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The dataset generation failed because of a cast error
Error code: DatasetGenerationCastError
Exception: DatasetGenerationCastError
Message: An error occurred while generating the dataset
All the data files must have the same columns, but at some point there are 4 new columns ({'_src_path', '_src_filename', '_src_movie_dir', '_test_index'})
This happened while the json dataset builder was generating data using
hf://datasets/Alexislhb/Multi_turn/metadata/test.json (at revision b127075bd157cdb3026f082aa757e438e8a6f148)
Please either edit the data files to have matching columns, or separate them into different configurations (see docs at https://hf.co/docs/hub/datasets-manual-configuration#multiple-configurations)
Traceback: Traceback (most recent call last):
File "/usr/local/lib/python3.12/site-packages/datasets/builder.py", line 1831, in _prepare_split_single
writer.write_table(table)
File "/usr/local/lib/python3.12/site-packages/datasets/arrow_writer.py", line 714, in write_table
pa_table = table_cast(pa_table, self._schema)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "/usr/local/lib/python3.12/site-packages/datasets/table.py", line 2272, in table_cast
return cast_table_to_schema(table, schema)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "/usr/local/lib/python3.12/site-packages/datasets/table.py", line 2218, in cast_table_to_schema
raise CastError(
datasets.table.CastError: Couldn't cast
movie: string
N: int64
sample_id: string
images: list<item: struct<aesthetic: double, filename: string, musiq: double, rel_path: string, tag: string> (... 1 chars omitted)
child 0, item: struct<aesthetic: double, filename: string, musiq: double, rel_path: string, tag: string>
child 0, aesthetic: double
child 1, filename: string
child 2, musiq: double
child 3, rel_path: string
child 4, tag: string
annotations: list<item: struct<global_prompt: struct<characters: list<item: string>, shot_outline: string, story_ (... 114 chars omitted)
child 0, item: struct<global_prompt: struct<characters: list<item: string>, shot_outline: string, story_setup: stri (... 102 chars omitted)
child 0, global_prompt: struct<characters: list<item: string>, shot_outline: string, story_setup: string>
child 0, characters: list<item: string>
child 0, item: string
child 1, shot_outline: string
child 2, story_setup: string
child 1, instruction_full: string
child 2, instruction_minimal: string
child 3, think_full: string
child 4, think_minimal: string
_src_movie_dir: string
_src_filename: string
_src_path: string
_test_index: int64
-- schema metadata --
pandas: '{"index_columns": [], "column_indexes": [], "columns": [{"name":' + 1200
to
{'movie': Value('string'), 'N': Value('int64'), 'sample_id': Value('string'), 'images': List({'aesthetic': Value('float64'), 'filename': Value('string'), 'musiq': Value('float64'), 'rel_path': Value('string'), 'tag': Value('string')}), 'annotations': List({'global_prompt': {'characters': List(Value('string')), 'shot_outline': Value('string'), 'story_setup': Value('string')}, 'instruction_full': Value('string'), 'instruction_minimal': Value('string'), 'think_full': Value('string'), 'think_minimal': Value('string')})}
because column names don't match
During handling of the above exception, another exception occurred:
Traceback (most recent call last):
File "/src/services/worker/src/worker/job_runners/config/parquet_and_info.py", line 1450, in compute_config_parquet_and_info_response
parquet_operations, partial, estimated_dataset_info = stream_convert_to_parquet(
^^^^^^^^^^^^^^^^^^^^^^^^^^
File "/src/services/worker/src/worker/job_runners/config/parquet_and_info.py", line 993, in stream_convert_to_parquet
builder._prepare_split(
File "/usr/local/lib/python3.12/site-packages/datasets/builder.py", line 1702, in _prepare_split
for job_id, done, content in self._prepare_split_single(
^^^^^^^^^^^^^^^^^^^^^^^^^^^
File "/usr/local/lib/python3.12/site-packages/datasets/builder.py", line 1833, in _prepare_split_single
raise DatasetGenerationCastError.from_cast_error(
datasets.exceptions.DatasetGenerationCastError: An error occurred while generating the dataset
All the data files must have the same columns, but at some point there are 4 new columns ({'_src_path', '_src_filename', '_src_movie_dir', '_test_index'})
This happened while the json dataset builder was generating data using
hf://datasets/Alexislhb/Multi_turn/metadata/test.json (at revision b127075bd157cdb3026f082aa757e438e8a6f148)
Please either edit the data files to have matching columns, or separate them into different configurations (see docs at https://hf.co/docs/hub/datasets-manual-configuration#multiple-configurations)Need help to make the dataset viewer work? Make sure to review how to configure the dataset viewer, and open a discussion for direct support.
movie
string | N
int64 | sample_id
string | images
list | annotations
list |
|---|---|---|---|---|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
| 10
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78159.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78680.jpg
|
[
{
"aesthetic": 5.081883907318115,
"filename": "78159.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78159.jpg",
"tag": "<IMG_0>"
},
{
"aesthetic": 4.418429374694824,
"filename": "78207.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78207.jpg",
"tag": "<IMG_1>"
},
{
"aesthetic": 6.137009620666504,
"filename": "78270.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78270.jpg",
"tag": "<IMG_2>"
},
{
"aesthetic": 6.070143699645996,
"filename": "78318.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78318.jpg",
"tag": "<IMG_3>"
},
{
"aesthetic": 6.225116729736328,
"filename": "78333.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78333.jpg",
"tag": "<IMG_4>"
},
{
"aesthetic": 5.651721954345703,
"filename": "78363.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78363.jpg",
"tag": "<IMG_5>"
},
{
"aesthetic": 5.78807258605957,
"filename": "78474.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78474.jpg",
"tag": "<IMG_6>"
},
{
"aesthetic": 6.189582824707031,
"filename": "78503.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78503.jpg",
"tag": "<IMG_7>"
},
{
"aesthetic": 5.152204036712646,
"filename": "78653.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78653.jpg",
"tag": "<IMG_8>"
},
{
"aesthetic": 6.340051174163818,
"filename": "78680.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/78680.jpg",
"tag": "<IMG_9>"
}
] |
[
{
"global_prompt": {
"characters": [
"<the primary civilian>",
"<the lead security operator>",
"<other security personnel>",
"<security operative>"
],
"shot_outline": "<IMG_1> will establish the broader secure compound environment, showing movement of the group. <IMG_2> will then zoom in on <the primary civilian>, highlighting his concern. <IMG_3> will shift focus to <the lead security operator>, emphasizing his vigilance. <IMG_4> will return to <the primary civilian>, showing his continued reaction. <IMG_5> will provide a closer look at <the lead security operator>'s intense focus. <IMG_6> will introduce another <security operative> to show broader team engagement. <IMG_7> will give a wider view of <the primary civilian> within his context. <IMG_8> will feature an extreme close-up of <the lead security operator> in a critical moment. Finally, <IMG_9> will offer a concluding shot of <the primary civilian>, mirroring <IMG_7>.",
"story_setup": "A tense situation unfolds at night outside a secure compound. A civilian is being evacuated or protected by a team of security personnel. The mood is urgent and vigilant, highlighting potential danger and the protective measures being taken."
},
"instruction_full": "Pull the camera back from the tight group in <IMG_0> to a wider medium shot, capturing more of the compound building and its immediate surroundings at night. Feature <the lead security operator> walking purposefully, with <the primary civilian> and <other security personnel> visible further back within the frame. The space should emphasize the secure, yet potentially exposed, outdoor environment, maintaining the artificial lighting and overall atmosphere from <IMG_0>, to establish the overall scene and the movement of the group within their secure environment.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_1> indicates a need to establish the broader environment and the group's movement. By pulling back the camera from the tightly framed group in <IMG_0>, we can reveal more of the compound building and its perimeter. We keep the night setting and artificial lighting consistent with <IMG_0>. <the lead security operator> from <IMG_0> is shown in active movement, while <the primary civilian> and <other security personnel> from <IMG_0> are still present but positioned to convey the larger context of the scene, setting the stage for the unfolding tension.",
"think_minimal": "Based on the 'global_prompt.shot_outline', <IMG_1> needs to establish the 'broader secure compound environment, showing movement of the group.' To achieve this, I need to widen the shot from <IMG_0>. The camera should pull back to reveal more of the building and the outdoor area. The existing characters from <IMG_0> – <the primary civilian>, <the lead security operator>, and <other security personnel> – should still be visible, but their individual focus might be reduced in favor of showing their collective presence and movement within the larger space. The night lighting and general atmosphere from <IMG_0> must be maintained. The narrative purpose is to provide context for the situation, showing the scale of the operation and the group's setting."
},
{
"global_prompt": null,
"instruction_full": "Cut to a close-up shot of <the primary civilian>, seen in <IMG_0> and <IMG_1>. His expression should convey concern or gravity. The shot should maintain the outdoor night setting, with the building from <IMG_0> and <IMG_1> blurred in the background, but clearly implying the same environment, to focus on the civilian's emotional state amidst the tension.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_2> specifies zooming in on <the primary civilian> to highlight his concern. Therefore, the camera needs to shift to a close-up on <the primary civilian> who was previously seen in <IMG_0> and <IMG_1>. His expression should be serious, reflecting the overall tense situation. The outdoor night environment, including the distinctive building seen in <IMG_0> and <IMG_1>, should remain consistent in the background, even if blurred, to maintain spatial continuity. This shot elevates the dramatic tension by focusing on a key character's emotional reaction.",
"think_minimal": "The 'global_prompt.shot_outline' indicates that <IMG_2> should 'zoom in on <the primary civilian>, highlighting his concern.' This means framing <the primary civilian> (who appeared in <IMG_0> and <IMG_1>) in a close-up. His expression needs to be serious or worried. The setting should remain the same outdoor night environment, with the building from <IMG_0> and <IMG_1> visible in the background, possibly out of focus. The purpose is to deepen the emotional connection to the scene through his reaction."
},
{
"global_prompt": null,
"instruction_full": "Shift the camera to a medium close-up of <the lead security operator>, last seen moving in <IMG_1>. He should appear vigilant and alert, possibly scanning the surroundings. The setting remains the same outdoor night environment as <IMG_0>, <IMG_1>, and <IMG_2>, potentially showing part of a vehicle in the background, to highlight the readiness and professionalism of the security force.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_3> states the focus should be on <the lead security operator>, emphasizing his vigilance. We need to frame <the lead security operator>, who was seen in <IMG_0> and <IMG_1>, in a medium close-up, highlighting his tactical gear and alert posture. The outdoor night environment, consistent with <IMG_0>, <IMG_1>, and <IMG_2>, should continue, possibly incorporating a security vehicle in the background that fits within the established compound setting. This shot contrasts the civilian's concern with the security team's active readiness, reinforcing their role in protection.",
"think_minimal": "According to the 'global_prompt.shot_outline', <IMG_3> should 'shift focus to <the lead security operator>, emphasizing his vigilance.' This requires a shot of <the lead security operator> (first seen in <IMG_0>, moving in <IMG_1>). It should be a closer shot than <IMG_1>, focusing on his alert demeanor and tactical presence. The location should still be the outdoor night compound from <IMG_0>, <IMG_1>, and <IMG_2>. The narrative intent is to showcase the security element and their preparedness."
},
{
"global_prompt": null,
"instruction_full": "Return to a close-up shot of <the primary civilian>, mirroring the framing from <IMG_2>. He should appear to be reacting or speaking, his expression maintaining the prior level of concern. The background should clearly show the same outdoor night setting with the compound building, consistent with <IMG_0>, <IMG_1>, <IMG_2>, and <IMG_3>, to reiterate his central role and capture his response in the developing situation.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_4> indicates a return to <the primary civilian>, showing his continued reaction. Therefore, we should reuse the close-up framing from <IMG_2> for <the primary civilian>, who has consistently appeared in previous shots. His expression should reflect ongoing concern, perhaps now actively engaged in dialogue. The outdoor night environment, including the building facade and ambient lighting established in <IMG_0>, <IMG_1>, <IMG_2>, and <IMG_3>, must remain consistent. This cut back to the civilian's perspective maintains dramatic focus on his experience and reaction.",
"think_minimal": "The 'global_prompt.shot_outline' specifies that <IMG_4> should 'return to <the primary civilian>, showing his continued reaction.' This means creating a shot of <the primary civilian> (who appeared in <IMG_0>, <IMG_1>, <IMG_2>). A close-up, similar to <IMG_2>, would be appropriate to capture his expression and any implied interaction. The outdoor night setting from <IMG_0> and subsequent shots must be maintained in the background. The purpose is to keep his perspective central to the narrative."
},
{
"global_prompt": null,
"instruction_full": "Generate a close-up shot of <the lead security operator>, similar in framing to <IMG_3> but possibly tighter on his face. He should display intense focus, perhaps listening intently to a communication device or observing something critical. The background should be blurred, still implying the tense exterior night environment established in <IMG_0> through <IMG_4>, to emphasize the operator's vigilance and the high stakes of the situation.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_5> directs a closer look at <the lead security operator>'s intense focus. We return to <the lead security operator>, last prominently seen in <IMG_3>, using a tighter close-up to emphasize his face and intense concentration, possibly with a communication device visible. The dark, outdoor night setting, consistent across <IMG_0> to <IMG_4>, is maintained in the blurred background. This shot intensifies the feeling of imminent threat or critical information, contrasting with the civilian's more generalized concern.",
"think_minimal": "The 'global_prompt.shot_outline' dictates that <IMG_5> should provide a 'closer look at <the lead security operator>'s intense focus.' This requires a tight close-up of <the lead security operator> (seen in <IMG_0>, <IMG_1>, <IMG_3>). The shot should highlight his concentration, perhaps showing a communication device. The outdoor night environment from previous shots should be the background, though likely very blurred due to the tight framing. The intent is to convey urgency and critical activity."
},
{
"global_prompt": null,
"instruction_full": "Introduce a new <security operative> in a close-up shot, similar in tightness to <IMG_5>, but from a different angle. This operative should have a serious, alert expression, possibly looking slightly off-camera as if scanning or reacting. The background should imply the same dark, outdoor night environment with subtle artificial lighting effects, consistent with <IMG_0> through <IMG_5>, to broaden the scope of the security team's involvement and hint at a wider threat or ongoing assessment.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_6> calls for introducing 'another <security operative> in close-up, indicating teamwork or a new perspective.' This shot moves away from the previously focused characters to introduce a new face, specifically a member of '<other security personnel>' initially seen in the wider context of <IMG_0> and <IMG_1>. By giving a close-up to a different <security operative>, we expand the viewer's understanding of the team's distributed vigilance. The dark, outdoor night setting with ambient lighting, consistently present from <IMG_0> to <IMG_5>, reinforces the tense atmosphere. This broadens the portrayal of the security effort, implying a more widespread threat or coordinated response.",
"think_minimal": "The 'global_prompt.shot_outline' for <IMG_6> specifies to 'introduce another <security operative> in close-up, indicating teamwork or a new perspective.' This means focusing on a new character who is part of the existing '<other security personnel>' from <IMG_0> and <IMG_1>. The shot should be a close-up, conveying alertness. The dark, outdoor night environment from prior shots must be maintained. This helps to show the breadth of the security team's presence."
},
{
"global_prompt": null,
"instruction_full": "Return to a medium close-up of <the primary civilian>, similar to <IMG_4> but possibly slightly wider to show more of his immediate context. He should still appear concerned and observant, with <other security personnel> visible in the blurred background. The setting remains the familiar outdoor night environment of the compound, with the building facade and perimeter lighting consistent with <IMG_0> through <IMG_6>, to re-establish the civilian's presence within the tense situation and show his continued apprehension.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_7> indicates a 'wider view of <the primary civilian> within his context.' We return to <the primary civilian>, last seen in <IMG_4>. The framing should be a medium close-up, slightly wider than <IMG_4>, allowing <other security personnel> (from <IMG_0> and <IMG_1>) to be visible in the background, reinforcing his position amidst the security team. The consistent outdoor night compound setting, with its specific lighting and building architecture from <IMG_0> to <IMG_6>, is maintained. This shot re-establishes the civilian's perspective and his ongoing apprehension within the broader tense environment.",
"think_minimal": "Based on the 'global_prompt.shot_outline', <IMG_7> should 'give a wider view of <the primary civilian> within his context.' This means a shot of <the primary civilian> (who appeared in <IMG_0>, <IMG_1>, <IMG_2>, <IMG_4>), likely a medium close-up that includes more of the surrounding environment and potentially other characters from '<other security personnel>'. The outdoor night setting from previous shots should be clearly visible. The purpose is to ground him again in the broader scene."
},
{
"global_prompt": null,
"instruction_full": "Execute an extreme close-up on <the lead security operator>'s face and part of his communication device, intensifying the focus seen in <IMG_5>. His gaze should be intensely upward, conveying a critical moment of listening or transmitting. The background should be completely dark and out of focus, emphasizing the character and his device, while maintaining the overall night setting implied since <IMG_0>, to heighten the sense of urgency and critical information exchange through extreme focus on the operator's vigilance and tools.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_8> specifies an 'extreme close-up of <the lead security operator> in a critical moment.' We take <the lead security operator>, last seen with intense focus in <IMG_5>, and push the camera even tighter for an extreme close-up. His upward gaze implies looking at a distant threat or receiving urgent commands via his communication device, emphasizing a crucial point in the narrative. The background is rendered completely dark and out of focus to draw all attention to his face and the device, maintaining the urgent night atmosphere from <IMG_0> through <IMG_7>. This shot is designed to create a peak moment of tension and criticality.",
"think_minimal": "The 'global_prompt.shot_outline' indicates that <IMG_8> should be an 'extreme close-up of <the lead security operator> in a critical moment.' This demands the tightest shot yet of <the lead security operator> (seen in <IMG_0>, <IMG_1>, <IMG_3>, <IMG_5>). It should emphasize his intense focus, perhaps showing his eyes and a piece of communication equipment. The background will be completely blurred or dark, consistent with the night setting of <IMG_0> through <IMG_7>. The purpose is to convey a heightened sense of urgency and importance."
