Elements of postmodernist poetics in the ﬁction of Yu Hua and Vladimir Sorokin
The paper centers on ﬁnding a “common ground” in the works of such authors working in the mainstream of postmodern and avant-garde trends as Vladimir Sorokin and Yu Hua. The analysis is conducted from the point of view of the general ontological foundations of their works, their aesthetic guidelines and the immediate implementation of afore-mentioned in the textual reality. Thus stable complexes with a clear predominance of artistic phenomena of the grotesque and the absurd are revealed.