Carving on Wood as a Method for Forming Creative Abilities of Students of Fifth Classes
In this article, special attention is given to the national culture, especially the skill and history of its development, as well as national folk arts and crafts. In such way are given some examples about the role of wood carving in the revival offolk crafts. It should be noted that practical folk art and various kinds of them occupy a special position in human life and they are important phenomenon in the national culture of the Tajiks. Acquaintance with the studies of prominent masters, historians, art critics, well-known scientists like M.S. Andreev, M.E. Mason, V.L. Voronin, B. Gafurov, A.N. Belinsky, N. Nematov, A. Mukhtorov, M. Ruziev and other well-known personalities brings to the following conclusion that handicraft and craft have received their formation and development on the basis of national handicraft and craftsmanship. One could see them in the majestic magnificent buildings such as the wooden canopy in the culture park of “Kamoli Khijandi”, choikhana (tearoom) of “Boghi Milli(National park)”, choikhana of “Arbob palace”, choikhana of “Azizon”, in the Sheikh Muslihtidin Mosque, “Choyhonai Milli” which is situated in Khistevarz and others that are created by traditional crafts. These works of art have become a center of tourists and lovers of great crafts. Citing these examples of authors note that the embodiment of the craft of carving on wood can be found in handmade souvenirs created in wooden bowls and wooden dishes (a plate), in wooden wooden cradles, in national beds and beautiful elegant chests, in luxurious gazebos and in many other man-made structures.