Orphic allusion in lyrics of post-symbolists-emigrants
The article considers the reception of the myth about Orpheus in the work of emigre poets, whose artistic consciousness is formed by the Silver Age. On the example of M. Tsvetaeva and G. Ivanov it is shown that the orphic mystery in the process of their metapoetical reflection appears as an allegory of selfless work in art and as a kind of creative strategy that connects the Dionysian and Apollinistic elements.