},
{
"global_prompt": null,
"instruction_full": "Return to a medium close-up of <the primary civilian>, replicating the framing and angle from <IMG_7>. He should maintain his concerned and observant demeanor, with <other security personnel> visible in the background. The outdoor night environment of the compound, with the building facade and perimeter lighting, should be consistent with all prior shots from <IMG_0> through <IMG_8>, to provide a concluding shot of the civilian in his context, implying continued suspense or a reaction to the previously unseen events.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.shot_outline' for <IMG_9> suggests a concluding shot of <the primary civilian>, 'similar to <IMG_7>, but perhaps with a subtle change.' Therefore, we will return to the medium close-up framing of <the primary civilian> as seen in <IMG_7>. His expression should continue to convey concern and observation, implying an ongoing state rather than resolution. <other security personnel> will again be visible in the background, reinforcing the persistent security presence. The consistent outdoor night compound setting, including the building architecture and ambient lighting from <IMG_0> to <IMG_8>, grounds the final shot in the established environment. This provides a narrative bookend, leaving the audience with the civilian's enduring emotional state.",
"think_minimal": "The 'global_prompt.shot_outline' states that <IMG_9> should 'offer a concluding shot of <the primary civilian>, mirroring <IMG_7>.' This implies returning to a medium close-up of <the primary civilian> (seen in <IMG_0>, <IMG_1>, <IMG_2>, <IMG_4>, <IMG_7>), with a similar expression of concern. The outdoor night compound setting from all previous shots (<IMG_0> to <IMG_8>) should be the background, potentially with <other security personnel> visible. The purpose is to provide a final reflection on his perspective within the ongoing tense situation."
}
] |
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
| 10
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49250.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49960.jpg
|
[
{
"aesthetic": 3.750251531600952,
"filename": "49250.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49250.jpg",
"tag": "<IMG_0>"
},
{
"aesthetic": 4.292480945587158,
"filename": "49286.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49286.jpg",
"tag": "<IMG_1>"
},
{
"aesthetic": 4.207775115966797,
"filename": "49379.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49379.jpg",
"tag": "<IMG_2>"
},
{
"aesthetic": 5.9683709144592285,
"filename": "49576.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49576.jpg",
"tag": "<IMG_3>"
},
{
"aesthetic": 5.521012306213379,
"filename": "49627.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49627.jpg",
"tag": "<IMG_4>"
},
{
"aesthetic": 4.108993530273437,
"filename": "49768.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49768.jpg",
"tag": "<IMG_5>"
},
{
"aesthetic": 4.276309490203857,
"filename": "49795.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49795.jpg",
"tag": "<IMG_6>"
},
{
"aesthetic": 4.383978843688965,
"filename": "49882.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49882.jpg",
"tag": "<IMG_7>"
},
{
"aesthetic": 4.089860439300537,
"filename": "49894.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/49894.jpg",
"tag": "<IMG_8>"
},
{
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"tag": "<IMG_9>"
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[
{
"global_prompt": {
"characters": [
"<the intelligence analyst>",
"<the traditional figures>",
"<the field operatives>"
],
"shot_outline": "<IMG_1> reveals <the intelligence analyst> handling a confidential memo in a dimly lit office. <IMG_2> cuts to a stark digital display showing a significant date. <IMG_3> establishes a wide, somber landscape shot of a cemetery by the sea. <IMG_4> offers a closer view of the cemetery, detailing its unique architecture. <IMG_5> transitions to a rooftop, highlighting clandestine communication equipment. <IMG_6> introduces <the traditional figures> in a narrow street, depicting local life. <IMG_7> showcases a desolate, expansive field with abandoned structures at twilight. <IMG_8> provides an extreme close-up of plastic sheeting flapping within these derelict structures. <IMG_9> then reveals <the field operatives> walking through the desolate landscape, actively engaging with the environment.",
"story_setup": "A clandestine intelligence operation is unfolding, focusing on a critical date and an unknown foreign location. The tone is serious, mysterious, and potentially suspenseful, hinting at global implications and fieldwork."
},
"instruction_full": "Shift the camera to a low-angle medium shot, looking up at <the intelligence analyst> who is handling the memo seen in <IMG_0>. The analyst should be a man with a beard, wearing a collared shirt, and he is either placing or removing the memo from a printer or scanner unit. The setting remains in the same dimly lit, functional office space partially visible in <IMG_0>, maintaining the sense of a confidential operation. This shot serves to reveal the face behind the hand from <IMG_0>, establishing the character directly involved with the sensitive information and conveying a mood of quiet intensity.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' indicates a clandestine operation, and <IMG_0> shows a confidential memo. The shot needs to introduce the character handling this document. The hand in <IMG_0> implies a person; <IMG_1> should reveal this person. By using a low-angle medium shot, we create a slightly imposing or serious feel for <the intelligence analyst> as they interact with the document from <IMG_0>. The 'space' should clearly connect to the office environment with the machine seen in <IMG_0> to maintain continuity and suggest an administrative or analytical context for the memo. The user intent is to establish who is working with this sensitive material, aligning with the narrative setup of an intelligence operation.",
"think_minimal": "Given the 'global_prompt.story_setup' of a clandestine intelligence operation and the 'global_prompt.shot_outline' for <IMG_1> that it 'reveals <the intelligence analyst> handling a confidential memo', the next logical shot must show the person whose hand was seen in <IMG_0>. I will frame <the intelligence analyst> in the same office setting as <IMG_0>, visually linking them to the confidential memo. The camera should capture their upper body and face to establish their presence and convey the serious nature of their task. This reveals the human element behind the intelligence data."
},
{
"global_prompt": null,
"instruction_full": "Cut to a static, high-contrast shot of a black screen with digital, white or light-blue monospace text displaying 'TUESDAY, SEPTEMBER 11, 2002'. This new visual space is entirely distinct from the office setting of <IMG_0> and <IMG_1>, serving to abruptly introduce a critical date, anchoring the narrative in a specific historical context.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' suggests a serious, potentially suspenseful narrative with global implications. The 'global_prompt.shot_outline' for <IMG_2> explicitly states it 'cuts to a stark digital display showing a significant date'. After revealing <the intelligence analyst> processing a memo in <IMG_1>, the narrative needs a contextual anchor. This shot introduces a completely new visual environment, disconnected spatially and charactery from <IMG_0> and <IMG_1>. It serves the narrative intent to establish a specific, potentially very significant date, immediately shifting the focus from the 'who' to the 'when', aligning with the intelligence theme and suggesting a pivotal moment.",
"think_minimal": "Considering the 'global_prompt.story_setup' and the 'global_prompt.shot_outline' for <IMG_2> which mentions a 'digital display showing a significant date', the next shot should be a stark, textual display of a date. This moves the narrative forward from <IMG_1> by providing a critical temporal context, hinting at a flashback or a key event related to the intelligence operation. There are no characters or spatial elements to carry over from <IMG_0> or <IMG_1>."
},
{
"global_prompt": null,
"instruction_full": "Transition to a wide, establishing exterior shot of a vast cemetery bordering a coastline, under a dusky, twilight sky. The camera should be at eye-level, capturing rows of unique gravestones in the foreground leading towards the ocean and a distant, indistinct town or city outline. This is a brand-new physical location, dramatically shifting from the digital screen of <IMG_2> and the office setting of <IMG_0> and <IMG_1>. The shot's purpose is to establish a new, possibly foreign and somber setting, introducing the geographical scope of the clandestine operation.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' implies global implications, and the 'global_prompt.shot_outline' for <IMG_3> specifically calls for a 'wide, somber landscape shot of a cemetery by the sea'. This necessitates a complete environmental shift from the digital display in <IMG_2> and the office in <IMG_0> and <IMG_1>. There are no characters from previous shots, and the location is entirely new. The twilight setting, cemetery, and ocean create a mood of solemnity and vastness, fulfilling the narrative intent to broaden the setting and introduce an exotic, potentially significant, locale for the operation.",
"think_minimal": "The 'global_prompt.shot_outline' states that <IMG_3> 'establishes a wide, somber landscape shot of a cemetery by the sea'. This requires a complete change of scene from the digital date in <IMG_2> and the office in <IMG_0>/<IMG_1>. The shot should be a wide exterior view, devoid of characters, to introduce a new, geographically distinct location. This transition serves to expand the narrative's scope, hinting at the international reach of the intelligence activities."
},
{
"global_prompt": null,
"instruction_full": "From the wide shot of <IMG_3>, zoom in or move closer to capture a medium shot within the same cemetery, focusing on the distinct, low-lying gravestones and their varied designs. The sea should still be visible in the background, perhaps with a small wave breaking, and incorporate a small, domed structure on the coastline as a key background element. The twilight lighting from <IMG_3> persists. This shot aims to provide more intimate detail of this foreign setting, reinforcing its unique cultural and possibly religious significance, building on the atmosphere established in <IMG_3>.",
"instruction_minimal": "generate the next shot",
"think_full": "Building on the establishment of the cemetery by the sea in <IMG_3>, the 'global_prompt.shot_outline' for <IMG_4> requests 'a closer view of the cemetery, detailing its unique architecture'. This implies remaining in the same environment and under the same atmospheric conditions as <IMG_3>. We need to provide more specific visual information about the gravestones and introduce architectural elements (the domed structure) that deepen the sense of place. There are still no characters, keeping the focus on the environment. The narrative intent is to immerse the viewer further in this specific foreign locale.",
"think_minimal": "Following the wide establishing shot of the cemetery in <IMG_3>, the 'global_prompt.shot_outline' for <IMG_4> suggests 'a closer view of the cemetery, detailing its unique architecture'. This means continuing in the same location and lighting conditions, but tightening the frame to highlight specific visual characteristics of the gravestones and the immediate coastline. This provides more context and detail about this foreign environment, reinforcing its distinct identity."
},
{
"global_prompt": null,
"instruction_full": "Shift to a medium shot from a slightly low angle, looking up at a cluttered rooftop in the same general foreign locale suggested by <IMG_3> and <IMG_4>. The shot should prominently feature communication equipment, such as a large satellite dish and megaphones or loudspeakers, against the twilight sky. This moves away from the somber cemetery, introducing a different aspect of the foreign setting with a focus on technology, to suggest surveillance or active communication related to the intelligence operation.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' emphasizes a clandestine intelligence operation. While <IMG_3> and <IMG_4> established a foreign, somber setting, the 'global_prompt.shot_outline' for <IMG_5> indicates a transition to a 'rooftop, highlighting clandestine communication equipment'. This requires a change of specific setting from the cemetery but maintains the overall foreign context implied by the architecture and atmosphere. The shot introduces new props (satellite dish, loudspeakers) that directly link back to the intelligence theme, suggesting monitoring or communication activity. There are no characters present, keeping the focus on the operational infrastructure.",
"think_minimal": "Based on the 'global_prompt.story_setup' (clandestine intelligence) and the 'global_prompt.shot_outline' for <IMG_5> ('transitions to a rooftop, highlighting clandestine communication equipment'), the next shot needs to focus on technical gear. This implies a new specific location (a rooftop) within the general foreign environment established by <IMG_3> and <IMG_4>. The shot should feature elements like satellite dishes or loudspeakers, indicating surveillance or communication, aligning with the operational aspect of the story."
},
{
"global_prompt": null,
"instruction_full": "Cut to a street-level medium shot of two <the traditional figures>, dressed in long, dark garments, standing or slowly moving near a rustic, worn building with a simple door. The street should appear old and dusty, consistent with the foreign village setting. This is a new specific location and introduces new characters into the narrative, shifting focus from technology in <IMG_5> to the local populace, suggesting human presence and daily life within this foreign land.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' suggests an unfolding intelligence operation in a foreign locale. The 'global_prompt.shot_outline' for <IMG_6> requests 'introduces <the traditional figures> in a narrow street, depicting local life'. This calls for a new spatial environment – a street scene – and the introduction of new characters, <the traditional figures>, distinct from <the intelligence analyst> in <IMG_1>. While the rooftop in <IMG_5> focused on equipment, this shot shifts to human presence. The worn building and dusty street maintain the continuity of the foreign, rustic setting from the general atmosphere of <IMG_3>, <IMG_4>, and <IMG_5>. The narrative intent is to populate the scene and show the local context.",
"think_minimal": "Following the focus on technology in <IMG_5>, the 'global_prompt.shot_outline' for <IMG_6> directs me to 'introduce <the traditional figures> in a narrow street, depicting local life'. This means shifting to a street scene, a new specific part of the foreign environment, and showing new characters. The shot should convey the daily life or presence of locals, providing a human element within the previously established foreign setting. No specific camera setup or characters are reused from previous shots, creating a fresh perspective on the environment."
},
{
"global_prompt": null,
"instruction_full": "Transition to a wide, low-angle landscape shot of a desolate, expansive field with various ruined or abandoned structures, possibly with a lone palm tree, under a twilight sky with a subtle setting or rising sun/moon. This is a new, rural-like outdoor environment, distinct from the town street of <IMG_6> but maintaining the overall foreign and twilight atmosphere. The shot aims to establish a sense of isolation and neglect, suggesting a larger, perhaps overlooked or operational, area within this foreign land.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' hints at a complex operation, and the 'global_prompt.shot_outline' for <IMG_7> describes a 'desolate, expansive field with abandoned structures'. This necessitates another environmental shift from the populated street scene in <IMG_6> to a more barren, rural landscape. There are no characters in this shot. The ruined structures and desolate field maintain the potential for hidden activity or historical context related to the overall narrative, while the twilight reinforces the mysterious tone carried through from <IMG_3>. It expands the geography of the foreign setting beyond the urban or coastal areas shown previously.",
"think_minimal": "Based on the 'global_prompt.shot_outline' for <IMG_7>, which calls for 'a desolate, expansive field with abandoned structures at twilight', the next shot should be a wide, outdoor scene. It needs to introduce a new type of environment, distinct from the street in <IMG_6>, but maintain the foreign and somewhat somber mood. The abandoned structures should visually suggest neglect or a previous purpose, adding a layer of mystery to the landscape. No characters are expected in this shot, focusing purely on the environment."
},
{
"global_prompt": null,
"instruction_full": "Execute a dynamic close-up shot of torn, translucent plastic sheeting flapping in the wind, possibly revealing the skeletal framework of a structure beneath. The lighting should be diffused and ambient, consistent with being inside or closely inspecting one of the derelict structures hinted at in <IMG_7>. This shot moves from the wide view of <IMG_7> to a textural detail, creating an immersive, sensory experience and emphasizing the decay and hidden nature of the environment.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' suggests uncovering details within the intelligence operation. The 'global_prompt.shot_outline' for <IMG_8> specifically asks for 'an extreme close-up of plastic sheeting flapping within these derelict structures'. This shot takes a detail from the 'abandoned structures' introduced in <IMG_7> and magnifies it. The plastic sheeting creates a visual and atmospheric link to makeshift or ruined greenhouses, deepening the sense of decay and the harsh reality of the desolate landscape. There are no characters present. The intent is to immerse the viewer in the texture and materiality of the environment, suggesting the hidden or dilapidated state of the operational area.",
"think_minimal": "Given the 'global_prompt.shot_outline' for <IMG_8>, which requests 'an extreme close-up of plastic sheeting flapping', the next shot should be a very tight frame focusing on this specific element. This shot connects directly to the 'abandoned structures' seen in <IMG_7>, providing a tactile and atmospheric detail. It reinforces the desolate and perhaps makeshift nature of the environment, without introducing any characters or significant camera movement beyond a zoom or tight framing."
},
{
"global_prompt": null,
"instruction_full": "Transition to a high-angle wide shot, providing an aerial or elevated view of the entire desolate landscape with the ruined structures (like the one hinted at by the plastic sheeting in <IMG_8>) from <IMG_7>. Under the twilight, cloudy sky, a small group of three <the field operatives> should be walking together along a dirt path in the middle ground, appearing purposeful as they traverse the barren land. This shot serves to re-establish the full scope of the location from <IMG_7> and finally reveals the 'operatives' on the ground, connecting back to the initial intelligence mission.",
"instruction_minimal": "generate the next shot",
"think_full": "The 'global_prompt.story_setup' centers on a clandestine intelligence operation, and the 'global_prompt.shot_outline' for <IMG_9> states it 'reveals <the field operatives> walking through the desolate landscape'. This shot returns to the expansive desolate environment established in <IMG_7>, contextualizing the close-up detail from <IMG_8>. It maintains the twilight atmosphere. Crucially, it introduces new characters, <the field operatives>, who are distinct from <the intelligence analyst> in <IMG_1> and <the traditional figures> in <IMG_6>, implying they are directly involved in the fieldwork of the intelligence mission. The high-angle view provides an overview, and their purposeful walk signifies active engagement with the previously established environment, bringing the narrative to an action-oriented point.",
"think_minimal": "The 'global_prompt.shot_outline' for <IMG_9> clearly indicates 'a wider view of the desolate landscape with figures walking'. This means returning to the environment shown in <IMG_7>, but from a higher vantage point to encompass the full scale of the abandoned structures. Critically, it introduces <the field operatives>, showing them actively moving through this foreign, desolate land. This visually initiates the field aspect of the intelligence operation, connecting the environment to human action after a series of establishing shots."
}
] |
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
| 10
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/85729.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/86494.jpg
|
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[
{
"global_prompt": {
"characters": [
"<the military operator>",
"<military operators>",
"<enemy combatants>",
"<local civilians>"
],
"shot_outline": "<IMG_1> focuses on a single <the military operator> actively engaging in a firefight from behind cover, emphasizing their immediate involvement. <IMG_2> continues to track <the military operator> in motion, showing their agility and progression. <IMG_3> introduces a wider tactical view of a team of <military operators> moving stealthily through the urban landscape. <IMG_4> offers a brief glimpse into the lives of <local civilians> as the <military operators> pass through their neighborhood. <IMG_5> returns to the team of <military operators> as they continue their advance along a street. <IMG_6> highlights an individual feat of agility by <the military operator> climbing an obstacle. <IMG_7> shows the <military operators> moving past urban debris, reinforcing the environment. <IMG_8> captures a complex vertical maneuver by the <military operators>, possibly rappelling or climbing a structure. <IMG_9> concludes with a close-up on <the military operator>'s face during a moment of intense physical exertion or stress.",
"story_setup": "The sequence depicts a covert military operation unfolding under the cover of night in a volatile urban environment. The tone is tense and action-packed, focusing on the tactical movements and individual experiences of a specialized team. The pacing is rapid, with quick cuts between different perspectives of the ongoing conflict and infiltration."
