Monograms-ciphers in fugues by the Russian composers of the last third of the 20th century
The author of the article touches upon the fugues created by the Russian composers in the last third of the 20th century and finds out various kinds of musical monograms in them. He describes the methods of their introduction into a musical text and reveals the semantic role of these sound complexes. The author marks the importance of monogramming in disclosing of contemporary fugues' content.