Fleeing queer
Applying the methodologies of Gui Debord, Donna Haraway, Judith Butler, the author revises the practices of emancipation, as they present in classical and new media. Alongside the analysis of conditions, which were used in the past and are used in the present, the author also speculates on their perspectives in the future. The development of the Spectacle and revealing of its major quality - that is, the great sensitivity to the user, the qualitative interactivity - all this implies consequently an evolution of revolution practices, which are still unrevealed. Proceeding the way from the book marginalia to the discovery of a new embodiment, passing through social-politic manifestations, we are always forced to admit that measures are insufficient. One possible explanation is the tragic discrepancy between the components of emancipatory enigma. That is to say, the abundance of theory and abundance of practice demonstrate the lack of a common thread, which would be a genre. But if there is the need to invent a new genre, or to attain the queerity of body, the creation the new media out of it, would be enough? The question remains unanswered.