Deconstruction and national identity of Russian postmodernism. A. Terts’ prose
The paper explores Russian postmodernism’s national identity drawing on the material of A. Terts' prose in the aspect of deconstruction from the perspective of duality and foolishness, analysing "double letter", game foundations, intertextuality, and the tragifarse beginning. The authors consider irony, grotesque, and mystification as signs of "fantastic realism" and characterize postmodernism as an heir to the national origins of laughter culture.