CINEMATOGRAPHIC TECHNIQUES IN THE PLAYS BY N. KOLYADA
The article considers such peculiarity of N. Kolyada’s dramaturgy as the usage of various techniques of cinematograph. An important consequence of this is the origin of the effect of reality which promotes reader’s deeper submersion into the atmosphere of a literary work. The author concludes that N. Kolyada’s dramaturgy is oriented to the reader and the dramaturgic text itself approaches the prose, consequently, a remark becomes an event of narration.