EXPLICIT PHONOLOGY ERRORS IN DUBBING
Dubbing demonstrates annoying explicit errors at the phonetic-phonological level. T e article analyzes phonological errors in dubbing. T e article identif es accentuation errors at the word and the sentence levels alike. T e paper identif es their causes and inf uence on the audience’s reception in interlanguage and intercultural contact. T e work uses general scientif c observations on empirical material based on logical methods of analysis and synthesis, generalization and abstraction, the method of quantitative analysis, as well as private scientific linguistic methods of descriptive, interpretive, comparative and contextual analysis. T is methodological framework ensures the reliability of the results obtained. T e empirical base consists of linguistic facts extracted from the British TV series “Agatha Christie. Poirot”. T e article reveals errors in the phonological organization of sounding speech at the segmental and prosodic levels. T e variability of localization of the verbal accent af ects 4 linguistic units (anthroponyms and toponyms), represented by dif erent versions, and violates the requirement of accuracy of interlanguage image/svg+xml181transmission of precision information. Prosodic organization is distorted and implemented as a shif in the localization of phrasal emphasis and deviation from syntagmatic division. T e implicit transfer of these aspects of prosody in a written text leads to deviations from the expected communicative ef ect. T e variability of verbal stress and phrasal accentuation leads to a distortion of the semantics, syntactic structure and pragmatics of the film text. Due to their explicit nature, these errors represent communication failures and complicate reception, requiring the viewer to make additional cognitive ef orts to eliminate information interference. T e analyzed errors are determined by the multisubjectivity and asynchronous nature of dubbing. Preventing such errors by taking some organizational measures (provided in the author’s recommendations) will improve the quality of dubbing. T e terminological apparatus of translation studies is replenished with the promising concept of “pseudo-one-language communication”.