ARCHETYPIC AND CULTURAL TRANSFER IN THE PROCESSES OF FORMATION OF ARTISTIC IMAGES IN CULTURES OF IRAN AND AEGEAN WORLD IN II-I MILLENNIUM BC
The article discusses the possible reasons for the appearance/existence of close images in different cultures for a long time. Analysis of images Rankenfrau, Πόθνια θηρών and Luristan Master/Mistress-of-Animals resulted in the conclusion that the presence of similar iconographic schemes. In the II Millennium BC monuments from the Aegean World presented a variety of visual options, which could later be used in the artistic cultures of Iran and the Aegean World of the Ist Millennium BC. As a hypothesis, the conclusion is formulated that the proximity of images can be justified both by the existence of archetypal representations, and be the result of cultural transfer.