Avant-garde "in fetters" of freedom: Suprematism of Kazimir Malevics and Zenithism of Lubomir Micić
The article discusses the concept of will in the poetics of the historical avant-garde. On the basis of a comparative analysis of the connotations of the word will/volition/freedom (‘volya’ in Russian) in Malevich’s poetry and the neologism invented by Lubomír Micić (the South Slavic avant-garde), the idea of a typological proximity of the two artistic phenomena of the twentieth century, remote in space and different in forms of manifestation, is put forward.