},
"instruction_full": "Shift the camera to a tighter, dynamic mid-shot from a low angle, focusing on <the military operator> as they fire a weapon. The operator is partially obscured by cover, with muzzle flash illuminating their face and weapon. The background should remain the dark, chaotic urban environment from <IMG_0>, with buildings and distant explosions still visible, to establish their immediate engagement in the ongoing firefight and connect them directly to the initial explosions.",
"instruction_minimal": "generate the next shot",
"think_full": "The initial shot <IMG_0> established a wide, chaotic urban battle scene at night, with explosions in the distance and a blurry foreground suggesting a vantage point or weapon. For <IMG_1>, the camera needs to pull in from the wide, objective view of <IMG_0> to a more subjective and immediate perspective. This shot will clearly introduce <the military operator> who was implied in the foreground of <IMG_0>, making them central to the action. Maintaining the dark, night-time urban environment with distant chaos from <IMG_0> ensures visual continuity. The intent is to immediately immerse the viewer in the operator's active role, showing direct combat involvement and making the distant threat of <IMG_0> personal.",
"think_minimal": "Given the minimal instruction, I must infer the next shot's content. The global_prompt describes an urban combat scenario at night, and the shot_outline indicates <IMG_1> should focus on <the military operator> engaging in a firefight. Therefore, I will move from the wide, chaotic shot of <IMG_0> to a tighter view. I need to show <the military operator> actively participating in the combat, likely from cover, with their weapon firing to connect with the ongoing explosions from <IMG_0>. The setting should remain the dark urban night, maintaining continuity from <IMG_0>. The narrative purpose is to introduce the protagonist and show their immediate involvement."
},
{
"global_prompt": null,
"instruction_full": "Continue with a dynamic mid-shot, possibly a slight pan or track, to follow <the military operator> from <IMG_1> as they move rapidly and tactically, perhaps ducking or reloading. They are still within the same dark urban setting from <IMG_1>, with a solid, rough-textured wall providing cover or a backdrop, reflecting the immediate dangers and their agile response.",
"instruction_minimal": "generate the next shot",
"think_full": "Building on <IMG_1>, which established <the military operator>'s direct engagement, <IMG_2> needs to show their continued dynamic action. <IMG_1> showed the operator firing from cover; now, the narrative progression requires showing movement or a reactive maneuver. We maintain the dark urban setting and the rough wall from <IMG_1>, which itself is consistent with the type of structures implied in the periphery of <IMG_0>. This provides strong spatial continuity. The operator's active movement reinforces their role as a skilled combatant, showing they are not static but adapting to the fluid combat situation.",
"think_minimal": "The global_prompt's shot_outline suggests <IMG_2> shows <the military operator> moving dynamically. Following the individual combat focus of <IMG_1>, the next logical step is to show the operator's agile response or tactical movement within the same combat environment. I will maintain the night urban setting, and the presence of a wall as seen in <IMG_1>, to keep visual continuity. The intent is to demonstrate the operator's physical capability and continued engagement after the initial firing, advancing the individual action sequence."
},
{
"global_prompt": null,
"instruction_full": "Shift to a wider, ground-level shot, depicting a group of <military operators> moving in silhouette against the glow of distant urban lights. They are advancing cautiously along a street, distinct from the immediate explosion zone of <IMG_0> but still within the same larger urban night setting. Buildings line the background, illuminated by scattered light sources, similar to the general architecture seen in <IMG_0>.",
"instruction_minimal": "generate the next shot",
"think_full": "After focusing on <the military operator>'s individual actions in <IMG_1> and <IMG_2>, this shot broadens the scope. The global_prompt's shot_outline for <IMG_3> indicates introducing a team. By returning to a wider view of the urban street, similar in scale to <IMG_0> but without the immediate chaos, we establish that <the military operator> is part of a larger coordinated effort. The dark urban environment from <IMG_0>, <IMG_1>, and <IMG_2> remains consistent, particularly the distant buildings and streetlights. This shot's purpose is to show the tactical advance of the team, suggesting organized movement beyond just individual firefights.",
"think_minimal": "The global_prompt's shot_outline states <IMG_3> introduces a team of <military operators> moving through the city. After the close-up individual action in <IMG_1> and <IMG_2>, it's time to show the broader tactical picture. I will widen the shot to show multiple <military operators> moving in unison, in the same dark urban environment established since <IMG_0>. This reinforces the team aspect of the mission and their coordinated infiltration, transitioning from individual heroics to group strategy."
},
{
"global_prompt": null,
"instruction_full": "Cut to a medium shot, framing a small, dimly lit storefront or open doorway where two <local civilians> are seen inside, facing away or engaging in quiet conversation. In the blurred foreground, the silhouettes of <military operators> from <IMG_3> are swiftly passing by, hinting at their movement through an inhabited area. This interior is a new, contrasting space, but visually contained within the overarching night urban environment of <IMG_0>.",
"instruction_minimal": "generate the next shot",
"think_full": "Following the tactical movement of <military operators> in <IMG_3>, this shot provides a momentary shift in perspective. It introduces a new interior space, contrasting with the outdoor combat zones of <IMG_0>, <IMG_1>, <IMG_2>, and <IMG_3>. While the environment is new, the context of the urban night from <IMG_0> still frames it. The blurred figures of <military operators> in the foreground link back to the team seen in <IMG_3>, showing their continued presence. The introduction of <local civilians> humanizes the environment and underscores the impact of the operation on the local populace, fulfilling the global_prompt's character list and adding narrative depth.",
"think_minimal": "The global_prompt's shot_outline hints at potential civilian interaction or observation. After shots focusing on combat and tactical movement, a brief interlude showing civilian life impacted by the conflict would be a powerful narrative beat. This shot will introduce new characters, <local civilians>, in a new, contrasting indoor environment, while still showing the passage of the <military operators> from <IMG_3> to maintain continuity of action. This fulfills the broader story setup of operating in an inhabited urban zone."
},
{
"global_prompt": null,
"instruction_full": "Return to a wide shot, similar to <IMG_3>, following the group of <military operators> from <IMG_3> as they move in unison down a dark urban street. The street is lined with buildings, consistent with the architecture visible in <IMG_0> and <IMG_3>, and lit by distant, harsh streetlights. This shot emphasizes their continued tactical advance and the wide scope of their operation within the established environment.",
"instruction_minimal": "generate the next shot",
"think_full": "After the brief, intimate glimpse into a civilian space in <IMG_4>, this shot re-establishes the broader tactical movement of the team. By returning to a similar wide shot and perspective as <IMG_3>, with the same group of <military operators> and the dark urban street setting (consistent with <IMG_0> and <IMG_3>), we reinforce the continuity of their mission. This shot picks up the narrative thread of the team's relentless progress, showing they are pushing deeper into the city after the momentary pause or observation in <IMG_4>. The environment and characters seen in <IMG_0> and <IMG_3> are now confirmed to be part of this continuous journey.",
"think_minimal": "The global_prompt's shot_outline for <IMG_5> indicates continued movement of the team of <military operators>. After the diversion into a civilian interior in <IMG_4>, the narrative needs to return to the main action of the team's advance. I will show the group of <military operators> from <IMG_3> continuing their tactical movement in the familiar dark urban environment, similar to <IMG_3> and originally hinted at in <IMG_0>. This reinforces their mission's progression."
},
{
"global_prompt": null,
"instruction_full": "Employ a dynamic, low-angle medium shot, focusing tightly on <the military operator> (who appeared in <IMG_1> and <IMG_2>) as they aggressively climb over a low wall or structure. Their body is tensed with effort, and they are equipped with combat gear. The immediate background features the rough-textured building walls, consistent with the urban architecture seen in <IMG_1> and <IMG_2>, under the continuous dark night lighting.",
"instruction_minimal": "generate the next shot",
"think_full": "Having re-established the team's group movement in <IMG_5>, the narrative now calls for a focus on individual action and skill, as indicated by the global_prompt's shot_outline. This shot brings <the military operator> from <IMG_1> and <IMG_2> back into the foreground, highlighting their physical prowess. The environment, specifically the rough wall, maintains continuity with the textures seen in <IMG_1> and <IMG_2>, within the overall night urban setting established from <IMG_0>. This emphasizes the physical demands on the operator and demonstrates their capability in overcoming obstacles during the infiltration.",
"think_minimal": "The global_prompt's shot_outline suggests <IMG_6> will show <the military operator> performing an action like climbing. After the broader team movement in <IMG_5>, it's appropriate to focus on an individual's specific challenge. I will return the focus to <the military operator> from <IMG_1> and <IMG_2>, showing them overcoming a physical obstacle like a wall. The night urban environment with rough walls from earlier shots (<IMG_1>, <IMG_2>) will serve as the backdrop, maintaining continuity."
},
{
"global_prompt": null,
"instruction_full": "Shift to a low-angle medium shot, following the group of <military operators> as they continue their advance down a narrow, dark urban street. In the foreground, partially obscured, is an abandoned, derelict car, adding to the gritty atmosphere. The street and buildings reflect the dark, illuminated style from <IMG_0>, <IMG_3>, and <IMG_5>, with distant artificial lights creating glints and shadows, emphasizing their progress through varied urban terrain.",
"instruction_minimal": "generate the next shot",
"think_full": "Following <the military operator>'s individual physical challenge in <IMG_6>, this shot brings the focus back to the coordinated team movement. It maintains the dark urban environment from <IMG_0>, <IMG_3>, <IMG_5>, and <IMG_6>, but introduces a new foreground element – the abandoned car – to add visual detail and a sense of decay to the setting. The group of <military operators> from <IMG_3> and <IMG_5> are once again central, showing their continuous tactical advance. This shot reinforces their persistent movement through the hostile city, demonstrating how the environment itself presents obstacles and visual cues.",
"think_minimal": "The global_prompt's shot_outline for <IMG_7> suggests continued movement of the <military operators> through the city. After the individual focus on <the military operator> climbing in <IMG_6>, it's logical to show the team's continued progress. I will depict the group of <military operators> from <IMG_3> advancing along a dark urban street, consistent with the environment established from <IMG_0> through <IMG_6>. The addition of an abandoned car will add texture and detail to the established setting."
},
{
"global_prompt": null,
"instruction_full": "Execute a dynamic high-angle shot, looking down over a tall wall or rooftop, to show multiple <military operators> from <IMG_3> engaged in a vertical maneuver, possibly using a ladder or rope to descend. The dark, sprawling urban landscape from <IMG_0> is visible in the distance, providing a wider context for their tactical movements. The rugged textures of the wall from <IMG_6> should be visible in the foreground, establishing continuity with their previous physical efforts.",
"instruction_minimal": "generate the next shot",
"think_full": "After showcasing the team's horizontal movement in <IMG_7>, the global_prompt's shot_outline indicates a complex tactical maneuver, possibly involving height. This shot introduces a new dimension to their infiltration by showing vertical movement. The environment maintains consistency with the night urban setting from <IMG_0> through <IMG_7>, but from a raised vantage point, revealing more of the city. The <military operators> from <IMG_3> are shown executing this coordinated maneuver. The textured wall from <IMG_6> serves as a visual link to their earlier physical challenges. This emphasizes the strategic complexity and specialized skills required for their mission.",
"think_minimal": "The global_prompt's shot_outline for <IMG_8> suggests a complex tactical maneuver, likely involving height. After showing horizontal movement, it's a natural progression to introduce verticality. I will depict multiple <military operators> from <IMG_3> (including potentially <the military operator> from <IMG_1>) engaged in climbing or rappelling, with the wider urban environment from <IMG_0> visible in the background, all within the consistent night setting. This highlights their advanced tactics and infiltration deeper into the area."
},
{
"global_prompt": null,
"instruction_full": "Capture a tight close-up on the face of <the military operator> (who was central in <IMG_1>, <IMG_2>, and <IMG_6>) as they are in the midst of a strenuous physical action, likely rappelling or climbing from <IMG_8>. Their expression should be one of intense focus and strain. The immediate background is dark and blurred, hinting at foliage or rough surfaces, consistent with the night-time urban environment they are navigating, with emphasis solely on their effort and determination.",
"instruction_minimal": "generate the next shot",
"think_full": "Following the broader tactical maneuver in <IMG_8>, the global_prompt's shot_outline for <IMG_9> calls for a close-up on <the military operator> during a critical action. This shot returns the focus to <the military operator> from <IMG_1>, <IMG_2>, and <IMG_6>, providing an intimate perspective on their individual experience during a physically demanding phase of the mission. The dark, somewhat obscured background remains consistent with the night-time urban setting from <IMG_0> through <IMG_8>. This close-up amplifies the tension and personal stake involved, allowing the viewer to connect directly with the operator's struggle and determination.",
"think_minimal": "The global_prompt's shot_outline specifies <IMG_9> as a close-up on <the military operator> during a critical, intense moment. After the team's vertical maneuver in <IMG_8>, a logical conclusion to this sequence is to focus on the individual physical and mental toll. I will create a close-up of <the military operator> from <IMG_1> showing extreme effort or tension, with a dark, indistinct background from the urban night environment, reinforcing the personal challenge of the operation."
}
] |
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13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/57614.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/58325.jpg
|
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"tag": "<IMG_9>"
}
] |
[
{
"global_prompt": {
"characters": [
"<the bearded operative>",
"<the younger operative>",
"<the arriving female operative>",
"<the security guard>"
],
"shot_outline": "<IMG_1> will provide a tighter close-up on <the bearded operative>, emphasizing his expression while he drinks beer, indicating a moment of thought or casual observation. <IMG_2> will pull back to a wider shot of the room, showing <the bearded operative> relaxing and introducing <the younger operative> entering, suggesting activity within the outpost. <IMG_3> will be a close-up on <the younger operative> using a flashlight, hinting at an investigation or preparation. <IMG_4> will return to a close-up of <the bearded operative>, showing his reaction or continued state, linking back to <IMG_1>. <IMG_5> will show <the younger operative> in the room with the flashlights, now framed more broadly, indicating his presence and action in the space. <IMG_6> will cut to an exterior shot of the building, showing vehicles and the arrival of <the arriving female operative>, establishing a new character and setting the scene outside the main building. <IMG_7> will be a closer shot of <the arriving female operative> stepping out of the car, highlighting her presence and importance. <IMG_8> will show the gate of the compound, with a security sign, and <the security guard> opening it, establishing the secure nature of the location. <IMG_9> will be a close-up of <the security guard> at the gate, emphasizing his role and the details of his attire.",
"story_setup": "This sequence depicts operations at a clandestine or semi-official outpost, likely in a volatile region. The tone is practical, sometimes tense, focusing on the daily lives and professional interactions of the operatives. The setting suggests a blend of mundane activity with underlying operational urgency."
},
"instruction_full": "Shift to a closer, medium close-up shot of <the bearded operative>, pulling in tighter from <IMG_0>. <the bearded operative> should still be holding or having just lowered his beer bottle, with the focus now on his face to capture his expression. The background should continue to be the interior of the room seen in <IMG_0>, with the bookshelf and map visible, maintaining the warm, somewhat cluttered atmosphere, to suggest a moment of quiet contemplation or a subtle reaction.",
"instruction_minimal": "generate the next shot",
"think_full": "The spatial continuity is maintained by keeping the interior room from <IMG_0>, with the identifiable bookshelf and map elements, but adjusting the framing to be tighter. <the bearded operative> is carried over directly from <IMG_0>, performing the same action of drinking, but the camera now emphasizes his facial features. This shift in framing serves to draw the viewer's attention to the character's internal state or a potential subtle reaction, deepening the character's presence beyond the initial casual introduction.",
"think_minimal": "Given the 'generate the next shot' instruction, combined with the `global_prompt.shot_outline` for <IMG_1> that states it 'isolates <the bearded operative>... to show pressure,' and considering <IMG_0> which shows him casually drinking, the next logical step is to zoom in on <the bearded operative>. This closer view, a medium close-up, would focus on his face and expression. The environment should remain consistent with the room in <IMG_0> (shelves, maps), just more cropped. This framing would emphasize his demeanor or a subtle internal reaction, fulfilling the narrative intent to reveal his state more intimately."
},
{
"global_prompt": null,
"instruction_full": "Pull back from the close-up of <IMG_1> (and the previous framing of <IMG_0>) to a wider, establishing shot of the interior room. <the bearded operative> should be visible, now seen more fully and possibly reading. Introduce a new character, <the younger operative>, walking into the room from an open doorway on the right, with their back partially to the camera. The space should reveal more of the cluttered desk and the full extent of the map wall from <IMG_0> and <IMG_1>, under the same ambient lighting but with natural light now streaming in from the open door, to show expanded activity within the outpost.",
"instruction_minimal": "generate the next shot",
"think_full": "The spatial environment remains the same interior room from <IMG_0> and <IMG_1>, now showcased in a wider shot to reveal more details like the cluttered desk and the open doorway. The ambient light from previous shots is complemented by natural light from outside. <the bearded operative> continues from <IMG_0> and <IMG_1>, maintaining his relaxed state, now reading. A new character, <the younger operative>, is introduced, entering the room, which immediately creates a sense of dynamism and new activity. This wider shot establishes the full setting and introduces a new element of interaction, moving the narrative forward from individual contemplation to shared presence and action.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_2> which states it 'will pull back to a wider shot of the room, showing <the bearded operative> relaxing and introducing <the younger operative> entering,' I need to transition from the close-up of <IMG_1>. A wider shot is required to reveal more of the room and introduce a new character. <the bearded operative> should still be present, in the same room from <IMG_0> and <IMG_1>, now reading. <the younger operative> should be entering the room from a doorway, signifying a shift to increased activity. The goal is to expand the scene and introduce a new dynamic."
