Philosophical Discourse of German Drama of the 30-70s of the 19th Century
The article presents the influence of philosophical trends and schools of the end of the 18th - 19th centuries on the German literature of the 30-70s of the 19th century on the basis of drama. The German literature, especially classical, has always tended to philosophy; therefore, the border between artistic and philosophical genres was often blurred. For the literature of the 19th century, formed in the mainstream of romanticism, this is most significant. The philosophical criterion is considered as a fundamental intertextual marker to identify the genre typology of German drama of the 19th century. There is analysis of a number of ideas by F. Schelling, G. V. Hegel, V. T. Krug, G. Lotze. It is concluded that they form a special landmark philosophical system in the context of the theory of the German drama, the works of G. Buchner, F. Hebbel, K. D. Grabbe, R. Wagner and others. The philosophical and mythological tragedy is the highest reflection of philosophical discourse in this period.