Means of linguistic signification of perceptual mode"touch" in the poetic speech of N. Zabolotsky
The study was performed on the basis of three approaches to the literary text: first, the text as a unit of communication (communicative approach); secondly, the text as the sense and meaning object in the dynamic process of interaction between the author and the reader (psycholinguistic approach); third, literary text as a model of the author's relationship to the world, which is based on perceptual-cognitive-affective activity of creative personality, sense sphere and values of the artist's words, due to the specifics of his world view and understanding of the world (cognitive approach). Integration of linguistics and humanities studying man's cognitive activity put forward the need to describe the linguistic units from cognitive positions that involves understanding and study of language as a mean of formation and expression of thought, as the storage of information and organization of knowledge in the human mind and also exchange of information, knowledge and opinions about the world. Sensory perception is the informative parameter that specifies the angle of reflection and ways of language representation of many categories of being and consciousness: reality, space, time, state of the soul, inner contrasting appearance, etc. The article describes the nominative and predicative dominants associative-semantic field of tactile perception on the basis of the analysis of poetic speech N. Zabolotsky. The relevance of the article is connected with the linguistic material, which allows to identify features of verbal demonstrations of the results of the author's knowledge of the world, values the artist's words, to deepen knowledge about language signs as the representatives of the mental-affective sphere of the creative person.