},
{
"global_prompt": null,
"instruction_full": "Cut to a medium close-up on <the younger operative>, shifting the camera focus from the wider shot of <IMG_2>. <the younger operative> should be holding one or two flashlights, with their beams clearly visible, illuminating his face and hands. The background should continue to be the wall with maps and pinned photos visible in <IMG_2>, but now specifically lit by the flashlight beams, creating a more focused and perhaps urgent atmosphere, to highlight his specific task or investigation.",
"instruction_minimal": "generate the next shot",
"think_full": "The background environment, specifically the wall with maps and documents, maintains continuity with the interior setting established in <IMG_2>. However, the lighting dramatically shifts, moving from the ambient room light to the harsh, focused beams of the flashlights, thereby creating a distinct mood. <the younger operative>, who entered in <IMG_2>, is now the central focus, actively using the flashlights. This immediate shift to a specific, action-oriented close-up underscores the character's purpose and introduces a potential sense of urgency or mission, directing the audience's attention to this new development.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_3> which states it 'will be a close-up on <the younger operative> using a flashlight, hinting at an investigation or preparation,' the next shot needs to zoom in on <the younger operative>. He was introduced walking in <IMG_2>, so a close-up on him now performing an action with a flashlight would be a logical progression. The background should remain consistent with the room from <IMG_2>, specifically the map-covered wall, but the lighting should emphasize the flashlight's glow. This is to convey his immediate task and a potential shift in the narrative focus."
},
{
"global_prompt": null,
"instruction_full": "Return to a medium close-up of <the bearded operative>, similar in framing to <IMG_1>. <the bearded operative> should be seated in the same room as in <IMG_0>, <IMG_1>, and <IMG_2>, possibly with a slightly altered expression reflecting thought or observation. The background should show the familiar bookshelf area from <IMG_0> and <IMG_1>, dimly lit, to provide a counter-shot to <the younger operative>'s activity and show <the bearded operative>'s sustained presence.",
"instruction_minimal": "generate the next shot",
"think_full": "The spatial setting is consistent with the room previously established in <IMG_0>, <IMG_1>, and <IMG_2>, specifically the bookshelf area. The lighting maintains the general ambient feel of his personal space, contrasting with the flashlight beams in <IMG_3>. <the bearded operative> reappears from <IMG_0>, <IMG_1>, and <IMG_2>, holding a similar position. This shot serves as a visual beat, bringing the focus back to him, possibly showing his reaction or simply his continued quiet presence, thus maintaining his narrative thread while other actions unfold.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_4> which states it 'will return to a close-up of <the bearded operative>, showing his reaction or continued state, linking back to <IMG_1>,' the next shot should revert to focusing on <the bearded operative>. After showing <the younger operative>'s activity in <IMG_3>, a cut back to <the bearded operative> in a similar close-up from <IMG_1> allows for a direct comparison or response. The background would be his established space from <IMG_0> and <IMG_1>. This is to show his continued presence or reaction amidst the emerging activity."
},
{
"global_prompt": null,
"instruction_full": "Cut to a wider shot of the interior room, bringing both <the younger operative> and <the bearded operative> into frame, similar to the scope of <IMG_2>. <the younger operative> should be prominently visible, standing and actively holding the flashlights from <IMG_3>, engaging with the space. <the bearded operative> should also be in the shot, seated and perhaps with his feet up as seen in <IMG_2>, partially obscured by the foreground elements on the desk. The space should prominently feature the cluttered desk in the foreground and the map wall in the background from <IMG_2> and <IMG_3>, with the flashlight beams from <IMG_3> continuing to be a key light source, to establish their interaction and contrasting roles.",
"instruction_minimal": "generate the next shot",
"think_full": "The spatial environment is clearly the same interior room seen in <IMG_2>, <IMG_3>, and <IMG_4>, with the identifiable cluttered desk, map wall, and shelves. The flashlight beams, originating from <IMG_3>, continue to define the lighting, highlighting elements in the foreground and background. <the younger operative>, seen entering in <IMG_2> and active in <IMG_3>, is now central and fully visible, actively holding his flashlights. <the bearded operative>, present since <IMG_0>, is also visible, maintaining a relaxed posture (feet up, as seen in <IMG_2>), which creates a visual contrast with <the younger operative>'s activity. This shot consolidates their presence in the shared space, underscoring their dynamic and differing levels of engagement.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_5> which states it 'will show <the younger operative> in the room with the flashlights, now framed more broadly, indicating his presence and action in the space,' the camera needs to widen from the close-up on <the bearded operative> in <IMG_4>. This wider shot should feature <the younger operative> actively with the flashlights, as previously seen in <IMG_3>, and also include <the bearded operative> (who was in <IMG_0>, <IMG_1>, <IMG_2>, <IMG_4>) in his seated position. The background would be the familiar room from <IMG_2> and <IMG_3>, with the desk and map wall. This shot aims to show both characters and their current states within the same operational area."
},
{
"global_prompt": null,
"instruction_full": "Cut to a completely new, wide exterior shot of a building, shifting entirely from the interior scenes of <IMG_0> through <IMG_5>. The shot should feature at least two cars parked in front of a single-story, somewhat stark building in an arid, sunny environment with palm trees. Introduce a new character, <the arriving female operative>, seen walking towards one of the cars. Other secondary figures may be present. The scene should establish a new outdoor location and the arrival of a key new character.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot introduces a completely new spatial environment, an exterior scene that is visually disconnected from the interior of the outpost seen in <IMG_0> through <IMG_5>. The sunny, arid landscape with palm trees and a distinct building facade signals a significant change in location and immediate narrative focus. A new character, <the arriving female operative>, is introduced, arriving via car, along with other potential background figures. This abrupt change of setting and the introduction of a new, central character serve to broaden the story's scope, suggesting an external operation or a new phase of activity beyond the confines of the interior scenes.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_6> which states it 'will cut to an exterior shot of the building, showing vehicles and the arrival of <the arriving female operative>, establishing a new character and setting the scene outside the main building,' a complete scene change is required. This means moving from the interior of the outpost to a wide exterior view. The shot must include the building's exterior, parked cars, and introduce <the arriving female operative> as she approaches or exits a vehicle. The environment should be outdoors and sunny, as hinted by typical exterior shots. This is to establish a new location and introduce a new character who is arriving."
},
{
"global_prompt": null,
"instruction_full": "Shift to a closer shot on <the arriving female operative>, framing her as she steps out of the car, a tighter view than <IMG_6>. <the arriving female operative> should be the central figure, with a serious or composed expression, dressed in professional yet practical attire. The background should remain the exterior setting from <IMG_6>, with the car door open, showing glimpses of palm trees and the building facade, maintaining the bright, sunny outdoor atmosphere, to highlight her direct presence and importance.",
"instruction_minimal": "generate the next shot",
"think_full": "The spatial setting remains the exterior of the outpost from <IMG_6>, including the car and background elements like palm trees and the building facade. The sunny, arid lighting is consistent with the previous exterior shot. <the arriving female operative>, introduced in <IMG_6>, is now the singular focus, highlighted in a closer shot. This framing allows for a more detailed view of her expression and attire, emphasizing her importance and establishing her more clearly as a significant new character after her initial broader introduction in <IMG_6>. It directly follows the `shot_outline`'s goal to emphasize her presence.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_7> which states it 'will be a closer shot of <the arriving female operative> stepping out of the car, highlighting her presence and importance,' the camera needs to zoom in on <the arriving female operative>. After her introduction in the wider shot of <IMG_6>, a closer shot is necessary to emphasize her, as indicated. She should be actively stepping out of the car. The background should subtly retain elements of the exterior setting from <IMG_6>, such as the car and parts of the building or palm trees. This is to give more focus to the new character and her arrival."
},
{
"global_prompt": null,
"instruction_full": "Cut to a new wide shot focusing on the main entrance gate of the compound, distinct from the building exterior shown in <IMG_6> and <IMG_7>. A new character, <the security guard>, should be prominently featured opening the gate. Visible signs on the gate or adjacent wall should explicitly identify the location as a 'Special Mission Compound' and include a 'STOP' sign. The overall bright, sunny outdoor environment from <IMG_6> and <IMG_7> should continue, but with new foreground and background elements specifically defining the gate area, to establish the official entrance and security measures.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot introduces a distinct new exterior location: the main entrance gate of the compound. While the general sunny, arid outdoor environment from <IMG_6> and <IMG_7> is consistent, the specific visual elements like the gate structure and clear signage ('Special Mission Compound', 'STOP') provide crucial new information about the setting's nature. A new character, <the security guard>, is introduced, actively opening the gate. This sequence builds on the external focus, explicitly detailing the secure nature of the compound and the control points of access, transitioning from the general arrival to the specifics of entry.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_8> which states it 'will show the gate of the compound, with a security sign, and <the security guard> opening it, establishing the secure nature of the location,' the next shot must focus on the compound's entrance. This requires a wide exterior shot of a gate. A new character, <the security guard>, should be shown interacting with the gate, likely opening it. Prominent signs should be visible, including a 'STOP' sign and text identifying the compound. The environment would continue to be the bright, sunny outdoors established in <IMG_6> and <IMG_7>. This is to establish the secure entry point of the compound."
},
{
"global_prompt": null,
"instruction_full": "Shift to a close-up on <the security guard>, a tighter framing than <IMG_8>. <the security guard> should be the central focus, clearly showing his face with sunglasses and a uniform cap, conveying a serious or watchful expression. The background should be the gate area from <IMG_8>, now blurred due to the shallow depth of field, but still recognizable with elements like the red 'STOP' sign. The sunny outdoor lighting from <IMG_8> should continue, to emphasize his presence and professionalism.",
"instruction_minimal": "generate the next shot",
"think_full": "The background, though blurred due to the close-up, clearly maintains continuity with the gate setting established in <IMG_8>, notably the recognizable 'STOP' sign. The bright, sunny outdoor lighting from <IMG_8> also continues. <the security guard>, introduced in <IMG_8>, is now given a dedicated close-up. This allows for detailed observation of his attire (sunglasses, cap) and expression, thereby reinforcing his role and authority at the compound's entrance, consistent with the `shot_outline`'s intent to emphasize his character.",
"think_minimal": "Given the 'generate the next shot' instruction, and the `global_prompt.shot_outline` for <IMG_9> which states it 'will be a close-up of <the security guard> at the gate, emphasizing his role and the details of his attire,' the camera needs to zoom in on <the security guard>. Following the wider shot of the gate in <IMG_8>, a close-up on him makes sense to highlight his individual character and official function. He should be wearing a uniform cap and sunglasses, as typical for security personnel. The background should be the gate environment from <IMG_8>, but blurred. This is to give specific focus to the security guard's role and appearance."
}
] |
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|
[
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},
{
"aesthetic": 5.602466583251953,
"filename": "130807.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/130807.jpg",
"tag": "<IMG_4>"
},
{
"aesthetic": 4.288043022155762,
"filename": "130897.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/130897.jpg",
"tag": "<IMG_5>"
},
{
"aesthetic": 4.2598395347595215,
"filename": "130993.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/130993.jpg",
"tag": "<IMG_6>"
},
{
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"filename": "131074.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/131074.jpg",
"tag": "<IMG_7>"
},
{
"aesthetic": 5.150357723236084,
"filename": "131173.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/131173.jpg",
"tag": "<IMG_8>"
},
{
"aesthetic": 5.157934188842773,
"filename": "131308.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/131308.jpg",
"tag": "<IMG_9>"
}
] |
[
{
"global_prompt": {
"characters": [
"<the special operations soldier>",
"<the night vision operator>",
"<the squad members>"
],
"shot_outline": "<IMG_1> establishes a night vision view of a desolate, overgrown area, hinting at the operational environment. <IMG_2> provides a wider, non-night vision view of the same type of environment, emphasizing the dark, neglected state and distant buildings. <IMG_3> introduces <the squad members> as silhouettes moving stealthily through the overgrown terrain, indicating their infiltration. <IMG_4> returns to a close-up of <the special operations soldier> or another <night vision operator> over a wall, re-establishing the observation post and the precision of their mission. <IMG_5> continues with <the squad members> advancing through the eerie, overgrown landscape, maintaining their tactical movement. <IMG_6> provides an atmospheric, blurry shot of distant lights and trees, perhaps from the perspective of an observer, reinforcing the hidden nature of the operation. <IMG_7> shows <the squad members> continuing their cautious advance through the ruins, highlighting the treacherous environment. <IMG_8> offers a wider view of the entire desolate environment, with structures and mist, giving a sense of the scale of the operation and the hostile territory. <IMG_9> returns to the observation point, showing multiple <special operations soldiers> and a <night vision operator> positioned on a rooftop overlooking the target area, confirming coordinated surveillance.",
"story_setup": "A clandestine night operation unfolds, likely involving special forces in an urban or semi-urban environment, characterized by stealth, surveillance, and tactical movement. The tone is tense and focused, emphasizing precision and the hidden dangers of the mission."
},
"instruction_full": "Shift from the tight close-up of <IMG_0> to a wider, objective shot. No characters are visible to emphasize the environment. The shot should depict a new outdoor, desolate, overgrown area, viewed through a green night vision filter, featuring decaying structures or foundations and tall, wild grass. The user intent is to establish the desolate, dangerous environment of the mission through the perspective of <the night vision operator>, creating a sense of foreboding and the challenges of the terrain.",
"instruction_minimal": "generate the next shot",
"think_full": "To establish the broader operational context, the camera needs to pull back from the intense close-up of <the special operations soldier> in <IMG_0>. The night vision aesthetic directly links to the gear seen on <the special operations soldier> in <IMG_0>, indicating this is how they perceive their surroundings. This shot introduces a new outdoor environment, distinct from the immediate foreground of <IMG_0>, but within the same general nighttime, potentially urban decay context. No characters are shown to focus solely on the setting. The narrative purpose is to transition from the individual operative's focus to the vast, hostile environment they are operating within, setting the stage for future actions.",
"think_minimal": "To generate the next shot based on the minimal instruction, I recall the global prompt and shot outline. The shot outline for <IMG_1> explicitly states \"establishes a night vision view of a desolate, overgrown area, hinting at the operational environment.\" From <IMG_0>, I know there's a <special operations soldier> equipped with night vision. Therefore, the next logical step is to show what that night vision reveals about the environment they are operating in. The camera should adopt a wide, objective view to showcase the landscape. No characters are needed in this shot, as the focus is on the setting itself, viewed through the characteristic green filter of night vision. The space should be an abandoned, overgrown outdoor area with some structural remnants, conveying desolation and danger, consistent with a special operations context. This shot serves to build atmosphere and set the stage for the mission."
},
{
"global_prompt": null,
"instruction_full": "Maintain the same wide, objective camera perspective, but switch from the night vision aesthetic of <IMG_1> to natural nighttime light. The shot should continue to depict the desolate, overgrown outdoor area with distant, dimly lit buildings, similar in feel to the environment established in <IMG_1>, but with a cooler, darker color palette. No characters are visible. The goal is to ground the previous night vision view in a more 'real world' visual, emphasizing the darkness and neglect of the setting.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot continues to establish the environment seen in <IMG_1>. By maintaining a similar type of desolate, overgrown outdoor area with structural elements, it reinforces that this is the operational zone. The shift from the green night vision filter of <IMG_1> back to natural (albeit dark) lighting emphasizes that the previous shot was a specific mode of perception, not the inherent color of the world. The distant, dimly lit buildings visible in the background link to the idea of a semi-urban or abandoned area implied by <IMG_0>'s background structure. No characters are present in this shot, maintaining the focus on the environment as in <IMG_1>. The purpose is to deepen the sense of desolation and danger by presenting the environment in its natural, dark state after the initial night vision view. This transition makes the scene feel more tangible and prepares the audience for the eventual appearance of <the squad members> in this challenging terrain. It also broadens the view slightly from <IMG_1>, subtly revealing more of the context of the mission area.",
"think_minimal": "Based on the global prompt and shot outline, <IMG_2> is described as \"a wider, non-night vision view of the same type of environment, emphasizing the dark, neglected state and distant buildings.\" <IMG_0> showed <the special operations soldier> at night, and <IMG_1> gave us a night vision view of the operational area. The logical progression is to show the same environment, but now in natural nighttime conditions, confirming the bleakness and darkness hinted at. The camera should remain objective and wide, showcasing the desolate, overgrown land and distant, indistinct buildings, without any specific characters to maintain the focus on setting the scene. This shift from night vision also subtly prepares for the infiltration of <the squad members> by showing the true darkness they will navigate."
},
{
"global_prompt": null,
"instruction_full": "The camera should adopt a low-angle, medium shot, placed within the overgrown terrain previously established in <IMG_1> and <IMG_2>. Silhouettes of multiple <squad members> are seen moving stealthily from left to right through the tall, dark grass and amidst the remnants of structures. The lighting remains dark and moody, reflecting the natural nighttime conditions from <IMG_2>, with faint blue-green hues suggesting artificial or distant light sources. The user intent is to show the actual infiltration of <the squad members> into the dangerous environment.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot continues in the desolate, overgrown outdoor environment established in <IMG_1> and <IMG_2>. The tall grass and structural elements are consistent with the previous views. The dark, cool lighting further reinforces the natural nighttime setting shown in <IMG_2>. The low angle emphasizes the difficulty of traversing the terrain and the hidden nature of their movement. This is the first introduction of \"<the squad members>\" in action, following the establishment of <the special operations soldier> in <IMG_0>. Their appearance as silhouettes maintains the clandestine theme. The purpose is to begin the action phase of the mission, showing the tactical advance of the team into the area that was previously only depicted environmentally. Their silhouetted forms convey stealth and anonymity, highlighting the dangerous nature of their infiltration, as hinted at in the shot outline which mentions <the squad members> moving stealthily.",
"think_minimal": "From the global prompt and shot outline, <IMG_3> is intended to \"introduces <the squad members> as silhouettes moving stealthily through the overgrown terrain, indicating their infiltration.\" Having established the dark, overgrown environment in <IMG_1> (night vision) and <IMG_2> (natural night light), it's now time to introduce the active participants. The camera should be positioned to observe their movement within this terrain, likely a medium shot to capture their forms and the immediate surroundings. The lighting should remain consistent with the dark, natural night from <IMG_2>. The figures should be seen in silhouette to emphasize stealth and the low light conditions, embodying the \"squad members\" character tag. This shot directly advances the narrative by showing the team's insertion into the operational area."
