Ideological and aesthetic foundations of Vintsent Dunin-Martsinkevich’s romanticism
This article aims to study the ideological and aesthetic foundations of Vintsent Dunin-Martsinkevich’s work and scientific understanding of his literary heritage (primarily lyric poetry) in organic correlation with the artistic experience of some other romantics - representatives of the Belarusian-Polish literary borderland (S. Moniuszko, A. Mitskevich , V. Syrokomlia and others). The introduction draws attention to the relevance and scientific novelty of the study of the phenomenon of V. Dunin-Martsinkevich, taking into account the literary interpretation of the lyric works of this romantic in combination with his cultural ties, the influence of various artistic traditions and aesthetic ideas, and a brief review of the literature on the issue at hand. The main part shows the features of the formation of the romantic worldview of V. Dunin-Martsinkevich, the purposefulness of the movement from folk aesthetics to the common European verbal paradigm, the pattern of the evolution of his lyrical hero. Creating the foundation of the new Belarusian national literature, the poet relied on the already existing traditions in the art of romanticism, on the creative experience of his predecessors and contemporaries, but at the same time always had his own view on the implementation of certain ideas (aesthetic, philosophical, religious, political, etc.) inside artistic text. In conclusion, findings are formulated about the regularity of the functioning of V. Dunin-Martsinkevich’s work, especially his lyric poetry, in the system of ideological and aesthetic coordinates of romanticism. The research results can be used in the preparation of lectures and practical classes on the works of V. Dunin-Martsinkevich and other representatives of the Belarusian-Polish cultural borderland, in writing textbooks and monographs on the history of Belarusian and Polish literature of the 19th century.