THE STRUCTURE AND THE FUNCTIONING OF THE CONCEPT "<i>CINEMA</i>" IN THE WORKS OF V. V. NABOKOV
The article deals with the structure and features of the functioning of the concept «cinema» in the works by V. V. Nabokov. In the structure of the concept, the subject-conceptual, associative, figurative and evaluative layers are identified, and the lexical representatives of each layer are determined. Special attention is paid to the associative and figurative layers of the concept. As a result of the analysis of the associative layer, the author's associations with cinema are revealed: light, mystery, death, meaningless movement. In the course of the analysis of the figurative layer of the concept, the figurative models «life - shooting», «cinema - deception», «people - shadows» are considered. A discrepancy between the cognitive signs of the concept «cinema» in the linguistic picture of the world and the individual author's picture of the world is discovered.