},
{
"global_prompt": null,
"instruction_full": "Return to a medium close-up shot of <the special operations soldier> from <IMG_0>, once again positioned behind a wall or barrier, aiming their weapon. The camera angle should be a slight low-angle, looking up at them. The setting is the same dark rooftop or elevated position as <IMG_0>, with subtle background lights, maintaining the tense, nighttime atmosphere. The user intent is to re-establish the surveillance and observation aspect of the mission, linking back to the initial setup and confirming an ongoing, coordinated operation.",
"instruction_minimal": "generate the next shot",
"think_full": "The environment returns to the elevated observation point seen in <IMG_0>, likely a rooftop or high wall. The background lighting, though distant, creates a continuity with the urban/semi-urban setting from <IMG_0>. This provides a contrast to the overgrown, desolate ground-level environment seen in <IMG_1>, <IMG_2>, and <IMG_3>, suggesting a multi-layered operation. This shot brings back \"<the special operations soldier>\" explicitly seen in <IMG_0>. They are in a similar pose, observing or aiming, which reinforces their role as a key operator in this mission. Their night vision device is still active, linking to the visual motif of <IMG_1>. The purpose is to cut back to the \"control\" or \"observation\" element of the mission, after having shown the ground team infiltrating in <IMG_3>. This creates a sense of coordinated effort and reminds the audience that the actions on the ground are being monitored or directed. It emphasizes the precision and vigilance required for the operation, as hinted at in the shot outline for <IMG_4> (\"re-establishing the observation post and the precision of their mission\").",
"think_minimal": "Consulting the global prompt and shot outline, <IMG_4> is described as \"returns to a close-up of <the special operations soldier> or another <night vision operator> over a wall, re-establishing the observation post and the precision of their mission.\" Having shown the infiltration of <the squad members> in <IMG_3>, it's logical to cut back to an overview or command perspective. The best way to do this is to return to the character and setting from <IMG_0>, specifically <the special operations soldier> with their night vision gear, positioned behind a wall. The camera should frame them in a similar medium close-up, reinforcing their active role in observation or engagement. The nighttime setting and implied vigilance from <IMG_0> are crucial elements to maintain, thus bringing back similar background lighting and dark atmosphere."
},
{
"global_prompt": null,
"instruction_full": "The camera should return to a low-angle, wide shot within the overgrown, structural remnants, similar to the setting of <IMG_3>. Multiple silhouettes of <the squad members> are now shown advancing further through the misty, cool-toned environment. Their forms are hunched, indicating stealth and caution, moving from left to right. The lighting should be dark with strong blue-green ambient light, emphasizing the ethereal and dangerous atmosphere established in <IMG_3>. The intent is to show the continued, cautious progress of <the squad members> deeper into the operational zone.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot strongly links back to the ground-level environment introduced in <IMG_1> (night vision) and <IMG_2> (natural night), and specifically the infiltration scene from <IMG_3>. The overgrown terrain, structural elements, and blue-green ambient lighting are consistent with those shots, maintaining the established mood and location for <the squad members>' movements. The added mist enhances the atmosphere of mystery and danger. \"<the squad members>\" reappear from <IMG_3>, continuing their tactical advance. Their forms are again silhouetted, reinforcing their stealthy operation. This shows continuity in their action and purpose within the mission. After cutting back to <the special operations soldier> in <IMG_4>, this shot returns to the ground team's progress. Its purpose is to show the ongoing forward movement and sustained caution of <the squad members>, deepening the sense of immersion in their infiltration. The repeated visual of silhouettes against a foreboding backdrop reinforces the clandestine nature of the mission. The shot outline indicated this turn would \"continue with <the squad members> advancing through the eerie, overgrown landscape, maintaining their tactical movement.\"",
"think_minimal": "Referring to the global prompt and shot outline, <IMG_5> is supposed to \"continue with <the squad members> advancing through the eerie, overgrown landscape, maintaining their tactical movement.\" We've seen <the special operations soldier> on lookout in <IMG_0> and <IMG_4>, and <the squad members> infiltrating in <IMG_3> through the desolate environment of <IMG_1> and <IMG_2>. The logical next step is to return to the ground team and show their continued progress. The camera should capture multiple <squad members> as silhouettes, moving stealthily through the same overgrown, ruined environment, with the dark, cool-toned nighttime lighting that characterizes these scenes. This builds on the established visual language of stealth and danger, advancing the narrative of their infiltration."
},
{
"global_prompt": null,
"instruction_full": "Shift to a wider, slightly out-of-focus shot, emphasizing the ambient atmosphere rather than sharp details. The view is of distant, blurred lights against a dark, cool-toned night sky, with a silhouetted branch or sparse foliage in the foreground on the right. This shot serves as an atmospheric transition, perhaps from an observer's perspective, emphasizing the vastness and hidden aspects of the operation's environment, similar to the broader scope implied by <IMG_2>, but more abstract. No specific characters are visible.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot continues in the nighttime, outdoor environment, but provides a more abstract, atmospheric view. The distant lights hint at the urban/semi-urban context established in <IMG_0> and <IMG_2>. The foreground foliage could relate to the overgrown areas seen in <IMG_1>, <IMG_2>, <IMG_3>, and <IMG_5>. The dark, cool tones are consistent with the nocturnal setting. It presents a wider, more impressionistic view of the overall area. No characters are visible, which keeps the focus on setting and atmosphere, similar to <IMG_1> and <IMG_2>. It might represent a moment of observation or a general sense of the surroundings from the perspective of an unseen observer. The purpose is to provide an atmospheric interlude, breaking the direct action of <the squad members>' infiltration and the direct observation of <the special operations soldier>. It expands the sense of the environment, suggesting the scale and the clandestine nature of the operation by showing distant, isolated points of light in a vast darkness. It aligns with the shot outline for <IMG_6>: \"provides an atmospheric, blurry shot of distant lights and trees, perhaps from the perspective of an observer, reinforcing the hidden nature of the operation.\"",
"think_minimal": "Based on the global prompt and shot outline, <IMG_6> is planned as an \"atmospheric, blurry shot of distant lights and trees, perhaps from the perspective of an observer, reinforcing the hidden nature of the operation.\" After showing detailed movement on the ground in <IMG_5> and observation in <IMG_4>, a broader, more atmospheric shot makes sense to deepen the mood. The camera should take a wider, slightly unfocused view of the dark, cool-toned night. Distant lights will be blurred to suggest depth and an unseen vantage point, with some dark, sparse vegetation in the foreground. This provides a moment of reflection on the vastness and hidden elements of the mission's setting, without focusing on specific characters, connecting to the overall clandestine theme."
},
{
"global_prompt": null,
"instruction_full": "Revert to a medium shot, low to the ground, once again showing silhouettes of <the squad members> moving stealthily through the overgrown terrain and structural pillars, similar to the framing and context of <IMG_3> and <IMG_5>. The environment should be misty and illuminated by cool blue-green ambient light, reflecting the established aesthetic of their infiltration. The user intent is to show the continued, arduous progress of the squad through challenging, hidden terrain.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot brings us back to the ground-level infiltration environment. The overgrown plants, structural pillars, mist, and cool blue-green ambient lighting are all consistent with the scenes of <the squad members>' movement in <IMG_3> and <IMG_5>, reinforcing the established setting. \"<the squad members>\" reappear as silhouettes, continuing their hidden movement, directly linking to their previous appearances in <IMG_3> and <IMG_5>. This emphasizes their persistence and the ongoing nature of their mission. After the atmospheric interlude of <IMG_6>, this shot brings the focus back to the primary action of <the squad members>' infiltration. It serves to show their continued progress and the persistent challenges of navigating the dangerous territory, keeping the tension high. The shot outline mentioned <the squad members> \"continuing their cautious advance through the ruins, highlighting the treacherous environment.\"",
"think_minimal": "From the global prompt and shot outline, <IMG_7> describes <the squad members> \"continuing their cautious advance through the ruins, highlighting the treacherous environment.\" We've seen them moving in <IMG_3> and <IMG_5> within this same environment. After the atmospheric shot of <IMG_6>, it's time to return to the ground team's action. The camera should be positioned low, capturing multiple <squad members> as silhouettes moving stealthily through the overgrown, ruined landscape, maintaining the misty, cool-toned nighttime lighting. This reiterates their ongoing infiltration, reinforcing the physical and tactical challenges they face."
},
{
"global_prompt": null,
"instruction_full": "The camera should pull back to a wider, expansive shot of the desolate, overgrown environment, showcasing a broader view of the ruined structures and misty ground, similar to the overall scope suggested by <IMG_2> and <IMG_6>, but with more defined elements. The cool blue-green ambient lighting continues to dominate, with faint distant lights hinting at the edge of the operational zone. No characters are directly in focus, allowing the environment to be the primary subject. The user intent is to provide a comprehensive sense of the scale and bleakness of the operational area, emphasizing the vastness of the territory the squad is traversing.",
"instruction_minimal": "generate the next shot",
"think_full": "This is a wider shot of the same desolate, overgrown environment with structural remnants that has been consistently shown in <IMG_1>, <IMG_2>, <IMG_3>, <IMG_5>, and <IMG_7>. The mist and cool blue-green lighting are also consistent. By pulling back, it offers a broader perspective of the entire scene, showing the expanse of the area the <squad members> have traversed or are about to traverse, reinforcing the continuity of the setting. No explicit characters are visible, allowing the focus to remain on the environment, similar to <IMG_1>, <IMG_2>, and <IMG_6>. This shot functions as an environmental statement, showing the stage upon which the characters are operating. After the focused movements of <the squad members> in <IMG_7>, this wider shot serves to contextualize their efforts within the larger, hostile landscape. It provides a sense of scale, highlighting the isolation and difficulty of the mission, and reminding the audience of the vastness of the territory. It directly follows the shot outline for <IMG_8>: \"offers a wider view of the entire desolate environment, with structures and mist, giving a sense of the scale of the operation and the hostile territory.\"",
"think_minimal": "From the global prompt and shot outline, <IMG_8> is described as \"offers a wider view of the entire desolate environment, with structures and mist, giving a sense of the scale of the operation and the hostile territory.\" After several shots of <the squad members> infiltrating, and some atmospheric breaks, a wide shot is needed to recap the environment and its vastness. The camera should pull back to show a much broader expanse of the overgrown, ruined landscape with its misty, cool-toned ambient lighting, incorporating more distant background elements seen in earlier wide shots like <IMG_2> and <IMG_6>. No characters should be central, as the intent is to showcase the setting itself and the daunting scope of the mission."
},
{
"global_prompt": null,
"instruction_full": "Shift the camera to a medium-wide shot, positioned at an elevated vantage point overlooking the area. It reveals multiple <special operations soldiers> and at least one <night vision operator> positioned on a rooftop or elevated structure, observing the distant operational zone. One of them is prominently featured in the foreground, aiming a weapon with a bipod, similar to the posture of <the special operations soldier> in <IMG_0> and <IMG_4>. The environment is dark nighttime, with distant lights and haze, maintaining the overall cool color palette of the night operation. The user intent is to bring the perspective back to the command or overwatch element, showing coordinated surveillance and preparing for a potential action.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot returns to the elevated observation point seen in <IMG_0> and <IMG_4>. The structures, distant lights, and dark nighttime setting are consistent with these earlier shots, creating a strong sense of continuity for the observation post. This shot also implies the distant operational area (seen in <IMG_8>) is being watched, linking the two primary locations. Multiple \"<special operations soldiers>\" are present, including one who appears to be \"<the night vision operator>\" based on their gear and prominent position, mirroring <the special operations soldier> from <IMG_0> and <IMG_4>. This reinforces the team aspect of the mission and the role of surveillance. The purpose is to conclude the sequence by returning to the high-level observation point, emphasizing the strategic oversight of the operation. After showing the ground team's progress and the vastness of the territory, this shot confirms the coordinated effort and the potential for a decisive action. It aligns with the shot outline for <IMG_9>: \"returns to the observation point, showing multiple <special operations soldiers> and a <night vision operator> positioned on a rooftop overlooking the target area, confirming coordinated surveillance.\"",
"think_minimal": "From the global prompt and shot outline, <IMG_9> is described as \"returns to the observation point, showing multiple <special operations soldiers> and a <night vision operator> positioned on a rooftop overlooking the target area, confirming coordinated surveillance.\" After establishing both the observation point (<IMG_0>, <IMG_4>) and the ground team's infiltration (<IMG_3>, <IMG_5>, <IMG_7>) within the broader environment (<IMG_1>, <IMG_2>, <IMG_6>, <IMG_8>), the narrative calls for a return to the command element. The camera should capture a medium-wide shot of multiple <special operations soldiers>, including at least one <night vision operator>, on an elevated position. Their posture and equipment should reflect active observation and readiness, similar to the initial setup in <IMG_0> and <IMG_4>, reinforcing the coordinated nature of the mission."
}
] |
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
| 10
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53050.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53727.jpg
|
[
{
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"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53050.jpg",
"tag": "<IMG_0>"
},
{
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"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53107.jpg",
"tag": "<IMG_1>"
},
{
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"tag": "<IMG_2>"
},
{
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"tag": "<IMG_3>"
},
{
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"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53422.jpg",
"tag": "<IMG_4>"
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{
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"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53488.jpg",
"tag": "<IMG_5>"
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{
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"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/53586.jpg",
"tag": "<IMG_6>"
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{
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{
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{
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"tag": "<IMG_9>"
}
] |
[
{
"global_prompt": {
"characters": [
"<the man on the phone>",
"<the man with the laptop>",
"<the bearded man>",
"<the man playing foosball>",
"<the two young girls>"
],
"shot_outline": "<IMG_1> introduces <the man on the phone> reacting with amusement to the phone's content. <IMG_2> shifts to a different location, introducing <the man with the laptop> on a video call. <IMG_3> cuts to a close-up of <the bearded man> smiling during a video call, implied to be the other party. <IMG_4> transitions to an outdoor setting, showing <the bearded man> and <the man on the phone> together, with <the man playing foosball> in the background. <IMG_5> then focuses on <the man with the laptop> in the same outdoor setting, still working. <IMG_6> provides a close-up of <the man with the laptop> smiling at his screen. <IMG_7> introduces a completely new domestic scene with <the two young girls> in a car, looking at a phone. <IMG_8> returns to <the man with the laptop>, now with a more serious expression. <IMG_9> concludes by returning to <the two young girls> in the car, reinforcing the domestic connection.",
"story_setup": "This sequence establishes a contrast between the personal, domestic lives of individuals and their professional, potentially dangerous, operational roles. The tone shifts from warmth and personal connection to professional interaction and then back, highlighting the duality of their existence. The pacing varies, with intimate close-ups interspersed with wider environmental shots."
},
"instruction_full": "Transition from the phone screen to a wider shot introducing <the man on the phone>. He is smiling broadly, leaning against a textured wall, engrossed in his mobile phone which has an earbud plugged in, as seen in <IMG_0>. A laptop rests on his lap, and a green plant is visible to his left, establishing a casual, indoor or semi-outdoor personal space with warm lighting, to show his direct reaction to the content previously glimpsed.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_0> provided an extreme close-up of a mobile phone screen displaying a warm image of a dog, held by a person's hand. The logical progression is to reveal the person holding the phone and their reaction, establishing <the man on the phone>. The `global_prompt.shot_outline` indicates <IMG_1> 'introduces <the man on the phone> reacting with amusement to the phone's content.' Therefore, he should be smiling. The camera pulls back from the tight crop of <IMG_0> to a medium shot. The environment should suggest a relaxed, personal setting, consistent with viewing a photo of a pet, hence the casual pose, the presence of a laptop, and a houseplant, all within a warmly lit, textured room. This transitions from the abstract phone content to the emotional impact on a character.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_1> states: 'introduces <the man on the phone> reacting with amusement to the phone's content.' <IMG_0> showed a close-up of a mobile phone displaying a dog, suggesting a personal and positive interaction. Therefore, the next shot, <IMG_1>, should logically reveal the person holding that phone, identified as <the man on the phone>, showing his amused or pleased reaction. He should be smiling while looking at the phone, which still has the earbud connected as seen in <IMG_0>. The setting should be a casual, personal space, perhaps indoors or semi-indoors, with a plant and a laptop nearby, expanding the implied domestic context from the phone's image. The camera will pull back from the extreme close-up of the phone in <IMG_0> to frame the character and his immediate surroundings."
},
{
"global_prompt": null,
"instruction_full": "Shift to a new, distinct interior setting. Frame <the man with the laptop> from behind, positioned over his left shoulder, as he sits at a desk looking intently at a laptop screen which displays a person's face on a video call. The room is dimly lit, with a desk lamp providing a focused light source, and a window with horizontal blinds in the background, contrasting with the brighter, more open space of <IMG_1>.",
"instruction_minimal": "generate the next shot",
"think_full": "Having established <the man on the phone>'s personal connection in <IMG_1>, the `global_prompt.shot_outline` for <IMG_2> instructs to 'shift to a different location, introducing <the man with the laptop> on a video call.' This requires introducing a new character, <the man with the laptop>, and a new environment that clearly differentiates itself from <IMG_1>. The camera takes an over-the-shoulder shot to immediately draw the viewer's attention to the laptop screen and the person on the video call, emphasizing the nature of the interaction. The room is dimly lit, suggesting a more focused or perhaps isolated work environment, with a desk lamp as a prominent light source and blinds on a window adding to the enclosed, functional feel. This breaks the domestic warmth and moves towards a professional or operational context.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_2> specifies 'shift to a different location, introducing <the man with the laptop> on a video call.' This means <IMG_2> needs to introduce a new character, <the man with the laptop>, in a new environment, distinct from the one in <IMG_1>. The core action is a video call, so the shot should clearly show him interacting with a laptop that displays another person's face. To emphasize this, an over-the-shoulder shot looking at the screen is effective. The room should be depicted as somewhat darker or more work-focused, perhaps with a desk and a window with blinds, creating a visual contrast to the more relaxed, personal setting of <IMG_1>."
