Creative Reception of Futuristic Heritage in Lev Losev''s Poetry
The article is devoted to creative reception of the futuristic tradition of word creation and word deformation by the poet Lev Losev. In particular, experiments of the poet on word "ruining", his experiments in the field of poetic derivatology are analysed: creation of "self-twisted words" - occasionalisms in the spirit of the Russian futurists; anagramming and palindroming in his poems; features of its rhyming and the role in them of any "grammatical wrong things" are noted. In the article functions of allusion-reminiscential field of Lev Losev's poem "Natürlich" connecting it not only with novels by I. S. Turgenev and L. N. Tolstoy, but also with some precedent for the Russian futurism texts by V. Khlebnikov and V. Mayakovsky are analyzed. As a result there is a conclusion that for the poet of the 2nd half of the XX century the heritage of historical avant-guard of the beginning of the century presented to be finished in itself. It can be an object of intense poetic reflection and polemic, even parody, but can't be continued.