The sound of the mythopoetic space in early creative works by Boris Pasternak
Early poetic texts by Boris Pasternak (poetry collections “Twin in the Stormclouds”, “Beyond Barriers”) represent the formation of the author (authorial “I”) and contain important mythopoetic context of his works. The specificity of functioning of the sound as a category of poetics is analysed n the article in Boris Pasternak’s early poems. The author of the article shows that the sound is an integral element of the poet’s text structure, realising itself at different levels. Moreover, the sound becomes an organising element of the boundary time. At the same time, it leads to the inseparability of space, removing opposition inside the text. The variety of the sound (noise, hum) determines the text transformation and such text features as fragmentation and unformed space. The sound incomprehensibility represents the chaos, the crisis and the unstructured world order, the extreme fragmentation of space. The sound itself also may become an active element, therefore its objectification with the anthropomorphic features is observed. The sound becomes both an element and a character of the author’s myth.