APPEARANCE OF PRINCIPLES OF CONVERTIONAL PRODUCTION IN ''''STATIC THEATRE '''' OF MAURICE MAETERLINCK
The article deals with the importance of the ideas of Belgian playwright Maurice Maeterlinck in forming principles of convertinal show on the Russian stage on the edge of XIX-XX centuries.Based on the examples of his early plays ( "L'lantruse","Les Aveugles"," Interieur,')and phylosophical essays from the сollection " Les Tresor Des Humbles" the author analyzes the ways of staging symbolist ideas on the levels of main character,сhronotop and speech structure of the plays.The author comes to the conclusion that the advancing principle of drama action in early Maeterlinck's plays is displayed through estetically converted speech as well as visual code oriented on painting techniques of different centuries. In this concern the article puts a question of the spectators' new borders of perception. The audience is supposed to understand assosiations and emphasized unpresentable images. The author drives to the conclusion that on the basis of Maeterlick;s static theatre, there appeares a " relative " approach, and as a result,there appeared the necessety of the presence of a new type of stage director / apart from the audience, in the structure of the play.