SYNTACTIC PARALLELISM IN THE ASPECT OF LITERARY TRANSLATION (ON THE MATERIAL OF POETIC WORKS BY F.G. KLOPSTOCK AND J.W. GOETHE AND THEIR TRANSLATIONS INTO RUSSIAN AND OSSETIAN)
In the article, devoted to the problem of the structural organization of the poetic form of speech, it is made an attempt to consider syntactical repetition, which is a specific mean of the poetic syntax, in the aspect of literary translation. Through the analysis of the poetic works by F.G. Klopstock and J.W. Goethe, written in free rhythms, and theirtranslations into Russian andOssetian the text-forming function of the syntactic parallelism is considered, the data of the comparative analysis of the frequency of its use in the original and translated texts are given. As a result it is concluded that there is a tendency of the translators to save the text-forming potential of the syntactic parallelism in the translation, and, consequently, there is a conclusion about the compulsory membership of this compositional device in the devoid of rhyme and metrical scheme poetry.