},
{
"global_prompt": null,
"instruction_full": "Cut to a close-up of the face of the person seen on the laptop screen in <IMG_2>, now identified as <the bearded man>. He is smiling broadly, with his face illuminated by the subtle glow of a screen, in what appears to be a dimly lit interior with a strong teal-colored ambient light on a textured wall behind him, maintaining the visual theme of digital connection and distinct lighting.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_2> introduced <the man with the laptop> engaged in a video call, with a glimpse of the other participant on his screen. The `global_prompt.shot_outline` for <IMG_3> clearly states 'close-up of <the bearded man> smiling during a video call, implied to be the other party.' This directs us to reveal the face of the person on the other end of the call, now named <the bearded man>. The shot should be a close-up to focus on his expression, particularly his smile, indicating a positive interaction. The lighting on his face should suggest the screen's glow, reinforcing the digital communication theme. The background, with its dim lighting and teal tint, should hint at a similar remote or interior setting, maintaining a visual consistency with the 'video call' context established in <IMG_2> without being the exact same physical space.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_3> states 'close-up of <the bearded man> smiling during a video call, implied to be the other party.' Following <IMG_2>, which showed <the man with the laptop> on a video call with a face on his screen, <IMG_3> should be a close-up of that person. This new character is <the bearded man>, and he should be smiling, indicating a pleasant or engaged conversation. His face should be lit by the implied glow of a screen, and the background should suggest an interior space with particular lighting, possibly a subtle color cast, to reflect the 'digital connection' theme."
},
{
"global_prompt": null,
"instruction_full": "Pull back from the close-up, transitioning to a new outdoor setting. Frame <the bearded man> (from <IMG_3>) and <the man on the phone> (from <IMG_1>) sitting across from each other at a small table, playing chess. In the background, slightly out of focus, <the man playing foosball> is visible, engaged in another activity. The scene is brightly lit by natural sunlight, under a light camouflage netting canopy, creating a communal and active outdoor environment.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_3> focused on <the bearded man> during a video call. The `global_prompt.shot_outline` for <IMG_4> indicates 'transitions to an outdoor setting, showing <the bearded man> and <the man on the phone> together, with <the man playing foosball> in the background.' This signals a significant shift from digital communication to physical presence and a new outdoor environment. We bring back <the bearded man> from <IMG_3> and reintroduce <the man on the phone> from <IMG_1>, now physically together. The camera widens to encompass their interaction and the new setting. The activity of playing chess provides a focal point for their interaction, while <the man playing foosball> in the background adds to the sense of a busy, communal space, under the outdoor camouflage netting. This dramatically moves the narrative from distant calls to shared physical space, establishing a new connection between the characters and a new context for their story.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_4> states 'transitions to an outdoor setting, showing <the bearded man> and <the man on the phone> together, with <the man playing foosball> in the background.' This implies a dramatic change of scene from the previous interior, digitally-connected shots (<IMG_1>, <IMG_2>, <IMG_3>). The next shot, <IMG_4>, should depict <the bearded man> (seen in <IMG_3>) and <the man on the phone> (from <IMG_1>) together in a physical, outdoor setting. They should be engaged in an activity like chess, and the presence of <the man playing foosball> in the background suggests a larger communal area. The environment should be sunny and feature light camouflage netting overhead, as suggested by the outline, to create a sense of an operational but relaxed outdoor space."
},
{
"global_prompt": null,
"instruction_full": "Shift the camera to a slightly different angle within the same outdoor, sun-dappled environment from <IMG_4>. Now frame <the man with the laptop> (last seen in <IMG_2>) relaxing in a chair, with his laptop open and a bottle of beer nearby. The camouflage netting from <IMG_4> remains visible overhead, and the background shows elements of the same outdoor base, indicating continuous presence in this communal space.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_4> established a vibrant outdoor communal area with <the bearded man> and <the man on the phone>. The `global_prompt.shot_outline` for <IMG_5> describes 'focuses on <the man with the laptop> in the same outdoor setting, still working.' This means we reintroduce <the man with the laptop> from <IMG_2> but place him within the new outdoor environment established in <IMG_4>. The camera angle adjusts to focus on him. He is shown in a relaxed posture, signifying comfort in this new setting, but still engaged with his laptop, indicating continuity of his tasks. The presence of the camouflage netting from <IMG_4> above and the general outdoor lighting ensure spatial continuity. The beer bottle adds to the relaxed, casual atmosphere of this particular zone within the base.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_5> specifies 'focuses on <the man with the laptop> in the same outdoor setting, still working.' Following <IMG_4>, which introduced a communal outdoor area with camouflage netting, <IMG_5> should bring <the man with the laptop> (last seen in <IMG_2>) into this environment. He should be depicted in a relaxed pose, working on his laptop, to convey a sense of continued activity within this new, shared space. The visual elements of the camouflage netting from <IMG_4> and the outdoor lighting should be consistent, showing him as part of this group, even if focused on his own work."
},
{
"global_prompt": null,
"instruction_full": "Move the camera to a closer shot of <the man with the laptop> (from <IMG_5>), focusing on his face. He is smiling warmly, his expression illuminated by the laptop screen's glow. The background subtly retains the dappled light and the pattern of the camouflage netting from <IMG_5>, maintaining the established outdoor setting.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_5> showed <the man with the laptop> working on his computer in a relaxed outdoor setting. The `global_prompt.shot_outline` for <IMG_6> indicates 'close-up of <the man with the laptop> smiling at his screen.' This directs us to a tighter shot, focusing on his reaction to whatever he is viewing or working on. His smile suggests a positive engagement, similar to <the bearded man>'s smile in <IMG_3> during a video call. The camera moves in for a close-up, and the screen's glow acts as a key light on his face. The background should maintain the visual continuity of the outdoor environment, specifically the camouflage netting and the play of light from <IMG_5>, reinforcing that he is still in the same place.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_6> states 'close-up of <the man with the laptop> smiling at his screen.' After <IMG_5> showed <the man with the laptop> working on his laptop in an outdoor setting, <IMG_6> should be a close-up of his face, showing his positive reaction, a smile, as he looks at his screen. The lighting on his face should reflect the screen's glow, and the background should subtly maintain the visual cues of the outdoor environment with camouflage netting, consistent with <IMG_5>."
},
{
"global_prompt": null,
"instruction_full": "Introduce a completely new scene and characters. Frame <the two young girls> in the back seat of a moving car. The girl on the right is actively looking at and interacting with a small mobile phone, while the girl on the left looks towards her, smiling. The background seen through the car window is a bright, sunlit urban street, contrasting sharply with the previous operational outdoor setting.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_6> provided a close-up of <the man with the laptop> smiling, maintaining the outdoor, operational environment. The `global_prompt.shot_outline` for <IMG_7> explicitly states 'introduces a completely new domestic scene with <the two young girls> in a car, looking at a phone.' This requires a complete break in spatial and character continuity. We introduce two new characters, <the two young girls>, in an entirely new setting: the interior of a car on a bright urban street. Their focus on a mobile phone harks back to the initial theme of digital connection and personal life seen in <IMG_0> and <IMG_1>, providing a strong thematic counterpoint to the more intense scenes involving the men. This abrupt shift serves to highlight the duality of the story, separating the professional world from the personal/family one.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_7> states 'introduces a completely new domestic scene with <the two young girls> in a car, looking at a phone.' This means <IMG_7> must be a significant departure from all previous shots. It should introduce new characters, <the two young girls>, in a completely new environment—the back seat of a car, with an urban background visible through the window. Their interaction with a mobile phone connects to the initial theme of personal communication from <IMG_0>, providing a contrasting, domestic element to the narrative after a series of scenes featuring adult men in what appears to be an operational setting."
},
{
"global_prompt": null,
"instruction_full": "Return to <the man with the laptop> (from <IMG_6>) in the same outdoor, camouflage-netted environment. His expression is now serious and thoughtful as he looks down at his laptop screen. The lighting and background elements, including the camouflage netting, should be consistent with <IMG_6>, but his demeanor has shifted to convey a more reflective or concerned mood.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_7> presented a lighthearted domestic scene, creating a narrative contrast. The `global_prompt.shot_outline` for <IMG_8> directs us to 'returns to <the man with the laptop>, now with a more serious expression.' This signals a return to the previous operational narrative thread and the character of <the man with the laptop>, last seen smiling in <IMG_6>. The environment should be the same outdoor, camouflage-netted area established in <IMG_5> and <IMG_6>, maintaining spatial continuity. However, his expression has changed from a smile to a serious or contemplative look, indicating a shift in the narrative or emotional state, possibly due to what he's seeing on his laptop, creating a moment of dramatic tension after the preceding lighthearted scene.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_8> states 'returns to <the man with the laptop>, now with a more serious expression.' After the domestic scene with <the two young girls> in <IMG_7>, the narrative should switch back to <the man with the laptop> (last seen in <IMG_6>). He should be in the same outdoor, camouflage-netted environment as established in <IMG_5> and <IMG_6>. Critically, his expression should now be serious or reflective, contrasting with his earlier smile, suggesting a development in the story or his emotional state. This brings the focus back to the operational aspect after a brief interlude."
},
{
"global_prompt": null,
"instruction_full": "Return to <the two young girls> (from <IMG_7>) in the back seat of the car. The girl on the right is still looking at the mobile phone, while the girl on the left watches, both wearing seatbelts. The bright urban background visible through the car window and the general lighting should be consistent with <IMG_7>, reinforcing the domestic context and their continued engagement with the phone.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_8> concluded with <the man with the laptop> looking serious, creating a moment of gravitas. The `global_prompt.shot_outline` for <IMG_9> indicates 'concludes by returning to <the two young girls> in the car, reinforcing the domestic connection.' This signals a final return to the domestic narrative thread established in <IMG_7>, providing a bookend to the sequence by bringing us back to the family context. The shot should maintain the same characters, <the two young girls>, and the same car interior and urban background from <IMG_7>, emphasizing their continued activity and environment. Their focus on the phone continues the theme of personal connection, providing a poignant contrast or resolution to the serious operational scenes, and highlighting the two worlds the characters inhabit.",
"think_minimal": "The `global_prompt.shot_outline` for <IMG_9> states 'concludes by returning to <the two young girls> in the car, reinforcing the domestic connection.' Following the serious tone of <IMG_8> with <the man with the laptop>, <IMG_9> should shift back to the domestic scene introduced in <IMG_7>. This means showing <the two young girls> again in the car, continuing their interaction with the mobile phone. The setting, including the car interior and the urban background, should be consistent with <IMG_7>, providing a sense of closure or a final reminder of the personal stakes in the narrative."
}
] |
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
| 10
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11263.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11697.jpg
|
[
{
"aesthetic": 5.635260105133057,
"filename": "11263.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11263.jpg",
"tag": "<IMG_0>"
},
{
"aesthetic": 5.707636833190918,
"filename": "11266.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11266.jpg",
"tag": "<IMG_1>"
},
{
"aesthetic": 6.714851379394531,
"filename": "11302.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11302.jpg",
"tag": "<IMG_2>"
},
{
"aesthetic": 6.398365974426269,
"filename": "11350.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11350.jpg",
"tag": "<IMG_3>"
},
{
"aesthetic": 6.794976234436035,
"filename": "11389.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11389.jpg",
"tag": "<IMG_4>"
},
{
"aesthetic": 6.315138339996338,
"filename": "11458.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11458.jpg",
"tag": "<IMG_5>"
},
{
"aesthetic": 6.375052452087402,
"filename": "11502.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11502.jpg",
"tag": "<IMG_6>"
},
{
"aesthetic": 5.428522109985352,
"filename": "11571.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11571.jpg",
"tag": "<IMG_7>"
},
{
"aesthetic": 5.583550453186035,
"filename": "11622.jpg",
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"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11622.jpg",
"tag": "<IMG_8>"
},
{
"aesthetic": 5.705811500549316,
"filename": "11697.jpg",
"musiq": 0,
"rel_path": "images/13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/11697.jpg",
"tag": "<IMG_9>"
}
] |
[
{
"global_prompt": {
"characters": [
"<the militant with rifle>",
"<the bearded man with pistol>",
"<the local elder>",
"<the other militant with rifle>",
"<the driver>"
],
"shot_outline": "<IMG_1> cuts to the interior of a vehicle, revealing <the bearded man with pistol> looking on guard, establishing the other side of the conflict. <IMG_2> then shows <the local elder> from an external perspective, seemingly caught between the two factions, establishing his concern. <IMG_3> pulls back to show <the bearded man with pistol>, <the driver>, and <the other militant with rifle> inside the vehicle, with <the militant with rifle> from <IMG_0> visible outside through the window, emphasizing the enclosed and dangerous situation. <IMG_4> returns to <the local elder>, showing his continued reaction to the unfolding confrontation. <IMG_5> returns to the vehicle interior, maintaining the perspective of <the bearded man with pistol> and the escalating tension with the visible militants outside. <IMG_6> returns to <the local elder>, reflecting his increasing distress. <IMG_7> establishes the broader street environment, showing multiple armed individuals and vehicles, including the one <the bearded man with pistol> is in, revealing the full scale of the standoff. <IMG_8> returns to <the militant with rifle>, reinforcing his threat and unwavering stance. <IMG_9> returns to <the bearded man with pistol> inside the vehicle, maintaining the close-up and his alert, ready-to-act posture.",
"story_setup": "A tense and dangerous standoff unfolds in a dusty, sun-baked Middle Eastern street, where armed militants confront a group of operatives inside a vehicle. The tone is gritty and suspenseful, focused on immediate threat and reaction."
},
"instruction_full": "Cut to a medium close-up shot from inside a rugged vehicle, looking slightly forward and to the right. Feature a new character, <the bearded man with pistol>, holding a handgun, looking intensely off-screen to the right, implying he is looking at <the militant with rifle> from <IMG_0>. His expression should be serious and alert, with sweat visible on his face. The shot is set inside a rugged vehicle, indicated by the visible window frame and blurred background seen through it, maintaining the warm, dusty, intense lighting seen in <IMG_0>, to establish the protagonist's perspective and his immediate defensive posture in response to the threat seen in <IMG_0>.",
"instruction_minimal": "generate the next shot",
"think_full": "We transition from the external threat of <the militant with rifle> in <IMG_0> to the internal response. The warm, dusty lighting suggests a consistent Middle Eastern environment as <IMG_0>. This shot introduces a new character, <the bearded man with pistol>, who is the direct counterpoint to <the militant with rifle>. He is alert and ready for conflict, emphasizing his role as a protagonist. His intense gaze and drawn pistol indicate a direct, immediate threat response, raising the stakes and establishing the other side of the conflict.",
"think_minimal": "Based on the global prompt's shot outline for <IMG_1>, the next shot should cut to the interior of a vehicle, revealing <the bearded man with pistol> looking on guard to establish the other side of the conflict. This means a medium close-up from inside a vehicle, focusing on a new character with a pistol, looking intensely towards the source of the threat established in <IMG_0>. The environment should maintain the dusty, warm lighting and general atmosphere of <IMG_0> to ensure continuity. The user intent is to introduce the protagonist and show his immediate reaction to the developing standoff."
},
{
"global_prompt": null,
"instruction_full": "Shift to an external close-up, similar framing to <IMG_0> but focused on a new character. Introduce <the local elder>, a new character with a concerned expression, wearing traditional headwear and glasses, looking slightly off-camera. The background should be the same dusty, textured stone wall environment established in <IMG_0>, maintaining the golden hour lighting and gritty atmosphere, to introduce a civilian element caught in the conflict and emphasize the human cost or the immediate danger of the standoff.",
"instruction_minimal": "generate the next shot",
"think_full": "The stone wall background from <IMG_0> is reused, maintaining the location and lighting and anchoring the scene in the same dangerous street environment, which is now further emphasized by the presence of <the bearded man with pistol> in <IMG_1>. This shot introduces <the local elder>, a new character, broadening the narrative to show an innocent bystander or a mediator caught in the crossfire. His expression of concern is key to highlighting the wider impact of the escalating tension between <the militant with rifle> (<IMG_0>) and <the bearded man with pistol> (<IMG_1>).",
"think_minimal": "According to the global prompt's shot outline for <IMG_2>, the next shot should show <the local elder> from an external perspective, caught between the two factions, establishing his concern. This implies a close-up on a new character, a local civilian, positioned in the same exterior environment as <IMG_0> (the stone wall and dusty light). His expression should convey worry or distress, reflecting the tension established in <IMG_0> and <IMG_1>. The intent is to show the broader impact of the conflict."
},
{
"global_prompt": null,
"instruction_full": "Pull back from the close-up of <the bearded man with pistol> in <IMG_1> to a wider interior shot of the vehicle, framed from the driver's side. <the bearded man with pistol> is visible on the right, still holding his weapon, looking forward. A new character, <the driver>, is visible partially obscured by the steering wheel, and another new character, <the other militant with rifle>, is seen through the windshield, aiming his rifle, mirroring <the militant with rifle> from <IMG_0>. The shot is inside the same vehicle as <IMG_1>, now showing more of the interior and the exterior through the front windshield. The environment outside, including the stone wall, should be visible, connecting to <IMG_0>, to broaden the scope of the immediate threat, showing both the internal team's readiness and the external presence of multiple armed individuals, increasing the sense of being surrounded.",
"instruction_minimal": "generate the next shot",
"think_full": "The interior of the vehicle from <IMG_1> is expanded, and the exterior environment from <IMG_0> (stone wall, dusty lighting), previously seen behind <the militant with rifle>, is now clearly visible through the windshield, reinforcing the location and the contained nature of the standoff. <the bearded man with pistol> from <IMG_1> reappears, showing his continued vigilance. Two new characters are introduced: <the driver> and <the other militant with rifle>, who, along with <the militant with rifle> from <IMG_0> (seen outside through the window), underscore the multiple threats. This shot expands the understanding of the scene, showing the team inside and confirming multiple external threats, emphasizing the confined space of the vehicle and the danger pressing in from outside, building on the tension from <IMG_2>.",
"think_minimal": "The global prompt's shot outline for <IMG_3> indicates a pull back to show <the bearded man with pistol>, <the driver>, and <the other militant with rifle> inside the vehicle, with <the militant with rifle> from <IMG_0> visible outside, emphasizing the enclosed and dangerous situation. This means a wider interior shot of the vehicle from <IMG_1>, showing multiple occupants including new characters like <the driver> and <the other militant with rifle>, and crucially, showing the external threat (militants, similar to <IMG_0>) through the windows. The environment should continue the warm, dusty street setting seen in <IMG_0> and <IMG_2>. The intent is to show the full immediate scope of the vehicle's occupants and the external threat, reinforcing the siege mentality."
