Decorative Ensemble of St Prince Vladimir’s Church in Barnaul as an Example of Modern Sacral Artistic Space
The author analyses the principles of icon ensemble creation in the modern church interior. The research material includes the frescos of St Prince Vladimir’s Church in Barnaul. The study focuses on analysing the visual language of the monumental icon ensemble. The author concludes that the icon ensemble is focused on a spatial four-dimensional icon that harmoniously combines narrative, mysterious, didactic and liturgical meanings.