REFLECTION OF SOCIO-POLITICAL RELATIONS IN CINEMATOGRAPHY
The article gives a sociological analysis of the movie "Dr. Strangelove or: How I learned to stop worrying and love the bomb" created in the Cold war era. The public response and reaction of institutional structures to this film reveal the significance of the problems posed in the film, which remain relevant to this day. The role of the individual in making crucial state decisions, the role of the case and the degree of consistency, social relations in the context of the political crisis - these and other issues are considered in the narrative of the film and the real events of the 1960s.