},
{
"global_prompt": null,
"instruction_full": "Return to a close-up shot of <the local elder>, similar in framing and angle to <IMG_2>, maintaining the external perspective. <the local elder> is visible again, with a heightened expression of concern or even distress, perhaps gesturing with a hand. The background remains the same stone wall environment from <IMG_0> and <IMG_2>, with consistent lighting, to reiterate the bystander's perspective and amplify the sense of urgency or alarm, reinforcing the danger.",
"instruction_minimal": "generate the next shot",
"think_full": "The background of the stone wall from <IMG_0> and <IMG_2> is maintained, confirming the continued location of <the local elder> within the standoff area. <the local elder> from <IMG_2> reappears, his expression now showing increased worry or distress, perhaps trying to de-escalate or expressing helplessness, in reaction to the broadened threat revealed in <IMG_3>. This cut back to <the local elder> serves as a pulse check, showing the impact of the unfolding events on an innocent party. His intensified concern reflects the escalating tension confirmed by the wider shot in <IMG_3>.",
"think_minimal": "The global prompt's shot outline for <IMG_4> states a return to <the local elder>, showing his continued reaction to the unfolding confrontation. This means a close-up of <the local elder> from <IMG_2>, maintaining the same external setting (stone wall background from <IMG_0>). His expression should be more intense or distressed than before, reflecting the heightened tension after the wider view of the threat in <IMG_3>. The purpose is to underscore the emotional impact of the standoff on an observer."
},
{
"global_prompt": null,
"instruction_full": "Return to the wider interior shot of the vehicle, similar to <IMG_3>, framed from the driver's side but perhaps slightly tighter on <the bearded man with pistol>. <the bearded man with pistol> is prominent on the right, maintaining his alert posture with the pistol ready. <the other militant with rifle> is visible through the windshield, aiming his weapon as established in <IMG_3>. The interior of the vehicle from <IMG_1> and <IMG_3> is again visible, with the exterior stone wall and dusty environment from <IMG_0> through the windows, maintaining the continuity of the setting, to sustain the tension inside the vehicle and reinforce the continuous external threat, showing the team's readiness for action.",
"instruction_minimal": "generate the next shot",
"think_full": "The interior of the vehicle and the exterior street environment visible through the windows (from <IMG_1> and <IMG_3>, with elements from <IMG_0>) are consistently maintained, keeping the viewer grounded in the location of the standoff. <the bearded man with pistol> from <IMG_1> and <IMG_3> reappears, his focused gaze and ready pistol reflecting continued vigilance. <the other militant with rifle> from <IMG_3> is also visible outside, emphasizing the ongoing external threat. This shot maintains the internal perspective of the team under siege, reinforcing their state of alert. It directly follows the concerned reaction of <the local elder> in <IMG_4>, indicating that the threat remains active and immediate, pushing towards potential action.",
"think_minimal": "The global prompt's shot outline for <IMG_5> indicates a return to the vehicle interior, maintaining the perspective of <the bearded man with pistol> and the escalating tension with the visible militants outside. This means revisiting the wider interior shot of the vehicle from <IMG_3>, showing <the bearded man with pistol> and the external militants (like <the other militant with rifle>). The dusty, outdoor environment seen through the windows should be consistent with <IMG_0> and <IMG_2>. The intent is to maintain the tension and the sense of immediate threat from the perspective of the people inside the vehicle, following the emotional beat from <IMG_4>."
},
{
"global_prompt": null,
"instruction_full": "Cut back to a tighter close-up on <the local elder>, even more intense than <IMG_2> or <IMG_4>, perhaps slightly higher angle. <the local elder> is shown with an expression of deep distress, fear, or resignation, potentially with his eyes closed or looking down, as if overwhelmed. The right side of his face might be partially obscured by a dark, out-of-focus foreground element, intensifying his isolation. The background remains the familiar dusty stone wall environment from <IMG_0>, <IMG_2>, and <IMG_4>, maintaining consistent lighting, to emphasize the profound emotional impact of the standoff on the civilian, signaling a peak in his distress and mirroring the mounting tension of the scene.",
"instruction_minimal": "generate the next shot",
"think_full": "The stone wall background is consistently maintained from <IMG_0>, <IMG_2>, and <IMG_4>, firmly placing <the local elder> in the same tense street environment. <the local elder> from <IMG_2> and <IMG_4> reappears, his distress now reaching an apex, indicating the escalating danger. The partial obscuration by a foreground element isolates him further. This very tight close-up amplifies <the local elder>'s emotional state, showing a significant increase in fear or despair. It acts as a dramatic beat, reflecting the heightened tension of the standoff after multiple exchanges between the opposing armed groups (<IMG_0>, <IMG_1>, <IMG_3>, <IMG_5>).",
"think_minimal": "The global prompt's shot outline for <IMG_6> specifies a return to <the local elder>, reflecting his increasing distress. This calls for a tighter close-up on <the local elder> from <IMG_2> and <IMG_4>, emphasizing an even greater level of fear or despair. The background should be the familiar dusty stone wall from earlier external shots (<IMG_0>). The scene's tension, amplified by <IMG_5>, should culminate in this shot showing the civilian's overwhelming fear, indicating the peak emotional impact."
},
{
"global_prompt": null,
"instruction_full": "Execute a wide, establishing shot of the entire street scene, potentially from an elevated or slightly obscured vantage point (e.g., through a car window). Show multiple armed individuals, including those resembling <the militant with rifle> and <the other militant with rifle>, scattered around the street. The vehicle containing <the bearded man with pistol> and <the driver> should be visible, along with other vehicles and bystanders. This is the same dusty, urban street environment implied in previous shots by the stone walls (<IMG_0>, <IMG_2>, <IMG_4>, <IMG_6>) and the vehicle interior (<IMG_1>, <IMG_3>, <IMG_5>), but now the full scale of the standoff is revealed. Show densely packed buildings and vehicles, with warm, harsh sunlight, to dramatically reveal the full scope of the chaotic and dangerous situation, establishing the true number of combatants and the extent of the immediate area of conflict.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot finally reveals the full scale of the street environment that was previously hinted at by the stone walls (<IMG_0>, <IMG_2>, <IMG_4>, <IMG_6>) and the glimpses through the vehicle windows (<IMG_1>, <IMG_3>, <IMG_5>). The consistent warm, dusty lighting maintains continuity. It includes generic armed individuals consistent with <the militant with rifle> and <the other militant with rifle> and the vehicle seen in previous shots, contextualizing them within a larger conflict zone where <the bearded man with pistol> is located. After the intense close-ups and contained views in <IMG_6>, this wide shot provides a dramatic reveal of the full scale of the standoff. It demonstrates that the conflict involves more than just a few individuals, increasing the overall sense of danger and chaos, and showing the confined nature of the street.",
"think_minimal": "The global prompt's shot outline for <IMG_7> calls for establishing the broader street environment, showing multiple armed individuals and vehicles, revealing the full scale of the standoff. This requires a wide, establishing shot of the entire street, showing the urban setting, multiple armed figures resembling <the militant with rifle> and <the other militant with rifle>, and the vehicle from <IMG_1>, <IMG_3>, <IMG_5>. The environment should be consistent with the dusty, sunlit street glimpsed in previous shots, especially <IMG_0>. The intent is to dramatically reveal the extent of the conflict and the number of participants after the intense close-ups of <IMG_6>."
},
{
"global_prompt": null,
"instruction_full": "Cut back to a medium close-up of <the militant with rifle>, identical in framing and angle to <IMG_0>, reinforcing his position and threat. <the militant with rifle> is shown again, aiming his weapon, maintaining the same intense, focused expression as in <IMG_0>. The background is the same dusty, textured stone wall from <IMG_0>, consistent with the wider street view from <IMG_7>, bathed in harsh, warm light, to re-establish the immediate and unwavering threat from this specific militant after the broader reveal of the scene, refocusing the tension.",
"instruction_minimal": "generate the next shot",
"think_full": "The stone wall and dusty lighting are directly reused from <IMG_0>, clearly indicating we are returning to the starting point of the standoff. This shot also connects spatially to the wider scene shown in <IMG_7>, where the militant would be positioned. <the militant with rifle> from <IMG_0> reappears, his pose and expression identical, signifying the enduring and undiminished threat he poses. This shot acts as a direct echo of <IMG_0>, bringing the narrative back to the immediate, point-of-conflict threat after the panoramic view of <IMG_7>. It underscores that despite the wider scale, this specific individual remains a primary and active danger, maintaining high tension.",
"think_minimal": "The global prompt's shot outline for <IMG_8> specifies a return to <the militant with rifle>, reinforcing his threat and unwavering stance. This means a medium close-up of <the militant with rifle>, replicating the framing and intensity of <IMG_0>. The background should be the stone wall from <IMG_0>, confirmed by the wider shot in <IMG_7>, maintaining the dusty, warm lighting. The intent is to re-emphasize the direct threat from the primary antagonist after the broader context was shown in <IMG_7>, bringing the focus back to the core standoff."
},
{
"global_prompt": null,
"instruction_full": "Cut back to a medium close-up of <the bearded man with pistol> inside the vehicle, identical in framing and angle to <IMG_1>, mirroring the previous shot and maintaining the counter-threat. <the bearded man with pistol> is shown again, holding his pistol, maintaining the intense, alert expression and sweat on his face from <IMG_1>. The barrel of <the other militant with rifle>'s weapon is partially visible in the foreground, mirroring <IMG_1>. The shot is inside the same vehicle as <IMG_1>, <IMG_3>, and <IMG_5>, with the blurred exterior visible through the window, consistent with the overall setting, to reinforce the sustained tension and the readiness of <the bearded man with pistol> to engage, bringing the immediate standoff back to a direct stare-down between the two main opposing figures.",
"instruction_minimal": "generate the next shot",
"think_full": "The interior of the vehicle and the blurred exterior are consistent with <IMG_1>, <IMG_3>, and <IMG_5>, maintaining the immediate environment of <the bearded man with pistol>. <the bearded man with pistol> from <IMG_1>, <IMG_3>, and <IMG_5> reappears, his posture and expression unchanged, demonstrating unwavering readiness. The presence of the weapon barrel from <the other militant with rifle> in the foreground also connects to <IMG_1>. This shot directly mirrors <IMG_1>, creating a classic back-and-forth between the two main opposing figures (<the militant with rifle> in <IMG_8> and <the bearded man with pistol> here). It emphasizes the sustained, immediate threat and the readiness for action, concluding this sequence on a high note of unresolved tension.",
"think_minimal": "The global prompt's shot outline for <IMG_9> states a return to <the bearded man with pistol> inside the vehicle, maintaining the close-up and his alert, ready-to-act posture. This means replicating the close-up shot of <the bearded man with pistol> from <IMG_1>, showing him inside the vehicle with his pistol drawn, maintaining his intense and watchful expression. The blurred exterior seen through the window should be consistent with previous vehicle shots (<IMG_3>, <IMG_5>). The intent is to create a visual response to <IMG_8>, emphasizing the ongoing, immediate standoff between the primary combatants."
}
] |
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
| 10
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/12348.jpg-13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/12728.jpg
|
[
{
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}
] |
[
{
"global_prompt": {
"characters": [
"<the armed man>",
"<the agent>",
"<the local contact>",
"<the other armed man>",
"<the rooftop sniper>"
],
"shot_outline": "<IMG_1> establishes the broader street scene with an ambush in progress, revealing the context of the initial threat from <the armed man> and a convoy in a narrow alley. <IMG_2> cuts to a close-up, introducing <the local contact> interacting with someone off-screen, hinting at an urgent exchange. <IMG_3> shows a close-up of <the agent> in a vehicle, reacting with intense focus to the unfolding situation. <IMG_4> provides a medium-wide shot of <the local contact> standing near a vehicle, observing the street and hinting at an external threat. <IMG_5> focuses tightly on <the agent> aiming a pistol from inside a vehicle, indicating direct engagement. <IMG_6> shows a direct confrontation between <the agent> and <the other armed man>, an adversary. <IMG_7> widens the view to show the entire vehicle with <the agent> and <the local contact> inside, surrounded by armed individuals. <IMG_8> provides an extreme wide, high-angle shot of the chaotic street, emphasizing the scale of the conflict and revealing <the rooftop sniper>. <IMG_9> focuses again on <the agent> in the vehicle, amidst the ongoing tension.",
"story_setup": "A tense, action-packed sequence unfolds in a dusty, war-torn urban environment, likely set in the Middle East. The mood is one of immediate danger, ambush, and tactical confrontation. The pacing is rapid, focusing on escalating threats and the reactions of key characters under duress. The stakes are survival amidst a hostile engagement."
},
"instruction_full": "Pull back significantly from the tight close-up of <IMG_0> to establish a wider view of the street, showing the depth of the alley and the context of the confrontation. The camera should be positioned low, looking up slightly, conveying a sense of being on the ground level within the dense urban environment. Introduce a new figure, silhouetted in the foreground on the left, observing the scene. While <the armed man> from <IMG_0> is implied to be part of this broader scene, he is not explicitly visible in this wider shot. The setting is a narrow, dusty, war-torn urban alley or street, consistent with the background texture seen in <IMG_0>. It's cluttered with several parked, dusty vehicles, including what appears to be military-style SUVs and older cars, suggesting a convoy or a barricaded road. The lighting is golden and dusty, with strong highlights in the distance. This is to reveal the larger chaotic environment and the potential ambush context implied by <IMG_0>, shifting from a subjective threat to an objective overview of the scene.",
"instruction_minimal": "generate the next shot",
"think_full": "<IMG_0> showed a close-up of <the armed man> with a rough, light-colored stone wall in the background, suggesting an urban, possibly Middle Eastern setting. <IMG_1> expands on this by revealing a narrow, dusty street with similar building materials and cluttered vehicles, maintaining the same warm, dusty lighting, thus establishing strong spatial continuity. While <the armed man> from <IMG_0> is not explicitly visible, the scene in <IMG_1> is presented as the broader context for his actions. A new, silhouetted figure is introduced in the foreground, whose role is currently unknown but serves as an observer or participant in the unfolding event. The extreme close-up in <IMG_0> created immediate tension. <IMG_1> is necessary to broaden the scope, establish the location as a choke point or ambush site, and show the scale of the situation, making the threat more tangible and spatial. The depth of field highlights the vehicles, suggesting a convoy in a precarious position.",
"think_minimal": "The minimal instruction 'generate the next shot' combined with the global prompt leads me to transition from the close-up threat in <IMG_0> to a wider contextual shot. The `shot_outline` for <IMG_1> states it 'establishes the broader street scene with an ambush in progress, revealing the context of the initial threat from <the armed man> and a convoy in a narrow alley.' Therefore, the camera should pull back from the tight focus of <IMG_0> to a medium-wide shot of a dusty urban street, filled with vehicles. The background's texture from <IMG_0> suggests this environment. A new silhouetted observer can be introduced to populate the scene. This shot's purpose is to reveal the scale of the situation, showing the ambush site and the convoy of vehicles, thereby increasing the narrative scope and establishing the environment for the ensuing conflict."
},
{
"global_prompt": null,
"instruction_full": "Cut to a medium close-up shot, shifting focus from the wide external view of <IMG_1> to an interior or immediate proximity of one of the vehicles. The camera should be positioned slightly low, looking up at eye level. Introduce a new character, <the local contact>, a middle-aged man with a beard, glasses, and a traditional white cap, looking off-screen with a concerned or intense expression. The back of another character's head and shoulder is visible in the foreground, partially obscuring <the local contact>'s face, suggesting a conversation or direct interaction. The background maintains the gritty, light-colored stone wall aesthetic from <IMG_0> and <IMG_1>, indicating we are still within the same dusty urban environment. There's a hint of a vehicle's side mirror or window frame in the lower right, suggesting <the local contact> is either in a car or standing very close to one. The warm, diffused light continues. This is to introduce a new key character and hint at an urgent exchange or discovery, bringing the narrative focus back to a character's direct reaction within the tense environment established in <IMG_1>.",
"instruction_minimal": "generate the next shot",
"think_full": "The background texture in <IMG_2> strongly resembles the light-colored, rough stone wall seen in the background of <IMG_0> and illuminated in the distance of <IMG_1>, confirming we are in the same general urban setting. The warm, dusty light from <IMG_1> also persists. The hint of a vehicle part suggests proximity to the convoy established in <IMG_1>, maintaining spatial continuity. This shot introduces <the local contact>, a new character pivotal to the unfolding scene. The back of the head and shoulder of another character, likely <the agent> (though not yet clearly identified), implies interaction. <the armed man> from <IMG_0> and the silhouetted figure from <IMG_1> are not on screen, but this interaction provides a new focal point within the established tension. After the wide establishing shot of <IMG_1>, a close-up on a new character allows for the introduction of new information or a reaction. <the local contact>'s expression suggests concern or gravity, immediately raising stakes and creating a new point of focus, shifting from generalized threat to specific character engagement.",
"think_minimal": "Given 'generate the next shot' and the `global_prompt`, specifically the `shot_outline` for <IMG_2> which states it 'cuts back to a close-up, introducing <the local contact> interacting with someone off-screen,' I need to focus on a new character. From the chaotic scene in <IMG_1>, the story needs to narrow its focus to human reactions. The camera should capture a medium close-up, featuring a new character identified as <the local contact>, with a concerned expression. The background should retain the dusty urban aesthetic from <IMG_0> and <IMG_1>, possibly with a hint of a vehicle to connect to the convoy. This introduces a personal element to the developing crisis."
