificity of Chinese composers’ interpretation of violin concerto genre in the 1940-1980s. Scientific originality of the study lies in the fact that Chinese violin concerto is for the first time analyzed in historical context. As a result, it is proved that Chinese composers adopted genre and style model of European and Russian violin concertos created at the turn of the XIX-XX centuries within the style trends of late Romanticism and neo-folklorism. The research findings are as follows: the author reveals national peculiarities of Chinese violin concerto of the 1940-1980s - collective authorship and ideological programmability.