HANDWRITTEN SPIRITUAL SELF-PUBLISHING AS A WITNESS OF LITURGICAL ART IN THE 20TH CENTURY
The article presents an analysis of the experience of changing and creating new religious texts, the Russification and use of the Russian language in manuscript liturgical monuments of the 2nd half of the 20th century. The analysis is performed on the basis of the collection of religious samizdat from the funds of the Museum of Sanctity, Confession and Asceticism in the Urals in the 20th century (Ekaterinburg).