CORRELATION OF MUSICIAL DICTION AND MUSICAL INSTRUMENT TYPE
This work is urgent in a new sight on the essence of musical articulation as diction when a musician produces music from his instrument with the priority of correlation of accent and softness of the performed music. To find the correct solution of the problem the author appeals to modern data of instrumentation where the articulation peculiarities are considered in connection with the nature of a musical instrument. He makes an attempt to divide all instruments into accent-short-sounding and soft-long-sounding ones depending on the attack of sound formation peculiarities and character features of its further production. Comparing these different instruments tones formation we can point out their articulation tasks differences. The most important thing for accent-declining sound character instruments is sounds curving and fading confronting with the reference ones. The instruments with the natural softness of a tone attack require the achievement of its firmness, sharpness which is especially important for active character music. The key moment in the musical diction for the variety of musical timbres is the gradation of the moment of sounding starting with barely perceptible and subtle to maximum substantial and at times even hard. Correlation of sounds according to the coherence and separateness criterion is a very important additional characteristics because being connected into a binding they become less important against the sounds separated from the binding as well as comparison of short and full sounds connected with the sounding capacity expansion or reduction when articulating their sound capacity. Understanding of all these questions can help fully realize the mechanism of musical articulation and declamation on the whole.