DESACRALIZATION OF THE OTHER: TRANSFORMATIONS OF VISUAL PRACTICES
The article analyzes the transformation of perception of the Other phenomenality within the visuality. The main hypothesis declares that the Other in its concretness and evidence exists in the form of the sacred connected particularly with the icon-painting. The desacralization of the world provokes the destructionof these visual ﬁelds and subsitutes them for visual representations developed on the basis of the direct perspective that reject the ontic status of the Other status.