THE BASIC CONTRADICTIONS IN THE PARTY AND THE STATE MECHANISM OF REGULATION OF ACTIVITIES OF THE UFA THEATRE IN THE FIRST YEARS OF THE NEP (1921-1924)
The article analyses the problem of inconsistency of requirements of the Ufa party-state authorities to the creative intelligentsia in the first years after the introduction of self-sustainability. Revealed the results of the local theatre policy, which provided, on the one hand, intolerance to the bourgeois dissent and ideological pressure in the issues of repertoire, and on the other, the system of taxes and dues, which imposed the theatre as a participant of the market relations.