Eastern Motifs in the Ornamentation of Eighteenth-Century Siberian Church Architecture
Russia’s engagement with Asian peoples and cultures forms a topic whose boundaries have yet to be thoroughly explored, particularly in the relationship between Russian and Asian architecture. As an artifact demanding signiﬁcant resources as well as building skills, architecture involves numerous factors related to social, cultural, economic and technological history. The present article will point to speciﬁc instances, primarily in eighteenth-century Siberian church architecture that suggest a Russian receptivity to east Asian ornamentation. Russia is a Eurasian power, and it is plausible that the growth of trade between Russia and eastern Asia (especially China) in the eighteenth century would have fostered possibilities for cultural transference. Such exchange, it will be argued, seems to have occurred in the realm of architecture, in which decorative motifs could be observed, disseminated (even in printed form) and copied at signiﬁcant points along Russia’s Asian pathways.