THE HUSSAR SONG GENRE IN S.N. MARIN’S WORKS
This article is devoted to the problem of formation of lyrical genres in Russian literature of the first decade of the XIX century. The researcher focuses on the origin of the "hussar song" genre in the works of S.N. Marin. The regularity emergence of this phenomenon, features of its development are clear only in the aggregate of all genre searching of this time. "Hussar Song" by Marina claimed being the heir to all the leading genres of the XVIII century. The author of the article shows how instead of the hero of anacreontics of the past century in this genre formation came a new hero, whose personality could be realized only against the background of amidst specific life, in a specific military environment, it is in these works, under the influence of sentimentalism, the feelings of a private person are given civil importance. Hence, Marina's love for his homeland and for women is equally sacred. In the "hussar song" nascent romantic tendencies are evident, when the focus is on the personality of the poet writing about himself, his life, about his friends and lovers.