Transcendental Dostoevsky Aesthetics.
A number of cardinal categories of metaphysical aesthetic of Dostoevskiy are considered in the present article. The author supposes that the nominalistic interpretation of Dostoevskiy's notion of "beauty", offered by Berdyaev, does not correspond to the true realism ofthe metaphysics of the Russian writer (in the medieval sense of this word). The aesthetics of the Russian writer are analysed on the grounds of his sophiological intuitions and his philosophy of heart. Because of this the interpretation of the "angelic" component in the personalities of the main characters and the special attitude of Dostoevskiy to the ability to cry which the main character obtains on the way to conceiving God and himself, becomes more significant.