},
{
"global_prompt": null,
"instruction_full": "Cut to a very tight close-up on the face of <the agent>, framed from the chest up. The camera is slightly off-center, implying a subjective angle or an intimate moment within the confines of a vehicle. Show <the agent>, a man with a beard and intense, focused eyes, his face covered in a fine sheen of sweat. He looks straight ahead or slightly to the side, his expression determined but wary. The background is blurred but suggests the interior of a vehicle, consistent with the vehicle hint in <IMG_2>. A dark green door frame or window pillar is visible on the right, providing a sense of enclosure. The lighting is still warm and natural, implying daylight filtering into the vehicle, echoing the overall dusty environment of <IMG_1>. This is to introduce <the agent> as a key protagonist, showing his immediate reaction and emotional state within the high-stakes situation, creating a direct connection with the viewer.",
"instruction_minimal": "generate the next shot",
"think_full": "The setting is inferred to be inside one of the vehicles from the convoy established in <IMG_1>, or the one <the local contact> was near in <IMG_2>. The blurred background and the visible vehicle frame on the right indicate an enclosed space, maintaining the tension of the constricted urban environment, thus ensuring spatial continuity. The lighting remains consistent with the warm, dusty, daylight feel from previous shots. This shot introduces <the agent>, a crucial new character, who is likely the person interacting with <the local contact> off-screen in <IMG_2>. His sweat and focused expression immediately convey he is under pressure, directly connecting to the tense situation previously established. Following the introduction of <the local contact> and the hint of interaction in <IMG_2>, this shot introduces <the agent> in a similarly confined but more focused manner. It establishes his presence and emotional state, indicating he is at the center of the unfolding conflict, making his reaction crucial after the wider scene in <IMG_1> and the concerned expression of <the local contact> in <IMG_2>.",
"think_minimal": "Considering 'generate the next shot' and the `global_prompt`, particularly the `shot_outline` for <IMG_3> which states it 'shows a close-up of <the agent> in a vehicle, reacting to the situation,' I need to introduce another key character. The camera should move to a tight close-up inside a vehicle. The character, <the agent>, should appear with a tense, focused expression and a sheen of sweat, signaling the high-stakes environment. The blurred background should hint at the vehicle interior and the ongoing dusty external conditions from <IMG_1> and <IMG_2>. This shot is vital for establishing the protagonist's emotional state and placing him directly within the physical confines of the conflict."
},
{
"global_prompt": null,
"instruction_full": "Shift to a medium-wide shot, placing <the local contact> slightly off-center in the frame. The camera is at eye-level or slightly lower, showing the vehicle and some of the street beyond. Show <the local contact> (introduced in <IMG_2>) standing next to a dusty, military-style SUV, looking up and to the left, as if observing something in the distance or engaging someone off-screen. He appears contemplative or concerned. The back of <the armed man> from <IMG_0> or another armed figure is visible in the extreme foreground on the right, aiming a weapon towards the upper right. The shot firmly establishes the street from <IMG_1>, with the dusty, light-colored buildings in the background. The green military-style SUV is prominent, linking directly to the convoy seen in <IMG_1> and the implied setting of <IMG_2> and <IMG_3>. The warm, dusty daylight pervades the scene. This is to reinforce the setting and characters' positions within it, visually connecting <the local contact> to the broader environment and hinting at an external threat from the partially visible weapon, escalating the tension.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot explicitly ties back to the dusty urban alley and the convoy of vehicles established in <IMG_1>. The prominent green military-style SUV is clearly one of the vehicles seen there. The light-colored, weathered buildings in the background continue the environmental aesthetic from <IMG_0>, <IMG_1>, and <IMG_2>. The warm, dusty lighting remains consistent, ensuring spatial continuity. <the local contact>, introduced in <IMG_2>, is now seen in a wider context, standing outside a vehicle. The inclusion of a weapon belonging to an unseen figure in the foreground, reminiscent of <the armed man> in <IMG_0>, strongly suggests the proximity of threats previously established, thus ensuring character continuity. This creates a visual link between the characters and the unfolding danger. After the close-ups in <IMG_2> and <IMG_3> focused on individual reactions, this shot broadens the perspective again. It anchors <the local contact> within the threatened convoy, showing him observing the environment. The partial view of a weapon reinforces the immediate danger and links back to the initial threat established in <IMG_0>, building on the suspense.",
"think_minimal": "Given 'generate the next shot' and the `global_prompt`, particularly the `shot_outline` for <IMG_4> which states it 'provides a wider shot of <the local contact> standing near a vehicle, adding context to the street,' I need to expand the view again. The camera should take a medium-wide shot showing <the local contact> (from <IMG_2>) outside a vehicle, re-establishing his position within the convoy seen in <IMG_1>. The background must be the dusty urban street from previous shots, and a hint of an armed threat, like a rifle, can be introduced in the foreground to increase tension. This shot serves to broaden the context of the ambush, showing <the local contact>'s awareness of the external danger and linking to earlier established threats."
},
{
"global_prompt": null,
"instruction_full": "Return to a tight close-up from within a vehicle, similar in framing intensity to <IMG_3>. The camera is slightly off-center, focusing on <the agent>'s face and his weapon. Show <the agent> (from <IMG_3>), his face still glistening with sweat, now actively aims a black pistol directly towards the camera, or slightly off-camera. His eyes are intensely focused, conveying determination and readiness for combat. A tactical watch is visible on his wrist. The blurred background indicates the interior of a vehicle, consistent with the setting of <IMG_3>. Hints of the dusty outdoor light filter through. The enclosed space emphasizes the immediate danger and action. This is to show <the agent>'s direct engagement in the conflict, raising the stakes and positioning him as an active participant in the firefight, rather than merely reacting.",
"instruction_minimal": "generate the next shot",
"think_full": "The shot returns to the interior of a vehicle, a setting established for <the agent> in <IMG_3>. The blurred background and interior context maintain consistency with the earlier close-up, indicating the action is unfolding within the confines of the vehicle, amidst the chaotic street scene implied by <IMG_1> and <IMG_4>, thus ensuring spatial continuity. The lighting remains consistent with the warm, dusty outdoor environment, filtering into the vehicle. <the agent>, previously introduced in <IMG_3> looking wary, now reappears in direct action, holding a weapon. His determined expression and active stance signal a shift from observation to direct confrontation, building on the tension established by the armed figures hinted at in <IMG_0> and <IMG_4>, thus ensuring character continuity. After the previous shot (<IMG_4>) showed <the local contact> observing the external environment and a weapon, this shot returns to <the agent> and shows his direct response. It dramatically increases the sense of immediate danger by showing him actively engaged and armed, confirming the imminent threat hinted at since <IMG_0>.",
"think_minimal": "Based on 'generate the next shot' and the `global_prompt`, specifically the `shot_outline` for <IMG_5> which states it 'focuses on <the agent> aiming a pistol from inside a vehicle, indicating direct engagement,' I need to return to <the agent>. The camera should cut back to a tight close-up inside a vehicle, similar to <IMG_3>. <the agent> (from <IMG_3>) should be shown actively aiming a pistol, his face tense and focused, conveying immediate combat. The background should be blurred to indicate the vehicle interior, consistent with his previous appearance, and the lighting should reflect the dusty conditions from earlier shots. This shot is crucial for showing the protagonist's shift from passive observation to active participation in the conflict, escalating the action."
},
{
"global_prompt": null,
"instruction_full": "Execute a counter-shot to <IMG_5>, presenting a medium close-up from <the agent>'s perspective. The shot is slightly low angle, looking up at the target. Introduce <the other armed man>, a new armed figure, wearing a head covering and a tactical vest, looking directly at <the agent> (who is partially visible in the blurred foreground, holding the pistol from <IMG_5>). This new armed man holds a rifle, his expression a mix of aggression and defiance. The background reveals a rough, light-colored stone wall, directly linking back to the primary architectural element of the environment established in <IMG_0>, <IMG_1>, <IMG_2>, and <IMG_4>. The lighting is still warm and dusty, emphasizing the harsh conditions of the urban setting. This is to directly show the immediate threat <the agent> is facing and escalate the confrontation by revealing his adversary in a face-off.",
"instruction_minimal": "generate the next shot",
"think_full": "The background of a light-colored, rough stone wall explicitly ties this shot back to the pervasive urban environment seen in <IMG_0>, <IMG_1>, <IMG_2>, and <IMG_4>, confirming the continuation of the tense, dusty street setting, thus ensuring spatial continuity. The lighting maintains the warm, somewhat harsh daylight that has been consistent throughout the sequence. This shot directly confronts <the agent> (partially visible in the foreground, continuing his action from <IMG_5>) with <the other armed man>, a new character who represents the explicit threat. This figure is distinct from <the armed man> in <IMG_0> but shares the general appearance of an insurgent, confirming the nature of the danger. This shot provides the direct target of <the agent>'s weapon seen in <IMG_5>, ensuring character continuity. Following <the agent>'s active aiming in <IMG_5>, this shot provides the immediate visual payoff by showing his adversary. It clarifies the direct confrontation and intensifies the action, moving from implied threat to explicit face-to-face danger, dramatically escalating the scene.",
"think_minimal": "Based on 'generate the next shot' and the `global_prompt`, specifically the `shot_outline` for <IMG_6> which states it 'shows a direct confrontation between <the agent> and <the other armed man>, likely within the vehicle,' I need to show the target of <the agent>'s weapon from <IMG_5>. The camera should present a counter-shot, a medium close-up from <the agent>'s perspective. A new character, <the other armed man>, should be introduced, facing the camera with a rifle and an aggressive expression. The background should be the consistent dusty stone wall from earlier shots (<IMG_0>, <IMG_1>, etc.), and <the agent>'s pistol from <IMG_5> should be visible in the blurred foreground. This shot directly establishes the antagonist and heightens the sense of immediate combat."
},
{
"global_prompt": null,
"instruction_full": "Return to a medium-wide exterior shot, similar in scope to <IMG_4> but slightly wider, showing the full vehicle and surrounding area. The camera maintains an eye-level or slightly low perspective. Show <the agent> (from <IMG_3>, <IMG_5>) in the driver's seat of the military-style SUV (from <IMG_1>, <IMG_4>), and another person (likely <the local contact> from <IMG_2>, <IMG_4>) in the passenger seat. An armed individual (possibly <the armed man> from <IMG_0> or <the other armed man> from <IMG_6>) is partially visible on the left, holding a rifle, aiming it into the vehicle or towards the street. The dusty urban street environment from <IMG_1> and <IMG_4> is clearly visible, with the prominent green military-style SUV centered in the frame. The rough stone walls and general clutter of the street remain consistent. The golden, dusty sunlight continues. This is to broaden the view to encompass the full vehicle and its occupants amidst the ongoing conflict, showing the immediate spatial relationship of <the agent> to the external threat.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot explicitly returns to the broader street scene and the green military-style SUV, drawing directly from <IMG_1> and <IMG_4>. The dusty urban environment with its characteristic light-colored stone walls is consistent with all previous shots, reinforcing the setting, thus ensuring spatial continuity. The warm, dusty lighting is also maintained. <the agent>, who was seen inside the vehicle in <IMG_3> and <IMG_5>, is now clearly placed in the driver's seat. A second figure, likely <the local contact> from <IMG_2> and <IMG_4>, is visible in the passenger seat. An armed figure, resembling those seen in <IMG_0> and <IMG_6>, is on the left, aiming a weapon, indicating the continued and immediate threat from external combatants, thus ensuring character continuity. After the intense close-ups of confrontation in <IMG_5> and <IMG_6>, this wider shot serves to re-establish the broader context of the ambush, showing the protagonists confined within their vehicle as the danger unfolds around them. It visually consolidates the previous character introductions and the established threat.",
"think_minimal": "Following 'generate the next shot' and the `global_prompt`, specifically the `shot_outline` for <IMG_7> which states it 'widens the view to show the entire vehicle and surrounding action, including an armed individual,' I need to pull back from the intense close-up of <IMG_6>. The camera should capture a medium-wide exterior shot of the military-style SUV (from <IMG_1>, <IMG_4>) on the dusty urban street. <the agent> (from <IMG_3>, <IMG_5>) should be visible in the driver's seat, and <the local contact> (from <IMG_2>, <IMG_4>) in the passenger seat. An armed figure (like <the armed man> from <IMG_0> or <the other armed man> from <IMG_6>) should be present on the left, aiming a rifle. This shot helps to re-contextualize the direct action within the larger ambush scene, showing the protagonists' trapped situation."
},
{
"global_prompt": null,
"instruction_full": "Transition to an extreme high-angle, long shot, almost an aerial or rooftop perspective. The camera is positioned far above the street, looking down into the narrow alley, with a strong lens flare from the sun. The street is crowded with multiple vehicles, and many small figures, suggesting a chaotic situation. One figure, <the rooftop sniper>, is visible in the foreground on the left, partially obscured by barbed wire, suggesting a vantage point. Other armed figures are visible on ledges and rooftops. The entire narrow, dusty urban alley, filled with abandoned or stalled vehicles from <IMG_1>, <IMG_4>, and <IMG_7>, is now seen from above. The high walls of the buildings line the street, creating a canyon-like effect. The background shows more of the densely packed buildings under bright, harsh sunlight, causing a strong lens flare. Barbed wire in the foreground adds to the oppressive atmosphere. This is to provide a dramatic, wide overview of the entire ambush scene, emphasizing the scale of the conflict, the trapped situation of the convoy, and revealing an additional threat from above, like a sniper.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot dramatically widens the perspective, revealing the full extent of the narrow urban alley and the convoy of vehicles first hinted at in <IMG_1> and further established in <IMG_4> and <IMG_7>. The light-colored stone buildings, now seen from a high vantage point, maintain the consistent architectural style. The bright, dusty sunlight with lens flare intensifies the established atmosphere, thus ensuring spatial continuity. The scene reinforces the idea of a bottleneck or ambush point. While individual characters like <the agent> and <the local contact> are reduced to small figures within the crowd, this shot introduces <the rooftop sniper>, a new character who defines an additional, elevated threat. Other armed figures are visible on rooftops, expanding the scope of the hostile forces previously represented by <the armed man> in <IMG_0> and <the other armed man> in <IMG_6>, thus ensuring character continuity by showing the broader threat. After showing specific confrontations and character reactions, this shot provides a crucial wide-angle view, demonstrating the overwhelming scale of the ambush and the truly precarious position of the convoy. It introduces a new dimension of threat from above (the sniper), further escalating the dramatic tension by showing the protagonists are completely surrounded.",
"think_minimal": "For 'generate the next shot' and the `global_prompt`, specifically the `shot_outline` for <IMG_8> which states it 'provides an extreme wide shot of the chaotic street, emphasizing the scale of the conflict and a sniper's perspective,' I need a drastic camera change. The camera should ascend to an extreme high-angle, long shot, looking down on the entire chaotic urban alley. This shot will show the full convoy of vehicles (from <IMG_1>, <IMG_4>, <IMG_7>) surrounded by numerous armed figures. The tight stone buildings (from <IMG_0>, <IMG_1>, etc.) should frame the scene. A new character, <the rooftop sniper>, or at least an indication of a sniper's nest, should be visible in the foreground. This aerial view is essential to convey the overwhelming scale of the ambush and the trapped situation of the protagonists, adding a new layer of threat from above."
},
{
"global_prompt": null,
"instruction_full": "Cut back to a medium shot, focusing on the interior of the military-style SUV, framing <the agent> through the windshield. This shot maintains an eye-level perspective from outside the vehicle, similar to elements of <IMG_7>. <the agent> (from <IMG_3>, <IMG_5>, <IMG_7>) is visible in the driver's seat of the green SUV. He looks intently forward, his expression still tense and determined, perhaps in the aftermath of direct combat or bracing for more. Another blurred figure is in the passenger seat. The green military-style SUV (from <IMG_1>, <IMG_4>, <IMG_7>) is central. The background shows the dusty, cluttered urban street with more vehicles, consistent with the environment established across previous shots, especially <IMG_1>, <IMG_4>, <IMG_7>, and <IMG_8>. The warm, dusty lighting prevails, possibly with bright highlights in the distance. This is to bring the focus back to <the agent> and his immediate situation within the vehicle, emphasizing his ongoing tension or resilience amidst the wider chaos, as the scene transitions or continues.",
"instruction_minimal": "generate the next shot",
"think_full": "This shot returns to the interior view of the military-style SUV, specifically focusing on <the agent> in the driver's seat, reinforcing the location established in <IMG_3>, <IMG_5>, and <IMG_7>, thus ensuring spatial continuity. The background of the cluttered, dusty urban street and other vehicles is consistent with the wider shots like <IMG_1>, <IMG_4>, <IMG_7>, and the overview in <IMG_8>, maintaining the established environment. The warm, bright, dusty lighting continues. <the agent> reappears from <IMG_3>, <IMG_5>, and <IMG_7>, his tense and focused demeanor persisting, signaling the ongoing nature of the threat. The blurred figure in the passenger seat likely indicates <the local contact> from <IMG_2>, <IMG_4>, and <IMG_7>, reinforcing their presence. The specific threats from <the armed man>, <the other armed man>, and <the rooftop sniper> are implied to still be active from the wider context of <IMG_8>, thus ensuring character continuity. After the dramatic wide shot in <IMG_8> revealed the full scale of the ambush and the new sniper threat, this shot brings the perspective back to the protagonist. It re-centers the viewer on <the agent>'s immediate experience, emphasizing his resilience or continued vulnerability in the face of the overwhelming forces shown previously, and potentially setting up the next phase of action or escape.",
"think_minimal": "For 'generate the next shot' and the `global_prompt`, specifically the `shot_outline` for <IMG_9> which states it 'focuses again on <the agent> in the vehicle, likely in the aftermath or amidst continued tension,' I need to return to the protagonist. The camera should cut back to a medium shot, looking into the military-style SUV (from <IMG_1>, <IMG_4>, <IMG_7>), framing <the agent> (from <IMG_3>, <IMG_5>, <IMG_7>) in the driver's seat. His expression should remain tense and determined, reflecting the ongoing danger despite the wider overview from <IMG_8>. The background should show the familiar dusty urban street with other vehicles. This shot serves to bring the focus back to the immediate human element of the story, emphasizing <the agent>'s continued struggle or resilience within the larger, chaotic battle."
}
] |
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
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| "13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/68083.jpg-13.H(...TRUNCATED)
| [{"aesthetic":6.077110290527344,"filename":"68083.jpg","musiq":0.0,"rel_path":"images/13.Hours.The.S(...TRUNCATED)
| [{"global_prompt":{"characters":["<the bearded man in white shirt>","<the man in plaid shirt>","<the(...TRUNCATED)
|
13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv
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| "13.Hours.The.Secret.Soldiers.of.Benghazi...p.Atmos.TrueHD.7.1.x265.10bit-DreamHD.mkv/70463.jpg-13.H(...TRUNCATED)
| [{"aesthetic":5.371364116668701,"filename":"70463.jpg","musiq":0.0,"rel_path":"images/13.Hours.The.S(...TRUNCATED)
| [{"global_prompt":{"characters":["<the primary operative>","<the local contact>","<the local contact(...TRUNCATED)
|
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