Theatre of Keti Chukhrov which will Help to Overcome Postdramatism
The article considers modern development of the Theatre Repetition theory formulated in the end of 1960s by Gilles Deleuze. The theory is based on Kierkegaard’s concept of repetition (gjenta-gelsen) and Kant’s idea of “second time”. At the beginning of the 21<sup>st</sup> century philosopher, critic and playwright Keti Chukhrov defined the principles of performing practice in the Theatre of Repetition. The article analyzes productions of Chukhrov’s plays Moscow - Kuzminki and Love Machines as well as of Euripides’ The Trojan Women staged by Oleg Yeremin in the context of the principles of the Theatre of Repetition.